dovrebbe essere pubblicato su 17.06.2025
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dovrebbe essere pubblicato su 17.06.2025
dovrebbe essere pubblicato su 17.06.2025
- A1: Motörhead; Written-By – Kilminster*
- A2: Vibrator; Written-By – Brown*, Wallis*
- A3: Lost Johnny; Written-By – Kilminster*, Farren*
- A4: Iron Horse / Born To Lose; Written-By – Brown*, Taylor*, Tramp
- B1: White Line Fever; Written-By – Clarke*, Kilminster*, Taylor*
- B2: Keep Us On The Road; Written-By – Farren*, Motörhead
- B3: The Watcher; Written-By – Kilminster*
- B4: The Train Kept A-Rollin; Written-By – H. Kay*, L. Mann*, Tiny Bradshaw
dovrebbe essere pubblicato su 17.06.2025
- A1: Gone To Sorrow; Written-By – J. Browne*
- A2: Sleeping Serenade
- A3: Homeward Bound; Written-By – P. Simon*
- A4: Sands Of Love
- A5: My Life Has Changed
- A6: Return Home; Written-By – A. Brackett*
- A7: Her Invention
- A8: Look Around Rock; Written-By – P. Nichols*
- B1: The Now
- B2: Rainbows
- B3: Simple Complexities
- B4: Every Little Prayer
- B5: Is There Anything I Can Do
- B6: Dark On You Now
- B7: Roses Gone
dovrebbe essere pubblicato su 17.06.2025
- A1: 初恋
- A2: ハートビート
- A3: ペパーミントキャンディ
- A4: Boys & Girls
- B1: 魔法
- B2: キャラメルマキアート
- B3: プラトニック
dovrebbe essere pubblicato su 17.06.2025
dovrebbe essere pubblicato su 17.06.2025
- A1: You Need Me
- A2: Anyway
- A3: Black Duck
- A4: Cozy's Melody
- B1: Rag Box
- B2: Ballade
- B3: Do What You Do
- B4: Go Over The Hill
dovrebbe essere pubblicato su 17.06.2025
dovrebbe essere pubblicato su 17.06.2025
- A1: Headhunters; Featuring – Dos Monos
- A2: marudeshikaku; Featuring – TaiTan
- A3: Diablo; Featuring – Botsu
- A4: Genkai Mentaiko
- B1: Minna No Uta
- B2: Ambitious pt. 1; Featuring – Ross Moody
- B3: Ambitious pt. 2; Featuring – Ross Moody
- B4: Love Has No Sound
dovrebbe essere pubblicato su 17.06.2025
- A1: 夢よ、夢よ、我が魂の日々よ = Dreams Of The Past, Memories Of My Soul; Arranged By – Mariam Abounnasr; Lead Vocals – Aisling McGlynn; Lyrics By
- A2: Chrono Cross 〜時の傷痕〜 = Chrono Cross - Scars Of Time -; Arranged By – Mariam Abounnasr; Music By – Yasunori Mitsuda
- A3: 忘れじの夢 = A Dream Never Forgotten; Arranged By – Mariam Abounnasr; Music By, Arranged By – Yasunori Mitsuda
- A4: 風と夢の誓い = A Vow Of Wind And Dreams; Arranged By – Mariam Abounnasr; Chorus – Lucy Champion; Lead Vocals – Aislyng McGlynn; Lyrics By
- B1: 航海 アナザー・ワールド = Sailing (Another World); Arranged By – Nikolaj Busk
- B2: テルミナ アナザー = Termina (Another World); Arranged By – Ale Carr
- B3: 運命に囚われし者たち = Bound By Fate; Arranged By – Rune Tonsgaard Sørensen
- B4: 溺れ谷 = Fossil Valley; Arranged By – Nikolaj Busk
[a] A1 夢よ、夢よ、我が魂の日々よ = Dreams Of The Past, Memories Of My Soul; Arranged By – Mariam Abounnasr; Lead Vocals – Aisling McGlynn; Lyrics By [Original Lyrics] – Masato Kato; Music By, Arranged By – Yasunori Mitsuda; Translated By [Gaelic Translation Of Lyrics] – Michael McGlynn, Éabha McMahon
[d] A4 風と夢の誓い = A Vow Of Wind And Dreams; Arranged By – Mariam Abounnasr; Chorus – Lucy Champion; Lead Vocals – Aislyng McGlynn; Lyrics By [Original Lyrics] – Masato Kato; Music By, Arranged By – Yasunori Mitsuda; Translated By [Gaelic Translation Of Lyrics] – Michael McGlynn, Éabha McMahon
[e] B1 航海 アナザー・ワールド = Sailing (Another World); Arranged By – Nikolaj Busk [Dreamers' Circus]*; Music By – Yasunori Mitsuda
[f] B2 テルミナ アナザー = Termina (Another World); Arranged By – Ale Carr [Dreamers' Circus]*; Music By – Yasunori Mitsuda
[g] B3 運命に囚われし者たち = Bound By Fate; Arranged By – Rune Tonsgaard Sørensen [Dreamers' Circus]*; Music By – Yasunori Mitsuda
[h] B4 溺れ谷 = Fossil Valley; Arranged By – Nikolaj Busk [Dreamers' Circus]*; Music By – Yasunori Mitsuda
dovrebbe essere pubblicato su 17.06.2025
- A1: ツバメ
- A2: 三原色
- A3: 大正浪漫
- A4: もう少しだけ
- B1: 優しい彗星
- B2: 怪物
- B3: もしも命が描けたら
- B4: ラブレター
dovrebbe essere pubblicato su 17.06.2025
- C4: Waka Waka (This Time For Africa)
- A1: Sale El Sol
- A2: Loca; Featuring – El Cata
- A3: Antes De Las Seis
- A4: Gordita; Featuring – Residente Calle 13*
- A5: Addicted to You
- A6: Lo Que Más
- B1: Mariposas
- B2: Rabiosa; Featuring – El Cata
- B3: Devoción
- B4: Islands
- B5: Tu Boca
- C1: Waka Waka (Esto Es África); Featuring – Freshlyground
- C2: Loca; Featuring – Dizzee Rascal
- C3: Rabiosa; Featuring – Pitbull
- D1: Loca (Freemasons Spanish Club Edit); Featuring – El Cata
- D2: Waka Waka (Esto Es Africa) (K-Mix)
- D3: Waka Waka (This Time For Africa) (K-Mix)
dovrebbe essere pubblicato su 17.06.2025
After meeting vocalist, multi-instrumentalist, & physician Eki Shola through her first vinyl release and playing her on the Oonops Drops show on Brooklyn Radio, Oonops asked her to be featured on the Nautilus single "Why I Came to California" alongside Denise M'Baye.
After this incredible release, a new common project was needed: so he asked Japanese beatmaker Shin-Ski as well as soul pianist, soul producer and soul dj SWING-O 45 a.k.a. 45 from Tokyo who is the head behind the 45trio. Both of them chose their favorites songs from Eki's album "還 (Kaeru)" to create their own vibrant reinterpretation.
Besides the limited black edition, there will be a hand-numbered edition of 50 on golden 7"-vinyl via Oonops Drops.
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Editions Mego reissue the 2001 release Asuma by Finnish artist Ilpo Väisänen. Originally released on CD this is the first ever vinyl issue, remastered by Rashad Becker. 2001 is a landmark year for the artist following a wave of success from the notable outfit Väisänen formed alongside Mika Vanio, Pan Sonic (as they were now known then). Following a string of highly acclaimed and influential releases such as “Vakio”, “Kulma”, “A’ and “Aaltopiiri” Pan Sonic had toured the globe extensively leaving a trail of blown expectations and rumours of all manner of objects in venues cracking or falling apart due to the immense sound the duo concocted with their unique instruments.
Taking a break from the ecstatic cacophony of Pan Sonic, Väisänen retreated to work on a solo release which conjured the spirits of the former outfit whilst simultaneously carving out a more personal take on these new electronic forms.
Asuma is a precise study of drones, rhythms, clicks, ambience and gentle confusion. Whilst inhabiting a zone of abstraction the results also move in a natural field as Väisänen’s native Finland permeates these recordings as much as the idea of experimentation itself.
Autioitu 1 opens the album as delicate pinball rhythms bounce across the spectrum as a hairy drone hovers underneath. The mood is both intriguing and unsettling. Tukahduttaja is a delightfully disorientating sound sculpture that is hard to pinpoint what it actually is. Klikki is comparable to a microscopic version of Pink Floyd’s “Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict”. Asumaton is a foreboding miniature acting like a segway to Vallitseva which embraces the icy clicks that punctuates much of the Pan Sonic output. Arvioimaton Ongelma is an audio riddle whilst Jaettu jitters around a dancefloor crawl. Autioitu closes proceedings as a gentle ambient thumper. Asuma is awash with contradiction and mystery. This is time wrapped in twisted turns and rewards a neat payoff for those interested in the absolute fringes of electronic ‘dance’ music.
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In 1970, Italian composer Sandro Brugnolini recorded the two psychedelic lounge masterpieces Overground and Underground at Dirmaphon Studios in Rome. Featuring a lineup of some of Italy’s finest musicians—Silvano Chimenti (guitar), Angelo Baroncini (guitar), Giorgio Carnini (organ and piano), Giovanni Tommaso (bass and effects), and Enzo Restuccia (drums)—these sessions were deeply rooted in the late 1960s psychedelic sound but uniquely fused jazz improvisation, funk, and Latin and African rhythms with cinematic melodies.
This fusion defines their distinctive character and cements them as two of Brugnolini’s most impressive works, remaining among the most sought-after artifacts from the golden era of Italian library music. Overground—which Sonor Music Editions reissued in 2024—was originally released as the soundtrack to Persuasione, a documentary commissioned by Ente Provinciale Per Il Turismo Di Trento. Meanwhile, Underground was issued in two separate releases, RT 104 and RT 16, on the library and soundtrack label Record TV Discografica, founded by Alessandro Derevitzky in the late 1950s. In 2014, we compiled both versions for Underground's first-ever reissue (SME 3), featuring the longer version of ”Psichefreèlico" from RT 16, instead of the shorter ”Sostenuto” and ”Ballata" versions from RT 104, along with new artwork. Now, in this 2025 reissue, Underground returns in its original RT 104 attire, with its original track listing and artwork. Sourced and carefully remastered from the original mono tapes and lacquer cut by Jukka Sarapää at Timmion Cutting, this edition features carefully restored Record TV Discografica label design artwork, printed on high-quality card stock.
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Movement and Soul Records is the highly-anticipated imprint, founded by Nonna Fab...
The label aims to capture deeper sounds and meditations in rhythm, spanning spiritual jazz, broken-beat and deeper house.
Nature is Enlightenment is the debut release on the label. With flute, keys, bass and drums from Nonna Fab and saxophonefrom Benjamin Ten-Bruggencate.
The B1, 'TROPIC' invites Kali, lyricist, poet and azz influenced vocalist from Sheffield, accompanied on piano/rhodes by Nonna Fab.
The broken-beat focussed B2,'FLOAT' featuring bassist Tom French and an opening poem, that touches on thecosmos, by Kali.
Multi-instrumentalist, producer, band leader, record collector and party'starter, Nonna Fab has launched the label as a platform to push the sound of his own music, working closely with a range of musicians from the North.
"It's come at the right time for me to allow a space to push a very new, organic sound working with a lot of the musicians I play with regularly, interweaving the sound with dance music."
Nonna Fab is behind audiophile party, Apricot Ballroom, which was named in the top 10 nights in the country in TimeOut Magazine as well as being acknowledged for being a pioneer of northern contemporary jazz by BBC for Footprints. As well as this, Nonna Fab is co-owner of Grub Records, which has been written about in DJMag, Mixmag and Resident Advisor.
"The label is a true hybrid of both live sound and electronic dance music and really allows focus on true communication and expression. I have always appreciated more free-form styles of dance music so it really is a space for me to explore the more expressive andspiritual side of my sound"
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Tom Esselle, staple of the South London music scene, hits his stride on Rhythm Section release Revolutions and Evolutions. Building on the success of his previous releases (Lou’s Groove on Rhythm Section’s Shouts 2021 compilation, Praise Bes EP on Wolf Music in 2022), his latest EP further showcases the breadth of his sound. Drawing on influences from across the house music spectrum and honing skills developed in the studio with Chaos In The CBD, Revolutions & Evolutions delivers a sound that looks boldly to the future while remaining firmly grounded in the classics.
The A-side is primed for peak dance floor action: Baddies features a mid-2000s RnB vocal that did serious damage when Bradley Zero played it at Circoloco last summer, while Plaything, a big-room tech-house banger, echoes Moon Harbour's tougher catalogue, or a skunked-out Gavin Herlihy.
The B-side is a slice of sunshine with One Of These Days, an uplifting daytime house track featuring a deft keys solo from Dave Koor (Albert’s Favourites, The Expansions, Modified Man). Harmonise rounds off the EP: a smoky, dreamy groover to warm up the party or lock it in during the early hours.
Tom has been producing music since 2010, patiently refining his sound. His 2015 debut, the choppy drum workout Until She Spoke on Wholemeal Music, became a quiet underground success played by luminaries like Ruf Dug and Gilles Peterson, and remains a staple in many a record bag to this day. His productions have also found their way into the collections of DJs from Moxie to Mr Scruff and Osunlade to DJ Harvey
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- A1: Actarus
- A2: Connection transpacifique feat Sandra Zettpunkt
- A3: Wolkman
- A4: Donovan Magic Orchestra
- A5: Macadam Bubblegum
- A6: pack Ur Patience feat Sandra Zettpunkt
- B1: Fréquence Gaie feat Maxwell Farrington
- B2: Lust Pill!
- B3: Memphis Sounds
- B4: Why Ya Wanna Wait feat Eric D Clark
- B5: Danceteria feat Alex Alkiu
Hologram Teen is the solo project (and anagram) of former Stereolab keyboardist Morgane Lhote. Her colourful playful songs are heavily influenced by disco and 80s French pop.
Initially from Paris, Morgane relocated to Los Angeles where she concentrated on her solo material. Captain Fluo is a disco-fuelled love letter to 1980s Paris and its underground nightlife, record store discoveries and the exhilaration of growing up as a gay teenager in a world of self-discovery.
Produced and mixed by Andrew Claristidge (Acid Washed) at Duca Sonora Studios in Brittany Captain Fluo is a vibrant fusion of propulsive beats, bouncy synths and funky basslines. Morgane’s signature keyboards weave through a constellation of guest vocalists including Sandra Zettpunkt, Maxwell Farrington, Eric D Clark and Alex Aikiu. From the euphoric pulse of ‘Lust Pill’ to the radio crooner nostalgia of ‘Fréquence Gaie’ each track is a portal to the dance floors and late-night airwaves of a bygone era.
Drawing inspiration from French pop icons like France Gall, Michel Berger and Louis Chedid alongside the sleek productions of Italo disco pioneers Kasso and the genre-defining touch of David Bowie, Nile Rogers, Quincy Jones and Depeche Mode, Captain Fluo is a heartfelt ride through an era when music was liberation.
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![Ilpo Väisänen - Asuma [2025 Remaster]](https://www.deejay.de/images/l/3/8/1144938.jpg)





