debe ser publicado en 30.06.2025
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debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
- Training
- September Second
- Home
- Little Peace In C For U
- Love Letter
- Cantabile
- Colors
- So What
If there is one quality that best sums up the personality and music of Michel Petrucciani, it is generosity.
It was on stage, in the moment, in close proximity to the audience, in the warm intimacy of a club setting, that he most truthfully expressed his passion for sharing.
Many musicians, he confessed, play too selfishly. They play only for themselves and a few happy few. I play to please and to communicate. I’d like to think I’m a very happy person.
That’s why it’s essential for me to transmit and give others the generosity that is vital in art, music, and life.”
This is proven by these magnificent moments captured live in 1997 in Tokyo.
Accompanied by Anthony Jackson and Steve Gadd - two close friends with whom he shared an almost telepathic musical relationship - Michel Petrucciani delivers an intense hour of pianoforte, performing both standards and original compositions to unleash his boundless generosity and sensual lyrical expression live on stage.
Once again, one is struck by the solar clarity of his phrasing, the vigour and percussive precision of his touch (this master of tempo played ‘deep in the note’), and the breadth of his long lines where each note remains distinct and articulate. Michel infused everything he played with great emphasis and nuance - but above all, with sincerity. His heart sang immediately through the piano. This record is the most brilliant demonstration of that.
· Until now, this album had never been released on vinyl. Now available as a 180g double vinyl edition, mastered specifically for vinyl, housed in a 350g leather-textured sleeve with Struktura finish, offering an elegant texture and refined feel.
debe ser publicado en 30.06.2025
- A1: Angerfist & Da Mouth Of Madness - Bodybag
- A2: Da Mouth Of Madness & Vandalism - Gabberhouse
- B1: Dither & Da Mouth Of Madness - Velinghallen
- B2: Nighshift & Da Mouth Of Madness - Made It To Thunderdome
- C1: Dr Peacock & Da Mouth Of Madness - The Future
- C2: Furyan & Da Mouth Of Madness - Het Verbond
- D1: Drs X Mbk X Da Mouth Of Madness - Jongens Van De Straat
- D2: Da Mouth Of Madness & Irradiate - Ik Zie Je Op De After
debe ser publicado en 30.06.2025
- A1: Housing The Joint
- A2: We Get Ill
- A3: Do It, Do It
- A4: Dedication To All B-Boys
- A5: Get N' Paid A6. Dis Groove Is Bad
- B1: Parkside 5-2
- B2: B-Boy Rhyme And Riddle
- B3: Saturday Night
- B4: It's Krack
DESCRIPTION
The O-est of Gs, Schoolly D, originally released his second full length, Saturday Night!. The Album on his own imprint in 1986. Schoolly - and this release - are considered by many to be the genesis of gangster rap and were highly influential to all who followed. Schoolly was picked up by Jive Records in 1987, and an expanded version of Saturday Night!. The Album was released. This album contains 10 tracks of all killer no filler! All beats made by Schoolly D and his legendary TR-909 drum machine. This album is a perfect blend of raw and funky from the King of Philly.
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
Novoa/Kamaguchi/Cleaver Trio Delivers Electrifying Second Volume
A Bold, Experimental Fusion of Density and Dialogue
"The wait is over. If you’ve been holding your breath since hearing Novoa/Kamaguchi/Cleaver Trio, Vol. 1, it is time to let it out. Vol. 2 is almost here! The group has returned to 577 Records once more, serving a heaping second helping of addictive musical brilliance that comes out in May.
Even The Wire magazine celebrated the trio's first album, calling it “a deep and thoughtful release” – and Vol. 2 is no different. Eva Novoa is the Barcelona-born pianist/composer taking the world by storm with her creativity and talent. And she is back to wow us again on the piano, Fender Rhodes, Chinese gongs, and a little whistling.
To complete the trio, she chose her longtime comrade and collaborator of some fifteen years, bassist Masa Kamaguchi, and Detroit drum wizard Gerald Cleaver. The group has performed live in NYC since 2017. They made their first record (Vol. 1) with 577 Records in 2024. Their highly anticipated Vol. 2 marks Eva's fourth album with the label.
In their upcoming release, Novoa steers the trio through elegant experimentation of its full potential, confidently grasping golden threads from great masters of music to shape her own melodic universe. The multi-instrumentalist says it’s where melodic density meets contrapuntal dialogue, a free interplay of rich textures and riveting, masterly improvisation. This smooth complexity is what gives rise to the group’s uniqueness.
Like Vol. 1, the album cover art features the work of Novoa’s friend and collaborator, popular street photographer Richard Sandler."
Eva Novoa - Piano, Fender Rhodes, Chinese Gongs & Whistling.
Masa Kamaguchi - Bass.
Gerald Cleaver - Drums.
Recorded on January 19, 2020 at Oktaven Audio, Mount Vernon, NY by Jeremy Loucas.
Mixed and mastered by Jeremy Loucas at Sear Sound, New York City.
Photography by Richard Sandler.
Graphic design by Sergio Vezzali.
Graphic support by Mark Smith.
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
debe ser publicado en 30.06.2025
“Recorded at BBC Broadcasting House and partially aired on BBC Radio 3’s Late Junction, the first studio encounter between London-based duo Exotic Sin and Swiss percussionist Julian Sartorius is now published in full on this album from Sagome.
Winding through six distinct and interconnected paths, the trio effortlessly create a shared language in this expansive improvised session.
Listening back two years later — the session was recorded on March 24, 2023 — it’s evident how they build at a relaxed pace, offering space for the listener to enter into their evolving sound. Anchored by piano, delicate wood, metal, and air instruments, a fluid system of interactions develops: repeating, deepening, but not fixating. The direction of travel is not cyclical or linear and the pace insists on forward confidently, avoiding the trap or comfort of recurring motifs.
Percussion is not a timekeeper, but a key element, introducing new textures that even on the final track Path 6, trace out a horizon that feels more like a blurred beginning than a definitive end.
In Session, Exotic Sin moves into a lighter, perhaps more playful language for improvisation than on their debut album Customer’s Copy. This could be influenced by Sartorius’ tactile approach to sonic materials or the more stripped-back nature of the improvised session, with less emphasis on synthesised and electric sounds. While the emotional imprint from their debut album—murkier and insistent—remains, it has been aired out to dry. In Session, their sound-world is broad and moves with levity.”
Andrea Zarza Canova – April 2025
Music by
Kenichi Iwasa (electric and acoustic percussion, trumpet, horns, thumb piano, effects).
Naima Nefertari (piano, Yamaha keyboard, flute, bells, percussion).
Julian Sartorius (drums, percussion).
Recorded and mixed live for Late Junction at BBC Broadcasting House, London, on the 24th of March 2023 by Joe Yon and John Boland.
Mastered by Giuseppe Ielasi.
Produced by Silvia Malnati at Reduced Listening for BBC Radio 3.
Extracts from the session were played on Late Junction on the 14th of April 2023.
Artwork by Josef William Back.
Graphic design by Nicola Tirabasso.
debe ser publicado en 30.06.2025
Unearthed from the vaults of funk veteran Tim Tucker, this fantastic Got That Energy EP delivers two unreleased boogie gems from the 80s that have been reworked by SoCal DJ and producer Knoe1. A lifelong musician and unsung hero of the scene, Tim always brought raw authenticity, while Knoe1 sharpens the sound for modern dancefloors. Title track 'Got That Energy' is a high-octane ass-shaker packed with punchy bass and irresistible swagger. On the flip, 'Don't Hesitate' slows the pace by blending emotional vocals and synth-soaked soul. This is pure summer heat for a range of different settings.
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