This is the first instalment in a series of three 7" records in luxurious packaging which see Stefan Goldmann probing the upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are
bold and blazing signals for a collective return to highly energised club experiences. 'Badger' is a breaks-infused peak time weapon while 'Sawhorse' morphs more subtly through hypnotic and
seesawing synth patches. More bouncy than harsh, this material shows impressively how different tempos allow for their own variety of joyful expression.
Search:breaks
Yellow Vinyl
From his early years on the music scene in Edinburgh, Theo Kottis has built a buzz as one of the UK's most exciting DJs. He is also the curator of his own unique sound, crafted on his Beautiful Strangers series, and gained clout from star DJs the world over.
The Mirror EP is fronted by a euphoric party track inspired by Kottis' lockdown yearning for "the kind of party where you don't stop dancing" - and crafted perfectly for this purpose. The raw energy of breaks and rave piano stabs is permeated by Busola's pep talk, getting the listener and the dancer geared up for the summer of release after a year of restrictions.
On the B Side, "Onda" takes its name from the Spanish word for waves. This is a blissed out relaxation after the intensity of the A-Side, an ode to an Ibiza poolside which still maintains a strong groove. Playful
pads pop out under sublime strings for an instantly nostalgic vibe.
Theo Kottis words on the release "Earlier this year during peak winter lockdown, craving the kind of party where you don't stop dancing, I took matters into my own hands, producing this new single "The Mirror", featuring Busola - who is the life of the party - to bring euphoric sounds to my living room and now to yours.
The thought of the impending "Summer of Love" got me through lockdown and I wanted to create something energetic and fun to mirror that excitement. I'd seen Little Gay Brother, the LGBTQ+ party and community perform at many festivals and knew their vibe would be an ideal source for this raw energy - I was introduced to Busola who provided the ultimate summer of self-love pep talk, something we all needed to get back out there post lockdown!
The second track is a nod to my summer escape to Ibiza where I played Pikes poolside and spent time in the sea and watching waves - "ondas" in Spanish - to reset and relax.
white vinyl
Tommy Farrow has been making waves ever since his breakout single, 'Let's Just', caught the eye of Radio 1 tastemakers. His emotive, trancelike tracks, evoking influences like Bicep, have been instant hits. Joining the Classic Cuts series, Forever EP is his debut on Shall Not Fade.
'Forever' features rising star vocalist Clementine Douglas, her sultry lines coasting over melancholy chords before casting off into high drama breaks and synth melodies. Breakbeat dominates 'Feel What I'm Feeling' too, a big room track filled with pure ecstasy; closing track 'Imagination' is deep and grooving with an explosive electro edge.
Forever EP drops 10th December via Shall Not Fade.
The Mighty Soulmates is a towering early 90s project from the legitimate super group of André Cymone (bass player with Prince), St. Paul Peterson (guitarist with The Family and Prince), Mic Murphy (of Sass and The System fame) and Gardner Cole (writer, producer and musician probably best known for his work with Madonna). The sound is a majestic blend of sophisticated funk, emotional R&B, New Jack Swing flava and slick deep soul.
These should-be legendary sessions have been almost a secret since they were recorded back in 1993. The first Be With knew about the project was whilst working with Mic on some Sass re-issues and he told us he had something else we might be interested in hearing.
Mic explained, “In the summer of 1993, Gardner Cole asked if I’d be interested in coming out to work with him, André, and St. Paul. So we all headed out to what can best be described as a fantasy music summer camp at Gardner’s house in Woodland Hills, California. We had all worked together in the past in some form or another so everyone was energized and enthused and excited to see what we could create together. St Paul and Andre had already begun some songwriting at Gardner’s well equipped home garage studio. The songs and ideas progressed quickly and some additional recording was completed at André Cymone’s studio in downtown LA. We ended up working on the project for about 6 months, off and on, until Gardner's house fell victim to the Northridge Earthquake in January 1994.”
There were some vague ideas at the time about turning the sessions into a finished record, but everyone went back to their day jobs and as St. Paul puts it: “for nearly 30 years it just sat there, marinating like a fine funk masterpiece. Everything has its right time and now just be the time”.
From all the tracks Mic sent over, we’ve cherry picked the absolute cream for a tight four track EP. In an alternate history all four for these would’ve been radio smashes. No doubt. But these songs never even reached a plugger. A mixture of beat ballads and uptempo non-hits, coming on like Al B Sure! or Babyface take on Shalamar or, dare we say it, The Purple One - maybe not so surprising given who’s playing!
The feel-good dancefloor dynamite of “I Wanna Be The One” is the explosive opening track. A piano-driven, groove-laden blast of yearning deep-pop, with perfectly delivered soulful vocals and an unmistakable “early 90s” sound. Indeed, fans of Eddie Chacon’s old group will dig this for days. “Back In The Day” has a timeless swing and swagger, the lyrics reminiscing about the halcyon streetlife of the Soulmates’ youth, about Curtis, Superfly and innocent days gone by, about hustling with friends. Yet more spine-tingling vocals over yet another perfectly produced musical backdrop. Stunning.
Opening side B, “Blue Tuesday” is the thrilling pinnacle of the EP, at least for us. It’s absolute soulful-pop perfection, and the one we’ve been asked about most after teasing this collection on our NTS show. A soaring beat ballad full of chiming guitars, gorgeous harmonising, falsetto “doo-doo-doo-doo do-do-do-do” backing vocals and a real steppers’ groove. Glide to this with your loved one at the next roller rink party.
Dramatic, purple-hued closer “Private Time” seems to predict the Timbaland-dominated sound of the mid-to-late 90s, all synthetic strings and squelchy, acidic-drum-machine soul. There’s even room for funky piano breaks, vocoder bridges and more cowbell than you can shake a cowbell at. You could just as easily hear Aaliyah vibing over this as much as Mic.
This EP represents the sound of four incredibly soulful, talented, and influential (soul)mates jamming together over one long hot summer and weaving pure sonic magic. André Cymone loved the “kinda pop, experimental exploration of sound and music. I think these songs make a statement. Not just because of the collection of talented musicians involved but the idea of musically branching out and experimenting; which is what I loved about the project and for people to hear and hopefully appreciate the artistic adventure this music takes, I think it’s a much needed breath of fresh air.” As Mic recalls, “it had the feeling of recovery in a circle with my dudes making music sitting around catching up on life - it felt like living a second childhood. We just wrote what we felt. I don’t remember ‘aiming’ at anything but a great song, melding all our different influences from throughout our lives. We had no restraints. For me personally, it was a time to make music and regroup. I call it the ‘Soulmate Experience’ because in many ways we are kindred souls as a band. We did have an amazing time making the record and so much fun together. Probably my best summer ever”.
The Mighty Soulmates EP has been mastered for vinyl by Simon Francis, cut by Pete Norman at Finyl Tweek and pressed at Record Industry. That early 90s gloss sounds spectacular, if we do say so ourselves.
And such a special record needed some truly almighty artwork, so thanks go to DJ Ruby Savage for directing us to London-based illustrator and designer River Cousin. This music needed something elegant and indulgent yet soulful and striking and something as simultaneously tongue-in-check and deadly-serious as the group’s name. The end result is as modern yet timeless as the music itself.
And these are just our four picks. There’s plenty more where this came from and Mic tells us he’s even picked the album title: “Earthquake Summer”.
No Bragging Rights are releasing a brand new self titled album. As a band we still felt we had more to say. Life took us all in different directions which made writing difficult. Anthony (Tron) joining the band was the spark and the resource we needed to start writing. Daniel would drive 2hrs to Tron’s studio in Tacoma to write and send the demo’d ideas. I was in my last year of undergrad so I would write lyrics/melodies over my Thanksgiving and Christmas breaks. We hit the studio in January which was the first time Martin had seen Daniel or Tron since our last show in 2016. We feel that we were able to bring new elements to our sound without sacrificing our identity as a band.
Repress
Arad, real name Dara Smith, first joined the VOITAX catalogue in June 2020. Back then, the Irish artist served us up with "Radiance Haze" - a 6-track EP, spanning from heavy-hitting breaks to the ethereal ambience, with heavy features of Smith's vocals. Known for his multidisciplinary vision on music, he has also previously made seminal moves with his work as one half of Lakker, alongside Eomac, dropping groundbreaking music on heavyweight labels such as R&S, Blueprint and Stroboscopic Artefacts. For his second EP on VOITAX, Smith now returns with five beautifully crafted tracks that he titles "Augmented Fantasy". While following a similar approach, he does not fail to expand his repertoire of celestial dream-like atmospheres, which he carefully surrounds with a whole variety of vocals, and accurately placed broken drum patterns. In addition to his own singing, Arad also presents two impressive collaboration tracks, in which one of them features the voice of Stine Omar, also widely known as one half the Berlin-based pop duo EASTER. Driving rhythmics and processed, grainy vocals turn this piece into guaranteed hit material. Another collaboration with the befriended vocalist and music producer Nina Hynes serves as a touching closing chapter for this brilliantly produced, eclectic 5-tracker. All pieces are perfectly glued together while keeping their very individual character and soundscapes. The listener is certainly left with an augmented fantasy, as well as a curiosity to hear more to come from the Irish talent.
The debut release from a London duo weaving vibrant patchworks of dance floor debris, from line-dancehall to hopscotch breaks. Enter the world of Angel Rocket…BIG TIP!
Angel Rocket is the eclectic new project from Angel Hunt (Good Morning Tapes) & Peter Rocket (BEAM). As dual specialists in new-clear fusion, primordial blooze and glittering bass-bin pressure, Angel Rocket is a match made in heaven.
The AM003 EP is a masterclass in playful dance floor navigations, charting territory from dancehall and techno to blissful Balearic plod, and beyond. It's the perfect release for Accidental Meetings debut wax release after a string of impressive cassette tapes & forward thinking compilations.
'Pomelo Fog' is a 100bpm wormhole with warm reese-bass expansions and washes of serotonin-soaked pads incubating a new mutant techno-dancehall variant.
'Oyster Perpetual' boasts an immaculate palette of harsh, tactile mid-highs and glossy bass swoops, sitting pretty between the realms of 100bpm Dembow and 200bpm Jungle.
Next in line is 'Tunnelrunners Unltd'; a pop’n’lock maze of funkee wall banging 4x4 techno with a noizy, UK-inspired lean.
'Foamstone Hoedown' closes the record, its low-slung Balearic wobble and weirdo 5th World polyrhythms gently beaming listeners back down to earth.
Following up on 2017's phenomenally received 'All Right' / 'Innerspace' single on BMTM, Tim Reaper returns to the label with two gorgeous slices of cruising atmospherics that hark back to the seminally lush sounds of Lucky Spin, Dee Jay Recordings and early Good Looking Records.
'Stand Up' layers Demon's Theme-esque strings over hypnotically alternating chords, while submarine beeps deliver head-nodding rhythms over the shuffling breaks and bumping bass lines. If the words 'Speed' and 'Mars Bar' mean anything to you, you should listen to this immediately.
'The Tranquility Track' takes us into more melancholy territory, with filtered Steve Reich-style marimba loops and haunting pads dancing over the vintage break edits for which Tim Reaper has become famous.
Strictly for those who understand the power of a mesmerising groove.
It's a great pleasure to introduce Leed's based newcomer Alfred for his eagerly awaited debut release on 20/20 Vision following a string of cutting edge releases on Reference Mark Recordings.A'Direct Hit' is packed with an array of intricatelyAwoven electro, breaks and perfectly executed peak-time club weapons.A
'Direct Hit'Afuses techno andAbroken beats withAa bottom heavy bass theme reminiscent ofAclassic Kevin Saunderson,Asoaring arpeggiated synth lines, slick drumAprogramming and a killer break. TheAhighly sought after Dublin basedAproducer CignolAdelivers a perfectlyAexecuted acid electro remix that adds lush strings additional synths to the originalAtheme.A
'Iris', is a nifty high fidelity breaks workout, loaded with an abundance of Alfred's signature flourishing arpeggios and modulating synths backed by an infectious groove, and a fragmented bass line. 'Core Velocity' rounds off the record with perfectly nuanced synth polyphony giving it a deep, tripped out braindance flair, punchy bass and irresistible groove.
Seattle-born preacher’s son Luther James Rabb played sax with Jimi Hendrix in the Velvetones and after forming popular horns-based rock act Ballin’ Jack, moved to Los
Angeles, where soul harmony trio West Coast Revival was born. Early singles for United Artists were produced by Howard Scott and Lonnie Jordan of War, and their sole LP, released in 1977, is an exceedingly rare soul-funk gem, with solid vocal harmony, hard funk breaks, and a touch of sophisticated strings. ‘My Mind Is At Ease’ is a breakbeat special and ‘Feelin’ Allright’ rides a meaty bass groove, both underlining the War connection; our edition comes with bonus love song ‘Beautiful Girl,’ an early single B-side. Overall, this is prime soul-funk with uncommon elements, ripe for rediscovery by all discerning funk fans.
Roman Flügel and Radio Slave remix KUSP ft Pablo:Rita on Rekids this November.
Arriving on Radio Slave’s vital Rekids imprint following 2020’s ‘Freedom of Fear EP’ on Rekids Special Projects, British duo KUSP deliver the captivating ‘Folding’, featuring vocals from Pablo:Rita and remixes from label boss Radio Slave and electronic music luminary Roman Flügel. A deviation from the duo’s upfront techno records, which have been supported by likes of Luke Slater, Regal, Truncate, and more, KUSP have crafted an emotive breakbeat jam featuring vocals from West London-based Pablo:Rita, the Crosstown Rebels affiliated duo formed of Annabel Simpson and Liz Cass.
Following the A1 is the ‘After Dark’ mix, which sees the duo head to heavier territories, stripping away the vocals and going for the jugular with crisp, pounding drums under the original’s melodic touch. On the flip, Roman Flügel brings his years of clubland experience to the table, introducing a wonky electro-esque
pattern, arpeggiated synth lines, before an ecstatic breakdown takes hold. For the final version, Radio Slave returns to his use of breaks and delicate atmospherics with his evocative, early-rave referencing ‘New Age Of Love’ remix.
„Sounds like Burial who listened to Psychic TV instead of UK Garage. For me the best Pudel Produk-te so far, I'm thrilled. And you know me, I find a lot of things good, but only super cool super cool, best Pudel Produkte ever. How did you find them, do they come from Mainz or the surrounding area or what? Top record, I would also like to have it on vinyl for grandpa's cupboard“.
// Superdefekt
„The record sounds great!
This is the MFOC record, you can't get more MFOC than this.
Every track is awesome !!!!! It's on rotation here :))))"
// Rvds
„The Masterpiece, can only be topped by the Volume 2!"
// Ralf Köster
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Newmont’s first release explores a broad-based sound, ranging from breaks to downtempo. The record puts forward a more hybrid-driven score, which is the Paris-based idea for this project. Get your copy from your local record dealer!
With "Broken Land" Daniel Nitsch presents the first album of his latest project "Hounah" - and thus grants a deep look into his feelings and thoughts. Pieces like "Sorrow", "Fairbanks" or "Norton Bay", which invite you trace inside, are accompanied by those that present Daniel's personal views on very political and generally relevant issues, presented in songs like "Revolution", "Guilty State" or "Cash For Your Home". They cover topics like racism and gentrification, deal with the burden that imperialism places on us. Ask for what a future could look like - and how it could successfully happen at all. Thus, Hounah is not a feel-good project, "Broken Land", the title suggests it, a profound, here and there even painful inventory, which wants to stimulate reflection and further thinking. Very diverse, thematically as well as musically – and created with great attention to detail. Listening closely allows light bulb effects in terms of content, but also in terms of sound, lets us walk in the footsteps of downbeat, hip-hop, trip-hop, ambient, electronica and jazz. Hounah quickly reveals here that they are not afraid of breaks, but are also capable of soulful fusions in sound collages. The circle of friends behind Hounah, consisting of producer Daniel Nitsch, pianist Johann Blanchard, singer Lena Schmidt and guitarist Marten Pankow, came together for the album "Broken Land" in order to immediately try out further alliances: two of the songs on the album were created in creative cooperation with A-F-R-O, the internationally known rapper from Los Angeles. And so it is little surprise that each song creates a new world of sounds and thoughts – and one suspects already after the first tracks that there is more waiting for us, that "Broken Land" will not remain Hounah’s last work.
Channeling her innermost depths, Oshana reveals her widest body of work to date, “Disciples of Dystopia;” a multi-faceted expression of the emotions, influences, and sounds that have guided her on her musical journey. The album aptly marks the fourth release on her very own, Psionic label, and is the first double 12” in the catalogue.
As you lift into orbit, “Disciples Of Dystopia”, seduces your senses with an ominous vocal of what lies ahead. The opening track simmers gently with a progressively rising atmosphere as the down tempo vibe flows inside you-Automatic connection. “Mind Over Matter” is a futuristic breaks experience, familiar nostalgic hip hop scratches flash in and out, winding into a spiraled synth labyrinth that introduces you to dimensions unknown. Slowing the pace down a notch is “Labor Of Love;” emotional chords and floaty melodies work their way around the steady and pitched down body of the track.
As we coast into the B side, “Embrace The Wave” offers some italo energy; clean disco kicks meld into retro synths; this one cruises on a loose, irresistible, and unrelenting groove. “Take Me Away” sweeps you right off your feet and includes a feature from long time collaborative partner, Anthea. Anthea’s transcending vocals set the tone for a harmonious quest, enriched with positive and imaginative energy; the type you want to absorb as the night concludes. However, the night is far from over.
As we coast into part two, we’re introduced to “Odyssey,” a slow rising track that takes you from the intergalactic ocean all the way to the techno tides. As the track progresses, all of the mechanical cogs converse in absolute harmony. Who doesn’t enjoy a “Heated Moment?” Crisp and punchy drums drive the track as a trance bassline ripples throughout, making an impression on the most discerning of dancefloors.
Riding a squelchy, arpeggiated acid line from the start is “Astral Flight”, a psychedelic club room charmer that revolves around warm and direct bass. The closing track of the LP “Automated Beats,” is a raw, animated affair structured around chunky 808 arrangements and hip hop percussion; playful with a pinch of ghetto booty charm for good measure.
“Disciples Of Dystopia” is more than just an LP; each of the tracks feed off of the next, and Oshana’s never-ending creative energy shines as she bends through genres with effortless ease.
- A1: Dj Marky Feat. Lorna King - Changing Moods
- A2: Data 3 - String Theory
- B1: Random Movement - Patty Melt
- B2: Melinki & D'cypher - Listen To Everything
- C1: Saikon - Guilty Pleasures
- C2: Carlito - About You
- D1: Collette Warren, Dj Marky & Tyler Daley - One Exception (Pola & Bryson Remix)
- D2: Fluidity & Loz Contreras - Back To You
* New from Innerground Records (co-founded by DJ Marky), also the home of Calibre, BassBrothers, Random Movement and Blade, comes the highly anticipated double vinyl LP from DJ Marky & others, ‘100’. Drawing inspiration from the past 18 years of Innerground’s vast history and impact on the Drum & Bass movement, and the signature latin influences of DJ Marky that have brought excitement and vitality to stages around the globe. This special collaboration between one of the most important figures in the genre, and a collection of some of the most highly respected producers and artists in the scene, creates a ground-breaking LP that marks the 100th release from Innerground Records.
* It should come as no surprise that the double LP packs a punch, when looking at the combined experience of its contributors. ‘100’ begins as a bold statement from the main man DJ Marky, laying down the foundations of what’s yet to come from this veteran D’nB lineup. We’re taken on a ride through morphing tempos and enchanting vocals that hammer home what this immense centennial is all about - a special milestone in the genre that will be remembered in years to come.
TRACKLIST:
A1 : DJ Marky Feat. Lorna King – Changing Moods (LEAD SINGLE (SPECIALIST RADIO PLUGGING BY LISTEN UP)
The album launches with the warm Brazilian sunshine D&B that Innerground’s main man Marky is known for. Lorna King’s uplifting harmonies intertwine with playful melodies to shape not only a guaranteed party starter, but a track that will put a smile on your face. Shades of his legendary ‘LK’??!
A2 : Data 3 – String Theory
After the Brazilian sunshine comes the rain… We’re taken on a detour through a dark valley as spiralling synths ascend to a glitch filled break. Ominous chords reverberate around the onslaught of rattling hats and deep choral vocals.
B1 : Random Movement – Patty Melt
The American D&B veteran returns to Innerground, bringing a funky fast guitar filled banger. Rapid drums and airy synths balance over happy vocals and undulating groovy bass guitar to create a track you can’t help but move to. Potential (slow-burner) track of, ’Innerground : 100’, the album?
B2 : Melinki & D'Cypher - Listen To Everything
A dark bopper with swaying hats chiming over aggressive basslines. Vocal samples provide a short-lived breather from this menacing track’s all-consuming energy. This isn’t the first time Melinki & D’Cypher have linked up and we look forward to many more from these two!
C1 : Saikon - Guilty Pleasures
Anticipative strings and a steady break lead to snappy vocal chops, crescendos at a break that unfolds in to house-led bouncey stabs. You wouldn’t expect anything less from Saikon!
C2 : Carlito - About You
Fans know that this is far from Carlito’s first Innerground rodeo – he’s back with a track that balances male and female vocals over enchanting pads. Synths twinkle amongst racing breaks to make for a certified club heater.
D1: Collette Warren, DJ Marky & Tyler Daley - One Exception (Pola & Bryson Remix)
As the album draws towards its close, cinematic piano and vocals to make your hair stand on end craft a beautiful contemplation between Tyler Daley and Collette Warren. D&B household names Pola & Bryson show their take on the track originally produced by DJ Marky. If this song doesn’t move you, you’re made of stone!
D2: Fluidity & Loz Contreras - Back To You
The LP finishes with a bang. Fluidity & Loz Contreras pair up to transport us back to the sunshine that Marky initiated. Oceanic pads and wispy vocals merge seamlessly to craft a warm and groovy finale that will leave you craving more Innerground energy, as this incredible centennial LP boldly forges its place.
- KF61: Cru-L-T - Baby / Oh Yeah / Baby Breaks
- KF62: Kingsize & Vibena - Got To Have It / Hot Temptation / Now My Selecta
- KF63: Luna-C - I Got This / I Need You / The Light
- KF64: Luna-C, Jimmy J & Cru-L-T, Dj Ham - Piano Progression (Scott Brown Remix) / Ool Lortnoc (Ant To Be Remix) / It Would Be (Luna-C Remix)
- KF65: Dj Force & The Evolution, Future Primitive, The Trip - Fall Down On Me (Bunter & Sanxion Remix) / Ban This (Nicky Allen Remix) / The ‘Erb (Scartat Remix)
- KF66: Alex Jungle - The Need In Me / 5Th Season / I Cant Explain / Elevated
- KF67: Luna-C, Scartat, Gothika Shade - Ammo Bag (Luna-C Remix), Grave Of Fireflies (Luna-C Remix), Piano Possession, Technical Shmecnical
- KF68: 2 Croozin, Dj Poosie, Alk-E-D, Dj Force & The Evolution - Code Red (Fat Controller Remix) / Its Gonna Be (Justin Time Remix) / Shining Bright (Dj Jeph Remix) / High On Life (Saiyan & Cru-L-T Remix)
- KF69: Luna-C, Cru-L-T, Richie Whizz - Free As The Sky (Hyper-On Experience Remix) / Snow In Summer (Alex Jungle Remix) / Song Of Angels (Shadowplay Remix)
- KF70: Sanxion, Nicky Allen, Tno Project, Mannik - Waiting On My Feelings / All The Time / The Orphanage / Sounds From Hell
- KF71: Luna-C - Into Insanity / Back To Cause Mayhem / Black Static / Alice
- KF72: Idealz - Run The Tune / Icebreaker / War On Jungle
- KF73: Mannik - I Need A Man / Dream Logic / Computers Are Taking Over The World / Everything Is Getting Dark
- KF74: Alex Jungle - Dance & Hover / Believe In It / Mutant Effect / What Are You Made Of
- KF75: Future Primitive - Right Now / Double Axle / Safety Catch (Alex Jungle Remix) / Yellow Twinkie No 6 (Luna-C Remix)
- KF76: Shadowplay - Calling Me / I Need Time / Born Again / Angel
- KF77: Sanxion - Gettin It / The Science Of The Clams / Always Waiting / Scopin For Love
- KF78: Dj Ham - Most Impressive / The Chicken Tune
- KF79: Shadowplay, Ant To Be, Luna-C & Saiyan, Paul Bradley - 1234 / Demomorgon / My Kinda Rush / Fat Hands
- KF80: Luna-C & Saiyan - I Need You / No Errors / Old Skool Heaven
The Kniteforce Complete Collection Volume 4 does exactly what it says on the box, giving you the full Kniteforce Vinyl releases of the tracks from KF61-KF80, fully remastered, in both Wav and MP3 format. These tracks have NEVER been released on the digital stores, and until now have never been avaialbel in any digital format. All the tracks here are from the beginning of the new vinyl era, and as such feature some of the names that have made themselves in recent years, such as Mannik, Nicky Allen and Shadowplay, not to mention tracks from old skool masters such as Hyper-On Experience, Billy Bunter and The Fat Controller, right beside Kniteforce’s legendary roster of Dj Ham, Dj Force & The Evolution, Luna-C, Alk-e-d and many more…
Club / DJ Support
Jay Cunning, Ray Keith, Nookie, El Hornet, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others
For those only familiar with her previous releases, aya sinclair’s ‘im hole’ will be a dramatic revelation. Under the LOFT pseudonym, she attracted global acclaim for her fwd-thinking club inversions that juxtaposed the British addiction to breaks 'n bass with critical, self-sluicing logic and untethered abstraction, tearing down dance music's hallowed pillars of respectability while winking knowingly to voyeuristic onlookers. On ‘im hole’ this routine has evolved; aya has distilled the incisive sonic experimentation of her earlier releases, the tongue-in-cheek giggles of her DJ sets and edits, and the identity-fluxing lyricism of her live shows. Contorting language, dialect, gender and sexuality between intermittently controlled bursts of rhythm, noise and aural goop, she has sculpted a set of autobiographical vignettes that challenge established norms, question supposed truths and affirm a spectrum of interlocking experiences. But while it's wide open and personal, ‘im hole’ also challenges queer art's tendency to veer towards repetitive solipsism, the music fragmenting familiar sounds and twinning them with familiar words, assembled in unfamiliar ways. Stories are muddled with phonetics just as dubstep is macrodosed with microtonal drone.The anxious, explorative personality that made aya’s past releases so magnetic is magnified here, and her sense of humour is completely naked. It's a Gregg Araki animated biopic of Burial. It's Shakespeare with hoop earrings and a busted skateboard. ‘im hole’ will physically manifest as a hardback cloth-bound book of lyrics, poems and photographs, designed in collaboration with Oliver Van Der Lugt, with single-use download code included.01. somewhere between the 8th and 9th floor 02. what if i should fall asleep and slipp under 03. once wen’t west 04. dis yacky 05. OoBrosThesis 06. the only solution i have found is to simply jump higher 07. still i taste the air 08. Emley lights us moor (ft Iceboy Violet) 09. Tailwind 10. If redacted Thinks He's Having This As A Remix He Can Frankly Do One 11. Backsliding
Repress !
Clive From Accounts has entered the meeting! A relative newcomer to the scene, his name may conjure mundane images of faxes, spreadsheets and dull chat by the water cooler, but Mr Clive has turned in a beautifully realized 4 tracker of slick deepness for his first outing on RNT Reserve.
From the epic crescendo of Tell Me, the lush and wistful vibe of Without Your Love, to the quirky sampled groove of the EP’s title track, finishing with the icey late nate breaks-meets-bass thud of Yukon, this record is Strictly Business indeed, and the best kind.




















