After successful releases on Transatlantic and Monnom Black, German FM synthesis wizard Luca Daniel Schwarz (aka LDS) presents his latest record ‘algo5’. The EP captures a wide range of sonic ground with innovative and futuristic edge.
’nbdfoil’ the opening track starts the voyage with mesmerising awe before sliding into ‘kizzt_VF’ where reality distorts and mind-warping events unfold. Closing out the A side the interlude ‘<13’ stumbles along with playful weirdness and explorative sonic gestures. Back in more familiar territory the B-side’s ‘fl+’ and ‘Vone’ propel dynamic rhythms through the ether until arriving at the final track, ‘mfäg’ where fragmented arps and cinematic ambience give an emotional sense of closure.
LDS’s ability to compose to a high level of depth and intrigue is unmistakably a significant feat for any electronic dance music producer and testament to the possibilities of modern sound design.
quête:blue on blue
Off the back of their incredible debut Time Lapse EP in 2021 and keyboardist Mali-I's phenomenal debut LP 'In Session', Monzanto Sound return with new vocalist Mimi Koku to deliver exceptional new 4 track EP 'Tomorrow, Tomorrow and Tomorrow'.
Early support for the EP has come from Jamz Supernova on 1Extra, Music Is My Sanctuary, Worldwide FM and Spotify's Fresh Finds Jazz playlist.
Expect psychedelic neo-soul grooves, deep dub jams and krautrock-inspired experimentalism
SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world.
The PMA EP compiles four dynamic tracks recorded around 30 years ago by the duo of Shigeru Nakamura (drums/vocals) and Mikio Kato (synths) aka B-2DEP’T.
Nakamura and Kato’s first album as B-2DEP’T, Products Plus, appeared on cassette in 1993 on Trigger Records, the predecessor label to Transonic (given a retrospective on SAIS004). Its bright yellow and blue retro-futurist artwork – which is echoed in the design for this reissue on SAISEI – matched the sounds held within: inventive, out-of-the-box dance music blending overseas influences with an idiosyncratic Japanese sensibility.
Two tracks from Products Plus appear on this EP, All tracks re-edited by Junki Inoue and regular collaborator Yuzo Iwata for vinyl extended play and available now for the first time on vinyl. ‘Clockwork Giant Panda’ appearing in a version co-produced with Yoshinori Sunahara (ex - Denki Groove), merges a breezy US house groove and bassline with twinkling, almost parodic Japanese keys that act as a kind of meta commentary on Western perceptions of Japan (a concept pioneered by Yellow Magic Orchestra). The two parts of ‘BSMH’, or Body Sonic Mental Health from ‘Products Plus’, were originally remixed by Daishi Hisakawa of Tanzmuzik, who draws on darker sounds from Europe and the UK: restless Depeche Mode synth harmonies spiral above a pacy EBM pulse, with robot vocals intoning the titular slogan. The package is completed by the unreleased track ‘PMA’, whose driving, bass-heavy mood falls somewhere between Sheffield bleep and the ambient techno of early Biosphere.
SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.
In the wake of a 2020 edition of Movement in the City's second album Black Teardrops (1981), Sharp-Flat Records returns with a prequel by way of a reissue of the band's self-titled debut from 1979.
As the 1970s were drawing to a close, the epic Black Disco studio project with its signature pairing of drum machine and organ had run it course. After delivering a killer trilogy of cosmic lounge outings dating back to 1975, the group yearned for funkier grooves and the core trio of composer Pops Mohamed on organ with Basil Coetzee on tenor sax and Sipho Gumede on bass decided to hire a drummer and rebrand as Movement in the City. In contrast with the New Age detachment of Black Disco, Movement in the City was conceptually grounded in the bleak social realism depicted on its photographic album covers and leaned into the vivid sensibilities of library music from the era. Blending Cape jazz with funk and soul, the group's output evokes a soundtrack for South African city life at the outset of the 1980s while nodding allegorically to the subterranean movements that were in the course of shaking the cage for political change.
With its cast of jazz fusion all-stars, Movement in the City is the manifesto of a band in transition - a bold and slick first offering that delivers a modern South African sound capable of both the funky exuberances of "Mister Lucky" as well as the down-home pathos of "Blue Sunday." Restored from its original tape masters and released in partnership with As-Shams Archive and Pops Mohamed, this rare artefact of South African jazz history is back in print for the very first time since its original 1979 release.
Blue / Yellow Vinyl in PicCover
(THIS ALBUM IS DIRECT ACTION: ALL REVENUE GOES TO THE ARTISTS IN ODESA. YOU ARE PARTICIPATING IN KEEPING UKRAINIAN ARTISTS WORKING AND EARNING MONEY DURING THIS TIME. Слава Україні!) BE:AT WAR is the new album from Odessa’s MEDIUM, who released the acclaimed Evolution of the Universe on Ohm Resistance in 2017. They have been writing drum and bass for over 15 years and released on labels such as Ohm Resistance, Sonic Terror, Hardline, Close2Death Recordings, Distortion Records, Combat Records and more. This follow up album is made under adversely different conditions - the approach of war to their home city, the assault on their native land. Yet these men are making music happen in the midst of it, recording their artistic and emotional reactions as chaos unfolds around them. Guest starring London MC Flowdan, Godflesh’s Justin K Broadrick, SIMM and Submerged. BE:AT WAR is a full spectrum image of the horror, uncertainty, and perseverance surrounding these Ukraine-based producers.
- A1: Sit Down
- A2: Use A Brick
- A3: Home Is The Sailor
- A4: For Practice
- A5: A Doughnut In My Hand
- A6: Fairs Fair
- A7: Killer Bee (Jungle Tip) (Jungle Tip)
- A8: Whale Badge
- A9: Blue Bear
- A10: Creamy Pumpkins
- A11: Counting Scotch
- A12: My Darling
- A13: Life In A Scotch Sitting Room Vol 2 (Episode 15) (Episode 15)
- A14: Mostly Tins
- A15: Tomato Brain
- A16: Bad Eye
- A17: Silent "S
- A18: Halfway Through
- A19: Look At The Moon
- B1: Old Black Dog
- B2: The Gathering Doubt
- B3: Pussy On The Mat
- B4: Large & Puffy
- B5: People Run To The Edge
- B8: Brenda
- B9: I Love You But I Dont Know What I Mean
- B10: Breathing Regularly
- B11: Life In A Scotch Sitting Room Vol 2 (Episode 16) (Episode 16)
- B12: Full Of Goods
- B13: Ok I'll Count To 8
- B14: Secret Drinker
- B15: Pass The Ball Jim (For John Peel) (For John Peel)
- B16: Over You Go
- B17: Step It Out Lively, Boys
- B18: Uncut Moquette
- B19: Women Of The World
- B6: Country Door
- B7: Piranhas (Jungle Tip) (Jungle Tip)
Ivor Cutler is loved by generations of fans - including Paul McCartney, Billy Connolly and Alex Kapranos - for his unique music and poetic humour. A phenomenal stage presence for 50 years, with a prolific output. Championed by legendary DJ John Peel for whom Cutler recorded 21 sessions. 'Privilege' was produced as a vinyl LP for Rough Trade Records in 1983 and has been unavailable for decades. The album is only one of two where Cutler collaborates with other artists. It is unique in that there is a second voice - singer Linda Hirst. Musicians Steve Beresford and David Toop play several instruments and produced the record.
Upcoming album 'Fruit Of The Void' to be released later this fall.
Kosmo Sound is a perfect balance of tight rhythms and extended melodies, and they constantly strive to push boundaries with their sound. Having worked together with dub legends Daniel Boyle and Alpha & Omega and having played as the support act for Adrian Sherwood, The Twinkle Brothers and Omar Perry, heavily inspired, they took refuge in the studio to record this album full of meditative sounds and dense grooves.
“It's a slow motion dub explosion.” - Woodburner
“As a mixture of Slimmah Sound, El Michels Afffair and Khruangbin in which deep dub basses flirt with thin desert blues guitars, jazzy drum patterns and tufts of saxophone.” - Indiestyle
“The canvas that these six musicians span as Kosmo Sound has a musical breadth that effortlessly ranges from dub over jazz to psych.” - daMusic
"an amalgation of styles that tickle the senses" - ReggaeVibes
“This remarkable debut makes one curious about future releases” – Irie Ites
Tiger Stripes returns to Drumcode for his annual EP outing, crafting a pair of blue-ribbon dancefloor weapons inspired by the night.
The Swedish artist is a cherished act on the label, his involvement with DC going back to 2009. One of the most creative in his field, he typically mines influence from across the musical spectrum. Indeed, a Tiger Stripes track could employ subtle nods to everything from rock and pop, to reggae and hip hop, all seamlessly integrated into a dynamic techno palette.
For his latest outing, he's drawn on his love of classical music, specifically Chopin, for the powerful ‘Nocturne’. "I loved listening to his compositions as a toddler when my mother played her vinyls for me. I still love and listen to his piano music today and it might be where my taste for drama comes from. In my ears his music still sounds very modern and cool,” he tells. 'Nocturne' switches between driving dancefloor business and a lilting piano-laden break, the energy amplified by his peak-time arrangements.
In ‘Renegade’, his love of rock, electronica and indie is at the fore, as propulsive techno rhythms give way to an emotion-charged mid-section laden with breakbeats. When the beats kick back in, we’re lobbed back into exhilarating laser-kissed territory.
Blue Vinyl / Vinyl only
ix3m and Denis Andreev team up for a two track release on 123.ro. They have shared their common interests and taste in music for the best possible result.
BART & THE BEDAZZLED: PEOPLE PERSON + CARBOARD MAN (7")
Bart & The Bedazzled return with a sensational AA-side 45 with the highlife-vibed-plaintive pop of 'People Person' and the layered 'Cardboard Man', featuring the gorgeous guest vocals of Earth Girl Helen Brown. "World dance pop meets '80s indie" LA's northeast side is home to a dizzying number of independent artists and bands. One of the scene's most distinctive sounds emanates from Bart & The Bedazzled, a collaborative group led by talented songwriter Bart Davenport. After debuting in 2018 with the Blue Motel album Bart reconnects with the stellar musicians that make up the Bedazzled for two exclusive new songs of, what he terms, "world dance pop meets 80s indie". Consisting of Los Angeles' highly respected players, the collective are undoubtedly a "musicians' band" playing for joy, performing for and with other artists that inhabit underground haunts such as Zebulon or Permanent Records Roadhouse. This is their sound!
With these new tracks The Bedazzled usher in a new phase, adding a small dose of drum machinery to the mix, resulting in an uplifting, danceable endeavour. On top of this, hand played congas and shakers blend with ultra clean guitars to form a rich context for Bart Davenport's patented, smooth vocal. Newcomer band member and producer Nic Hessler (Catwalk, Captured Tracks) fits these pieces together in seamless mixes.
People Person celebrates the collective human experience, while subtly acknowledging that people often are "the worst". It's an upbeat ode to a beautiful world that sadly may never be saved. Meanwhile, the semi-fictional Cardboard Man critiques a society desperate for truth and a way out of dark times only to find omnipresent, puppet-like heroes offering nothing real. Featuring guest singer Heidi Alexander aka Earth Girl Helen Brown her distinctive tone and phrasing add a much needed weirdo energy to a decidedly consonant pop track.
It comes as no surprise the group have gravitated towards world-dance-ish sounds. Andrés Renteria is an accomplished crate-digger and DJ, as is bassist Jessica Espeleta. She kicks off People Person with a dubby bass line, setting the stage for Wayne Faler's African highlife inspired guitars. It's still Bart & The Bedazzled, but this time they come with a sound somewhat reminiscent of '80s bands that also incorporated international flavors, such as the post Young Marble Giants project Weekend or French electro-obscuros Antena. Like those bands, Bart & The Bedazzled have a wide range of influences and the artistic intention to make something contemporary with them.
Above all, they're a group of friends who enjoy the creative process together. For them the journey is as important as the finished work.
A Deep Lake is an easy, breezy, sky-blue house tune with a healthy swing and a carefree bass line. The unhurried slowbuild evokes just the kind of outdoor jam that Ospovat frequents. There are some small surprises as the record goes on, though. The more dense, acidic feel of Thick Air is a clubfriendly workout, while Chasonsa Vibes has an earthy groove with live drums and half-sung vocals. The sprightly,
Kompakt-esque title track closes out this vibrant EP
"Delivering his first solo EP in over two years, Blue Hour releases Origins, the 21st release on Blue Hour Music. Following a succession of remixes, V/A contributions and an EP under his Tracing Xircles alias earlier this year, the Berlin-based producer and DJ shares four tracks diving deeper into his UK roots. Channelling breakbeat, techno and trance with the hallmarks of 90’s rave, Origins builds upon the foundations created from his EP ‘Devotion’ in 2020.
In this eclectic EP, Blue Hour explores several sonic palettes. The title track blends celestial chords with urgent drums and acid basslines, while uplifting vocals and subtle melodies wind through the track. ‘True’ dips more heavily into breakbeat territory with evolving and immersive pads, soaring strings and a twinkling synth-line. A dynamic fusion of fast-paced energy and soft touches.
On the flip, ‘Emergence’ dances a delicate line between melancholia and elation, as dystopian chords pool with a squelchy acid sequence and a classic house vocal. ‘Searching’ closes on an ambient tip with spell-binding pads and an angelic melody, conveying a bright side to Blue Hour’s aesthetic, akin to Origins as a whole."
- A1: Depeche Mode - Wrong (Frankie's Bromantic Club Mix)
- A2: Eric Kupper - Rock To The Beat
- B1: Degrees Of Motion - Shine On (Original Extended Lp Mix)
- B2: Fuminori Kagajo Feat Jaidene Veda - The Blue (Eric Kuper Remix)
- C1: Diana Ross - The Boss (Eric Kupper Remix)
- C2: Danism + Train Feat Toshi - Ndisole (Eric Kupper Remix)
- D1: Solu Music Feat Kimblee - Fade (Eric Kupper Remix)
- D2: Eric Kupper Pres K Scope - Electrikiss
Vol.2[29,20 €]
If the ideal greatest hits collection captures the fundamental truth about an artist, Eric Kupper’s – 'A Lifetime In Dance Music' highlights an envious catalogue, extraordinary production skills and ultimately reveals a passionate maven of house music.
The 24-track compilation celebrates the vast work and revered career of Eric Kupper and is a collectable occasion to re-acknowledge his influence and golden touch as a remixer for over five decades.
Within this first volume you’ll find signature and standout remixes for all-time greats such as Diana Ross, Depeche Mode and Degrees of Motion alongside Kupper classics both new and old under his own name and the legendary K-Scope alias.
'A Lifetime In Dance Music' will be available across three separate vinyl and digital release packages including a full collectors CD release in 2023.
Emblematic of an iconic nightlife and reflecting on the sheer scale of his work for seminal artists including Curtis Mayfield, Diana Ross, Earth Wind & Fire, Gloria Gaynor and Donna Summer, this ultimate collection serves as a reminder of Kupper’s astounding blend of studio power, control, and agility as a producer and remixer. As the writing and production partner of the late godfather of house music, Frankie Knuckles, Kupper is a true musician and multi-instrumentalist who has played on, remixed, produced or engineered over 2,000 records spanning a wide range of contemporary musical genres.
Having worked on over 100 Billboard #1 ‘Dance’ records and mixed two records that have received the ‘Dance Record of the Year’ Grammy award, it is safe to say Eric Kupper’s hugely successful career underpins house music.
Two decades since they formed in New York City and over ten years since their last album, Tel Aviv based quartet Shotnez are back with Dose a Nova, an album of 10 exhilarating jazz filtered jams, with vibrations indebted to tuareg desert blues, Ethiopian-jazz, 1950's Afro Cuban recordings, surf- rock and folk from across the East Mediterranean basin.
Featuring the original Balkan Beat Box producers Ori Kaplan and Tamir Muskat alongside Uri Kinrot from Boom Pam and Itamar Ziegler from The Backyard, four musicians who are all producers and share love and deep connection to hip hop and jazz, Shotnez reunited in 2020 meeting up for improvised sessions and jams, once a week over a period of about four months at a carpentry turned music studio in suburban Tel Aviv.
Downing midi cards, triggers and synths, the day to day tools for these four producers and picking up and playing their respective traditional instruments - saxophone, clarinet, guitar, bass, percussion and drums – the group was immediately liberated by the moment. In the middle of a strict lockdown, they had no preconceptions, no deadlines, no labels or managers knocking on the door. This was an opportunity to rebuild the camaraderie that developed on the other side of the world two decades back, to reconnect as brothers and seek a higher spiritual plane, all the whilst fully encouraging each other to express their diverse musical backgrounds channelled within, during their time apart.
Vinyl only - Limited copies - No repress
Up next on Terrazzo we've got Remotif, Jay Gadian, Reflex Blue and Wilt shuttling us through the sound spectrum with ' A Really Good' compilation of wonky tech, trippy prog and acid house.
A vibrant and powerful performer, Danny Toeman seamlessly blends the classic vibes of Funk and Soul's golden age with his own inimitable London edge that modernises his work, giving it a fresh 'neo-vintage' flavour.
His gravel tones combined with an altitude-defying falsetto set him apart, creating a sound oozing with character and emotion. With his backing band 'The Love Explosion', Danny Toeman stages an electrifying show filled to the brim with feel-good funky soul, designed to make everyone get on up! Born in London, Danny was well acquainted with the Soul, Funk, and Rhythm and Blues of artists such as James Brown, Aretha Franklin, and Ray Charles from an early age, before graduating onto the hard hitting Souther Soul of artists like Wilson Pickett and Bobby Womack, and the refined uptown Philly Soul of artists like the O'Jays and the Spinners. A guitarist since the age of seven, and a singer before that, he grabbed any opportunity to perform his songs on stage for an audience. Danny Toeman truly set out to on his musical career after graduating University (where he won the regions official Battle of the Bands contest). Soon after, he was in demand as a supporting act for a number of great Soul artists, including Charles Bradley of Daptone, Michael Kiwanuka, Queen of Rare Groove Betty Wright, and 4-time Grammy winner Robert Cray. Around the same time, Danny's music reached a worldwide audience when a song of his was discovered on Soundcloud by scouts, and placed on the in-store playlists of Abercrombie & Fitch. Since then, his music has appeared in film and television shows around the world, most notably Saturday Night Live (NBC). Danny continued to perform nonstop around the UK, occasionally travelling to continental Europe for appearances. From 2019-2021, he hosted and promoted a series of headline shows at the famous Pizza Express Jazz Club, which garnered sold out crowds every night. The pinnacle of the support slots came in 2019, when Danny was chosen as the primary support act for Kool and the Gang at their o2 Arena show in London, in front of 10,000 spectators.
In Mid-2020, as the world was shutting down, Danny was approached by LRK Records to release his track 'She's Got Something About Her' on vinyl.
Within 3 months of release, the disc completely sold out due to demand, taking the European Soul Scene by storm. It garnered multiple radio plays, including from BBC 6 Music's Craig Charles, and veteran BBC DJ Robert Elms pronounced it 'his new favourite song'.
In 2022, Danny received his first spin on BBC Radio 2 for the single, 'Shake the Blues Outta Your Shoes', and was chosen out of thousands of competitors by industry professionals to act as the opening act for the legendary Diana Ross at one of her rare UK performances!
As the world starts to open up, Danny looks forward to releasing more new music, and taking his show across Europe and around the World.
Limited edition 45. Only 300 copies pressed.
Nate Young, Frontmann Des Detroiter Post-industrial/noise-trios Wolf Eyes, Knüpft Mit Einer Neuen Mehrteiligen Soloreihe An Seine "regression"-serie Von 2009-2013 Mit Insgesamt 4 Releases An, Als Er Aus Einflüssen Italienischer Library Music Und Musique Concrète Komplexe Synthesizer-werke Kreierte, Die Er Heute Um Elemente Klassischer Synth-soundtracks, Ambient Und Ebm Erweitert, Stets Gefiltert Durch Die Typisch Exzentrische Michigan-underground-sensibilität. 8-track-lp Mit Download-code (inkl. Digitalem Bonustrack) Und Doppelseitigem A2-faltposter.
PicCover[27,31 €]
Mr Bongo are delighted to present an officially licensed re-issue of this underground Japanese rock rarity 'Uganda (Dawn of Rock)' by Akira Ishikawa & Count Buffaloes. This album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag.
The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped-out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy-wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress.
A long way from his funk and afrobeat album 'Back To Rhythm’, re-issued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn’t pull any punches.
For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka.
The album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag.
We are delighted to present an officially licensed re-issue of this underground Japanese rock rarity.
Available in 2 formats: Original LP in Box version & Tip-on Sleeve with OBI version.
• Highly sought-after underground Japanese rock rarity, originally released in 1972.
• Feat. Hideaki Chihara, Kimio Mizutani, Larry Sunaga and Takeru Muraoka.
• Available as the original LP in Box version & Tip-on Sleeve with OBI version.




















