Search:black vinyl

Der GORGOROTH - Klassiker an dem kein echter Black Metal fan vorbeikommt! Jetzt als White/Black Marbled Vinyl

High Roller Records, reissue 2022 with alternate cover art, black/ yellow splatter vinyl, ltd 300, 4 page insert, poster, 425gsm heavy card bord cover, bonus 10", mastered for vinyl by Patrick W. Engel at Temple of Disharmony

New York heavyweights Emskee and Saint are The Good People and teamed up with French producer Shar The Analog Bastard for this superb EP released as digital only back in September 2020. Around the same time AE Productions dropped Emskee’s Wall To Wall 12” and while talking back and forth we arranged to release The Fall Back EP on AE. Unfortunately pressing vinyl became very difficult due to worldwide lockdowns so is only now ready for release even though it was sent to manufacture back in June 2021.

If you missed the digital release and if you dig real deal intelligent Hip Hop with a couple stellar MC’s over that classic SP1200 soundscape this EP is for you and if a guest verse each from the beyond legendary Masta Ace and El Da Sensei plus the not so well known but very dope Meraxx is your cup of tea look no further.

Remastered for vinyl by our mastering engineer of choice Rola and artwork by the multitalented Saint. Available on 6 track black vinyl EP supplied in full colour heavy grade card sleeve plus available from all the usual digital services to stream or download but please see The Good People and Shar’s Bandcamp pages for better file types.

Splatter Vinyl
High Roller Records, re-issue 2023, double black vinyl, ltd 250, gatefold cover, insert, remastered and restored by Patrick W. Engel at Temple of Disharmony

Clear Blue/ Red Marbled Vinyl

Es kommt selten vor, dass eine Band mit ihrem bisher besten Werk ein comeback feiert, aber die finnischen ...And Oceans beweisen hier eindrucksvoll, dass "Cosmic World Mother" aus 2020 eine Symphonie stürzender Dämme kreativer Schleusen war, die in ein neues Gewässer, einen Ozean, wenn man so will, einbrachen.

Alles, was das erste Album seit 18 Jahren Pause von ...And Oceans gut gemacht hat - rasanter symphonischer Black Metal, berauschende Themen, die sich mit der Verbindung zwischen Philosophie und Übersinnlichem befassen, und das für ...And Oceans typisch abenteuerliche Songwriting - schafft "As In Gardens, So In Tombs" in den Schatten zu stellen und neu zu kontextualisieren. Es ist der Sound einer Band, die jedes Quäntchen Schwung mitnimmt und in jeder Hinsicht den Einsatz steigert.

Obwohl ...And Oceans noch nie ein Album zweimal geschrieben haben, klingt ihr neuestes Werk in vielerlei Hinsicht wie eine Gelegenheit für die finnische Gruppe, das, was sie begonnen hat, fortzusetzen und zu verbessern. Symphonischer Black Metal fühlte sich noch nie so spaßig, frei und fantastisch an!

FFV: Dimmu Borgir, Cradle of Filth, Limbonic Art, Children of Bodom, Emperor

The Wrocław band Ślina returns with their third studio album, this time recorded with Mikołaj Trzaska.

This is not the album of Trzaska + Ślina or Ślina + Trzaska. This is Ślina Trzaska (a kind of wordplay in polish, means: The saliva cracks). A kind of full, new band that was created in the outstanding Sudeten studio Monochrom and is sometimes continued live.

Free improvisations and Krautrock motility are still the hallmark of Ślina, but the organic, radical sound of Mikołaj Trzaska's saxophone and clarinet gives this music a completely new character. From silence and delicacy of ambient to hurricane and violence, full of nuances, interfering motifs associated with Jewish music, it sounds as if the musicians already knew each other from the sandbox, even if they lived in other cities.

There are 4 tracks on the album, traditionally titled as their lengths.

This vinyl version is a 20-inch (!) Hybrid: a 180-gram black 12-inch, traditionally pressed, and an equally black 8-inch cut by Uncle Gusstaff in Studio im. Witolda Gombrowicza in Zielona Góra.

Mikołaj Trzaska - alto sax / bass clarinet
Matylda Gerber - alto/tenor/baritone sax
Filip Zakrzewski - electric guitar / SFX
Mikołaj Nowicki - double bass / synth / percussion
Stanisław Olek - drums/percussion

Justice League is a 2017 superhero film based on the DC Comics superhero team of the same name. The film was directed by Zack Snyder and written by Chris Terrio and Joss Whedon. It is the fifth installment in the DC Extended Universe and is a sequel to the events of Batman v Superman: Dawn Of Justice.

The film was scored by Danny Elfman, who previously worked together with Tim Burton on many of his films. Elfman has won numeruous awards and was nominated for four Oscars. Some of his well-known works include the soundtrack for the films The Nightmare Before Christmas, Men In Black, Batman and Edward Scissorhands.

The soundtrack to Justice League includes Sigrid “Everybody Knows”, The White Stripes “Icky Thumb” and “Come Together” by Gary Clark Jr. and Junkie XL.

Justice League is available as a limited edition of 1000 individually numbered copies on flaming coloured vinyl. This 2LP includes a sticker sheet of the different Justice League characters and is housed in a deluxe gatefold sleeve.

2023 Black Vinyl Repress
We are extremely happy to welcome another talented artist in the Moonshine Recordings family. EchoBoy previously known as Riddim Tuffa is a Czech based producer that is about to mashup the todays reggae dubstep scene in the upcoming months. His first moonshine release will drop on May the 6th on beautiful marbled hazy red vinyl.

LP (180-gram vinyl, clear) in a thick (350gsm) card stock sleeve with matte varnish, black poly-lined disco bag, a thick (300gsm) printed insert and protective PVC outer sleeve

Cosmic American music from the far flung reaches
of rural Oregon.
Issued in 1979 on Allan Wachs’ own True Vine
imprint, ‘Mountain Roads & City Streets’ gathers a
decade of songs written while hitchhiking up and
down the West Coast.
Screeching pedal steel, lilting flute and tingly
dulcimer are peppered throughout Wachs’ tales of
brief affairs, invisible dogs and getting lost in a
changing America.
Available on Invisible Dog Clear Vinyl and
standard black vinyl LP.

Cosmic American music from the far flung reaches
of rural Oregon.
Issued in 1979 on Allan Wachs’ own True Vine
imprint, ‘Mountain Roads & City Streets’ gathers a
decade of songs written while hitchhiking up and
down the West Coast.
Screeching pedal steel, lilting flute and tingly
dulcimer are peppered throughout Wachs’ tales of
brief affairs, invisible dogs and getting lost in a
changing America.
Available on Invisible Dog Clear Vinyl and
standard black vinyl LP.

“Avada Kedavra Deluxe,” by Seattle rapper AJ Suede, is a 21-track, self-produced, self-referencing, double-vinyl labyrinth of experimental boom-bap. Building on a signature style that SPIN magazine describes as “stream-of-consciousness rhymes, containing everything from socio-political commentary and blunted cinematic allusions to psychedelic visions,” Suede’s creation is as compelling as it is unclassifiable. On the first LP, Suede demonstrates his substantial skills as a beatmaker and rapper, chopping up what Seattle’s KEXP calls “the smoothest, jazziest, weirdest samples” and overlaying parkour bars about Grunge, success, and social justice. From the first cut, “Nebuchadnezzar,” which New York’s Major Stage describes as a “powerful chant-like hypnotic loop,” these 10 tracks capture an elusive mood of too many hours inside watching YouTube and trying to piece together fractured connections. The album’s title is derived from an Aramaic spell: “Let this thing be destroyed.” On the second LP, Suede invites 13 guests to “destroy” the original songs. This disc of remixes and reworkings showcases underground voices from across the Northwest (Seattle’s Wolftone, Khrist Koopa, Portland’s Fines Double), from across America (New Jersey’s Fatboi Sharif, California’s mudwater, Ohio’s Lord Olo, New York’s Bloodblixing), and around the world (Tel Aviv’s Argov and Japan’s Wazasnics). Seattle rappers Astral Trap, Blake Anthony, Mika’il, and Greg Cypher are featured on a bonus “posse” cut. AJ Suede has been grinding for years in the underground, building a solid, devoted global fanbase. He’s released acclaimed cassettes and CDs through respected labels such as Fake Four Inc., Candy Drips, Chong Wizard, and Blackhouse. In May 2022, a 100-copy vinyl run of his album “Metatron’s Cube” sold out in less than four hours. With “Avada Kedavra Deluxe,” AJ Suede has tapped into the moment, using what Deeply Rooted Hip-Hop calls “a subconscious steeped in the mystical.” As KEXP says: “Quite predictably, the whole album bangs.”

To commemorate Snow Patrol's 25th anniversary year Jeepster will be making their second album 'When It's All Over We Still Have To Clear Up' available on vinyl for the very first time. Specially remastered for the format the initial pressing of the LP will include a bonus gold coloured 7' featuring two never before released songs.

Snow Patrol released their second record, 'When Its All Over We Still Have To Clear Up' through Jeepster Recordings on 12th March 2001. The album was the follow up to their critically acclaimed debut 'Songs For Polar Bears' which was released in 1998. The rest, as they say, is history...

Clear Vinyl

Black vinyl (limited to 150 copies)

VNR label boss Chippie coming with this double A sided release. Ocean love has been shaking dance floors all across the world with its combination of dirty Reece Bass and a serious amen workout, catchy gospel like vocal making this an upto date sound from the high times of when atmospheric drum and bass was peaking in the scene.
This flip is staying on the same vibes but infused with a reggae themed vibe.
Records Available

A Jazzman’s Blues is the 2022 Netflix drama film written, produced, and directed by Tyler Perry. It stars Joshua Boone, Amirah Vann, Solea Pfeiffer, Austin Scott, and Ryan Eggold a.o. The film centers on the forbidden romance between Bayou and Leanne who are best friends. They fall in love as soon as they cross paths, however Leanne’s mother forbids their union and forcefully takes Leanne with her to Boston.

The orchestral music in A Jazzman’s Blues was composed by the classically trained composer Aaron Zigman, who has previously scored music for films including The Notebook, The Company Men and Sex & the City. He has also written, arranged, and produced for artists including Quincy Jones, John Legend, Phil Collins, Christina Aguilera, and Aretha Franklin amongst many others. The songs of this score have been arranged and produced by Oscar-nominated trumpeter and composer Terence Blanchard. He has been nominated for composing the scores for BlacKkKlansman and Da 5 Bloods.

The soundtrack features vocals by the cast members, including Joshua Boone, Amirah Vann and Austin Scott.

AJazzman’s Blues is housed in a gatefold sleeve and includes an unfolded “paper plane” insert with lyrics of Ruth B.’s song “Paper Airplane”.

Newly mastered to vinyl from original BYG tapes. Lacquers cut by Alchemy Mastering at AIR STUDIOS. Insert with exclusive liner notes by author, journalist and BYG-authority Kevin Le Gendre. CD: Original 1969 BYG album. Digitally mastered from original BYG tapes by Nick Robbins. 16-pages booklet with photos & exclusive liner notes by author and journalist Kevin Le Gendre. *** Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought. Relocating to Paris he made a number of highly influential albums, such as Blasé, that broached the essential themes of freedom and racial equality, and tapped into the bedrock of African-American music. Gospel and blues were a major part of the work, which also had a strong avant-garde sensibility. The band featured stellar vocalist Jeanne Lee and members of Art Ensemble Of Chicago. These trailblazing artists who combined jazz, poetry and radical politics made a definitive musical statement. “This re-mastered version of a seminal album still has great musical and emotional power... “ Kevin Le Gendre, 2022

In the early '70s, after relocating from his native Genoa to Rome, young saxophonist Gianni Oddi was beginning to establish himself as a super-cool arranger thanks to a series of cover albums recorded for RCA Italy. They contained funk, soul and easy-listening versions of contemporary pop hits, but Oddi often managed to include one or two original compositions of his own – like the ones contained in this new instalment of Four Flies's 12-inch vinyl series for DJs.

The luscious funk of Dreamin', on side A, shows Oddi as an Italian master of groove. Warm, sexy and nocturnal, the song combines breaky drums with tantalizing vocals (provided by Baba Yaga's Isabella Sodani), adding a romantic, dreamy vibe in the special with strings and piano (the latter played by Oddi himself) that are at once reminiscent of soulful black music and influenced by the melodic tradition of Italy.

Geronimo, on side B, is almost a tribute to Manu Dibango – a favourite of Oddi's at the time. Here, Oddi's signature groove, at once refined and infectious, is driven by Mario Scotti's pulsating bass, Silvano Chimenti's wah-wah guitar, Oddi's own persuasive sax and, in particular, sound engineer (and former drummer) Enzo Martella's 'moose call' sound (made by sliding a thumb across the top of a conga). In a nutshell: Africa reimagined in Via Tiburtina (the street in Rome where RCA Italy's recording studios where located).

Both tracks are perfect examples of Oddi's sound and... Style (yes, his 1974 album for RCA Italy's SP series). The same sound (and style!) characterizes masterpieces like Le Montagne della Luce (co-written with Romolo Grano), La Sbandata (the funky theme from Domenico Modugno's soundtrack, which Oddi arranged and produced) and Mondo di Notte Oggi (co-written with Gianni Dell'Orso). All of these have been released by Four Flies, which continues to celebrate this fantastic groove maker.

Chaos & Colour, the energetic and triumphant 25th studio album from British hard rock legends and progenators Uriah Heep, bristles with explosive classic rock guitars, supreme harmonies, and Heep’s famously generous keyboard foundation.

Led by founding member Mick Box, it is no surprise that themes of light, love and, ultimately, positivity are constant through the eleven tracks. Opener “Save Me Tonight” shows the band’s weighty yet blistering chops, whilst “One Nation, One Sun” is a journey of soaring balladic contemplation.

“Fly Like An Eagle” emanates magic and mystery in a way that the late, great Ronnie James Dio would have heartily approved, and “Closer To Your Dreams” is a battle cry for all rockers to get out there and do it, with Shaw imploring that “So many have tried but slipped away/Now it’s time for you to have your say.” Throughout the album, Bernie Shaw’s timeless vocals are expertly supported by keyboardist Phil Lanzon, bassist Dave Rimmer and Box, with Russell Gilbrook on drums rounding out exceptional performances throughout.

Produced at Chapel Studios by Jay Ruston, and engineered by Pieter Rietkirk, Chaos & Colour is a superb album of quality hard rock from the pioneers of the genre who continue to create top class material. Old fans will be reinvigorated whilst new fans will surely find Chaos & Colour an exceptional discovery.

Chaos & Colour will be available to pre-order from November 4, in Black and Coloured Vinyl configurations, as a standard CD Digipak, a Deluxe CD packaged in a hardcover book with Uriah Heep’s Chaos & Colour signature patch and in digital formats.

DOKKEN’s million selling worldwide charting first 4 studio albums in one collection as a 5LP or 5CD set. All albums feature the classic line up of Don Dokken, George Lynch, Jeff Pilson & “Wild” Mick Brown. All 4 albums newly remastered. LP Box Features 180g Black Vinyl.

Both LP & CD box sets include:

• Breaking The Chains (1983) – US #136
Includes: “Breaking The Chains” (#32 US Rock) and “Paris Is Burning (Live)”
• Tooth And Nail (1984) - PLATINUM – US #49
Includes: “Into The Fire” (#21 US Rock), “Just Got Lucky” (#27 US Rock) and “Alone Again” (#64 US Hot 100, #20 US Rock)
• Under Lock And Key (1985) – PLATINUM – US #32
Includes: “The Hunter” (#25 US Rock), “In My Dreams” (#77 US Hot 100, #24 US Rock)
• Back For The Attack (1987) – PLATINUM – US #13
• Includes: The Theme From Nightmare On Elm Street 3, “Dream Warriors” (#22 US Rock), “Burning Like A Flame” (#72 US Hot 100, #20 US Rock), and “Prisoner” (#37 US Rock)

LIMITED EDITION DREAD BLACK VINYL LP, WITH THREE DOUBLE SIDED A4 INSERTS AND DOWNLOAD CODE. HOUSED IN PRINTED OUTER SLEEVE WITH POILYLINED INNER, AND HYPE STICKER. NON-RETURNABLE.
Bruxa Maria are G. Dread: Guitar, Vocals-Dave Cochrane : Bass (Head of David, God, Terminal Cheesecake) - Paul Antony: Drums (Ghold, Test Dept) - Robbie Judkins: Synth noise (Left Hand Cuts off The Right)
Bruxa Maria are back on their third full length; be grateful. “Build Yourself A Shrine And Pray” is 45 minutes of pummelling, punishing fury as unrelenting and all-consuming as your anger at coming up short for the rent.
The new record finds the band just as enraged as their 2016 debut, while continuing to evolve artistically. Bruxa Maria’s huge bass and guitar, frantic drums, and banshee shrieking vocals build tension with few moments of release, the frenzy sometimes dissolving into feedback, static, and synth drones.
Often the riffs have a swagger that makes you want to dance, and in a few places there are flashes of some genuinely pretty melodies and hooks. Those moments all shine through for just an instant before being shredded by the noise and wrath, torn apart flower petals under a line of razor wire.
This is dark music about and against a darkening world, where anger and art are crucial to how we keep on keeping on. You can call it now, this is going to be the best record of 2023.'
(Nate Holdren)

Gold Vinyl

Bizarrekult etabliert sich als einer der Kultvisionäre dieses Jahrzehnts. Den Tapte Krigen" bedeutet "Der verlorene Krieg" und behauptet seine Identität innerhalb des modernen Black Metals.
Für Fans von: Der Weg einer Freiheit, The Ruins of Beverast, Møl, Tombs

1000 black vinyl LPs. London-based ‘indie-supergroup’ SUEP announce their long-awaited debut mini-album Shop, a collection of 6 oddball, car-boot-sale pop songs with a sprinkling of theatrical storytelling. Led by Georgie Stott (of Porridge Radio, Garden Centre) and Josh Harvey, SUEP was born out of a near-decade of playing in sheds and barns with like minded personnel, holding a mutual love for Paul McCartney, Jona Lewie, the B-52s, Devo and other performative freaks enjoying themselves. Following a move to London from Brighton, the pair added George Nicholls (The GN Band, Joanna Gruesome, The Tubs), Will William Deacon (PC World, Garden Centre), and Ollie Chapman (Boil King) to the line-up. The 5 piece take turns writing songs and taking the lead vocal duties in a wonderfully playful but coherent collaboration, with their debut being a kaleidoscopic off kilter pop ride, taking the listener through haunted castles, deprived encounters, days lost to the imagination in bed, and through the integral friendships that give SUEP the energy to keep dancing to their own beat. The album was arranged and recorded in the Red Lion Boys Club, an ex-youth centre in which Georgie and Josh both lived. Using equipment collected by Josh in his travels as a bootsale and market trader, the sports hall was transformed into a makeshift studio for a few days, with sessions conducted by producer Matthew Green (Sniffany & The Nits, The Tubs, etc.) Mark Riley (BBC 6 Music) described SUEP’s debut single and album opener, ‘Domesticated Dream’ (2021) as “perfect pop music.” The joyfully kitsch track brims with a 70s Yamaha disco beat, deep bass, nostalgic drum machines, and hooky melodies. Possibly the most psychedelic and infectious track born out of lockdown, it tackles homelife, drinking too much, and making big plans that never come to fruition, but with a big technicoloured positivity for the future of the human-race, with the chorus’ refrain, “the psychedelic 4000s,” predicting the return of the psychedelic Age of Aquarius in a couple of millennia time. The following single ‘Misery’ (2021) is pure cosmic swing-pop wizardry in part inspired by spy music and The Supremes. Ollie, The track’s baritone vocalist, describes it as “A love song disguised as a song about loss. It's about cherishing the things that matter but it’s also about having the courage to say goodbye,” with each line of the song a small story about a different character. Whilst latest Shop taster ‘In Good Health’ is darkly euphoric like a pleasantly strange meeting of Siouxsie Sioux and Jona Lewie. It’s a playfully discombobulating mix of 80s jangly guitar, chirpy keyboard and moody post-punk tackling mental health, drug addiction, and the power of friendship, written after the song’s vocalist Georgie came out of hospital following a mental health crisis. “I wanted to write a song that encapsulated how important my relationships with my friends and boyfriend were at that time” she explains “…and one that also felt dark like I did at the time. I couldn’t go outside due to anxiety surrounding my health so I stayed inside for weeks. People would visit and watch films with me or let me tattoo them or make music with me. My community helped me recover.” Elsewhere on Shop is ‘Just The Job’ fronted by Harvey and described by him as “About the relief of accepting a menial existence, and allowing life to be boring - but (within that) how the small things are the important ones, how pulling a sicky or extra long lunch break are important things to do for yourself. It’s an anthem for working people who’ve had enough - and a crowd favourite at SUEP gigs. The darker undertones and post-punk angles of the Georgie-fronted ‘Onions’ is inspired by the crapness of cliques, with the band calling the song “A cry of welcome to all;” and finally the hooky ‘Friend of Mine,’ described as “A love letter to all the people that come and go throughout your life no matter how long you know them”. SUEP have received coverage in Independent & Clash, (among many others), with big support from Mark Riley and Steve Lamacq (BBC 6 Music) for early singles.

• Pre-Fuzztones
• Psychedelic tunes were where Tina Peel were at.
With a handful of songs that would re-emerge later on Fuzztones albums
• 3 colour black, white and pink vinyl
• Only 500 copies pressed
• Previously only issued in Italy 20 years ago
• Liner notes by Rudi Protrudi.

Limited Cerulean Blue Vinyl LP. RIYL: Amen Dunes, Adrienne Lenker & North Americans. Numün, the NYC psychedelic instrumental trio Pitchfork dubbed as 'savvy navigators of paths less traveled', is releasing its second album Book of Beyond on the legendary Shimmy Disc label. With this record, the band, which includes Joel Mellin and Christopher Romero of Gamelan Dharma Swara and ambient country pioneer Bob Holmes of SUSS, continues to stretch their exploration of the inner and outer astral worlds of their first release Voyage au Soleil – voted one of the Best Ambient Releases of 2020. Dave Segal of Pitchfork called that album a "blending of the opiated psychedelia of the music territory staked Brightback Morning Light with a loose-limbed minimalism that privileges subtle effects and incremental chord changes" and Chris Ingalis from PopMatters called it "a trippy, ambient ride and ambitious debut that pulls off the neat trick of creating music that evokes space travel while also sounding refreshingly grounded to Earth's atmosphere." The new album, mastered by Kramer (Galaxie 500, Butthole Surfers, Bongwater, Low, Bill Frisell, etc.) features a unique mixture of Eastern and Western musical stylings and instrumentation including Balinese gamelan, gender wayang, and cumbuz (a 12-string fretless banjo) alongside the classic Americana instrumentation of slide guitar, baritone, mandolin and violin. The instrumental music charts new territories as it explores themes that are sometimes deeply personal, spiritual and otherworldly, including new fatherhood, sleep deprivation, loss and rebirth with titles that include Steps, Vespers, Eyes Open & Lullaby. Guests on the album include Trina Basu (Brooklyn Raga Massive), Tori Lo Mellin (Dharma Swara), and Willa Roberts (Black Sea Hotel). With their new album, Book of Beyond, Numün creates music that provides a star map to help us all navigate the inner constellations of our daily lives.

• Gil Scott-Heron was twenty-one years old when he was signed to Flying Dutchman by Bob Thiele to make an album of his poetry. The resultant “Small Talk at 125th and Lenox” was recorded before a small live audience and, released in 1970, sat perfectly in a world where the Last Poets had just tasted Top 10 success with their debut LP. “Small Talk at 125th and Lenox” opened with a spoken word version of ‘The Revolution Will Not Be Televised’ and also featured poems and musical pieces like ‘Omen’, ‘Brother’, ‘Plastic Pattern People’, ‘Paint It Black’ and ‘Everyday’ that reflected on the black community and its condition within America at this time.

• The starkest of these sharp observational pieces from Scott-Heron was ‘Whitey On The Moon’, which recounts the US Government spending billions on landing a rocket on the moon at a time when, “a rat done bit my sister, Nell”.

• Like its follow-up – “Pieces Of A Man” – “Small Talk at 125th and Lenox” is a classic album and we are delighted to serve it up again on vinyl in a gatefold sleeve with the original liner notes.

• With current “Big Talk” of going back to the moon, whilst injustice still prevails for many black people in America, “Small Talk at 125th and Lenox” still conveys a message that resonates today.

• Vaughan Mason is an influential disco-funk producer and musician who most notably released the
1980s roller skating anthem ‘Bounce, Rock, Skate, Roll’
• The spectacular single was released on Brunswick records and has been sampled by dozens of
artists ranging from Daft Punk, De La Soul to a Tribe Called Quest
• Originally released in 1980, this reissue has been pressed on 140g black vinyl with original artwork
and printed inner sleeve

All-star jazz session WINNERS CIRCLE recorded in New York, September & October 1957. Featuring the musicians who came first or second in Down Beat’s critics’ poll of 1957. Reproduction of rare 1961 alternate album art and title credited to JOHN COLTRANE IN THE WINNERS CIRCLE. Featuring Donald Byrd, Kenny Burrell, Art Farmer, Philly Joe Jones, Oscar Pettiford and more. Remastered 96 kHz/24 bit audio H Pressed on 180 gram black vinyl at GZ Media in Czech Republic.

A SAVAGE SET OF BLACK METAL CLASSICS FROM THE NORWEGIAN
LEGENDS CAPTURED IN 1998 - PRESENTED ON SINGLE BLACK VINYL
FORMAT
Mayhem formed in Oslo, Norway, in 1984 & is infamous as one of the early
Scandinavian purveyors of black metal, made even more legendary after the welldocumented murder of original Mayhem guitarist Euronymous in 1993. This live
album was recorded at a performance at the Rainbow Club in Milan, Italy in
November 1998. The line- up features the returning early Mayhem vocalist
Maniac, plus Hellhammer on drums, Necrobutcher on bass & Blasphemer on
guitar. The show also featured a guest appearance by now- current Mayhem
vocalist Attila Csihar on the track 'From The Dark Past'.
With its well captured sound & the noticeably stunning drum work of Hellhammer,
the band themselves considered this worthy of being labelled an official release,
as Mayhem storm through a strong set full of classics from old releases
'Deathcrush' & 'De Mysteriis Dom Sathanas', to the post- Euronymous
compositions as featured on 'Wolf's Lair Abyss'. Expect nothing but dark &
chaotic black metal carnage.
This edition of 'Mediolanum Capta Est' is presented on black vinyl format.

Blue Vinyl

Auf Diamond Baby Blues verbindet Lee Aaron schweren Blues und klassischen Hardrock, der durch die künstlerische Vision ihrer Zukunft an die Kraft ihrer Vergangenheit erinnert. "Ich wurde inspiriert, diesmal ein Album zu machen, das an diesen klassischen bluesigen Heavy-Rock-Vibe erinnert, der mich als Kind in den 70er Jahren beeinflusst hat." Jetzt wird das Album zum ersten Mal auf Ltd. Edition Himmelblau Vinyl veröffentlicht.

Clear Splatter Vinyl

We are proud to present this long player in our catalog. Zolex is one of the most influential and groundbreaking artists of the European Techno scene. He produced many classic anthems like 'Time Modulator' -one of the first underground techno tracks played on MTV (back in the days MTV still played music)-, Beautiful Inside, Yes & No,... But also under various aliases and groups like Carat Trax,
Asphyx, Dirty Jackers.

Zolex is still an active DJ and he has played on major techno events all over the world. For this release we selected 8 brand new tracks. All of these tracks are in his typical style. This package is like "the finest wine". We are not going to explaining all tracks separately, that would downgrade this promo-text. All tracks are unique, groundbreaking, massive, vicious, top notch and true gems. What we dare to say: buy it and you will play them all! And off course : Play it LOUD!

Following the April 2022 reissue of the album Shrimp Boats, We Are Busy
Bodies presents companion titles Plum and Cherry and Deeper in Black
to round out a Lionel Pillay and Basil Mannenberg Coetzee trilogy as part
of the label's As-Shams South African jazz archive series
The connection between these three albums is tight as the 1987 release Shrimp
Boats compiled unreleased recordings from both the 1979 session for Plum and
Cherry and the 1980 session for Deeper in Black. These two rare records have
been carefully remastered from their original tapes and are back in print for the
very first time in over 40 years.Shrimp Boats and Plum and Cherry capture the
extraordinary musical chemistry that existed between pianist Lionel Pillay and
tenor saxophonist Basil Coetzee in the late 1970s. The respective album
showpieces Shrimp Boats and Cherry each occupy an entire side of vinyl with
both exquisite musical journeys clocking in at an epic 25 minutes a piece. While
Shrimp Boats was an instrumental reimagining of the popular 1951 song by
American singer Jo Stafford, Cherry drew inspiration from Abdullah Ibrahim at the
behest of producer Rashid Vally, who wanted to emulate the success of the
famous track that had helped launch his independent As-Shams/The Sun record
label in 1974.
Ibrahim's hit Mannenberg had also featured Basil Coetzee and it was this zeitgeist
South African jazz recording that had given rise to his stage name. Capturing the
grace and vitality of working- class township life on the city fringe, Cherry
channels the type of laid-back Cape groove that Abdullah Ibrahim, recording as
Dollar Brand, introduced to South African jazz in the 1970s. On the flip side, Plum
appears to take its own simple chord change in the same direction before
breaking into a chugging 20-minute romp that verges on proto-electronica and on
which Pillay hangs all manner of savage keyboard riffing and experimentation.
The two distinct flavours of Plum and Cherry make for a well-rounded platter with
an iconic cover featuring the work of abstract expressionist painter and AsShams/The Sun collaborator Hargreaves Ntukwana.

80g, schwarzes Vinyl. Re-Release des ursprünglich 1974 erschienen Albums von Gille Lettmann aka Sternenmädchen. Live im Quadro-Studio: Gille und Klaus Schulze. Musikeinblendungen von den LPs "Seven Up" (Ash Ra Temple & Timothy Leary), "Lord Krishna von Goloka" (Sergius Golowin), "Tarot" (Walter Wegmüller). Statements von Sergius Golowin, Timothy Leary, Brian Barritt, Walter Wegmüller, Liz Elliot, Rolf-Ulrich Kaiser. Aufgenommen im Zeitschiff Studio Dierks. Sorgfältig transferiert und remastert von den originalen, analogen Masterbändern durch HaGü Schmitz in den Dierks Studios in Pulheim-Stommeln im Jahr 2022. ENG 180g, black vinyl. Comes in a standard sleeve. Re-release of the original 1974 album by Gille Lettmann aka Sternenmädchen / Star Maiden. Live in the Quadro Studio: Gille and Klaus Schulze. Music inserts from the LPs "Seven Up" (Ash Ra Temple & Timothy Leary), "Lord Krishna von Goloka" (Sergius Golowin), "Tarot" (Walter Wegmüller). Statements by Sergius Golowin, Timothy Leary, Brian Barritt, Walter Wegmüller, Liz Elliot, Rolf-Ulrich Kaiser. Recorded at the Zeitschiff Studio Dierks. Carefully transferred and remastered from the original analogue master tapes by HaGü Schmitz at Dierks Studios in Pulheim-Stommeln in 2022.

Tyranny and Mutation is the second studio album by American hard rock band Blue Öyster Cult, released on February 11, 1973, by Columbia Records. The album was recorded at the Columbia Studios in New York City during the year before and was produced by Murray Krugman and Sandy Pearlman. On May 12, 1973, the album peaked at #122 on the Billboard 200.

The song “Baby Ice Dog” features lyrics by singer/poet Patti Smith (who was keyboardist Allen Lanier’s girlfriend at the time), who would make several lyrical contributions to the band’s repertoire during its career. The song “The Red & The Black”, with lyrics referencing the Royal Canadian Mounted Police, is a renamed, re-recorded version of “I’m on the Lamb But I Ain’t No Sheep” from the same-titled debut album. The song was later covered by the Minutemen and Band of Susans.

Celebrating its 50th anniversary, Tyranny and Mutation is available as a limited edition of 2000 individually numbered copies on translucent blue coloured vinyl.

The heavy darkness that started it all! Southern Lord will be reissuing the very first ever Southern Lord release on vinyl: Thorrs Hammer- Dommedagsnatt

Extremely limited black vinyl repress

Circa 1995: Thorrs Hammer was a short-lived doom/death metal band from Seattle, Washington, USA. The group consisted of Runhild Gammelsæter, a Norwegian exchange student living in the US, on vocals, guitarists Stephen O'Malley and Greg Anderson, bassist James Hale, and drummer Jamie Sykes.

The band played 2 shows and recorded "Dommedagsnatt" before splitting, with Runhild opting to concentrate on her education (she now has a Ph.D.) while O'Malley, Anderson, and Sykes went on to form Burning Witch. O'Malley and Anderson also perform as Sunn O))).

"Dommedagsnatt" will be an upcoming Decibel Magazine Hall of Fame inductee!

Thick cardboard/tip-on style jacket.

The heavy darkness that started it all! Southern Lord will be reissuing the very first ever Southern Lord release on vinyl: Thorrs Hammer- Dommedagsnatt

Extremely limited black vinyl repress

Circa 1995: Thorrs Hammer was a short-lived doom/death metal band from Seattle, Washington, USA. The group consisted of Runhild Gammelsæter, a Norwegian exchange student living in the US, on vocals, guitarists Stephen O'Malley and Greg Anderson, bassist James Hale, and drummer Jamie Sykes.

The band played 2 shows and recorded "Dommedagsnatt" before splitting, with Runhild opting to concentrate on her education (she now has a Ph.D.) while O'Malley, Anderson, and Sykes went on to form Burning Witch. O'Malley and Anderson also perform as Sunn O))).

"Dommedagsnatt" will be an upcoming Decibel Magazine Hall of Fame inductee!

Thick cardboard/tip-on style jacket.

When R.A. The Rugged Man dropped his first album, it seemed like he'd been around for years...and, well, he had. The Rugged Man's storied background includes early 90s collaborations with legends like Mobb Deep and The Notorious B.I.G., plus a few epic appearances on the seminal "Soundbombing" compilations. But until this 2004 masterpiece, he had never released a proper album. Thankfully, R.A. delivered "Die, Rugged Man, Die", a defiant opus that kick-started his journey from industry outcast to independent hip-hop icon. Featuring the classic single "Chains", "Die, Rugged Man, Die" proved R.A. could deliver on a full-length album, and remains an impressive body of work. Now, the previously out-of-print collection is available again on vinyl, complete with new updated artwork. Despite the efforts of doubters, R.A. The Rugged Man lives.

Factory Benelux presents a new 3 disc black vinyl edition of Harmony, the debut album by influential Scottish group The Wake. Originally released by Factory Records in December 1982, this new expanded edition marks the 40th anniversary of this landmark post-punk album.

The Wake formed in Glasgow in 1981 after singer/guitarist Caesar left Altered Images, and joined Factory the following year. Harmony was recorded at Strawberry Studios in Stockport with producer Chris Nagle (formerly Martin Hannett’s preferred engineer), by which time the group comprised Caesar (vocals, guitar), Carolyn Allen (keyboards), Steven Allen (drums) and Bobby Gillespie (bass). On release as Fact 60 the original 7 track mini album earned a 5 star review in Sounds magazine, hailed as the missing indiepop link between Factory and Postcard Records.

Bonus tracks on Disc 2 include The Wake’s dub-informed second single, Something Outside b/w Host, and also their John Peel session from July 1983 – the last recordings to feature Gillespie before his departure for The Jesus and Mary Chain and Primal Scream.
Disc 3 offers a desk recorded live set from Ayr Pavilion on 15 April 1983 during a tour with New Order. The concert includes several songs never recorded in the studio, including Recovery and Country of the Blind.

The enhanced trifold artwork for this new edition includes images of the band by noted photographer Paul Slattery, taken at the Mitchell Library in Glasgow, as well as new liner notes by Caesar. A 2xCD edition is also available (FBN 29 CD).

After releasing several further albums on Factory and Sarah Records during the 1980s and 1990s, The Wake returned to recording with A Light Far Out in 2012. A new studio album is expected in 2023.

Debut solo album by Dave Rowntree, best known as the drummer in Blur. It"s a record set to surprise many people, being an electronic-based album with orchestral fringes, filled with great, tuneful songs delivered by Rowntree"s assured and expressive vocal performances. While down the years he"s provided backing vocals on many of Blur"s albums and onstage during their live sets, this is the first time the drummer has stepped up to the microphone as a singer in his own right. He says he didn"t particularly find the prospect daunting. Produced by Leo Abrahams (Brian Eno, Ghostpoet, Wild Beasts), featuring co-writers including Gary Go and Högni Egilsson and stirring orchestrations recorded in Budapest, Radio Songs is a sonically expansive, but also deeply personal record.

EP, black vinyl Death doom metal group Kuolemanlaakso's most recent album Kuusumu, released to much critical acclaim in March 2022, will be followed up by a limited three song EP Kuolleiden laulu in December. Both the album and the EP were recorded in the same studio session in 2021, both share lyrical themes and cover art based on art by Evelyn De Morgan (1855-1919). "We knew already when entering the studio that we're going to record more than an album, as we had plenty of material to work on. When all ten songs were done, it felt natural to compile the album of the heavier epic songs and put the more unusual and catchy tracks on the EP. These three songs have contagious hooks and clean vocals", comments guitarist-songwriter Laakso. The title track on the EP is the band's most radio friendly track to date with a smoother production and an infectious chorus plus guest female vocals by Lotta Ruutiainen, who also performed on the album. The slow and menacing second track "Juuret jalkojeni alla" is a more complex composition, whereas the EP closing number "Rautasiivet" pays a visit to the same melancholic but catchy territory that Kent and Katatonia also inhabit. "The three songs on Kuolleiden laulu differ from one another considerably, and they present new sides to the band. Lyrically all three songs are fictional stories based on the 10-year volcanic winter that begun in 535 and has been described by historical scholars as 'the worst time to be alive'", comments Laakso. Aleksi Munter (ex-Swallow The Sun and Insomnium) plays keyboards on the EP, and it was produced, recorded, mixed and mastered by V.Santura (Triptykon), the man responsible for producing everything Kuolemanlaakso has released thus far.