Cerca:bob
„Tradition ist nicht das Übergeben von Asche, sondern das Übergeben eines Funken, um Flammen zu entfachen“. So verhält es sich bei
CroworD, wenn es um Melodic Death Metal geht. CroworD spielen nicht nur dieses Genre, sondern nehmen diesen Musikstil als
ästhetischen Rahmen, in dem sie ihre Musik zu einer stahlharten Mischung aus rhythmischen pulsierenden Klangkörpern, detailreichen
Melodien und unermüdlicher Arbeit an ihren Instrumenten formen.
c a3. The Devil’s Truth [feat. Per Nilsson]
Born in Aldershot on 11 September 1947, Catley's family moved to the Tile Cross area of Birmingham when he was young. He went on to attend the nearby Central Grammar School for Boys (Birmingham) and left to start an apprenticeship at the GPO before deciding on a musical career shortly after meeting similarly minded individuals at college. Whilst at college he joined several bands, such as The Smokestacks (Jeff Clark-guitar, Ron Savage-guitar, Derek Danks-bass & Brian Worrell-drums, Life and Clearwater). His first professional band was when he joined local outfit The Capitol Systems. The initial line-up was Bob Catley (vocals) Paul Sargent (guitar) Paul Whitehouse (bass), Dave Bailey (keyboards) and Bob Moore (drums). Shortly afterward they changed their name to Paradox, inspired by a science-fiction novel. A one-off deal was arranged with Mercury after Paradox had come to the attention of Francis Rossi and Rick Parfitt. The tracks were "Ever Since I Can Remember", backed with "Goodbye Mary". In addition, they recorded "Mary Colinto" and "Somebody Save Me". All of these songs were written by Dave Morgan. Paradox played festivals in the Netherlands and Italy before splitting up upon their return to the UK in 1970. Formed in 1972, Magnum throughout the next 16 years consisted mainly of Bob Catley on vocals and Tony Clarkin on guitar. Magnum began as the house band at Birmingham's famous Rum Runner night club (later the home of Duran Duran). They began to develop their own style by playing Clarkin's songs at a residency at The Railway Inn, in Birmingham's Curzon Street, in 1976. Joining Clarkin and Catley were drummer Kex Gorin and bassist Dave Morgan (later a member of ELO). Their most notable success during these early years was the Jeff Glixman produced Chase The Dragon (1982) which reached No. 17 in the UK, and included several songs that would be mainstays of the band's live set, notably ‘Soldier of the Line’, ‘Sacred Hour’ and ‘The Spirit’. Their breakthrough album came in 1985 with On a Storyteller's Night which featured the single ‘Just Like an Arrow’. This success continued in the following years with the Roger Taylor (Queen) produced Vigilante in 1986, the top 5 album Wings of Heaven in 1988, and the Keith Olsen produced Goodnight L.A. reaching No. 9 in the UK album charts in 1990. Subsequently, Clarkin decided to maintain a tighter control, and after their initial mainstream success, the band lost their major label backing and returned to a more personal level of production. This finally found the band splitting and the formation of Hard Rain in 1995, which saw Clarkin pursue a more Pop orientated direction with a band that included Sue McCloskey on lead vocals. This new direction didn’t sit well with Catley, and after a headline performance at The Gods in the late 90s, a conversation with Bruce Mee of Now & Then Records saw Catley agree with a decision which eventually led to his debut solo album, ‘The Tower’. This release was completely written by Gary Hughes of Ten, with the writing completely decided to be in the vein of classic Magnum. The album itself was recorded by various members of Ten, including the amazing Vinny Burns (Dare) on guitar. On release, the many positive reviews concluded that the release of ‘The Tower’ had succeeded beyond its wildest imagination…..and Bob Catley’s solo career had been launched with amazing success!! With a lyrical intricacy and majestic pomp, songs like ‘Far Away, ‘Fear of the Dark, ‘Madrigal’ and ‘Deep Winter’ take you back to that glorious period of Magnum between ‘Chase The Dragon’ and ‘Wings Of Heaven’ whilst hard melodic rockers such as ‘Scream’, ‘Dreams’ and title track ‘The Tower’ show just what Magnum would have sounded like if they’d gone a little bit harder. Another absolutely brilliant album that totally deserves to be filed alongside those mid-period Magnum classics.
Macht euch bereit für Even Flow, die progressive Metal-Sensation aus Italien. Gegründet Ende der 90er Jahre von den Brüdern Lunesu, at diese Band
seit ihrer Gründung für Aufstehen in der Metal-Szene gesorgt. Mit einer einzigartigen Mischung aus technischer Finesse und gefühlvollen Melodien
hat sich Even Flow ihren eigenen Platz in der Welt des progressive Metals geschaffen. Nachdem sie bereits zwei EP-Veröffentlichungen in der
Vergangenheit hatten, bereiten sich Even Flow nun auf die lange erwartete Veröffentlichung ihres zweiten Studioalbums vor. Aufbauend auf dem
Erfolg ihres Debütalbums können Fans eine aufregende Reise durch komplexe Kompositionen und kraftvolle Darbietungen erwarten.
Was Even Flow auszeichnet, ist nicht nur ihr musikalisches Talent, sondern auch ihre Zusammmenarbeit mit renommierten Musikern von Bands wie
Fates Warning, Symphony X und Dream Theater. Dies spricht Bände für das Können und die Anerkennung innerhalb der Branche.
Neben ihrer Studioarbeit hat sich Even Flow auch als fesselnde Live-Band etabliert. Nachdem sie Bands wie Firewind und Eluveitie auf vergangenen
Touren supportet haben, haben sie bewiesen, dass sie unvergessliche Auftritte auf der Bühne liefern können.
Für Fans des progressive Metals, die nach etwas Frischem und Aufregendem suchen, ist Even Flow eine Band, die Aufmerksamkeit verdient. Mit
ihrem bevorstehendem Album, das Grenzen überschreitet und Erwartungen trotzen wird, ist jetzt der perfekte Zeitpunkt, um sich der Reise von Even
Flow anzuschließen.
Following a ten-part series of unannounced artist records and a spectacular high-concept album on Mask Records, label head ZentaSkai returns to the imprint for his next solo vinyl-only release, ‘Bob’.
The A1 sees the Berlin-based ZentaSkai combine a dusty, taped white noise feel with subtle, swirling dub chords as its high-end propels the track forward. It’s a stunning and evocative piece before the A2 continues with minimal drums and electric acid bleeps, a smooth organ lead completing its gorgeous soundscape.
On the B-side of the ‘Bob’ EP, ZentaSkai joins forces with long-time collaborator Sebastian Klenk. It follows their
‘Apeiron’ track on ZentaSkai’s 2023 ‘Architecture Of The Mind’ LP, among other joint work, and sees them deliver a near-twelve-minute track that is a true masterpiece. The track takes listeners through found-sound texture samples, intricate drum patterns, crunchy breakbeats, and more beautiful dub melodics.
‘Bob’ is another fantastic listening experience on Mask Records, already supported by Satoshi Tomiie, Raresh and Laurent Garnier.
Geschmiedet aus demselben Sheffield-Stahl wie Def Leppard, entstiegen auch Crimes Of Passion dieser Stadt mit der Leidenschaft und dem Ziel, unseren Vorbildern auf dem Weg an die Musikspitze folgen. Eine Band, die das Glück hatte, die einflussreiche Ära von Dio, Ratt, Queensryche und Journey miterlebt zu haben, aber keineswegs zu sehr in der Vergangenheit zu stecken, um das Songwriting vom
damaligen Emo/Metalcore-Sound beeinflussen zu lassen.
Es war offensichtlich, dass Crimes Of Passion das gewisse „etwas" hatten, denn innerhalb eines Monats nach der Gründung und dem
Schreiben der Songs für das erste Album ging die Band auf Tour mit Bands wie Tyketto, White Lion, Great White, Gotthard und durfte auch
bereits auf mehreren Festivals auf dem ganzen Kontinent spielen - die Stahlkugel aus Sheffield kam tatsächlich ins Rollen!
- A1: Hypocrites
- A2: Kaya
- A3: Small Axe
- A4: Stand Alone
- A5: Who Is Mr. Brown
- A6: Duppy Conqueror
- A7: Soul Rebel
- B1: Sun Is Shining
- B2: Corner Stone
- B3: Mellow Mood
- B4: Rainbow Country
- B5: African Herbsman
- B6: Caution
- B7: Lively Up Yourself
- B8: Back Out
- C1: Modern Judas
- C2: Concrete Jungle
- C3: Get Up, Stand Up
- C4: No Woman, No Cry
- C5: I'm Still Waiting
- C6: Cherry Wood
- C7: King Of Kings
- D1: Natural Mystic
- D2: I Shot The Sheriff
- D3: Stir It Up
- D4: Fire Fire
- D5: Waiting In Vai
- D6: Simmer Down
- D7: Nice Tme
Features nine of Rolling Stone magazine’s all-time Top 50 Marley songs and over 50 million YouTube views.
- I Guess I'll Have To Change My Plan
- I Could Have Told You
- Stormy Weather
- That Old Feeling
- My One And Only Love
- As Time Goes By
- Imagination
- How Deep Is The Ocean
- Here's That Rainy Day
- Where Is The One
- Day In - Day Out
- I Couldn't Sleep A Wink Last Night
- Sentimental Journey
- Somewhere Along The Way
- These Foolish Things (Remind Me Of You)
- Stardust
- Young At Heart
- Polka Dots And Moonbeams
- All The Way
- Nevertheless
- On A Little Street In Singapore
- Melancholy Mood
- That Old Black Magic
- Come Rain Or Come Shine
- Autumn Leaves
- Why Try To Change Me Now
- Full Moon And Empty Arms
- Where Are You
- What'll I Do
- That Lucky Old Sun
- I'm A Fool To Want You
- The Night We Called It A Day
Bob Dylan released “Triplicate”, his third collection of pop standards. Like Dylan’s earlier albums, “Shadows in the Night” (2015) and “Fallen Angels”(2016), most of the songs have an association with the great Frank Sinatra. This double LP presents Frank Sinatra’s versions of many of the songs Dylan sang in these three forays into The Great American Songbook. Orchestras accompanying the iconic singer are led by Nelson Riddle, Gordon Jenkins, Billy May, Alex Stordahl, and Tommy Dorsey, among others. Dylan once related this about an encounter he had with Ol’ Blue Eyes: “He was funny, we were standing out on his patio at night and he said to me, ‘You and me, pal, we got blue eyes, we’re from up there,’ and he pointed to the stars. ‘These other bums are from down here.’ I remember thinking that he might be right.”
This work, imbued with Rastafari philosophy and messages of resistance and unity, reinforces Marley’s status as the voice of the people. Blending captivating melodies with powerful lyrics, “Small Axe” addresses social injustices, calling for a fight against oppression. Marley, with his mastery of reggae, delivers a message of hope and revolution, thus marking a landmark moment in his musical career
- A1: Bob Sinclar Feat Hendogg, Master Gee & Wonder Mike Fro
- A2: Bob Sinclar Feat Dj Roland Clark - Give Me Some More
- A3: Bob Sinclar Feat Shabba Ranks - Love You No More
- B1: Bob Sinclar Feat Vybrate, Queen Ifrica & Makedah - Ne
- B2: Bob Sinclar Feat Tony Rebel - Jamaïca Avenue
- B3: Bob Sinclar Feat Steve Edwards - Peace Song
- C1: Bob Sinclar Feat Ron Carroll - What A Wonderful World
- C2: Bob Sinclar - Mr Tambourine Man
- C3: Bob Sinclar Feat Steve Edwards - People Of Tomorrow
- D1: Bob Sinclar Feat Adam Joseph - The Way I Feel
- D2: Bob Sinclar - We Are Everything
- D3: Bob Sinclar Feat Kevin Lyttle - Belly Dancer
- D4: Bob Sinclar - Looks Like Love
To celebrate the 15th anniversary of "Born in 69"", the album is reissued for the first time as a double vinyl! It features collaborations with The Sugarhill Gang, Shabba Ranks, Kevin Lyttle ant the renowned Awell. (Re)Discover the worldwide hits "La La Song", "Love you no more", "New new new" and "What a wonderful world"
"Legend On Legend!
Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.
Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere.
Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.
Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.
What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage."
"Duane Eddy Does Bob Dylan" includes the following tracks: "It Ain’t Me Babe", "She Belongs To Me", "Houston", "Mr. Tambourine Man" and more.
"Legend On Legend!
Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.
Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere.
Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.
Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.
What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage."
"Duane Eddy Does Bob Dylan" includes the following tracks: "It Ain’t Me Babe", "She Belongs To Me", "Houston", "Mr. Tambourine Man" and more.
On their eighth album "Don't Save The Last Dance", out May 17th, the Swedish indie pop duo show their best side again. For fans of: Mumford & Sons, Of Monsters And Men, Arcade Fire, Shout Out Louds, Eels, Peter Bjorn & John
Friska Viljor is a Swedish duo from Stockholm, Sweden formed back in 2006. Bravo! is the band’s debut album released in 2006. The album had great results in Europe. “The Swedish band friska viljor have
done a lovesickness album causing waves of enthusiasm.” - Rolling Stone.
Geschmiedet aus demselben Sheffield-Stahl wie Def Leppard, entstiegen auch Crimes Of Passion dieser Stadt mit der Leidenschaft und dem Ziel, unseren Vorbildern auf dem Weg an die Musikspitze folgen. Eine Band, die das Glück hatte, die einflussreiche Ära von Dio, Ratt, Queensryche und Journey miterlebt zu haben, aber keineswegs zu sehr in der Vergangenheit zu stecken, um das Songwriting vom damaligen Emo/Metalcore-Sound beeinflussen zu lassen.
Es war offensichtlich, dass Crimes Of Passion das gewisse „etwas" hatten, denn innerhalb eines Monats nach der Gründung und dem Schreiben der Songs für das erste Album ging die Band auf Tour mit Bands wie Tyketto, White Lion, Great White, Gotthard und durfte auch bereits auf mehreren Festivals auf dem ganzen Kontinent spielen - die Stahlkugel aus Sheffield kam tatsächlich
- A1: Main Menu Music
- A2: Quadratank - Battle
- A3: Quadratank - Menu
- A4: Yars Revenge - Main
- A5: Yars Revenge - Main Alt
- A6: Yars Revenge - Menu
- B1: Neo Breakout - Vs Music
- B2: Neo Breakout - Level Music
- B3: Neo Breakout - High Score
- B4: Neo Breakout - Menu
- B5: Vector Sector - All Levels
- B6: Haunted House - Title
- B7: Haunted House - Title Alt
- B8: Hated House - Secret Room
Have you played Atari today ?
Atari 50: The Anniversary Celebration takes players on an interactive journey through 50 years of video games, including a specially curated list of more than 100 playable classics and six entirely new titles from the award-winning team at Digital Eclipse.
For this unique project, Atari teamed up with composer Bob Baffy, who worked on many classic video game soundtracks, to compose rearranged classic themes and new tracks.
Microids Records is proud to bring you this unique soundtrack that captures the heart and soul of ATARI and a whole generation of gamers!
Another great artist from the 80s back to vinyl: Roberto Buti has been involved in many important projects in the past, sometimes as a composer, sometimes as an arranger and many times by giving his voice for the project: “Xenon – Symphony”, “Next – You’re An Illusion”, “Reeds – In Your Eyes”, “Dr. Martini – You Are The One”, “Bob Robert – Storm In A Teacup”, just to name a few.
After almost 40 years, Mr. Buti is back in the 80s Italo Disco scene with a beautiful new track “You’re The Only One”. The vinyl release has an original production by Buti on the A side and as an alternative, the Flashback Remix (by Electro Potato) on the B side. Limited edition of 175 copies on the market.
When Bob Vylan won the first MOBO award for Best Alternative Music Act in 2022, the punk-grime duo took to the stage and used the platform to speak about how they managed to achieve the impossible as independent artists in a genre-defying space. “We released an album this year that we produced entirely, mixed entirely, recorded entirely, all from my bedroom…so everybody that’s here, bigging up Atlantic and bigging up Warner, fuck that, us man did it ourselves”.
It was an acceptance speech that rattled the room and built anticipation for their next projects.
Humble as the Sun, the forthcoming album from Bob Vylan continues with much of the rage and urgency that they have come to be known and loved for, but this latest project shows that they are now stronger and wiser, bolstered by the wins and learnings that they have fought hard for along the way. The resulting tracklist aims to leave the listener feeling power alongside their anger, and brings a fresh and compelling blend of punk, rock, grime and rap together in an experimental way.
Following on from the last album, Bob Vylan Presents the Price of Life, the message woven throughout Humble as the Sun remains dark in places but is high-energy, defiant and unapologetic in its critique of a broken social and political system that so many have fallen victim to, but feel powerless against.
This album is for the underdogs, the ones who come out swinging and those who refuse to be defeated in the face of injustice, and aims to remind listeners that anger is a fire that can be harnessed and put to use. The album creation started from a conversation with the sun, which is, after all, a big ball of fire that sustains life.
From masculinity to myths about the G Spot, the themes and topics explored on Humble As The Sun make for an often humorously empowering celebration of the peoples ability to endure, overcome and bring about change.
The lyricism on this album is even more layered than their previous projects, still darkly humorous, anti-establishment and unforgiving but at times pauses to deliver much-needed words of afrmation to listeners, “You are loved. You are not alone. You are going through hell but keep going.” Bobby assures the listener, ofering an antidote to the state of the world, aiming to give some power and agency to those who hear it. At a time when so little trust or faith exists between the people and the powers that be, Bob Vylan ofers out a hand in the despondent darkness that has overwhelmed so many in the shadow of a burning planet. They guides the listener to a place where they can see some light and feel empowered to do something, to fight back, to continue pushing forwards despite the challenges faced along the way.
Mixing all of the best quintessentially British - and Jamaican - musical elements from punk to drum and bass, grime and rock, Bob Vylan creates a sound that reflects the state of the nation, at once voicing the frustrations that normal people have, while also highlighting one’s ability to persevere, overcome hardship and to change.
The Renegade Bob Ross unleashes his insanity with this, what was originally his debut EP. This record has everything that makes hardcore great! Hefty breaks, rolling melodies into manic pianos, hoovers, bonkers stabs and above all else, excitement! Renegade Bob Ross has a passion for crazy breakbeat hardcore and it shows in this perfectly.
The album ‘Trenchtown Rock’ is a celebration of the place where Marley and many other Jamaican artists emerged. It evokes the atmosphere, culture, and resilience of the people of Trenchtown. The title track is often associated with the reggae movement and serves as an example of Bob Marley’s commitment to social and political issues of his time. With hits like ‘Sun is Shining,’ ‘Kaya ,’ or ‘Trenchtown Rock,’ this album helped define and popularize reggae worldwide. Alongside albums such as ‘Catch a Fire,’ ‘Burnin,’ ‘Natty Dread,’ ‘Rastaman Vibration,’ and ‘Exodus,’ it established Bob Marley as one of the greatest icons of 20th-century music.
- A1: I Am - Lee 'Scratch' Perry X Bob Riddim
- A2: Destiny - Lee 'Scratch' Perry X Bob Riddim X Evie Pukupoo
- A3: Black - Lee 'Scratch' Perry X Bob Riddim X Kabaka Pyramid
- A4: Space Echo - Lee 'Scratch' Perry X Bob Riddim
- B1: Police And Thieves - Lee 'Scratch' Perry X Bob Riddim X Xana Romeo
- B2: Ring Pon My Finger - Lee 'Scratch' Perry X Bob Riddim X Blvk H3Ro X Leno Banton X Wayne J
- B3: Infinity - Lee 'Scratch' Perry X Bob Riddim X Yaadcore
- B4: Infinity (Dub) - Lee 'Scratch' Perry X Bob Riddim X Addis Pablo
- B5: Destiny (Dub) - Lee 'Scratch' Perry X Bob Riddim X Evie Pukupoo
Lee 'Scratch' Perrys posthumes Meisterwerk 'Destiny', das gemeinsam mit Bob Riddim entstand, ist eine transzendente Reise durch das Erbe und die Zukunft des Reggae. Mit Evie Pukupoos gefühlvollen Echos, Kabaka Pyramids revolutionärer Lyrik und Xana Romeos Neo-Roots-Infusion verbindet das Album ikonische Traditionen mit den modernen Sounds und Stimmen des Reggae. Weitere Highlights sind die kollaborative Präsentation der nächsten Reggae-Welle der kommenden Generation mit Blvk H3ro, Leno Banton und Wayne J ('Ring Pon My Finger') sowie eine Hommage an das Dub-Königtum mit Addis Pablos Melodica ('Infinity' (Dub)). 'Destiny' ist ein weiterer Beweis für Perrys unauslöschlichen Einfluss auf die jamaikanische und globale Musiklandschaft.
Best remembered for his partnership with the rapper Will Smith in the duo DJ Jazzy Jeff & the Fresh Prince, the duo won the first rap Grammy as well as scoring some big pop hits back in the day, including their 1987 smash, "A Touch Of Jazz," which famously sampled Bob James' classic track "Westchester Lady."
In a full circle moment, James and Jeff have joined forces on the tune "That Bop," a thumping dance track overlain with elegant piano hooks. "It was fun to work with him so many years after he had sampled me in the past," says James, who reveals they collaborated by sharing music files across the internet during the pandemic.
"We also did a couple of other tunes that may see the light of day soon," discloses James, who is keen to work with the hip- hop legend again. "I hope the next time we'll actually be in the studio at the same time so that we can interact," he says. The B-side features Bob James' original jazz-funk classic and DJ favorite, "Shamboozie", available for the first time on 7" vinyl.
Released by evosound on a 7" Vinyl Single on the 6th of October, 2023. Limited Edition of 1,200 copies worldwide.
Dark Red Vinyl[28,53 €]
Douwe Bob is a Dutch singer-songwriter known for his soulful voice, heartfelt lyrics, and captivating stage presence. Influenced by folk, country, rock, and blues, he blends classic Americana with his own Dutch sensibilities. He released his praised debut album, "Born in a Storm" in 2013 and represented the Netherlands in the Eurovision Song Contest in 2016. Douwe Bob's genuine love for music, engaging personality, and captivating live performances have made him a beloved figure in Netherlands. In 2023 he was one of the candidates of the Dutch TV-program ‘Beste Zangers’.
Black Vinyl[25,42 €]
Douwe Bob is a Dutch singer-songwriter known for his soulful voice, heartfelt lyrics, and captivating stage presence. Influenced by folk, country, rock, and blues, he blends classic Americana with his own Dutch sensibilities. He released his praised debut album, "Born in a Storm" in 2013 and represented the Netherlands in the Eurovision Song Contest in 2016. Douwe Bob's genuine love for music, engaging personality, and captivating live performances have made him a beloved figure in Netherlands. In 2023 he was one of the candidates of the Dutch TV-program ‘Beste Zangers’.
FOR FANS OF: Guru Guru, Birth Control, Kraan, Grobschnitt
Dieses neue Album steht für den einzigartigen Sound, den VIOLETTE SOUNDS seit der Zusammenarbeit mit Loten Namling kreiert haben.
Und konnten VIOLETTE SOUNDS bereits mit ihren ersten beiden Alben musikalisch überzeugen, hat ihnen das Hinzufügen von World Music Elementen und Lotens tibetanischen Gesängen ein absolutes Alleinstellungsmerkmal verschafft.
VIOLETTE SOUNDS sind progressiv, atmosphärisch, jazzig und rocken dennoch ordentlich, was nicht nur an der musikalischen Prägung des 70er Jahre Rock Karl Hennebergs liegt, sondern auch an der Performance von Loten Namling, der als ausgewiesener Rock/Metal-Fan auch schon mit den brasilianischen Metallern von Sepultura auf der Bühne stand.
Während andere Bands verzweifelt versuchen, verschiedene Musikstile miteinander in Einklang zu bringen und Musik neu zu gestalten, gelingt dies VIOLETTE SOUNDS scheinbar mühelos.
Musik kennt eben keine Grenzen und ist die einzige Sprache, die weltweit ohne Wörterbuch verständlich ist
"January 14, 2022 — (Hollywood, CA) —GRAMMY® Award-winning duo Bob Moses announced the upcoming release of their highly anticipated third album, The Silence in Between. Released on April 29th, The Silence in Between will mark the Los Angeles-based band’s first release since signing to Astralwerks in a unique global partnership with Domino Recording Co. In celebration of the album announcement, Bob Moses have also shared their exhilarating new single “Love Brand New.”
One of the most anthemic moments on The Silence in Between, “Love Brand New” finds Vancouver-bred musicians/producers Tom Howie and Jimmy Vallance tapping into their deep-rooted love for ’90s alt-rock and left-of-center dance music. Written with Michel Zitron and John Martin (a Swedish production duo known for their work with the likes of Avicii and Swedish House Mafia), the track encompasses a glorious collision of moody guitar tones, mercurial textures, and wildly propulsive beats as Bob Moses channel the dizzying euphoria of new romance."






































