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Recorded on October 17th, 1970, just months after his previous group Brian Auger, Julie Driscoll and The Trinity had split up, this the first ever live Oblivion Express recording, captured on tape a year before this influential group released their first album. The set list includes early versions of their debut album’s tracks and amazing covers, including Herbie Hancock’s ‘Maiden Voyage,' Gabriel Fauré’s ‘Pavane,’ and Brian’s take on Sly and The Family Stone’s ‘I Wanna Take You Higher,’. The 12-page booklet features the band’s history from its formation, with Brian Auger recalling how festival organiser Claude Nobs gave the group this early opportunity.

The buzz about the Crystal Teardrop that has been growing for the past two years looks set to reach fever pitch with the release of their debut album _IS FORMING. Featuring a dozen memorable compositions by the bands Alexandra Rose and Leon Jones, the album more than lives up to the promise of their 2024 single releases and their ecstatic live performances on stages across the UK and Europe. The band formed in Stoke-on-Trent in early 2023, "inspired," explains Alexandra Rose, "by a mutual passion for the sights, sounds and creative experimentation of the late 1960s." In addition to Alexandra on lead vocals on guitar, the band comprises Leon Jones (guitar, sitar), Stuart Gray (keyboards, Mellotron), Ed Quigley (bass, vocals), and Huw Woodward (drums, percussion). Intuitively blending elements of garage rock, folk-rock, power pop and psychedelia, the band have created an appealing concoction infused with their own perspectives and personalities. To best capture their sound, they recorded at an all-analogue facility, Tilehouse studio in North London, working closely with White Stripes producer Liam Watson of Toe Rag Studios fame.

The classic debut album, originally released in 1968. Features Rod Stewart on vocals and Ronnie Wood on guitar.

a A1 Kristeen Young feat. David Bowie– American Landfill; Engineer – Anthony Paul Lopez, Justin Raisen, Tony Visconti; Engineer [Additional Engineering], Producer [Vocal Production] – Ainjel Emme; Mixed By – Anthony Paul Lopez, Justin Raisen; Producer [Additional Production] – Anthony Paul Lopez, Jeremiah Raisen; Producer [Music Produced By] – Justin Raisen, Kristeen Young, Tony Visconti; Written-By – Kristeen Young

[a] A1 Kristeen Young feat. David Bowie– American Landfill; Engineer – Anthony Paul Lopez, Justin Raisen, Tony Visconti; Engineer [Additional Engineering], Producer [Vocal Production] – Ainjel Emme; Mixed By – Anthony Paul Lopez, Justin Raisen; Producer [Additional Production] – Anthony Paul Lopez, Jeremiah Raisen; Producer [Music Produced By] – Justin Raisen, Kristeen Young, Tony Visconti; Written-By – Kristeen Young

Come Ahead ist das 12. Album von Primal Scream. 11 neue Songs, mit denen Bobby Gillespie sich darauf
vorbereitet, einige der persönlichsten Songs der Bandkarriere zu veröffentlichen.
Der Songwriting-Prozess für Come Ahead begann 2019. Zu diesem Zeitpunkt hatte Bobby Gillespie noch
keine Ahnung, ob er noch einmal ein Album von Primal Scream machen würde. Zum ersten Mal kamen
die Texte vor der Musik. Die Geschichte kam zuerst. Bobby schrieb allein, mit einer Akustikgitarre. Die
Ideen flossen schnell, in langen Inspirationsschüben. Dieser Prozess, zusammen mit der Ermutigung durch
Produzent David Holmes, bot einen neuen Einstieg. In Zusammenarbeit mit Holmes und Primal ScreamGitarrist Andrew Innes wurden die Come Ahead-Sessions in Belfast, London und Los Angeles durchgeführt.
„Ich bin sehr aufgeregt über dieses Album, so als würde man seine erste Platte machen. Wenn es ein
Gesamtthema für Come Ahead gäbe, wäre es vielleicht ein Konflikt, ob innerlich oder äußerlich. Der Titel
ist ein Begriff aus Glasgow. Wenn jemand droht, mit dir zu kämpfen, sagst du: ‚Komm schon!‘ Es erinnert
an den unbezwingbaren Geist der Glasgower, und das Album selbst vermittelt diese aggressive Haltung und
Zuversicht. Sie haben da oben ein Wort dafür: gallus. ‚Come Ahead‘ ist auch ein ziemlich frecher Titel.“
Bobby Gillespie

The Topics waren eine Soul-Vocal-Band aus New York, die vor allem in den 1960/1970ern aktiv war und zunächst als The Uniteds startete. Im Laufe der Jahre kamen und gingen verschiedene Mitglieder. Ihre Singles, angefangen bei der Debüt-7" "The Girl In My Dreams" (1962) erschienen bei kleinen Labels, mit Ausnahme der beiden Songs auf vorliegender Expansion-Reissue, die 1973 direkt hintereinander bei Mercury Records erschienen. "Booking Up Baby" wurde von Dennis Williams (The O'Jays, Teddy Pendergrass, Jean Carn) co-produziert, der auch den Van McCoy-Song "Giving Up" arrangierte. Beide Soultracks sind anspruchsvoll und begehrt, eine Originalpressung kostet auf Discogs bis zu 850 Pfund.

We are proud to present this solo-release by techno legend CJ Bolland on Flatlife Limited. It features 3 amazing techno electro acid tracks. We've seen some really big remixes from this man the last years, like the brilliant remix of LSG's classic "Netherworld"; but no solo release yet appeared - so we're extra proud on this one. In the past CJ Bolland created major albums like "Electronic Highway" & "The 5th Sign" which made a statement in the underground scene. We don't need to explain what this man has meant to the underground Techno Scene and still does. We still remember hits like "The Prophet" & offcourse "Camargue" which are legendary. For the Flatlife Labelgroup: a dream coming true to get this release out there !!

Re-Release auf transparent gelbem Vinyl

Produced by Dandy Livingstone.
7inch black vinyl 45 RPM - Black paper cover with round cut-outs on both sides.

Both tracks were produced by Dandy Livingstone (also known as Brother Dan) in 1969 on the Downtown Records on two separate singles.
This reissue brings these two rare gems together for the first time on a 7” single. Both tracks are quite rare and very much in demand with
“SKINHEADS A MESSAGE TO YOU” being an anthem for early reggae enthusiasts!

[b] A2 Rich Girl, Arranged By – Christopher Bond, Daryl Hall, John Oates, Arranged By [Strings] – Christopher Bond, Written-By – Daryl Hall