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NANCY SINATRA - NANCY IN LONDON LP

Die definitive Vinyl-Neuauflage von Nancys drittem Album mit den Hits "Summer Wine" und "Friday's Child" und tollen Versionen von "On Broadway", "Wishin, and Hopin'" und "This Little Bird". Frisch remastered von den analogen Originalbändern durch den GRAMMYr-nominierten Toningenieur John Baldwin, enthält das LITA-Reissue vier Bonustracks: die kompletten 1969er Mickie Most-Sessions inklusive dem bisher unveröffentlichten "Colors Are Changing" Wunderschön verpackte und erweiterte Gatefold-LP mit 20-seitigem Booklet mit Q&A von Nancy und dem GRAMMYr-nominierten Co-Produzenten Hunter Lea PLUS nie zuvor gezeigte Fotos aus Nancy Sinatras persönlichem Archiv. "Strawberries, cherries, and an angel's kiss in spring_" waren die unsterblichen Worte, die die fünfundzwanzigjährige Nancy Sinatra an einem eiskalten Frühlingstag in London sang, während der Aufnahmen zu ihrer dritten LP innerhalb von nur vier Monaten! Das Album wurde 1966 in nur drei Tagen in den Pye Studios aufgenommen, in denen Mitte der 1960er Jahre auch The Kinks, Petula Clark und David Bowie sich die Klinke in die Hand gaben. Durch die Wahl von Songs wie "On Broadway", "Wishin, and Hopin'" und "This Little Bird" hat das Album einen eindeutig britischen Touch. Die LP enthält zudem das zeitlose Duett "Summer Wine" von Nancy und Lee Hazlewood.

pre-order now06.09.2024

expected to be published on 06.09.2024

28,36
NANCY SINATRA - NANCY IN LONDON LP

Die definitive Vinyl-Neuauflage von Nancys drittem Album mit den Hits "Summer Wine" und "Friday's Child" und tollen Versionen von "On Broadway", "Wishin, and Hopin'" und "This Little Bird". Frisch remastered von den analogen Originalbändern durch den GRAMMYr-nominierten Toningenieur John Baldwin, enthält das LITA-Reissue vier Bonustracks: die kompletten 1969er Mickie Most-Sessions inklusive dem bisher unveröffentlichten "Colors Are Changing" Wunderschön verpackte und erweiterte Gatefold-LP mit 20-seitigem Booklet mit Q&A von Nancy und dem GRAMMYr-nominierten Co-Produzenten Hunter Lea PLUS nie zuvor gezeigte Fotos aus Nancy Sinatras persönlichem Archiv. "Strawberries, cherries, and an angel's kiss in spring_" waren die unsterblichen Worte, die die fünfundzwanzigjährige Nancy Sinatra an einem eiskalten Frühlingstag in London sang, während der Aufnahmen zu ihrer dritten LP innerhalb von nur vier Monaten! Das Album wurde 1966 in nur drei Tagen in den Pye Studios aufgenommen, in denen Mitte der 1960er Jahre auch The Kinks, Petula Clark und David Bowie sich die Klinke in die Hand gaben. Durch die Wahl von Songs wie "On Broadway", "Wishin, and Hopin'" und "This Little Bird" hat das Album einen eindeutig britischen Touch. Die LP enthält zudem das zeitlose Duett "Summer Wine" von Nancy und Lee Hazlewood.

pre-order now06.09.2024

expected to be published on 06.09.2024

29,62
ONE STEP CLOSER - ALL YOU EMBRACE LP

Blue Glitter Vinyl. One Step Closer has always believed that hardcore is limitless. On All You Embrace, the band puts that theory into practice. Every release from the Wilkes-Barre, Pennsylvania band has seen them exploring the sonic overlaps of hardcore, emo, and '90s alternative rock without an iota of self-consciousness, or pretension, creeping into the mix. All You Embrace is a collection of 11 songs that show One Step Closer reaching for something deeply honest and, as always, authentic."I wanted to showcase One Step Closer in its fullest state," says vocalist Ryan Savitski. "Every single part of the band, I wanted it to be there. I wanted us to be 100% ourselves and be as authentic to our band as we could possibly be." For fans of their first EP From Me To You, there are songs like "Blur My Memory," which show the passionate melodic hardcore the band built its name on is still part of the program. But it's immediately followed by "The Gate," a song that taps into the expansive reaches the band hinted at on This Place You Know and put on full display with the powerful follow-up EP, Songs For The Willow. Every element of One Step Closer is on display throughout the record, as they expound upon every idea until each one has achieved its full potential. The result is a record that's bigger, catchier, and moodier than anything they've done before, while still feeling exactly like OSC.Taken in full, All You Embrace is the sound of One Step Closer honoring their past while building a future that looks more open, more creative, and more expansive. It's a place where records like Start Today, Diary, and Floral Green are all in conversation with one another. Even the album's cover art marks a new direction for the band - the dizzying, frigid blur of blues & blacks colliding is a painting of guitarist Ross Thompson spinning in place, evoking how it feels to listen to these eleven tracks about change, grief, anger and the growing up. One Step Closer feels like the next in a line of revered bands coming from the crescent-shaped depression of Wilkes-Barre - and All You Embrace is the perfect introduction to the most exciting version of the band to date.

pre-order now06.09.2024

expected to be published on 06.09.2024

22,27
Joni Mitchell - Hejira (2024 Remaster) LP

Joni Mitchell

Hejira (2024 Remaster) LP

12inch0603497826681
Rhino
06.09.2024

Hejira is the eighth studio album by Canadian singer-songwriter Joni Mitchell, released in 1976 on Asylum Records. Its material was written during a period of frequent travel in late 1975 and early 1976, and reflects Mitchell's experiences on the road during that time. It is characterized by lyrically dense, sprawling songs and musical backing by several jazz-oriented instrumentalists, most prominently fretless bass player Jaco Pastorius, guitarist Larry Carlton, and drummer John Guerin.

pre-order now06.09.2024

expected to be published on 06.09.2024

24,16
Joni Mitchell - Shadows and Light (2024 Remaster) LP 2x12"

Shadows and Light is the second live album by Canadian musician Joni Mitchell. It was released in September 1980 through Asylum Records, her last release for the label. It was recorded in September 1979 at the Santa Barbara Bowl in Santa Barbara, California.3

For the album, Mitchell was backed by a band of acclaimed jazz and fusion musicians consisting of guitarist Pat Metheny, bassist Jaco Pastorius, drummer Don Alias, keyboardist Lyle Mays, and saxophonist Michael Brecker. Additionally, vocal group the Persuasions appear on the title track and a cover of Frankie Lymon & the Teenagers' "Why Do Fools Fall in Love".


[a] a1. INTRODUCTION [1:51]
[b] a2. IN FRANCE THEY KISS ON MAIN STREET [4:14]
[c] a3. EDITH AND THE KINGPIN [4:10]
[d] a4. COYOTE [4:58]
[e] a5. GOODBYE PORK PIE HAT [6:02]
[f] b1. THE DRY CLEANER FROM DES MOINES [4:37]
[g] b2. AMELIA [6:40]
[h] b3. PAT’S SOLO [3:09]
[i] b4. HEJIRA [7:42]
[j] c1. BLACK CROW [3:52]
[k] c2. DON’S SOLO [4:04]
[l] c3. DREAMLAND [4:40]
[m] c4. FREE MAN IN PARIS [3:23]
[n] c5. BAND INTRODUCTION [0:52]
[o] c6. FURRY SINGS THE BLUES [5:14]
[p] d1. WHY DO FOOLS FALL IN LOVE [2:53]
[q] d2. SHADOWS AND LIGHT [5:23]
[r] d3. GOD MUST BE A BOOGIE MAN [5:02]
[s] d4. WOODSTOCK [5:08]

pre-order now06.09.2024

expected to be published on 06.09.2024

32,73
Carl Perkins - His Greatest Hits LP

Tauchen Sie ein in die Welt des Rockabilly und Rock ‚n‘ Roll mit
der ultimativen Sammlung der größten Hits von Carl Perkins.
Diese Vinyl bietet nicht nur eine Auswahl der größten Hits
von Carl Perkins, sondern auch eine Klangqualität, die die
Authentizität und den Charme der Originalaufnahmen bewahrt.
Carl Perkins, oft als „King of Rockabilly“ bezeichnet, war
einer der einflussreichsten Musiker seiner Zeit. Mit seiner
einzigartigen Mischung aus Country, Rhythm and Blues und
Rock ‚n‘ Roll prägte er das Genre maßgeblich. Seine Musik
inspirierte zahlreiche Künstler, darunter die Beatles, Elvis
Presley und Johnny Cash

pre-order now06.09.2024

expected to be published on 06.09.2024

17,23
CANNED HEAT - '70 CONCERT RECORDED LIVE IN EUROPE

Die Geschichte von Canned Heat ist auch gleichzeitig die Geschichte von Exzessen, Drogenmissbrauch, psychischen Erkrankungen und Tablettensucht, verbunden mit der Affinität für bandinternen Begräbnisse. So sagte erst vor kurzem Drummer Adolfo "Fito" de la Parra in einem Interview: "Ich bin nach über 55 Jahren noch immer bei Canned Heat. Überhaupt noch am Leben zu sein, ist hier schon ein Triumph". Schließlich war Fito seit dem zweiten offiziellen Album der Band "Boogie With Canned Heat" mit dabei, das 1968 auf dem US-Label Liberty veröffentlicht wurde. 1970 erschien "Future Blues", das erste Album mit dem neuen Gitarristen Harvey Mandel. Mit "So Sad (The World"s in a Tangle)" enthält das Album den ersten Umweltschutz-Song der Band. Es handelt vom ständigen Smog über Los Angeles. "Let"s Work Together", eine Coverversion von Wilbert Harrisons "Let"s Stick Together" aus dem Jahre 1962, wurde für Canned Heat weltweit zu einem Top Ten Hit. Im gleichen Jahr folgte der Konzertmitschnitt ""70 Concert: Recorded Live In Europe". Aufgenommen an verschiedenen Orten während der Tournee durch Europa (u. a. der Londoner Royal Albert Hall), ist dies das erste offizielle Live-Album der Band und gleichzeitig das letzte Tondokument von Canned Heat mit Alan "Blind Owl" Wilson, der im September 1970 an einer Überdosis Tabletten starb. Mit "Final Vinyl" veröffentlichten Canned Heat vor kurzem ihr letztes Album; "Future Blues" und ""70 Concert: Recorded Live In Europe" gehören zu ihren essentiellen Alben, als die Band in ihrer Keybesetzung mit Al Wilson, Bob Hite, Fito de la Parra, Harvey Mandel und Larry Taylor Ende der 1960er / Anfang der 1970er Jahre den Zenit ihres Schaffens erreicht hatten. Wilsons Tod hinterließ eine Lücke, die nicht mehr zu schließen war, zumal auch Larry Taylor und Harvey Mandel kurz zuvor Canned Heat verlassen hatten, um sich John Mayalls "USA-Union"-Band anzuschließen.

pre-order now30.08.2024

expected to be published on 30.08.2024

21,22
After 'Ours - Long Road LP 2x12"

The records is released in two options. Both hvae 180g vinyl records. The first version has two black vinyls and the second limited edition (numbered 100 pieces) has one turquoise vinyl and the other red.

Over the last three decades, Auckland, New Zealand, has given birth to several generations of musicians, DJs, and producers who operated within the interzone between jazz, blues, soul, funk, Latin music, hip-hop, house, boogie, and broken beat. Across two slow-cooked albums that sit at the intersection of machine funk and vivid live instrumentation, Odyssey (2016) and their forthcoming sophomore release Long Road (2024), After 'Ours - the group project of pianist and composer Michal Martyniuk and drummer, guitarist and producer Nick Williams - have comfortably located themselves within this antipodean tradition.

Born and raised in Auckland, Nick Williams grew up surrounded by music from a young age. At home, his mother, Mary Anne, a record collector and DJ with deep, diverse vinyl crates, kept his ear sharp. By the time he was eight years old, he was regularly joining his musician father on stages across Australia in his blues rock band Slippery Sam. In his early twenties, Nick began leading the eleven-piece Auckland Latin-dub-funk fusion big band Tangent, who performed regularly until the late 2000s.

Michal Martyniuk, on the other hand, grew up on the opposite side of the world in Szczecin, Poland. After playing classical music for twelve years and attending jazz school, he relocated to New Zealand with his family in his teens. While studying at Auckland University Jazz school, Michal came into the orbit of the legendary New Zealand saxophonist, composer, producer, and band leader Nathan Haines, who brought him into the same world as future collaborators like Tama Waipara, Batacada Sound Machine, Sola Rosa and Nick.

Inspired by the rich stories of jazz, neo-soul, electronica, and dance music from both sides of the Atlantic Ocean and the open-eared Auckland scene they emerged from, After 'Ours formed in 2011. Born out of a friendship cultivated through playing together at bars and nightclubs around town and home studio sessions. "Nick had family and work, so I had to wait all day," Michal says. "We'd come to the studio at 10 PM and go till 3 AM. That's how we came up with the name.

Session by session, After 'Ours revealed itself to be a creatively fertile meeting of minds. "We both have our angles, but it works well in the end," Nick reflects. "It takes the music to a place we can't get to by ourselves."

Between 2011 and 2016, they wrote and recorded Odyssey with a cast of musical collaborators that included KP, Sharlene Hector & Kevin Mark Trail (UK), Matt Nanai, Nathan Haines, Jakub Skowronski, Nick's partner Ange Williams (nee Saunders) and British producer Mike Patto from the lauded UK future jazz group Reel People. Influenced by the smooth yacht rock of Steely Dan and Donald Fagan, the warm midtempo bounce of A Tribe Called Quest and J Dilla, and the complex jazz/RnB bop of Robert Glasper, Odyssey was a labour of love that emphasised community, warm-hearted hospitality, and care.

Seven years on, they're finally ready to return with Long Road, an album that contains some of their best work yet. As well as reconnecting with past collaborators Kevin Mark Trail and Ange Williams, Long Road sees After 'Ours calling on assistance from Louis Baker, Jakarta-based saxophone player Kuba Skowroński, bassist Dan Antunovich, Los Angeles-based drummer Chris Bailey and the journeyman British soul artist Omar Lyefook.

Across ten songs that plot a stargazed course through their antipodean spin on UK broken beat, jazz, modern soul, and blues rock, Nick and Michal build on everything they learned while writing and recording Odyssey. In the process, they take their joyful musical visions to sublime new heights.

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35,71

Last In: 18 months ago
Shemekia Copeland - Blame It On Eve

Grammy-nominated blues, soul and Americana singer is beloved and honored worldwide for her joyful, defiant music and thrillingly soulful performances. Blame It On Eve is another exhilarating Shemekia Copeland showcase, as her rousing vocals bring the heat to an infectious array of muscular rockers, stomping blues, swampy soul, and heartbreaking ballads. Intense, topical new originals make up most of the tracks and soul-soaked versions of songs by Stevie Wonder and her father, Johnny Copeland, fit right into the mix.

pre-order now30.08.2024

expected to be published on 30.08.2024

28,99
Leftover Salmon - Grass Roots LP

Few bands have as enduring a legacy in the acoustic/newgrass/jam band
scene as Colorado-based Leftover Salmon
Carrying the torch passed down by the progressive bluegrass pioneers, The
Seldom Scene and Newgrass Revival, Leftover Salmon are true architects of the
contemporary jam grass scene, inspiring the careers of a generation of artists
ncluding Billy Strings, Greensky Bluegrass and Yonder Mountain String Band.
On 'Grass Roots', Leftover Salmon reflect on its bluegrass and festival
campground origins with a set of songs that draws from the repertoires that The
Salmon Heads and The Left Hand String Band played when they first jammed in a
Telluride Bluegrass Festival campground. Collaborating with jam scene icons
Billy Strings, Oliver Wood, and Darol Anger, and with the recent addition of Jay
Starling on resophonic guitar, lap steel and keys to the band's official line, Leftover
Salmon have all the instrumental firepower needed to deliver hard driving
versions of bluegrass standards and grassed- up versions of songs from Bob
Dylan, David Bromberg, and The Grateful Dead. Now available on Limited Edition
Banana Yellow Vinyl
Now available on Limited Edition Banana Yellow Vinyl

pre-order now30.08.2024

expected to be published on 30.08.2024

31,30
Bunny Lee + King Tubby - Brass Rockers LP

repress !

“Tubby did three original dub albums, ‘Dub From The Roots’. ‘The Roots of Dub’ and the third is ‘Brass Rockers’ with Tommy McCook ‘pon the flying cymbals. Where he mixed it with the horn going in and out in a dub way and one named ‘Shalom Dub’ you can call Tubby’s too because he mixed the versions as they were off forty fives’’
Bunny ‘Striker‘ Lee

King Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ ( more of which later...) they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix / Version cuts to an existing vocal tune.

Osbourne ‘King Tubby’ Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and also on two correspondence courses from the U.S.A... When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm & Blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a home made mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.

Tubby and Striker were at Treasure Isle Studio’s one day while Ruddy from Spanish Town was working with the engineer Byron Smith....

“Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said ‘No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddy’s that Saturday night a dance was in progress and when they played the vocal to the tune... then he said we’re going to play ‘Part Two’. They never called it ‘Version’..and then he played the rhythm track. The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said ‘Tubbs the mistake we made was a serious joke.It mash up Spanish Town! The people went wild. So you have to start to do that now ‘cause when the man put on the ‘Part Two’ everyone start singing this song. It played about twenty times. I said you try Tubbs!’...Well the next Saturday night now when Tubby strung up down the farm U Roy said he’s going to play ‘Part Two’ but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.’’
Bunny ‘Striker’ Lee

Dynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubby’s dub plate experiments began to make it on to vinyl and the first ever long playing King Tubby releases would feature a collection of his mixes to a selection of Strikers rhythms. So please sit back and enjoy this historic set of sounds. Lovingly restored and with a few extra gems added to the CD Editions. These releases were the first to carry the name of King Tubby and the first to credit the great musicians that contributed so much to the rhythms that made these albums possible.

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13,40

Last In: 20 months ago
Various - ETHIOPIAN HIT PARADE VOL. 2

2024 Repress

The follow up to the highly acclaimed reissue of the first volume Ethiopian Hit Parade. This 2nd volume features 'Ethiopian Hits' from 1972 to 1975. The track layout is Identical reissue to the original vinyl

"After releasing around fifty 45 rpm singles and his first 33 rpm album (Ethiopian Modern Instrumental Hits AELP 10, re-released by Heavenly Sweetness HS092VL), Amha Esthèté set about compiling his best 45s on a series of now legendary albums (the originals are impossible to find) in 1972. The first four volumes of Ethiopian Hit Parade were released in September and October 1972, with the fifth volume appearing in January 1973. You are the proud owner of Volume 2.

It is worth reminding ourselves that when Amha Esthèté set up his Amha Records label in 1968-69, it was in defiance of a state monopoly designed to regulate the imports and production of records by an imperial decree of July 1948. This extravagant state privilege had produced only 78s of traditional music , which though thrilling, excluded anything at all modern. To the best of our knowledge, only sixty-seven of these prehistoric discs were pressed in Great Britain between 1955 and 1961 and released by His Master’s Voice. They were supposed to be part of celebrations of Emperor Haile Selassie’s silver jubilee . . . even though 33s and 45s had existed since 1948 and 1949 respectively! Such incompetence and servility, combined with a rejection of an effervescent contemporary music scene, were symptomatic of the decadence surrounding the end of an era.

An audacious, funky outlaw, a music lover and an entrepreneur in tune with the baby-boomer generation, young Amha Esthèté (he was only twenty-four when he launched his label) will be remembered as the instigator of a peaceful revolution thick with soul and rock’n’roll.

After the acclaimed reissue of the first volume Ethiopian Hit Parade. Here is the second volume that include all the greatest Ethiopian Hits from 1972 to 1975. Identical reissue to the original vinyl which is extremely rare and expensive.

The opening track of the compilation is the song Tezeta Slow and Fast by GETACHEW KASSA were featured on the album Ethiopiques, Vol. 10: Ethiopian Blues & Ballads. and originally released on 1972. The other tracks on this second volume celebrate such pioneers of modern Ethiopian groove as Abayneh Degene, Tèshomè Meteku, Menelik Wossenachew Mulatu Astatqe and Muluken Melesse, alongside “tradi-modern” singers representing Amhara and Oromo culture, so rich and so long marginalized."

pre-order now30.08.2024

expected to be published on 30.08.2024

19,79
Anciients - Beyond The Reach Of The Sun  LP 2x12"

Anciients teilten die Bühnen mit Bands von High on Fire und Goatwhore bis Boris und Lamb of God, und befanden sich mitten in einer Europatournee, als sie entdeckten, dass sie mit dem JUNO Award (dem kanadischen Grammy-Äquivalent) in der Kategorie Heavy Metal/Hard Rock ausgezeichnet wurden.

Nach acht Jahren Stille kehren Anciients mit neuen Besetzung und einem neuen Album zurück, das ihr härtestes, kopflastigstes und innigstes Werk genannt werden kann.

Fans, die auf gebeugten Knien auf weitere Griffbrett-Heldentaten gewartet haben, werden von Beyond the Reach of the Sun nicht enttäuscht sein. Die Leadsingle „Melt the Crown“ feuert gleich mehrere Gitarrensoli ab - Jedes von ihnen hat seine eigene Note, die von klagendem Folk über Südstaaten-Blues bis hin zu psychedelischem Prog reicht.

Natürlich haben Anciients auch keine Angst vor dem Headbangen. Nach einem Intro entpuppt sich „Cloak of the Vast and Black“ als ein wahres Riff-Monster.

Konzeptionell ist das Album ebenso heavy - Es erzählt die Geschichte einer Gesellschaft, die von Kräften aus einer anderen Dimension versklavt wird.

pre-order now30.08.2024

expected to be published on 30.08.2024

34,87
Anciients - Beyond The Reach Of The Sun  LP 2x12"

Anciients teilten die Bühnen mit Bands von High on Fire und Goatwhore bis Boris und Lamb of God, und befanden sich mitten in einer Europatournee, als sie entdeckten, dass sie mit dem JUNO Award (dem kanadischen Grammy-Äquivalent) in der Kategorie Heavy Metal/Hard Rock ausgezeichnet wurden.

Nach acht Jahren Stille kehren Anciients mit neuen Besetzung und einem neuen Album zurück, das ihr härtestes, kopflastigstes und innigstes Werk genannt werden kann.

Fans, die auf gebeugten Knien auf weitere Griffbrett-Heldentaten gewartet haben, werden von Beyond the Reach of the Sun nicht enttäuscht sein. Die Leadsingle „Melt the Crown“ feuert gleich mehrere Gitarrensoli ab - Jedes von ihnen hat seine eigene Note, die von klagendem Folk über Südstaaten-Blues bis hin zu psychedelischem Prog reicht.

Natürlich haben Anciients auch keine Angst vor dem Headbangen. Nach einem Intro entpuppt sich „Cloak of the Vast and Black“ als ein wahres Riff-Monster.

Konzeptionell ist das Album ebenso heavy - Es erzählt die Geschichte einer Gesellschaft, die von Kräften aus einer anderen Dimension versklavt wird.

pre-order now30.08.2024

expected to be published on 30.08.2024

37,40
Wayne Escoffery - Alone

Saxophonist and composer Wayne Escoffery reflects on love, loss, and solitude on his stunning new album, an atmospheric and haunting mood piece, Alone, featuring a remarkable all-star quartet with pianist Gerald Clayton, bassist Ron Carter, and drummer Carl Allen. In the summer of 2023, saxophonist and composer Wayne Escoffery found himself alone in a way that he’d never quite experienced before. He was away from home, on sabbatical in Europe with a month to himself between tours. A long-term relationship had just ended, and he was confronted with the loss of friendships that he’d once valued. Worst of all, he’d suffered a broken finger that left him unable to play the saxophone for the first time since he’d picked up the horn in high school. “Normally, my coping mechanism would be the saxophone,” Escoffery laments. “But even that wasn't available to me for about nine weeks, so I just had to be alone in my thoughts.” He made good use of this alone time, conceptualizing the music that makes up his striking and singular new album. What emerged from that solitude was an extended mood piece, a workunique in Escoffery’s typically wide-ranging catalog for its sustained atmosphere of stark melancholy and searching introspection. Alone was conceived during a time of isolation, heartbreak, regret, and reflection, but the experience of the album is far richer even than that. In the end, “I was forced to reflect on life and what was most important to me,” Escoffery concludes. “The concept of this album grew out of that reflection.”

pre-order now30.08.2024

expected to be published on 30.08.2024

29,83
Caleb Caudle - Sweet Critters

Caleb Caudle

Sweet Critters

12inchBCPR083024CCSC
Caleb Caudle
30.08.2024

These songs are a showcase of Caudle’s singular command of language. He sees the world through a hyperreal lens wholly unique to him, one that renders dank humidity “horsefly heat,” a moody sky “cast iron skillet” dark, or a loved one’s “wind chime of a smile.”

pre-order now30.08.2024

expected to be published on 30.08.2024

23,49
THE GREAT DYING - A CONSTANT GOODBYE

The music of Will Griffith's The Great Dying is a mix he likes to call dark country. He grew up in Cleveland, Mississippi, where D.I.Y. punk house shows hooked him, and his early bands played The Farmhouse and legendary delta juke joint Po' Monkey's. Songs from The Great Dying's new album, A Constant Goodbye, were born from playing hundreds of shows supporting Bloody Noses & Roses (Dial Back Sound 2018), and it continues where the debut left off. The ballads are still sweet and menaced, the rockers are still hair-raisers, but the new record pushes in new directions, infusing sounds of classic country with faint traces of The Replacements and what was once called "alternative rock." The tracks are layered and varied: wall-of-sound arrangements grind against flange-bass and fiddle, with Griffith's barebones acoustic guitar and vocals at the root, and heartbreak all over. Coming from another artist, this blend of influences would tank, but somehow it suits The Great Dying just fine. Pick any number on the new album-it's a winner.

pre-order now30.08.2024

expected to be published on 30.08.2024

21,22
Blue Öyster Cult - In The Beginning

Blue Öyster Cult

In The Beginning

12inch1155751
SIS
30.08.2024

Schallplatte in limitierter Auflage mit Aufnahmen von 1986 der US-amerikanischen Hardrock Band BLUE OYSTER CULT inklusive den Klassikern und
Hits Shadow Warrior, Buck´s Boogie und viele mehr. BLUE OYSTER CULT haben bislang weltweit über 24 Millionen Platten verkauft, davon 7 Millionen
in den USA. Diese LP gehört in jede Sammlung.

pre-order now30.08.2024

expected to be published on 30.08.2024

26,68
BONSAI KITTEN - LET IT BURN LP

Let It Burn" ist ein Feuerwerk von einem Rock-Album, mit dem BONSAI KITTEN 2024 laut zurückkommen. Wollen sie jetzt alles niederbrennen? Nicht alles, aber sicherlich die Brücken zu Allem, was man meint, über diese Band aus früheren Veröffentlichungen zu kennen. Denn die Flammen, die die Band hier anzünded, erleuchten hell den zuletzt eingeschlagenen Weg. Leidenschaftlich und ungestüm prescht die Band um Frontfrau Tiger Lilly Marleen in musikalischer Vielfalt und Virtuosität von Metal bis Blues durch das gesamte Album, welches in fließenden Übergängen an Rock-Klassiker der 70er als auch der 80er erinnert. Musikalisch hat sich der Stil der Band über die Jahre vom Punk-A-Billy über Punkrock zu Metal mit Prog- und Blueseinflüssen entwickelt. Sängerin Marleen hat ihre Band mit Metal- Schlagzeuger Marc "Reign" Reinke (ex-Destruction) und Bluesrock-Gitarrist André "Wally" Wahlhäuser neu aufgestellt. Zusammen mit Marcus "Spoxx" Schütze am 3-Saiter-Bass, setzten BONSAI KITTEN ihrem richtungsweisenden Vorgänger LOVE AND LET DIE (2020) mit LET IT BURN (2024) jetzt noch einen drauf! Die erste Vorab-Single "I Wonder" rockt es bereits! Selten wird ein Album heute noch so handgemacht und detailverliebt produziert, wie es Gitarrist Wally hier geschafft hat. Hitzig und dynamisch glänzen die 10 Songs und werfen dabei auch lyrisch ein Licht auf das Festhalten an dessen, für das Du brennst. Just LET IT BURN!



Als Digipak-CD mit Booklet, LP klassisch schwarz, limitierte LP farbig, streng limitierte LP farbig Special Collector's Edition (Vinyl jeweils mit Insert und im Gatefold-Sleeve) sowie Album Digital erhältlich. Als besonderes Highlight wird das Album außerdem im aufwendig produzierten Dolby-Atmos Mix neben dem Standard-Streaming auf den relevanten Portalen digital verfügbar sein!

pre-order now30.08.2024

expected to be published on 30.08.2024

19,29
BONSAI KITTEN - LET IT BURN LP

180gr Tiger Splash LP (orange-red w/ yellow & black splatter) im Gatefold-Sleeve mit Insert

Let It Burn" ist ein Feuerwerk von einem Rock-Album, mit dem BONSAI KITTEN 2024 laut zurückkommen. Wollen sie jetzt alles niederbrennen? Nicht alles, aber sicherlich die Brücken zu Allem, was man meint, über diese Band aus früheren Veröffentlichungen zu kennen. Denn die Flammen, die die Band hier anzünded, erleuchten hell den zuletzt eingeschlagenen Weg. Leidenschaftlich und ungestüm prescht die Band um Frontfrau Tiger Lilly Marleen in musikalischer Vielfalt und Virtuosität von Metal bis Blues durch das gesamte Album, welches in fließenden Übergängen an Rock-Klassiker der 70er als auch der 80er erinnert. Musikalisch hat sich der Stil der Band über die Jahre vom Punk-A-Billy über Punkrock zu Metal mit Prog- und Blueseinflüssen entwickelt. Sängerin Marleen hat ihre Band mit Metal- Schlagzeuger Marc "Reign" Reinke (ex-Destruction) und Bluesrock-Gitarrist André "Wally" Wahlhäuser neu aufgestellt. Zusammen mit Marcus "Spoxx" Schütze am 3-Saiter-Bass, setzten BONSAI KITTEN ihrem richtungsweisenden Vorgänger LOVE AND LET DIE (2020) mit LET IT BURN (2024) jetzt noch einen drauf! Die erste Vorab-Single "I Wonder" rockt es bereits! Selten wird ein Album heute noch so handgemacht und detailverliebt produziert, wie es Gitarrist Wally hier geschafft hat. Hitzig und dynamisch glänzen die 10 Songs und werfen dabei auch lyrisch ein Licht auf das Festhalten an dessen, für das Du brennst. Just LET IT BURN!



Als Digipak-CD mit Booklet, LP klassisch schwarz, limitierte LP farbig, streng limitierte LP farbig Special Collector's Edition (Vinyl jeweils mit Insert und im Gatefold-Sleeve) sowie Album Digital erhältlich. Als besonderes Highlight wird das Album außerdem im aufwendig produzierten Dolby-Atmos Mix neben dem Standard-Streaming auf den relevanten Portalen digital verfügbar sein!

pre-order now30.08.2024

expected to be published on 30.08.2024

20,59
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