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After Caposile, at the peak of his growth, now consacrate as one of the most sought and removed clubs in the Italian and world undergoing circuit, is back to release high level music, returning to pressing on vinyl in its acclaimed label the second volume of “The Sound of Garden”.

Spring 2024 deserved a release made by an exceptional cast, it will be always divided in to parts, both 12”, and it will include an incredible team of artists led by the visionary and immortal master Alex Neri, the local phenomenon known for his productions in Slow Life and Altered Circuits: Paolo Mosca, our family members and residents Twineffect and Maggio, the duo Francesco Maddalena and Manuel De Lorenzi, Lee Burton, Jamahr, Franko Lopez and Matteo Point.

A perfect mix of artists who strongly believe in the club and in what we transmit as an experience to live, these tracks are explosiveness, elegance, magnetism, each with a different facet of house music: progressive, balearic, electro, acid, this double vinyl contains everything that the dancefloor requires and it is a transposition into music of the current vibe that can be felt at After Caposile’s garden.

The first volume begins with the mastery of the multifaceted and always prolific artist Alex Neri who never makes a mistake, and even after years continues to release masterpieces, like this one: "H-Arp Odyssey", which already from the title we can imagine as an instrument takes the lead in the construction of the piece, a rush of adrenaline that immediately makes it clear what awaits us.

“Unreleased”, the track by Francesco Maddalena and Manuel De Lorenzi, is a clear representation of their way of playing that characterizes them and brings them together, and that always makes us dance, a direct groove, old school, tech-house in its most pure.

If the first two tracks get straight to the point, in side B we start with a bang with Paolo Mosca and his "Landscape", where with a maniacal arrangement, worthy of his now established name as a producer, he teleports us into a progressive world of the 90s, in Balearic style where floating pads, organs, melodies and sequenced vocals are linked to the complex and rhythmic percussive groove and the more aggressive synths.

Thus the first chapter ends with "Visions Of Disco" by Twineffect, a track where a more direct house part elegantly contrasts, which presupposes the more dance part of the piece, to then take you and envelop you in a long drop made up of a main piano and vocals that are perfect for a truly exciting moment to experience on the track.

After Caposile thus confirms itself once again in constant evolution, with an output full of new talents and sacred monsters and a European tour that continues to expand their party concept in the most important clubbing realities and the biggest festivals.

Both the first and second volumes will be released this May, ready to bring us a breath of joy and madness this summer.

Solid and Pumpin ! At the exact banger sound needed !

Power tekno, electro and trancey a bit... the new sound !!

Es gibt wohl kaum ein Projekt, das die Welt der instrumentalen Musik zuletzt so nachhaltig revolutioniert
hat wie die Hermanos Gutiérrez. Mit ihrem meditativen Signature-Sound haben sich die Brüder Alejandro
und Estevan eine treue weltweite Fangemeinde erspielt. Doch während ihre bisherigen Erfolgsalben uns
durch die Canyons des amerikanischen Westens führten, schlägt das Duo mit Los Ojos del Cóndor ein
faszinierendes neues Kapitel auf.
Diesmal lassen die Brüder die Wüstenhitze hinter sich und reisen dorthin, wo ihre familiären Wurzeln
liegen: in den geheimnisvollen Küstennebel von Lima, Peru. Für diese musikalische Weiterentwicklung
vertrauen sie erneut auf ein bewährtes Erfolgsrezept: Es ist bereits ihre dritte Zusammenarbeit mit dem
Black-Keys-Frontmann und Grammy-Gewinner Dan Auerbach, der das Album für sein Kult-Label Easy Eye
Sound produziert hat.
Unter Auerbachs Regie ist eine üppige musikalische Odyssee entstanden, die die Weite der Prärie gegen die
hypnotischen Rhythmen Südamerikas eintauscht.

Zwei wahre cineastische Juwelen auf einer 7"-Single. Eine Auskopplung aus der beliebten Vinyl-Compilation-Reihe "The Tape Masters", die laufend seltene Rare Groove-Schätze und unveröffentlichte Aufnahmen aus den Archiven des Filmkomponisten Peter Thomas zutage fördert. Exklusiv auf dieser Single – und überhaupt zum ersten Mal auf Vinyl erhältlich – ist die rare deutschsprachige Version des Tracks "Black Power", gesungen von einer gewissen Donna Gaines. Später natürlich weltberühmt geworden als Donna Summer, markiert dieser Song ihre allererste Aufnahme als Solokünstlerin im Alter von gerade einmal 20 Jahren. Zugleich war es ihr erster Auftritt vor der Kamera – prominent platziert im ZDF-Krimi-Dreiteiler "11 Uhr 20" (1969). Sowohl der Film als auch bisherige Sampler verwendeten die englischsprachige Version; der Mono-Mix der deutschen Fassung wurde erst vor Kurzem in Peter Thomas’ Bandarchiv wiederentdeckt. Ein weiteres vokales Highlight aus einer deutschen Krimi-Trilogie ist Senta Bergers frech-laszives "Vergiss mich, wenn du kannst" (aus dem ZDF-Krimi-Dreiteiler "Babeck", 1968). Das Lied basiert auf dem Titelthema der Serie und wird von der Sängerin in ihrer Rolle als geheimnisvolle, vamp-artige Barchefin interpretiert. Unter Liebhabern europäischer Filmmusik hat sich der Titel längst zum Kultstück entwickelt und wurde bereits mehrfach gecovert. Das Original feiert nun endlich hier seine Vinyl-Premiere. Achtung: Ein absoluter Doppelseiter!


a a1: Black Power (German version) feat. Donna Summer

a a1: Black Power (German version) feat. Donna Summer

a a1: Black Power (German version) feat. Donna Summer

[a] a1: Black Power (German version) [feat. Donna Summer]

[a] a1: Black Power (German version) [feat. Donna Summer]

[a] a1: Black Power (German version) [feat. Donna Summer]

[a] a1: Black Power (German version) [feat. Donna Summer]

Battlefield sees No Ice Cream Sound knock on the door of the real foundations of Roots Reggae and Dancehall culture with a heavyweight, riddim-focused multi-vocalist release.

The release perfectly balances a bold and fresh contemporary sound while retaining the spirit; energy and rawness of the classic riddims we all know and love. Battlefield creates a sturdy platform for the carefully curated selection of vocalists to showcase their respective styles and patterns.

At the heart of the release is a unique vocal link-up that reflects the ever-growing globalisation of the Reggae Sound-system culture. Each of the men behind the microphones invites us to embark on a journey; connecting the dots on the map that represent the places they call home. We start in The South West of England and track across country to Southend-on-Sea; from here we make the mission all the way down to Madrid before taking a bearing on the North Star to guide us over hills and valleys to Scotland.

Where the riddim creates a constant, the vocals provide variety. Made by design the track allows them a spacious environment for the individual styles and messages to come across with precision and clarity.

Hailing from different backgrounds; accents of different origins, insights and perspectives drawn from their own stories all come together over one sound. This could be seen as an analogy of the ethos and motivation behind Reggae music itself. Reggae music as a genre tells the same story, Reggae artists tell their version of the story. Via this timeless format we are always building on the teachings of yesteryear while simultaneously learning something new. The gift that will forever more continue to give!

Vinyl in kraft sleeve

Across four tracks of lean and potent workouts with his unmistakable sonic signature, Peverelist returns to Livity Sound with his first release of 2026. After three years shaping out the Pulse series, Pace The Wrecks EP finds Pev shifting focus in subtle ways while upholding his focus on impactful, sprightly club modernism.

It's clear there are fresh inputs into the Peverelist sound from the very first note of 'Wreck I', which opens on an ominous lower-register piano note leading into a brooding house-tempo cut laced with sci-fi synth licks. On 'Wreck II' the dial shifts towards a more rapid-fire, electro-informed rush before swerving towards the bass-heavy, bleep-loaded jack of 'Wreck III'. 'Wreck IV' closes the EP out on a more sparsely arranged broken beat tip primed for lighter moments in the mix.

True to Pev's singular sound while maintaining the consistently fresh, uplifting energy of his recent output, Pace The Wrecks opens up the next phase in his studio work with assured poise and a sustained commitment to keep pushing forwards.

New super-groovy one-off pressing purple double-vinyl very limited edition of Miami Sound 2 housed in gatefold sleeve, complete with two full-colour inner sleeves containing extensive text and exclusive photography from TK Records in-house photographer Larry Warmoth. Soul Jazz Records’ Miami Sound 2 is a superlative collection of 70s soul, funk, disco and boogie featuring tracks from legendary artists such as Betty Wright, Timmy Thomas, Gwen McRae, Milton Wright, T-Connection and many more, all released on the mighty TK Records musical empire based in Miami, Florida.

Throughout the 1970s founder Henry Stone’s TK Records rose up to be one of the most important forces in black music, successfully pioneering the evolution in musical fashions from the early gritty funk and soul at the start of the decade to the arrival of disco in the mid-70s. This album is a rollercoaster journey across soul, funk, disco and boogie, a party-rocking dancefloor-filling collection of monster tracks that includes million-selling hits such as Betty Wright’s classic ‘Clean Up Woman’, Timmy Thomas’s ‘Why Can’t We Live Together’, T-Connection’s ‘Do What You Wanna Do’, anthemic rare groove club hits including Gwen McCrae’s massive ‘All This Love I’m Giving’ and Milton Wright’s ‘Keep It Up’, plus a host of hard-to-find gems and rarities from the likes of Raw Soul Express, Chocolate Clay, Beginning of the End, Robert Moore, Clarence Reid, Little Beaver, Paulette Reeves and many more. TK Records functioned more like a close-knit family than a typical record company. Based in the industrial Hialeah district of Miami, music man Henry Stone surrounded himself with a host of creative artists, musicians, songwriters and producers who created an immediately identifiable TK sound as well as making musical stars out of many of its artists

Back in November 2015, after years of collaborations with such as Ghostface Killah, Raekwon, Obie Trice, Sean Price, Kool G Rap, Eternia and countless others, Toronto-based producer MoSS released his debut producer album entitled "Marching To The Sound Of My Own Drum". Since the beginning of his career, the Canadian beatsmith, record digger and music connoisseur has been making a name for himself with his signature sound and on this record he gives an amazing display of what he's capable of doing being backed up by an all stars team that features AZ, Havoc, Slum Village, Onyx, Inspectah Deck, Ill Bill, Skyzoo, Guilty Simpson and 20+ other legendary MC's. A few years after its original release, we've decided to team up with MoSS to bring you this masterpiece on wax and, for the occasion, he's also added an unreleased bonus track called "We Here" that features Smif-N-Wessun that, together with "Emotional Redux", we've put on a 7" together with its instrumental. Limited edition of 500 hand-numbered copies, with the first 200 pressed on orange/black A-side B-side vinyl, and 300 on black vinyl.

BONUS 7”

A1. Emotional Redux (feat. Big Gov, Guilty Simpson, Jon Connor, Vstylez, Willie The Kid)
B1. We Here (feat. Smif-N-Wessun) UNRELEASED
B2. We Here (Instrumental)

The Soft Chaos captures the essence of music “in the moment “ - the interaction of three musicians within the improvisation. It embodies the true spirit and essence of “jazz” - music created spontaneously, yet within the boundaries of an art form that has influenced the sound of modern music and many genres for nearly a century.

A collaborative, improvisational, and free-form trio project led, produced, and mixed by Nathan Haines with Joe Kaptein (keyboards) and Elijah Whyte (drums), recorded in just one day at Auckland Lab Studios.

The Soft Chaos showcases live, in-the-moment, top-quality musicianship with a vintage vibe reminiscent of classic 1970s experimental jazz rock, but with a modern jazz-house aesthetic, featuring live human lead drums and synthesisers rather than programmed beats.

Second outing on Waffles Bxl brings Delian Sound to the label with two fresh cuts of chiming, bass-driven two-step. Secrets keeps it playful — bells, chimes, wonky charm. Sinners goes darker and moodier, then gets reworked by label regulars Waffles Kru into a bouncier, club-ready flip. For UKG/two-step sets, bass-leaning garage nights, anyone digging the current wave of chunky two-step revivalism.

Tenorsaxofonist Booker Ervin (1930-1970) wurde in den späten 1950er Jahren durch seine seine Zusammenarbeit mit Charles Mingus bekannt. Er war ein unverwechselbarer Solist mit einem kraftvollen Klang
und einer von Blues und Gospel geprägten Phrasierung. Eines seiner besten Werke als Bandleader war
das Album “Structurally Sound”, das er im Dezember 1966 mit einem Quintett engagierter Modernisten -
darunter der junge Trompeter Charles Tolliver- für das Label Pacific Jazz aufnahm. Es entstand bei einer
seiner letzten Aufnahmesessions und ist ein eindrucksvoller Beweis dafür, wie er seinen Stil in den Jahren
vor seinem viel zu frühen Tod weiterentwickelt hatte.

Frequency of Love, out ​October 2nd, marks a new chapter for Victoria Monét - timeless, elevated, and utterly commanding. Weaving R&B with the romance of classic cinema and the energy of the dance floor, the album is a sensory experience that speaks to love, vibration, and the full breadth of who Victoria is as an artist. Victoria Monét is a multi-hyphenate superstar and 3x Grammy Award winner whose debut album JAGUAR II made her one of the most celebrated artists of her generation - earning seven Grammy nominations, placement on Best of 2023 lists from Barack Obama, Jay-Z, Rolling Stone, TIME, and Vogue, and praise from Beyoncé, Janet Jackson, Bruno Mars, and more.

c A3 Hogin' Machine - Drums



[c] A3 Hogin' Machine - [Drums]



[c] A3 | Hogin' Machine - [Drums]

Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous pressing.

Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.

Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.

Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.

Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. "Down to the Waterline," "Wild West End," and "Lions" all feature colloquial touches that add to their reach. By extension, "In the Gallery" functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, "Sultans of Swing," pays homage to struggling bar bands.


Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.

In 2000, after almost two decades of hibernation under the ambient waves and dub currents of the Sargasso Sea, LSD revived the seminal ‘Auntie Aubrey's' series, an Orb Remix Project. Released as a 2 x CD compilation, Part 3 is a veritable smorgasbord of classic, new and unreleased labour-of love remixes that span three decades yet still transcend space and time.

Many influential artists have been involved with The Orb since the beginning, and the project keeps evolving and adapting. Dr. Alex Paterson, the gravitation centre of the Orb is known for his playfully subversive remixes and true to form this album highlights the diversity of his musical mind.

We see the good doctor remix the melancholy and evocative “The Last Lighthouse Keeper” from The Transit Kings, an early British electronic music group that included Jimmy Cauty of The KLF, one of the original members of The Orb. The remix of ‘Davy Jones’ Locker’ from System 7 takes you surfing on a sun-dappled sea of ambient dance nostalgia, while Killing Jokes’ ‘European Super State’ remix (in which LSD label founder Martin ‘Youth’ Glover plays bass guitar) sounds like the soundtrack for an imaginary spy thriller with the powerful lyrics and hypnotizing voice of Jaz Summers.
Legendary producer Youth teams up with Lx yet again on a psychedelic rocker with spellcasting vocals by Lara Smiles, and this is just the beginning! Boasting an all-star lineup, the compilation includes many of our scenes most esteemed electronic music producers such as Coldcut, David Harrow, Sendelica and Gaudi as well as the ambient blissed out vibes from the enigmatic DF Tram, Duende India Collective and The Gyuto Monks of Tibet, this collection offers up such the variety to appease even the most dedicated Orbsessives and music connoisseurs

Richard Sen debuts on Phantasy with ‘Space 1999 / Bergen Light Rail’, the first transmission from the illustrious DJ and producer since his vinyl-only solo LP, 2024’s ‘India Man’.

Deeply invested in electronic music for over thirty years, first at the intersection of London’s acid house and graffiti art scenes, evolving in cult duos Padded Cell and Bronx Dogs, and now generously sharing his formidable knowledge of club culture on London’s Do!! You!!! Radio, Sen is known to take listeners anywhere. On this occasion, he locks into two distinct influences from his winding creative journey, with ecstatic results.

The title of ‘Space 1999’ mirrors Sen’s own hand-painted accompanying artwork, yet its sonic influence sits much closer to our own orbit; A tribute to a slice of London nightlife history, Space at Bar Rhumba was a midweek party led by residents Luke Solomon and Kenny Hawes, whose selections helped sculpt the deep house scene at the turn of the millennium. ‘Space 1999’ transports contemporary dancers back there in no less than ten minutes, led by a deep bassline and swinging drums, while an intergalactic melody slowly takes hold, resulting in pure satisfaction.

‘Bergen Light Rail’ embraces a different kind of kosmische, looking to the northern light of space disco and following the tram route of its namesake to the Norwegian city’s beloved Club Ostre, riding a rhythm of pogoing toms and crashing drums. Conjuring a dreamy tête-à-tête between ever-expanding, heavenly synths and tightly-wound arpeggiators, Sen’s transmission to the stars is a deeply human call to dance.

Explore the deep roots of Afro Funk with the 7" vinyl "Jungle Bird Tree" by Funky Destination, carefully released by the eclectic label Sound Exhibitions Records. This sonic gem is a testament to Funky Destination's skill in blending Afrocentric rhythms with the vibrant spirit of funk, creating a musical experience that captures the soul and gets the feet moving.
Jungle Bird Tree by Funky Destination is a musical journey that bridges the past and the present, an immersion into the rich tradition of Afro Funk through the fresh and innovative perspective of a contemporary artist. An unmissable addition to the collection of those who appreciate the fusion of global rhythms and the compelling power of funk.

New Time is an ode to musical innovation, a captivating fusion of nu jazz, nu funk, and soul that captures the essence of the contemporary era. Mr. Thruout's skillful production combines with Sandro Lilliu's masterful guitar work, creating a unique sonic experience.
New Time is a work that redefines the concept of contemporaneity in the music scene, offering a unique and engaging experience for enthusiasts of nu jazz, nu funk, and soul. With the signature of Mr. Thruout and the collaboration of Sandro Lilliu, this vinyl is destined to become a modern classic.

Stone-cold classic moody roots monster from legendary vocalist and percussionist Zoot "Scully" Simms singing righteous lyrics. "African Challenge" is on the "Is It Because I"m Black" rhythm and comes complete with a wicked dub version on the flip. Featured on Soul Jazz Records" Studio One Roots and as a very rare Studio One 45 first released in 1972.

1993 Rising High classic by Caspar Pound & Laurence Elliott-Potter, blending tribal percussion, ambient techno, acid and early trance.

Curated by Shadi Zaitoun, ZF002 marks Zuflucht's return after a two-year pause in releases, this time with a physicalrecord made with the help of R.A.N.D. Muzik and Inch By Inch. It means a lot to bring together talented friends and their music for a shared cause. Across the record, the tracks move between early-hour warmth and late-night dancefloor weapons. All profits from ZF002 will be donated to Plan International, supporting their humanitarian work with children and families affected by the ongoing devestating crisis in Sudan.

Continuing the Hyperspace instrumental ambient series tradition are two ensembles: Mindstreams, and the duet Squash and Biscuit. This LP features a full side for each artist and is pressed in lavender vinyl. Mindstreams is a vocalized ambient bed of sound by JP Berreondo and Stefanie Naifeh. From opera to avant-garde, neo-cabaret to singing world music in 15 languages, Naifeh journeys through a colorful mosaic of music. She began her classical training at the age of 8, performed with the San Francisco Opera in the children's choir in Carmen, and majored in opera at UCLA. She later formed the avant-garde, neo-cabaret band, The Underthings in 1987. Squash and Biscuit is a Los Angeles based husband/wife team featuring composers Shuwen Zhao and Brian Griffith. Recorded live from 2020-2021, each piece serves as a short investigation into the world between sound and music using found sounds, musical samples, instrument recordings, and voice manipulation. Limited to 300 copies

NEXT WORLD SOUND SERIES vol. 5 continues the line of experimental compilations featuring one side of an artist exploring their individual take on the ambient genre. Pressed in clear green vinyl.
Knox Chandler is an American musician, producer, arranger, and visual artist whose career spans over four decades. He has worked with The Psychedelic Furs, Siouxsie and the Banshees, Cyndi Lauper, R.E.M., Depeche Mode, Grace Jones, and Dave Gahan, among others. After a decade in Berlin, where he developed his layered guitar technique called Soundribbons, he returned to the U.S. and settled on the Connecticut shoreline.
ANNA HOMLER, is a vocal, visual and performance artist based in Los Angeles. She has performed and exhibited her work in venues around the world. With a sensibility that is both ancient and postmodern, Homler sings in an improvised melodic language. Her work explores alternative means of communication and the poetics of ordinary things.
Anna is accompanied by: Jeff Schwartz, a very active Los Angeles-based improvised and experimental double bassist. He leads the Present Quartet, Intangible, and the Soapbox; performs with a variety of ensembles and orchestras; and has written books on music for SUNY Press and Routledge.
David Javelosa a composer, producer, recording artist and technologist based in Mar Vista California. Performing on modular, electronic instruments, he has created soundtracks for many of the major game platforms, and most recently has been performing with Microwave Buddha, a retrospective of his synth pop work in the 1980's.

WRWTFWW Records is very excited to announce the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack - atmospheric music from one of the most celebrated video games of the decade! The compilation, showcasing a who's who of Polish electronic underground, is available as a limited edition 45rpm-cut yellow vinyl 3LP in heavyweight 3-panel gatefold with a sticker sheet. The album is also available on CD with super jewel case, and in digital formats.

Dive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafa? Grobel and Wojtek Sokó? of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. Ominous, powerful, evocative, and filled with futuristic nostalgia, the music of Night City is a thrill ride in a dystopian urban landscape, heavy hearts riding through the night, menacing streets surrounded by infinite skyscrapers. The music transports you, soul-stirring, cinematic, and timeless, the most beautiful kind of escapism.

The award-winning Cyberpunk 2077 action role-playing game was developed by CD Projekt Red and published in 2020 and has since become one of the most recognized and best selling video games of all time. With a cast including Keanu Reeves and Idris Elba, unmistakable visuals, music, and atmosphere, CP77 has earned a spot in the pantheon of 2020s pop culture.


Points of interests

- For fans of video game soundtracks, ambient, techno, synthwave, vaporwave, industrial, dark electronic music, retro-futuristic moods, neon lights, Tech Noir, Keanu Reeves, bass music, All Foods, cities by night, skycrapers, urban adventures, dystopian universes.

- The soundtrack for Cyberpunk 2077: Future Sound of Night City available for the first time everrrr !

Palace Limited presents it’s inaugural release from the early UK tech-house duo, Lo-Kee aka Julian Phethean (aka Mr Cenz) & Rafael de Swarte. The record features long awaited represses of three highly sought-after Lo-Kee records from 1998 - 2003 compiled onto a single 12”.


The record features A1 from Organised Sound 005 titled ‘Second Sight’, A1 ‘Human Affects’ and B1 ‘Earth Humm’ from Organised Sound 003 and the B2 from Affected Music 002. Seminal early UK fusion of house and techno with a minimalist approach which laid the foundations for much that followed.


Written and produced by Julian Phethean & Rafael de Swarte.

Remastered by Justin Drake.

Pressed by Vinyl Presents.

Distributed by Palace Vinyl.

The Sound Of Soulfuric Vol. 3 continues the label’s commitment to vocal-led, soulful house music, bringing together four standout cuts that balance classic songwriting with contemporary club production.

This is another DJ-focused selection built for the dancefloor, moving between uplifting vocal house, deep grooves and energetic remixes. From the driving Romeo Louisa rework of Urban Blues Project’s ‘Testify’ to Souldynamic’s take on The Lab Rats’ ‘Music Is My Way Of Life’, each track brings its own character while keeping the Soulfuric sound firmly in focus.

Featuring vocals from Jay Williams, Lisa Millett, Michelle Weeks and Kelli Sae, with remixes from Romeo Louisa, Souldynamic, Fouk and D’Ambrosio & Tappert, Vol. 3 brings together some of the scene’s strongest vocal talent and production names across four highly playable house cuts.