The Rhythm Method veröffentlichten 2019 ihr Debütalbum und kündigen heute, vier Jahre später, den Nachfolger Peachy an, der am 8. März auf Moshi Moshi Records erscheint. Publikationen wie The Guardian, Dazed, Dork, i-D, Loud + Quiet haben die Band schon früh gelobt und sie mit Künstlern wie Pet Shop Boys und Squeeze verglichen. The Rhythm Method kehren nun mit einem völlig anderen Sound zurück, und, wie sie sagen, mit einem "zusammenhängenden Meisterwerk". Das neue Album, das von Bill Ryder-Jones produziert wurde und an dem auch Aoife Power von Whenyoung mitwirkt, ist das erste Mal, dass sie Musik in einem richtigen Studio aufgenommen haben. Es ist von dem Wunsch beeinflusst, das eigene Potenzial voll auszuschöpfen und sicherzustellen, „dass man es auf dem Sterbebett nicht bereut", so The Rhythm Method, die von Mike Skinner bis Michaela Coel gefeiert werden.
Über die neue Single „Have A Go Heroes“ sagt das Duo:
"Nach einem Gig in Hull im Jahr 2018 hatte Rowan einen psychotischen Anfall. Pech gehabt. Er machte (entgegen allen medizinischen Ratschlägen) mit einer kompletten UK-Tournee weiter. 'Have A Go Heroes' ist das Ergebnis davon.
Es ist eine Collage der britischen Regionallandschaft: Tankstellen, einsame Hügel, euphorische und mörderische Gedanken in einem."
Buscar:boys in blue
1961, Port Richmond, Staten Island, NYC: Five kids stumble into a community center, sent by their parents to keep them off the streets and out of trouble. A lifelong friendship is formed over their shared love of doo-wop. The kids start learning harmony and the next thing they know they're cutting records. The group begins to gain steam as they take their act to the packed clubs around New York City. But history has other plans for the boys. First, The Beatles invade America, making doo-wop yesterday's news. Then, the United States invades Vietnam and two of the five boys are sent off to the jungle. Reintroducing: The Splendids. 61 years after their initial formation, the group has reconvened to cut two truly breathtaking records. With three of the five surviving original members weaving together heartfelt harmonies, the group has regenerated themselves and enlisted the help of multi-platinum soul singer Eamon to sing lead. Eamon is no stranger to doo-wop, as he got his start in the music business touring the Northeast as a young boy with a group his father Walter formed in the 90's. With this father and son reunion on these two tracks, the listener is taken back to a time when walking down the street you might come across a gang of youth singing their hearts out on a street corner, serenading the city with their souls. The Splendids hired Los Angeles based producer and multi-instrumentalist Dan Ubick to produce the records and conjure up the retro rhythm and blues sounds of the 1960's. Frequent Eamon collaborator the Oklahoman Benj Heard was then brought on to mix and produce the vocals. Both Ubick and Heard's sonic fingerprints add texture and groove to the groups legacy on 'Cry Baby Cry' and 'Blame My Heart'. Generations have come together from coast-to-coast to take back what history took from them. Enjoy the sweet, sweet sounds of true soul. Enjoy The Splendids.
Dicks’ debut LP has been acknowledged as a foundational statement in Punk ever since its initial 1983 release. Following their first single, 1980’s “Dicks Hate The Police,” and a live split with fellow Austinites the Big Boys, Kill From The Heart does not disappoint. Originally released on SST, the album stands apart from the mass of generic thrash-hardcore contemporaries— fueled by the manic, but controlled power of singer Gary Floyd along with the original lineup of guitarist Glen Taylor, bassist Buxf Parrot and drummer Pat Deason. Dicks were operating at an absolute peak at this point, alternating damaged workouts that suggest Flipper or No Trend on one end and highly charged tracks in the vein of Minutemen or Tales of Terror on the other. Straight out of the gate on “Anti Klan,” the band trades blues-grounded guitar with squealing feedback and intensely political lyrics. The raw emotional sincerity of Floyd, who was openly gay in Reagan-era Texas, provides unmistakeable urgency to songs such as “No Nazi’s Friend,” “Rich Daddy” and the title track, which remains one of the stone-cold classic punk anthems. Forty years on, Kill From The Heart continues to smolder—an arresting testament to the possibilities embodied in creative rage. It is no surprise that Dicks have been covered by Mudhoney, Jesus Lizard and more. Superior Viaduct is honored to present this truly essential reissue. Comes with original tracklist, insert and download card.
Groove To Grave Records is back with a second vinyl release, and for this one they are welcoming the Parisian trio Kitchen Plug.
From ghetto house to break and minimal these 3 silly boys love to produce tracks with nasty bass, metallic acid and raw drums. For their first solo EP on vinyl, they wanted to add a early 2000’ electro vibe to their ghetto style for a brainless result. Get ready for 4 bangers, including a tremendous remix from Karaba.
Our travel start with Hm that bass that tells the delicious story of a young pretty cuistot who discovers the secret for a round and saucy gourmet bassline. Next we have Amor da Franceca who is the class clown of this promo. Ready to throw all hopes of a bright future away only to entertain the class. Despite its quite chill demeanor, Meleee packs a devilish punch and boisterous accents of childhood, lost but not forgotten. And last, Karaba’s remix for melee, emphasises the french cancan aspect of our 3 majorettes. Dark red light, pale skin, round booties, dark blue eyes on a shady scene.
- A1: George Michael - "Praying For Time" (4 34)
- A2: Elton John - "Sacrifice" (4 55)
- A3: The B-52'S - "Love Shack" (4 13)
- A4: Belinda Carlisle - "(We Want) The Same Thing" (4 09)
- A5: Kylie Minogue - "Better The Devil You Know" (3 45)
- A6: Kim Appleby - "Don't Worry" (3 25)
- A7: Roxette - "It Must Be Love" (4 10)
- B1: The Klf - "What Time Is Love" (Live) (3 47)
- B2: New Order - "World In Motion" (4 21)
- B3: Duran Duran - "Violence Of Summer (Love's Taking Over)" (3 23)
- B4: Halo James - "Could Have Told You So" (3 38)
- B5: Julee Cruise - "Falling" (4 02)
- B6: Chris Isaak - "Wicked Game" (4 41)
- B7: Pet Shop Boys - "Being Boring" (4 43)
- C1: Deee-Lite - "Groove Is In The Heart" (3 50)
- C2: Snap! - "The Power" (3 44)
- C3: Whitney Houston - "I'm Your Baby Tonight" (4 04)
- C4: Dusty Springfield - "Reputation" (4 08)
- C5: Go West - "The King Of Wishful Thinking" (3 52)
- C6: Paul Simon - "The Obvious Child" (3 59)
- C7: Sting - "Englishman In New York" (The Ben Liebrand Mix) (4 22)
- D1: Adamaski & Seal - "Killer" (3 41)
- D2: Bass-O-Matic - "Fascinating Rhythm" (4 01)
- D3: Happy Mondays - "Step On" (4 14)
- E4: Lonnie Gordon - "Happenin' All Over Again" (Hip Hop Radio Mix) (3 15)
- E5: Adventures Of Stevie V - "Dirty Cash (Money Talks)" (3 51)
- E6: Blue Pearl - "Naked In The Rain" (3 46)
- E7: Dna & Suzanne Vega - "Tom's Diner" (3 41)
- E8: Vanilla Ice - "Ice Ice Baby" (3 36)
- F1: Sinead O'connor - "Nothing Compares 2 U" (4 54)
- F2: Jon Bon Jovi - "Blaze Of Glory" (5 24)
- F3: Tina Turner - "Steamy Windows" (3 53)
- F4: Alannah Myles - "Black Velvet" (3 54)
- F5: Cher - "Just Like Jesse James" (3 58)
- F6: Maria Mckee - "Show Me Heaven" (3 43)
- F7: Deacon Blue - "I'll Never Fall In Love Again" (2 42)
- D4: The Stone Roses - "One Love" (3 22)
- D5: The Charlatans - "The Only One I Know" (3 53)
- D6: Candy Flip - "Strawberry Fields Forever" (4 04)
- D7: They Might Be Giants - "Birdhouse In Your Soul" (3 13)
- D8: The Beautiful South - "A Little Time" (2 51)
- E1: Pet Shop Boys - "So Hard" (3 56)
- E2: Jimmy Somerville - "You Make Me Feel (Mighty Real)" (3 48)
- E3: Kylie Minogue - "Step Back In Time" (3 00)
NOW Music is proud to present the next instalment in our ongoing ‘Yearbook’ series – and the second to celebrate the ‘90s, NOW – Yearbook 1990; 79 tracks from a fantastic year in Pop! Available on 4CD deluxe book format with 79 tracks , 4CD std digi with 79 tracks and 44 tracks from a fantastic year in Pop, pressed on gorgeous translucent triple orange vinyl. Disc One includes #1s from New Order, New Kids On The Block, Steve Miller Band, and The Beautiful South, as well as Pop smashes from The KLF, The B-52’s, Kylie Minogue, Whitney Houston Kim Appleby, and concluding with the theme from Twin Peaks, Julee Cruise’s ‘Falling’, Chris Isaak with ‘Wicked Game’ and Pet Shop Boys defining ‘Being Boring’. Dance floor-fillers kick off Disc 2 from Deee-Lite with ‘Groove Is In The Heart’, #1s from SNAP!, and from Adamski & Seal plus club classics from Bass-O-Matic and Adventures Of Stevie V with ‘Dirty Cash (Money Talks)’, plus the unexpected collaboration between DNA & Suzanne Vega. Disc 3 opens with the still-breathtaking interpretation of Prince’s ‘Nothing Compares 2 U’ from Sinéad O'Connor. Up next are film related hits; Maria McKee’s ‘Show Me Heaven’, from the ‘Days Of Thunder’ soundtrack, and the ‘Young Guns II’ track ‘Blaze Of Glory’ from Jon Bon Jovi
- Diana Slowburner Ii
- On My Way
- Gone To Earth
- On The Run's Where I'm From
- Dim Stars (The Boy In My Arms)
- Trespassers In The Stereo Field
- Too Tired To Shine Ii
- It's Alright
- Magnificent Seventies
- Using The Hope Diamond As A Doorstop
- Blue Chaise
- Where Have All The Good Boys Gone
- White House
- Two Way Diamond I
- Two Way Diamond Ii
- Don't Wake Me
- Weather Report
- A Good Friend Is Always Around
- It's All About Us
- A Schoolboy's Charm
- The Wait
- New Drifters I
- New Drifters Ii
- New Drifters Iii
- New Drifters Iv
- The Golden Band
- I Must Soon Quit The Scene
- Will The Real Danny Radnor Please Stand?
- Diana Slowburner Ii
- High Fidelity Vs. Guy Fidelity
- Magnificent Seventies
- Waking Up Is Hard To Do
- Dr. Pepper
- The Only Living Boy Around
- It's All About Us
- On My Way
- Thin Fingers
- Living Room Incidental #2 / The Corduroy Kid
- Where Did You Come From?
- Too Tired To Shine I
- Queen Of Her Own Parade
- Mellow Fellow
- You Don't Want Me To Arrive, Do You?
- What Are We Going To Tell Guy?
- Where
Green White Vinyl[89,87 €]
Lo-fi, low budget, and low key, The American Analog Set's suite of hypnotic, neo-psychedelic, Texas sloth-kraut LPs appeared briefly on Austin's Emperor Jones label and slunk quietly into the sprawling indie underground as the old millennium crested. Gathered here are "The Fun Of Watching Fireworks", "From Our Living Room To Yours", and "The Golden Band" albums, garnished with period b-sides, outtakes, and demos. Remastered from the original analog tapes,this early-career spanning 5xLP box includes lyrics, photos, and ephemera from the before times.
- Diana Slowburner Ii
- On My Way
- Gone To Earth
- On The Run's Where I'm From
- Dim Stars (The Boy In My Arms)
- Trespassers In The Stereo Field
- Too Tired To Shine Ii
- It's Alright
- Magnificent Seventies
- Using The Hope Diamond As A Doorstop
- Blue Chaise
- Where Have All The Good Boys Gone
- White House
- Two Way Diamond I
- Two Way Diamond Ii
- Don't Wake Me
- Weather Report
- A Good Friend Is Always Around
- It's All About Us
- A Schoolboy's Charm
- The Wait
- New Drifters I
- New Drifters Ii
- New Drifters Iii
- I Must Soon Quit The Scene
- Will The Real Danny Radnor Please Stand?
- Diana Slowburner Ii
- High Fidelity Vs. Guy Fidelity
- Magnificent Seventies
- Waking Up Is Hard To Do
- Dr. Pepper
- The Only Living Boy Around
- It's All About Us
- On My Way
- Thin Fingers
- Living Room Incidental #2 / The Corduroy Kid
- Where Did You Come From?
- Too Tired To Shine I
- Queen Of Her Own Parade
- Mellow Fellow
- You Don't Want Me To Arrive, Do You?
- What Are We Going To Tell Guy?
- Where
- New Drifters Iv
- The Golden Band
Black Vinyl[83,99 €]
Lo-fi, low budget, and low key, The American Analog Set's suite of hypnotic, neo-psychedelic, Texas sloth-kraut LPs appeared briefly on Austin's Emperor Jones label and slunk quietly into the sprawling indie underground as the old millennium crested. Gathered here are "The Fun Of Watching Fireworks", "From Our Living Room To Yours", and "The Golden Band" albums, garnished with period b-sides, outtakes, and demos. Remastered from the original analog tapes,this early-career spanning 5xLP box includes lyrics, photos, and ephemera from the before times.
Mit ihrer puren und ehrlichen Hardcore/Punk-Attitüde, verschmolzen mit Einflüssen aus Funk und Hip-Hop, haben SLOPE einen einzigartigen Stil entwickelt, der das Publikum fesselt und sie von der Masse abhebt. Ihr neues Studioalbum "Freak Dreams" wird sie zu noch größeren Höhen katapultieren! Das Album ist erhältlich als limitierte LP in 180g lila Vinyl, als CD Jewelcase (mit Posterbooklet) und als Digital Album. Für Fans von Beastie Boys, Rage Against The Machine, Turnstile und frühen Red Hot Chili Peppers.
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At one time participating in ground-breaking medical scientific research, in another a relentless road-trip, hoovering up rare records and tapes, in the nooks and crannies of France, Algeria, or any country that he happens to land in. And then there’s his long standing show for Rinse France.
Following his slamming mix for the Japan Blues show on NTS last year, he kindly offered up a selection for Japan Blues’ first tape release. Algeria is the focus of this tape, taking a brief dip into Sameer’s broad collection, coinciding with his research for his documentary film about the social history of Rai music, "Rai is not Dead" for Arte.
Words from the Hadj: “The medehates are traditional vocal formations of women from western Algeria. Their main role is to give some compliments to the future wife during a wedding, and pray to all the saints through long songs which could last for hours, until reaching a sort of transcendental state amplified by looped percussions, traditional flute, and violon notes. Exclusively for women, no men (including young boys) admitted. This ceremonial tradition gave an intimate space for women to speak out about taboo topics like men-women relationships, love, sins like alcohol consumption etc. Since then, some of them started freely to mention all of that in this small circle and some of them have been recorded live for release on 7″. I picked up a few from my collection in order to make this mix. They represent one of the most powerful and wildest roots of the raw traditional form of rai which appeared in the 50/60s in Algeri
- A1: Jimmy James 3:14
- A2: Funky Boss 1:35
- A3: Pass The Mic 4:16
- A4: Gratitude 2:45
- A5: Lighten Up 2:41
- B1: Finger Lickin' Good 3:39
- B2: So What' Cha Want 3:37
- B3: The Biz Vs The Nuge 0:33
- B4: Time For Livin' 1:48
- B5: Something's Got To Give 3:28
- C1: The Blue Nun 0:31
- C2: Stand Together 2:47
- C3: Pow 2:13
- C4: The Maestro 2:52
- C5: Groove Holmes 2:33
- D1: Live At P. J.'s 3:18
- D2: Mark On The Bus 1:05
- D3: Professor Booty 4:11
- D4: In 3'S 2:22
- D5: Namaste 4:01
- E1: Dub The Mic (Instrumental) 4:27
- E2: Pass The Mic (Pt. 2, Skills To Pay The Bills) 4:26
- E3: Drunken Praying Mantis Style 2:37
- E4: Netty's Girl 3:27
- F3: So What' Cha Want (Butt Naked Version) 3:25
- F4: Groove Holmes (Live Vs. The Biz) 6:10
- G1: Stand Together (Live At French's Tavern, Sydney Australia) 2:29
- G2: Finger Lickin' Good (Government Cheese Remix) 4:13
- G3: Gratitude (Live At Budokan) 4:26
- G4: Honky Rink 2:11
- H1: Jimmy James (Original Original Version) 3:42
- H2: Boomin' Granny 2:20
- H3: Drinkin' Wine 4:42
- H4: So What' Cha Want (All The Way Live Freestyle Version) 3:37
- F1: The Skills To Pay The Bills (Original Version) 3:13
- F2: So What' Cha Want (Soul Assassin Remix Version) 4:05
- 1: Big Tiny Kennedy And His Orchestra - Country Boy
- 1: 2Sugar Boy Williams - Little Girl
- 1: 3Lightnin' Slim - Too Close Blues
- 1: 4Little Walter - I Don't Play
- 1: 5Howlin Wolf - Wang-Dang-Doodle
- 1: 6Little Sonny - I'll Love You Baby (Until The Day I Die)
- 1: 7Lightnin Hopkins - Let's Move
- 1: 8Sonny Terry - Ride And Roll
- 1: 9Billy Gayles - Sad As A Man Can Be
- 1: 0Jimmy Dotson - Looking For My Baby
- 1: Otis Rush - Keep On Loving Me, Baby
- 1: 2The Poor Boys - (I'm Gonna) Spend My Money
- 1: 3Margo - Everyday
- 1: 4Pearl Woods - Sippin Sorrow
- 1: 5Judy Clay - Do You Think That's Right
- 1: 6Bethea And The Cap-Tans - Crazy About A Woman
Der wahre Blues ist lange keine Neuigkeit mehr. Hier finden sich nun 16 elektrifizierte Post-War Kracher, aufgenommen zwischen Chicago und New Orleans, die oft nur ein kurzes Leben als 7"-Single fristeten und heute begehrte Sammlerobjekte sind. Diese Musik wurde in verschwitzten Clubs und bei House Rent Parties der 50er und frühen 60er Jahre gespielt bzw. aufgelegt. Und noch heute kann man exzellent dazu tanzen, denn alle Tunes sind schnell, rauh und dafür gemacht, die Meute in Bewegung zu bringen. Volle fünf Sterne für die fünfte Veröffentlichung der Rockinitis-Reihe! Diese Zusammenstellungen zeigen die rauen und wilden Klänge des rockigen Electric Blues aus den 1950er und frühen 1960er Jahren. Auf der A-Seite ist R-Man, Chef des Stag-O-Lee-Labels, mit weiteren acht Dirty-Blues-Dancetracks zurück, zu denen die Tailfeather zwingend geshaket werden muss. Jeweils zwei Tunes von Killerlabels wie Excello, Groove, Herald und Chess/Checker. In diversen Clubs auf Tauglichkeit getestet. Die Rückseite bestreitet Donna Driscoll, langjährige Kennerin und Sammlerin zwischen Northern Soul und R&B aus London. Donna legt regelmäßig in Blues- und Soul-Clubs sowie bei Mod-Events im Vereinigten Königreich und im Ausland auf. Egal in welcher Stimmung man ist, ihre Auswahl wird jeden in Bewegung und zum Grooven bringen. Hear me now!
Valerie from the Galerie steps back into the low-key, light-dark with another long-playing release for What About Never. An ode to the lost FM waves of talk radio, late-night Quiet Storm jams and WBLS mastermixes, Long Time Listener First Time Caller scans the frequencies between dream house music and midnight blue ambient moods.
- A1: 1900’S Theme
- A2: The Legend Of The Pianist
- A3: The Crisis
- A4: The Crave
- A5: A Goodbye To Friends
- A6: Study For Three Hands
- A7: Playing Love
- A8: A Mozart Reincarnated
- A9: Child
- A10: 1900’S Madness #1
- B1: Danny’s Blues
- B2: Second Crisis
- B3: Peacherine Rag
- B4: Nocturne With No Moon
- B5: Before The End
- B6: Playing Love
- B7: I Can And Then
- B8: 1900’S Madness #2
- B9: Silent Goodbye
- B10: Ships And Snow
- B11: Lost Boys Calling (Feat Roger Waters & Eddie Van Halen)
Black Vinyl[34,41 €]
Ennio Morricone composed and arranged scores for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late 50s. The Legend of 1900 (Italian: La leggenda del pianista sull’oceano).
The Legend of 1900 is a 1998 Italian drama film directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince, and Mélanie Thierry. The film is inspired by Novecento, a monologue by Alessandro Baricco. The Legend Of 1900 was nominated for a variety of international award, winning several for its soundtrack, including a Golden Globe for Best Original Score - Motion Picture. This release includes the song “Lost Boys Calling” featuring Roger Waters & Eddie van Halen.
Throughout his career, Morricone received an unprecedented amount of awards, including Grammys, Golden Globes, and BAFTAs. Ennio Morricone has influenced many artists including Danger Mouse, Dire Straits, Muse, Metallica, Radiohead, Hans Zimmer, and many more.
The Legend of 1900 is available limited edition of 5000 numbered copies on smoke coloured vinyl. The package includes an insert.
- A1: Backstreet Boys - Everybody (Backstreet’s Back)
- A2: Spice Girls - Wannabe
- A2: East 17 - It’s Alright (The Guvnor Mix)
- A4: S Club 7 - Bring It All Back
- A5: Sugababes - Push The Button
- A6: New Kids On The Block - Tonight
- A7: Atomic Kitten - Whole Again
- B1: Take That - Back For Good
- B2: Solid Harmonie - I’ll Be There For You
- B3: Westlife - Uptown Girl
- B4: Steps - Last Thing On My Mind
- B5: Tlc - No Scrubs
- B6: 98° - I Do (Cherish You)
- B7: Girls Aloud - Sound Of The Underground
- C1: Boyzone - No Matter What
- C2: All Saints - Never Ever
- C3: Five - Keep On Movin’
- C4: Liberty X - Just A Little
- C5: Eternal - Angel Of Mine
- C6: Another Level - Freak Me
- D1: Pussycat Dolls - Don’t Cha
- D2: Blue - Guilty
- D3: No Mercy - Where Do You Go
- D4: Hear’say - Pure & Simple
- D5: Swv - Right Here (Human Nature Radio Mix)
- D6: All-4-One - I Swear
Boy bands and girl groups were a huge factor in 90’s and 00’s pop culture. From the Backstreet Boys and Take That to the Spice Girls, Sugababes and many more great pop-bands, they sparked mass hysteria among their young fanbase. Being one of the first bands in the late 80’s, New Kids On The Block kicked off the hype, although in the 60’s bands like Jackson 5 and The Supremes had been around for quite some time.
The pop genre sparked a whole new breed of both boys and girl bands, with #1 hits all around, fueled by the sing-a-long lyrics, catchy videos on MTV, magazines and tours targeting a young audience around the world. Girlz ‘n Boyz Collected represents the legendary 90’s and 00’s girl- and boy bands including Backstreet Boys, Spice Girls, Sugababes, Take That, Atomic Kitten, New Kids On The Block and many more acts.
The 2LP Girlz ‘n Boyz Collected is available as a limited edition on blue
(LP1) and pink (LP2) coloured vinyl and includes an insert.
After a three-year musical odyssey into the unknown, Renceau steps back into the limelight and unveils EXPLORE001, the first release on his new label EXPLORE.
Available in beautiful blue marbled vinyl, this EP features a handpicked selection of four tracks from Renceau’s treasure trove of unreleased material.
Side A packs a punch with two hard old school tech-housey club-killers, that harken back to the golden era of electronic music, evoking the spirit of iconic artists like The Sharp Boys, Umek and Player, while infusing a modern hardgroovey touch reminiscent of X-Coast. Guaranteed floor-fillers!
As you flip to side B, you’ll discover the intimate and introspective side of Renceau. These tracks delve into the soul, serving as a heartfelt dedication to his grandfather, who passed away a few years ago, but also as a dedication “to you”, as written in the deadwax.
This versatile 12”, full of tools, is one to keep in the bag. With EXPLORE’s promising future, anticipate a wide arrange of very diverse releases ahead. Buy on sight!
- A1: The Bo Street Runners – Bo Street Runner (Single Version)
- A2: The Others – Oh Yeah
- A3: David John And The Mood – Bring It To Jerome
- A4: Mickey Finn And The Blue Men – I Still Want You
- A5: Ronnie Jones And The Night-Timers – I Need Your Loving
- A6: The Second Thoughts – Seventh Son
- A7: James Royal – Work Song
- A8: Alexis Korner’s Blues Incorporated – Taboo Man
- A9: The Trendbender Band – Unchain My Heart
- B1: The Syndicats – Crawdaddy Simone
- B2: The In Crowd – Things She Says
- B3: The Boys Blue – You Got What I Want
- B4: The Rocking Vicars – It’s Alright
- B5: The Artwoods – I Take What I Want
- B6: The Favourite Sons – That Driving Beat
- B7: The Moody Blues – And My Baby’s Gone
- B8: The Stormsville Shakers – Number One
- B9: The Union – See Saw
- C1: Rod Stewart – Shake
- C2: Laurel Aitken And The Soul Men – Last Night
- C3: Barry St John – Gotta Brand New Man
- C4: The Soul Brothers – Good Lovin’ Never Hurt
- C5: Lucas & The Mike Cotton Sound – Ain’t Love Good, Ain’t Love Proud
- C6: J.j. Jackson – But It’s Alright
- C7: Carl Douglas & The Big Stampede – Something For Nothing
- C8: Wynder K Frog – Turn On Your Lovelight
- D1: The Spencer Davis Group – Looking Back
- D2: Double Feature – Baby Get Your Head Screwed On
- D3: Scots Of St. James – Tic Toc
- D4: The Attraction – She’s A Girl
- D5: John’s Children – But She’s Mine
- D6: The Drag Set – Day And Night
- D7: Rupert’s People – Hold On
- D8: The Action – Look At The View
Modernists loved the latest R&B, blues and soul sounds coming from US cities such as Chicago, Memphis and Detroit and when British groups started playing their own interpretations in clubs and dancehalls they gained their own mod followings, their music remaining popular on the mod scene today.
Side 1 of this bespoke collection spotlights the British R&B scene and features a founding father of British blues Alexis Korner with the rare ‘Taboo Man’ alongside ace mod tracks from The Bo Street Runners, The Others, Mickey Finn and The Blue Men (featuring a youthful Jimmy Page on harmonica) and more.
Side 2 starts with British R&B groups developing their own sound by turning up their guitars, employing distortion, feedback and fuzz pedals to take the music in a new direction. Highlights include the Joe Meek produced ‘Crawdaddy Simone’ by The Syndicats (described as proto punk because of its ferocity), The In Crowd’s snarling ‘Things She Says’ and The Artwoods’ fuzz drenched mod favourite ‘I Take What I Want’ featuring future Deep Purple organist Jon Lord on organ.
Denny Laine (later of Wings) sings with The Moody Blues calming things down with some soulful beat.
Side 3 focuses on UK soul music - Rod ‘the mod’ Stewart backed by The Brian Auger Trinity takes on Sam Cooke’s ‘Shake’, the godfather of ska Laurel Aitken proves he’s also a natural soul man with his floor filling version of The Mar-Keys’ ‘Last Night’ and the amazing Barry St. John sings the funky ‘Gotta Brand New Man’. Popular club acts Lucas & The Mike Cotton Sound and Carl Douglas & The Big Stampede would regularly bring the house down at mod clubs and also feature.
Side 4 includes mod club dancefloor smashes from The Spencer Davis Group and Rupert’s People (AKA mod group Fleur De Lys) while mod heroes The Action go psychedelic with ‘Look At The View’. A moonlighting Jeff Beck of The Yardbirds plays on John’s Children’s ‘But She’s Mine’ and there are brilliant singles revered by freakbeat and psych collectors such as Double Feature’s ‘Baby Get Your Head Screwed On’ and The Drag Set’s ‘Day And Night’.
Rarities from The Trendbender Band and The Union (featuring Elmer Gantry) appear on vinyl for the first time.
- A1: Dragon Song (Brian Auger's Oblivion Express)
- A2: Total Eclipse (Brian Auger's Oblivion Express)
- A3: The Light (Brian Auger's Oblivion Express)
- B1: On The Road (Brian Auger's Oblivion Express)
- B2: The Sword (Brian Auger's Oblivion Express)
- B3: Oblivion Express (Brian Auger's Oblivion Express)
- A1: Dawn Of Another Day (A Better Land)
- A2: Marai's Wedding (A Better Land)
- A3: Trouble (A Better Land)
- A4: Women Of The Seasons (A Better Land)
- B1: Fill Your Head With Laughter (A Better Land)
- B2: On Thinking It Over (A Better Land)
- B3: Tomorrow City (A Better Land)
- B4: All The Time There Is (A Better Land)
- B5: A Better Land (A Better Land)
- A1: Truth (Second Wind)
- A2: Don't Look Away (Second Wind)
- A3: Somebody Help Us (Second Wind)
- B1: Freedom Jazz Dance (Second Wind)
- B2: Just Me Just You (Second Wind)
- B3: Second Wind (Second Wind)
- A1: Whenever You're Ready (Closer To It!)
- A2: Happiness Is Just Around The Bend (Closer To It!)
- A3: Light On The Path (Closer To It!)
- A2: Bumpin' On Sunset (Straight Ahead)
- B1: Straight Ahead (Straight Ahead)
- B2: Change (Straight Ahead)
- B3: You'll Stay In My Heart (Straight Ahead)
- A1: Brain Damage (Reinforcements)
- A2: Thoughts From Afar (Reinforcements)
- A3: Foolish Girl (Reinforcements)
- B1: The Big Yin (Reinforcements)
- B2: Plum (Reinforcements)
- B3: Something Out Of Nothing (Reinforcements)
- B4: Future Pilot (Reinforcements)
- B1: Compared To What (Closer To It!)
- B2: Inner City Blues (Closer To It!)
- B3: Voices Of Other Times (Closer To It!)
- A1: Beginning Again (Straight Ahead)
Brian Auger’s Oblivion Express was the phoenix that rose from the ashes of sixties combo The Trinity. Fusing R&B, jazz, soul and funk, keyboard maestro Brian Auger created a new breed of music that took the US and the UK by storm. Auger’s unique experimentation culminated in rhythm-infused jazz funk that united Black and white ’70s audiences. The 6 studio albums that make up Complete Oblivion illustrate the group’s diverse musical influences and progression, from the 1970 self titled debut’s heavy jazz-rock to the jazz fusion, latin and disco tinged Reinforcements from 1975 - this process no doubt powered by the groups’ evolving line up, which included guitarists Jim Mullen and Jack Mills, drummers Robbie McIntosh & Steve Ferrone, bassists Barry Dean and Clive Chaman and vocalist Alex Ligertwood. The musical highlights within Complete Oblivion are many, but particular highlights to mention have to be Total Eclipse (Oblivion Express), Fill Your Head With Laugher (A Better Land), the blistering cover of Eddie Harris’ Freedom Jazz Dance (Second Wind), the Barry Dean composition Whenever You're Ready, the version of Marvin Gaye’s Inner City Blues (Closer To It), Beginning Again (Straight Ahead) and the mind bending keyboard tour de force Brain Damage (Reinforcements). Given the groups legendary status among fellow musicians such as Zucchero and Herbie Hancock, DJ’s like Kenny Dope and Gilles Peterson and Auger’s legion of fans worldwide - that mission was fully accomplished - or to put it another way, in the words of super fans The Beastie Boys: “Those who remain oblivious to the obvious delights of Brian Auger’s Oblivion Express do so at their own risk!”
Even as a little boy, Johnny Cash has a feeling he was going to be famous one day. It wasn’t the kind of premonition he could go about telling people. They’d have thought dreams of fame and riches pretty far removed from the Cash’s barely-productive 40-acre cotton farm in Arkansas. Especially since Johnny had no idea how he was going to make his mark.
Johnny left the farm to go into the Air Force — and in his travels he acquired first, a wife — and secondly, a guitar. Assigned to Germany and forced to leave his wife behind, Johnny found a faithful companion in his guitar. The boys in his barracks seem to like his “pickin’ and singin'” and gradually the plan for a career began to take shape. He would be a singer — a country singer.
When he got back from service, Johnny was not so modest about his plans for the future. He let his Memphis friends know he was going to be a singer — a good singer, a famous singer — a singer who would revolutionize country music. No matter how long it took — he was determined!
As it happened, Lady Luck inclined her face toward Johnny almost immediately. His releases on the Sun label were instantly acclaimed, and in 1956, one year after Johnny Cash launched his recording career, he was named the most promising country and western artist of the year in four separate polls.
After the success of “I Walk the Line” as a simultaneous C & W and popular hit, it was indicated the course Johnny’s career should take. Though always identifying himself as a singer for the country fans — a favorite entertainer on the Grand Ole Opry — Johnny Cash with “Ballad of a Teen-Age Queen” came to be a top selling artist in the pop recording field.
Almost reluctantly, Johnny evolved a pop-county style in arrangement and instrumentation, evident in such hits as “Guess Things Happen That Way” and “The Ways of a Woman in Love” to supply the demand for Cash records by fans of both types of music. It is ironic that Johnny Cash caused more of a revolution in pop music than in country music, as was his aim, by being one of the first C & W artists exposed on national “general entertainment” TV shows; and the first C & W artist to capture the LP market with one great release (Sun 1220).
Johnny Cash — in his voice, looks and demeanor — carries a certain aura of “specialness.” He is a very dramatic figure — tall, muscular, with blue-black hair. He looks the part of a folk singer — a 20th century wandering minstrel. And his fatalistic style, both in composing and singing, has a quality of monotone, but of “emotional monotone” that defies analysis, but which is genuinely powerful.
Johnny Cash is one of those persons endowed with an exceptional talent which has to express itself. And being expressed, his talent has been uniquely recognized and applauded by many loyal fans, who will enjoy this reminiscent album of the songs which to date are landmarks in the career of the one and only Johnny Cash.
- A1: Freddie Mercury - Living On My Own (No More Brothers Radio Mix)
- A2: U2 - Discotheque
- A3: Robbie Williams - Let Me Entertain You
- A4: Roxette - Joyride
- A5: Spin Doctors - Two Princes
- B1: Spice Girls - Wannabe
- B2: Britney Spears - …Baby One More Time
- B3: Christina Aguilera - Genie In A Bottle
- B4: N Sync - Tearin' Up My Heart
- B5: Backstreet Boys - Everybody (Backstreet's Back)
- B6: Take That & Lulu - Relight My Fire
- C1: Snap! - Rhythm Is A Dancer 7" Edit
- C2: La Bouche - Be My Lover
- C3: Culture Beat - Mr Vain (Radio Edit)
- C4: Haddaway - What Is Love
- C5: Dr Alban - It's My Life
- D1: Prince Ital Joe, Marky Mark - Happy People
- D2: Lou Bega - Mambo No 5 (A Little Bit…)
- D3: Eiffel 65 - Blue (Da Ba Dee)
- D4: Gigi D'agostino - The Riddle (Single Cut)
- D5: U96 - Das Boot
- E1: Tlc - Waterfalls (Single Edit)
- E2: Blackstreet Feat Dr. Dre - No Diggity (Radio Version)
- E3: Fugees, Ms Lauryn Hill, Wyclef Jean, Pras - Fu-Gee-La
- F3: Vanilla Ice - Ice Ice Baby
- F4: Jennifer Lopez - If You Had My Love
- F5: Salt-N-Pepa - Let's Talk About Sex
- G1: Faithless - Insomnia (Radio Edit)
- G2: Everything But The Girl - Missing (Todd Terry Remix / Radio Edit)
- G3: Dna Feat Suzanne Vega - Tom's Diner
- G4: Lisa Stansfield - Change (Radio Edit)
- G5: Cher - Believe
- H1: Bloodhound Gang - The Bad Touch
- H2: Crazy Town - Butterfly
- H3: Run-D M.c., Jason Nevins - It's Like That
- H4: Fingers, Gilette - Short Dick Man (Radio Mix)
- H5: Marky Mark & The Funky Bunch, Loleatta Holloway - Good Vibrations
- E4: Snow - Informer
- E5: Stereo Mc's - Connected - Edit (Aus 25 Years)
- F1: Ini Komoze - Here Comes The Hotstepper
- F2: Heavy D & The Boyz, Aaron Hall - Now That We Found Love
„The 90’s are back!“ – 30 Jahre später ist das beliebte Jahrzehnt musikalisch wieder voll im Trend! Auf der „FETENHITS - The Real 90’s“ sind die Originale der größten Party-Hymnen der Dekade vereint.
Ob die groovigen Sounds von „No Diggity“, der absolute Ohrwurm „Wannabe“ oder die Kult-Nummer „Mambo No. 5“ - Der bunte Mix der besten Party-Songs und Klassiker der 90‘s ist voller „Good Vibrations“!
Mit dabei sind u.a. U2, Britney Spears, Salt-N-Pepa, 20 Fingers & Gillette, Freddie Mercury, La Bouche, DJ Bobo, TLC, Backstreet Boys und viele mehr.
„We Bring It All Back“ mit den größten Party-Hits der 90er! Erhältlich als 4LP, 4CD und eAlbum ab dem 29. September 2023!
- A1: Introduction
- A2: Crashing High
- A3: The Chair
- A4: Devils
- B1: Hevioso
- B2: Don't Turn Your Back On Fear
- B3: Feel Berlin
- B4: Betty Blue
- B5: Christina Death
- C1: Gothic Girl
- C2: Framed In Blood
- C3: Wrap Your Troubles In Dreams
- C4: Lost Boys
- 5: Sister Of Charity
- D1: I Just Wanna Have Something To Do
- D2: Dance D'amour
- D3: Brandon Lee
- D4: Nothing On You
Red Vinyl[28,95 €]
40 years after The Doors' debut at Hollywood's legendary Whisky A Go Go, The Helsinki Vampires sold our their debut there and finished their first-ever US tour like the new kings of the Sunset Strip! Glam, Goth, Sleaze & Hollywood in 2006! The 69 Eyes is a "goth'n'roll" band from Helsinki, Finland. Founded in 1989, the band blends gothic rock, glam metal, and rock'n'roll together in their music. With thirteen revered albums, multiple tours around the world, and going platinum in their home country the band still maintains a strong tie to the graveyard shift of rock’n’roll.




















