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Known in many circles for his wonderful dubstep excursions comes San Francisco native 'DJG' with his excellent take on Drum & Bass. This is his first release when it comes to D&B and we are very proud to be releasing these amazing tunes! Welcome aboard!
A. HYDRATE A deep menacing vibe kicks things off a a steady kick while claps and thick snare are sprinkled throughout leading up to a thunderous reese that will challenge any system. Muffled horns and vocals keep things interesting leading up to a subterranean breakout takes things into dubby territory! A truly wonderful piece of original music!
AA. HYDRATE ( CONSEQUENCE REMIX ) Known for his work with the Autonomic crew, Consequence seemed the perfect match to recreate an already wonderful tune and does a great job with this remix. A hazy intro with dusty crackles leads into the tune's signature kick with claps. Dubby stabs with a drawn out horn take things deeper before the bass punches through.
Consequence has taken his signature minimal sound and added upon the original for a truly deep, original recreation. These are the kind of remixes we like! Dub Dub Dub!!!
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Isomer Transition, also known as RJ Valeo, is producer and live performer from Brooklyn, New York. After producing for a many years, his productions caught the attention of the Moodgadget label and then Pheek from Archipel. He has released on both imprints and both were well received and respected; songs in his discography have been featured on both Maryanne Hobb's The Breezeblock and Magda's Fabric Compilation.
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Rush Hour presents a new series of releases entitled 'Voyage Direct', all about feel good club music. Dexter kicks off this series in a classy style with his Junofest EP. This is easily his best work since his genre breaking electrofunk hit 'I Don't Care from 2000. The title track is a steady, yet smooth club groove with enough wsing to make anyone dance to the music. A true party starter.
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2024 Repress
Hurray! PROFAN is back from the future to complicate things again. But let's have a look back in the past: in the mid-1990s, Wolfgang Voigt, under his innumerable aliases (M:I:5, Digital, Grungerman, Wasserman …), unsettled the minimal world and its straight grooves with his right-at-the-threshold-of-pain abstract techno. As a DJ, you sometimes even thought that the vinyl was scratched. "Distort the listening habits until they break up" has always been the leitmotiv of this exceptional artist from Cologne. In 2000 however, after having created another promising trademark: WASSERMANN - W.I.R. that - in spite of or because of its unconventional structure (abstract beat, German vocals) - ranked among the number one hits in any important club and DJ charts and which was even remixed by Sven Väth, Wolfgang Voigt decided to discontinue the label for a while. PROFAN produced two sublabels each devoted to the refinement of specific minimal variants: STUDIO 1 and FREILAND. FREILAND in particular was and still is one of Voigt's projects that manifests his artistic and deconstrucivist approach to the aesthetics of techno beats. FREILAND's concept is radical: the only reference to techno is the bass drum and a sound reduced to the utmost that is moving around it. No wonder that now, eight years after the last PROFAN release, Wolfgang Voigt is back under his alias FREILAND. With KLAVIERMUSIK (piano music), Voigt continues his way towards atonality and electronic art music. The straight bass drum still is the only pulsatile instrument and sometimes it is not even that. WOLFGANG VOIGT / FREILAND - KLAVIERMUSIK is radical, puristic, uncompromising, elegiac, difficult, defiant, true and absolutely necessary. The record, including artcover designed by Wolfgang Voigt is strictly limited.. Greed sucks.
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Lowfish originally released his 'Burn The Lights Out' LP in 2007 on the US label Satamile but we have found some copies of it in the warehouse. Synth-pop meets breakbeats in an electrifying fusion of emotive melodies and bass-heavy beats across all four sides of the long player with ten then-new tracks and two classics from his Sat.31 EP. They all show that his music, complex yet accessible, evokes images of Blade Runner, Wave Noir, or William Gibson. It is post-modern in approach as it skilfully blends past and present styles to create a sound uniquely his own, seamlessly bridging the gap between eras while pushing the boundaries in his own way.
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New release on one of Holland's finest hard techno mprint: PROTOCAST! This major 12 offers 2 new tracks by SOURCE UNKNOWN and 2 new ANCRONIX tunes... SOURCE UNKNOWN (the source is not the same as Protocast #06) created 2 very original hard techno tracks: 9.8 M3 contains a very original rhythm and a strong melody PROPULSIVE PARALYSIS is a straight on hard techno tune with a great breakdown
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phil subhead with cool breaks stuff
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leicht breakige technotracks
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- A1: Hecate Is A Witch - Bong-Ra Remix
- A2: Slay The Slavemaster - Base Force One Remix
- B1: Bermondsey Bass Edit - The Layton Breakers Remix
- B2: Approaching Menace - Somatic Responses Remix
- C1: Temple Of The Lioness - Abelcain Remix
- C2: Devourer Of Beasts - Nirvanez Remix
- D1: Live In L.A... Omega Rising - Baseck & Hecate Remix
- D2: Queen Of Hearts - Doormouse Remix
- D3: PeonCrackDub - Fanny Remix
- D4: Accapella Samples
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expected to be published on 05.02.2003
expected to be published on 27.06.2002
Paris player Le Loup and Pura launch their new label Shadow Play with a four-track collection of avant-garde house music delivered boxfresh from the studio. As a solo artist, and one half of Hold Youth, Le Loup has cultivated a nuanced sound that is steeped in soulful jazzy influences, with a nod to the future and plenty of soul. On this first EP we're presented with a showcase of this sound, and a hint at what's to come on the brand new label... To get things rolling we have the very first track 'The Ancient Ways', which is quite laid back and minimal in its composition. There's breathing space for the beats and bass, with an eerie atmosphere pervading throughout. 'Ygam' is next up with a wobbly bassline, cosmic death rays and sinister effects lurking in the background - it feels like the soundtrack to a deep space thriller.
On the B-side things get ravey with 'Acid Surface'. Retro breakbeats and stuttered toms support a dangerously alluring symphony of effects and pads. At the heart of the track is a deep subby bassline, transmitting an ancient, yet cosmic vibe.
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Sunday Money welcomes 'Grusti' to the label - the collaborative effort of Argentinian musician Guti, and Russian producer Roustam. The background of the project and process of creation is described by Roustam: 'This EP was recorded in Guti's legendary loft studio in Barcelona. I was feeling down and out and just flew in for a week to raise my spirits to visit Guti for the first time. We spent a week living together making this EP, just making music non-stop, breaking for awesome tapas and wine and rolling a lot of spliffs. It features a lot of our influences from different sides of the world — Guti's a passionate fiery Argentinian and I'm more of a reserved and calculating Russian from up north but together we make some funky stuff. Also showcases our big love for breakbeat and similar deconstructed 4 x 4 material. Dedicated to the women we love!'
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We’re extremely proud to present Leaving Time, a new EP by Christoph de Babalon. The EP has all the menace and grit that the Hamburg-born, Berlin-based producer is known for, but packs a potent, dance-ready punch that breaks new ground.
Leaving Time begins with the snarling subs ‘The Upper Hand’, and momentum builds through the panoramic breakbeats of ‘I Trusted You’ and dubwise groove of ‘Steps Into Solitude’ to reach the symphonic release of ‘Got to Let Go’.
This record encapsulates everything we love about Christoph’s music – it’s doom-laden, introspective and crafted with intent.
In short, it’s CDB on a 140 / fwd tip - fuck the chairs!
About Christoph de Babalon:
Christoph de Bablon first became known for his work on Alec Empire’s Digital Hardcore Recordings in the early 1990s and has championed a misanthropic take on drum and bass that has stood the test of time.
A punk-influenced fusion of jungle, breakbeat and dark soundscapes, his signature sound has become the stuff of legend – Thom Yorke once said Christoph’s pioneering debut album 'If You’re Into It, I’m Out Of It’ was the “most menacing record” in his collection.
After a brief hiatus composing music for theatre (we’d like to hear what that sounded like), recent releases on labels such as A Colourful Storm, V I S and AD93 have sparked renewed interest in the German producer, and with much excitement from his loyal following of die-hard supporters.
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expected to be published on 02.02.2001
expected to be published on 01.01.2000






















