After an exceptional and well-received collaborative EP with Tina Ramamurthy on Amotik 014 earlier in 2024, Amotik picks up where he left off and delivers four sublime solo works for Amotik 015. His self-titled imprint, running since 2015, has been a steady home base for his own productions, quickly becoming an essential catalogue in modern techno. Here, once again, he delivers a full pack of pure techno jams. Whether its the swinging percussion hooks in Assi, the hypnotic groove of Unnasi, or the banging kick drums of Ikyasi, this is yet another essential release for every techno enthusiast.
Toutes les Nouveautés Vinyles - Connexion
En stock du 29.09.2026
This is the story of a Telegram audio message suddenly poured and cast into the materiality of a vinyl record. Is it a correspondence archive? Above all, it’s a field recording, a moment bit torn from everydayness, where Androo found some fresh air in a church in Sardinia and started playing the organ. Next we’re in Naples, and Androo is playing a tiny instrument as we can hear sporadically the street hum in the background. This was all recorded on an already too old iPhone during the summer of 2023. As always, oscillating between heterogeneous elements, the album builds bridges between a radical and strangely romantic musique concrète (so slightly reminiscent of particular Luc Ferrari pieces), drawing inspirations from American minimalism, as well as traditional Sardinian music (which Androo listens to every morning), and a special kind of gospel-modal-jazz. Mostly, this is a very personal album (or its script), the fragments of a journey with no makeup. This is what it is.
credits
produced, played, recorded, mixed by androo
2026 Repress
Inhale. Exhale. Remember to breathe. In that rhythm lies the pulse of being - the ancient echo of stars from which we are made. Breathing is the bridge between the inner cosmos and the outer void. When you breathe, you testify to existence itself: "I am." The Moonrover - a child of reason - abandoned on the cold, dead Moon. It does not feel time, know fear, or comprehend solitude. But a human, in its place, would understand: Silence is not emptiness. It is a mirror. And in that mirror arises the question: "If I am alone, and silence is infinite - who hears my breath?" The answer lies in the breath. Each inhale is resistance against entropy. Each exhale is an act of remembrance. To breathe is to remember that you are not just part of the Universe - you are its awakened part. And just as the Moonrover crawls across grey lunar plains, driven by an unknown purpose, so do you move through life, led by an inner light, until you realize: breath is not just life. It is a prayer sent into silence. And if you can hear it - you are alive.
For decades, dancers, collectors, and fellow selectors have asked Beppe Loda the same question: "Where do you find these records?” The answer remains classified. What we do know is that few figures in dance music have spent as much time digging, discovering, and championing forgotten sounds as the Italian maestro. Long before algorithms, reissue campaigns, and online marketplaces made obscurity accessible, Beppe was uncovering hidden treasures and introducing them to adventurous dance floors. His influence stretches from the legendary Typhoon club to the present day, inspiring generations of DJs, collectors, and cosmic music devotees along the way. Italian Spaghetti Disco Freak Vol. 5 offers four more clues. Drawn from Beppe's vast archive and lovingly retooled for modern-day disco freaks, these edits are a reminder that the best dance floors are built on surprise. Strange records become anthems, forgotten melodies become obsessions, and once again Beppe proves that nobody keeps dancers guessing quite like he does. By now, the evidence is overwhelming. Beppe's well of Italian disco appears to be bottomless. Every time it seems impossible that another forgotten gem could emerge, the maestro somehow uncovers another one. The mystery continues. In Beppe ci fidiamo.
Moving things a bit deeper AoW welcome Black Eyes for their fourth vinyl release. Alongside his own Lost Control 2097 label, Black Eyes has released records on esteemed labels such as Upstairs Asylum and Housewax contributing significantly to the underground house music scene in Berlin.
Mystic Aquazone EP features subtle smoky house grooves spread across 3 original tracks. Nico Lahs crafts a forward thinking remix to send things into the next dimension. Deeply authentic tunes for the dance floor and for the mind.
L'article est déjà en route pour nous et devrait être expédié de 29.09.2026.
2026 Repress
Sublunar, the label founded by Sciahri, is proud to present the debut EP of Australian artist Connor Wall with Equals. Known for his releases on Phorum and Moving Pressure, Connor Wall is one of those artists capable of crafting a deeply personal and hypnotic sound, where each track unfolds as a journey of its own.
The EP opens with Oak, a minimal yet driving and atmospheric piece, before moving into Invert, a powerful track built around a unique and relentless escalation of tension. On the B-side, Equals sets the tone with growing intensity and hypnotic vocals that carry a story meant to be experienced until the very end. Construct follows with darker, more obscure vibes, delivering a deeply hypnotic and mental atmosphere, before the EP concludes with The End, a truly mystical journey that captures the essence of an artist able to transform sound into narrative.
Split EP of psychedelic techno carefully selected from the archives of UK label Hollistic Recordings. Remastered and restored for the modern acid purveyor.
Features the epic 13 minute Elevate on the A side, produced by Iestyn Polson and Steve Dungey of Projective Vision and the chugging Levitate on the B side, produced by Iestyn Polson and Jason Meherin.
Under-the-radar artist CV1 debuts on Life In Patterns Lab with "Blocks of Darkness", a six-track EP that delivers a captivating blend of raw, expressive techno inspired by 90s and 2000s sounds with a modern edge. This release showcases CV1's talent for crafting immersive techno journeys, balancing peak-time energy with deeper, hypnotic, and introspective moods. "Blocks of Darkness" is set to release in mid-July 2025 on hand-stamped vinyl and digital formats.
Amsterdam natives Maarten Smeets and Lars Dales, aka Dam Swindle, unveil their third long-player with the release of a new track, the first to be shared from the upcoming album, ‘Open’ - out on 30 May 2025 via Heist Recordings.
The new album sees the acclaimed duo dive far beyond the deep sonic waters they’re most known for, exploring lower tempos, synthwave, hip-house, and ambient across fourteen tracks. With a gestation period that traces back several years, ‘Open’ is their most intimate and personal body of work thus far, birthed during a time of self-reflection away from touring and personal transformation as individuals.
“We felt the need to tell a very personal story through our music as a translation of our personal development in the past years. We also wanted to make music without a specific goal in mind; We simply wanted to create. By taking away the grid of dance music and any expectations of what a Dam Swindle song should sound like, the creativity started to flow naturally with songs in many different styles and tempos. The result is an album that feels refreshing and uplifting and still very much true to the heart and soul of our sound.” - Dam Swindle, January 2025.
While the trademark Dam Swindle four-to-the-floor beats are still ever-present on tracks like ‘The Present Is Always Perfect’, ‘I Need You’, and ‘Is This Love?’, it’s the gentle waves of synths on opener ‘Home’, the contemplative piano chords of ‘Bloom’ featuring Joep Beving, and the lo-fi ambience of ‘It’s Okay, I Can Wait’ that showcase a melancholic, ethereal sensibility previously uncharted by the duo. Collaborations with vocalists such as NYC’s Haile Supreme on ‘Not Enough’ and Neo-soul singer Faye Meana on ‘Girl’ expertly find room in between the dancefloor and home listening sessions, and a clear standout on the LP is the title cut where message-heavy rapped vocals from UK artist Samson ebb and flow amongst iridescent grooves.
Under the helm of Maarten and Lars’ adept A&R, their Heist imprint has become a beloved home for house heads of both schools old and new, platforming some of dance music’s biggest names from Cinthie to DJ Sneak as well as the musical dawnings of artists such as Kassian and Makèz. The Dam Swindle alias has achieved house music royalty-like status across a storied 15-year career that includes two critically lauded full-lengths, collaborations with the likes of Tom Misch and Kerri Chandler, and a globetrotting touring schedule. This album stands as their most profoundly personal work of art to date, and they can’t wait to share it with you.
2026 Repress
Portuguese techno mainstay Dextro drops cultured EP 'Covil Dos Abutres' for his label debut on Mutual Rytm.
Dextro has been immersed in electronic music and DJing since the early 90s. In the decades since, he has become synonymous with a sound deeply rooted in simplicity and authenticity. Fuelled by a passion for his craft, his production process is guided by intuition and spans a diverse range of styles, from tunnelling grooves to more potent techno with deep and hypnotic layers. He has held several key residencies and released on top labels like CLR and Missile Records, and he adds to those with a first outing on SHDW's Mutual Rytm with 'Covil Dos Abutres'.
The five-track 12" and eight-track digital EP has a sleek, stripped-back style, with wide-spanning corners of the techno realm explored. 'Covil Dos Abutres' is a deep space transmission with journeying, frictionless beats and deft sci-fi motifs that recall classic touches synonymous with the genre's pioneers. 'Correct Incorrect' keeps the pressure on with more rubbery, dubbed-out groves beautifully decorated with delicate melodies. 'Vida E Morte' is another sublime and hypotonic minimal techno sound with funk in the kicks and a freaky late-night spirit. 'Element One' again combines perfectly reduced drum groves with atmospheric pads and curious samples that keep you intrigued, and 'Beautiful Day' closes out with sonar-like synth pulses over the most skeletal but captivating rhythms. Digital cuts 'Time Line', 'Savana Urbana', and 'Diferencas' further explore the intersection of minimalism with cosmic synth designs that take you off into distant astral worlds.
Sciahri and Sublunar are proud to introduce the German duo Disguised and their new EP, Carcosa. Founders of INHERIT and fresh from the success of their recent release on Mutual Rytm, Disguised make their Sublunar debut with a seven-track journey that effortlessly bridges modern and classic techno, combining powerful club energy with a refined and deeply personal approach to sound. While producing the EP and shaping its titles, Disguised drew strong inspiration from the legendary and unforgettable first season of True Detective. The record opens with “Rust Never Sleeps”, a memorable and powerful cut built around an instantly recognizable melody, before moving into “Carcosa”, a tense and explosive track designed around constant anticipation and release. On the B-side, “Time Is A Flat Circle” delivers a highly infectious groove through captivating textures and subtle details, followed by “The Taxman”, where raw energy meets a sophisticated and carefully crafted production. Closing the vinyl is “Looking For Dora”, a deeply emotional and atmospheric piece that reveals a softer and more introspective side of the duo. With "Carcosa", Disguised demonstrate an impressive ability to move between different shades of techno without ever losing their identity, establishing themselves as one of the most exciting and distinctive duos emerging from the current scene.
“…I still don’t understand what is the meaning of these Poppers records, please unsubscribe me from this newsletter.”
• Hans Zimmer
If you’ve ever been in the countryside and happened to lift a larger rock that might have been laying about for a while only to find an entourage of many different insects scrambling about in awe of the existence of sunlight and wondered what music they might have been listening to in that moment, the A-side tries to explore ways of responding to such curiosities. While the B-side, to end things on a good note, offers a convenient edit of live Japanese cover version of Paul McCartney’s “Silly Love Song” along with the quintessential prelude (or interlude) to a Horse Meat Disco party with the opening monologue of Sidney Lumet’s Equus. All in all, a Swiss Army knife packed with an assortment of most likely useless tools, courtesy of DJ Dipshit.
2026 Repress
DJ Koze unveils a spiritual and surprising journey into rapturous spheres with Wespennest EP. The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit "Pick Up".
"Candidasa" and "Wespennest" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of "Candidasa" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.
On "Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. With generous dedication, Sophia has provided exclusive excerpts of her yet unreleased songs, giving this track a radiant psychedelic power. The combination of DJ Kozes musical genius and Sophia Kennedy's glorious vocals creates a club track full of wonderment, opening up a mystical rapturous world for listeners. Already an instant classic of German dance music.
With "Candidasa" and "Wespennest" DJ Koze has once again pushed the boundaries of electronic sounds and created a spiritual journey that touches the soul and frees the mind. This EP is the first harbinger of his highly anticipated new album, which will be released in 2024. The time until the release can be wonderfully bridged with the magical album "Hit Parade", which DJ Koze has produced for the British legend Róisín Murphy and on which we can be carried away into the world of musical brilliance.
2026 Repress
clear red vinyl
Djedjotronic blasts us off on an interstellar journey with The Great Red Spot EP, the ninth release on International Chrome. Named after the ancient and gigantic storm on Jupiter (bigger than the Earth), the EP is similarly massive with a swirling, constantly moving energy. Includes a huge Jensen Interceptor remix of EP highlight, Death Clock and comes on clear red vinyl with artwork by Pointless Illustrations.
Modeight proudly adds another chapter to its vinyl legacy with Fedo - a Ukrainian artist with deep Greek roots, known for his meditative groove architecture, percussive depth, and the raw spirit of live music. On Nuke Hook EP, Fedo delivers four deep and dynamic cuts that strike a perfect balance between minimalistic precision and emotional richness.
Each track feels lived-in - jammed rather than programmed - crafted to resonate both on the dancefloor and in the mind. "Life is Life" opens with a thick, dubby beat and a jagged, growling bassline.
Midrange sequences curl around the low-end like vapor trails, creating a shadowy, hypnotic space built for late hours and strobe-lit intimacy. "Madam from Athens" pays homage to his Hellenic roots - dipping into dreamy chords, textured atmospheres, and modular motifs wrapped in velvety vocals. Warm and transportive, it's a love letter to place and memory.
On the flip, "After Out" hits hard. Sub-heavy, percussive, and driven by acidic synth lines, it's a peak-time weapon that doesn't ask - it commands.
Rounding off the EP is the cerebral yet groovy "Nuke Hook," where crisp percussion dances around mysterious piano phrases and immersive textures. A subtle but magnetic closer that lingers long after the drop.
Fedo joins the Modeight family with a statement of intent - deep, expressive, and forged in the heart of the underground. The journey continues.
If you could ever stop thinking about... you know... for just a moment, you might hear something else...
Foehn & Jerome return to Perfumed Freedom for the label's first release of 2026. Three refined minimal house tracks, balancing groove, restraint and dancefloor energy. Understated, hypnotic and exactly where the duo's sound feels most at home.
A1 More Than Money
B1 Las Yolo
B2 Hammerfest
Artist unknown - 2 boys bootleg
You cannot pass up this absolute hit. A compelling catchy vocal on an iron beat that completely rocks the dance floor. Do not expect a dry kick but an energy that completely fills the room. Ideal ending if you want the tent to be on fire. As the track itself says, you will not be disappointed, on the contrary
Fred Hush - No way back
Very constructive violence with an incessant break that you do not expect.
Fred Hush - Momenstoch
You simply must have this DJ tool from Fred Hush in your arsenal. Minimalistic with an original sound
that is the steak of the record. It is exactly a futuristic old skool record.
16th installment. We keep diggin deeper. Featuring Tenor Love on Vocals and SND & RTN on remix duties. Mastered on a reel to reel tape machine, cut on 180g marbled turqoise vinyl.
2026 Repress
Life is like a mirror ball! The first one in a hopefully long-lived series of disco and pop influenced Super Sound Singles on Running Back, comes courtesy of the unmistakeable Gibson Brothers. Leaving their biggest wedding hits "Cuba" and "Que Sera Mi Vida" to the side, the philanthropic and smile-forcing "Ooh, What A Life" gets an extended edit service by Shan & Gerd Janson, who cut away some of the fat and make it fit for fun on contemporary dance-floors. The flip side sees them remixing and sandpapering "Heaven" into a disco-house interbred (filters and looping mandatory). To quote John Lyndon: "Disco sucks You never heard that from me."
L'article est déjà en route pour nous et devrait être expédié de 29.09.2026.
2024 repress
WRWTFWW Records is very honored to announce the official reissue of Grauzone's essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band's formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein...Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli's Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone's music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band's 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Ian Pooley brings back his timeless classic "Higgledy Piggledy!" with a fresh reissue on his own label, PooledMusic. Following this year's re-release of his landmark 2000 album "Since Then.", it marks the beginning of a dedicated series revisiting key moments from his catalogue. A true collector's item and dancefloor weapon, freshly pressed for a new generation of house lovers.
Roland Leesker Remixes Inner City Classic ‘Pennies From Heaven’
Definitive Recordings presents a powerful new remix by Roland Leesker of ‘Pennies From Heaven’, the timeless house classic by Inner City, originally released in 1992.
Founded by Kevin Saunderson, one of the legendary Belleville Three and a key architect of Detroit techno, Inner City shaped the sound of electronic music with global hits like ‘Big Fun’ and ‘Good Life’. With over six million records sold and decades of influence, their catalogue remains a cornerstone of dance music culture.
On his remix, Roland Leesker transforms ‘Pennies From Heaven’ into a driving, floor-focused house weapon. Built around a heavy, straight TR-909 groove, the track gradually introduces elements from the original in a layered, loop-based arrangement.
The remix reaches its peak in a powerful breakdown, where the full main theme and vocals unfold, creating a classic hands-inthe-air moment before dropping back into the stomping groove. The result is a modern interpretation that stays true to the spirit of the original while delivering maximum impact on today’s dancefloors.
Roland Leesker, a long-standing figure in house music, has been active since the late 80s, with roots in Frankfurt’s club scene and later key roles in New York, Berlin, and the global music industry. From his early days at Delirium Records to his work with Get Physical Music and beyond, Leesker has consistently contributed to shaping electronic music culture.
This remix brings past and present together, offering a respectful reimagining of a classic for today’s house music dancefloors. The vinyl release is completed by an additional Acapella Tool on the B-side, offering DJs a stripped-back version focused on the iconic vocal elements of the track — perfect for creative mixing and extended club moments.
We have had the honour of reissuing the work of Italian sonic polymath J.P Energy via our collaborative label with Transmigration, Sound Migration, over the course of the past year. Our third outing with J.P Energy is ‘Prima Dell’ Alba / Forbidden Planet’ - two sophisticated and sinister percussive tracks from 1997 that sit at the boundaries of Techno & Trance, indicative of the fruitfulness of creativity in underground dance music from Italy during this time. We are very pleased to bring this, until now, very difficult to obtain record into the hands of appreciative music lovers, complete with with a modern revision of Forbidden Planet by J.P Energy himself.








































