Gildan Brand, 100% cotton, 203gsm preshrunk jersey. ‘Bleeps, Breaks + Bass’ rave t shirt, glow in the dark, Trevor Jackson design. 4 phosphorescent prints, (2 arms, back, front) + 1 (inside neck) on long sleeve t-shirt in black.
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Suche:breaks
Gildan Brand, 100% cotton, 203gsm preshrunk jersey. ‘Bleeps, Breaks + Bass’ rave t shirt, glow in the dark, Trevor Jackson design. 4 phosphorescent prints, (2 arms, back, front) + 1 (inside neck) on long sleeve t-shirt in black.
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Another essential 45 from the 5 Boroughs of NYC, with Da Youngstas "Pass The Mic" making its first ever appearance on 7" with the original sample source on the flip. This should have mass appeal!
Gildan Brand, 100% cotton, 203gsm preshrunk jersey. ‘Bleeps, Breaks + Bass’ rave t shirt, glow in the dark, Trevor Jackson design. 4 phosphorescent prints, (2 arms, back, front) + 1 (inside neck) on long sleeve t-shirt in black.
S: BBBTSBLACK
M: BBBTMBLACK
L: BBBTLBLACK
XL: BBBTXLBLACK
XXL: BBBTXXLBLACK
Gildan Brand, 100% cotton, 203gsm preshrunk jersey. ‘Bleeps, Breaks + Bass’ rave t shirt, glow in the dark, Trevor Jackson design. 4 phosphorescent prints, (2 arms, back, front) + 1 (inside neck) on long sleeve t-shirt in white.
S: BBBTS
M: BBBTM
L: BBBTL
XL: BBBTXL
XXL: BBBTXXL
Gildan Brand, 100% cotton, 203gsm preshrunk jersey. ‘Bleeps, Breaks + Bass’ rave t shirt, glow in the dark, Trevor Jackson design. 4 phosphorescent prints, (2 arms, back, front) + 1 (inside neck) on long sleeve t-shirt in white.
S: BBBTS
M: BBBTM
L: BBBTL
XL: BBBTXL
XXL: BBBTXXL
Gildan Brand, 100% cotton, 203gsm preshrunk jersey. ‘Bleeps, Breaks + Bass’ rave t shirt, glow in the dark, Trevor Jackson design. 4 phosphorescent prints, (2 arms, back, front) + 1 (inside neck) on long sleeve t-shirt in white.
S: BBBTS
M: BBBTM
L: BBBTL
XL: BBBTXL
XXL: BBBTXXL
Gildan Brand, 100% cotton, 203gsm preshrunk jersey. ‘Bleeps, Breaks + Bass’ rave t shirt, glow in the dark, Trevor Jackson design. 4 phosphorescent prints, (2 arms, back, front) + 1 (inside neck) on long sleeve t-shirt in white.
S: BBBTS
M: BBBTM
L: BBBTL
XL: BBBTXL
XXL: BBBTXXL
Gildan Brand, 100% cotton, 203gsm preshrunk jersey. ‘Bleeps, Breaks + Bass’ rave t shirt, glow in the dark, Trevor Jackson design. 4 phosphorescent prints, (2 arms, back, front) + 1 (inside neck) on long sleeve t-shirt in white.
S: BBBTS
M: BBBTM
L: BBBTL
XL: BBBTXL
XXL: BBBTXXL
Following on from the well-received release of Toc De Breaks earlier this year, Spanish duo JP Sunshine and Guim return with a full collaborative EP, Toc De Jaume, released on Steel City Dance Discs.
Coordinating a masterful blend of funk-infused instrumentals, melodic breakbeats and acid-tinged basslines, Toc De Jaume is unique in its character, which bears its defining traits from its two creators, JP Sunshine and Guim, whose partnership is nothing newfound, yet, in light of this EP, feels as fresh as ever.
Toc De Jaime contains a vast variation of sounds within its entirety, from the funky, acid dripped breakbeat of La Fiesta, which was released earlier this year, to tracks like JP Sunshine’s I Want To Stay, released in 2020, which offer a more melodic, feelgood aspect to this EP, and the sound of both artists as a whole.
Through Toc De Jaime, JP Sunshine and Guim present an EP that feels like an ode to the sounds of their shared native homeland; sounds which the duo manipulate and rework within the confines of an electronic dance music context, resulting in a perfect marriage of diverse sounds.
Jammy Fader Breaks by JFB. JFB needs no introduction, an absolute MONSTER on the turntables and 3 times DMC World Champion, he has nothing left to prove on the battle scene or club circuit.
However, Woodwurk are very proud to bring you a first from this legend in the game, JFB’s first ever battle break record - JAMMY FADER BREAKS!
Side A contains a huge library of JFB’s personal scratch sample collection including original and hilarious vocals from beatbox innovator Beardyman.
There are 9 skip-proof vocal phrases perfect for scratch jams, practice and battle sets plus a large selection skip-proof beats and drum phrases ideal for beat-juggle and drumming practice. The side ends with a never ending locked groove electro beat for scratch sessions.
Side B contains another 2 huge sections of scratch samples from the JFB volts plus a selection of beats and sounds from some of JFB’s World conquering routines, allowing you to try them out for yourself or create something new. This side again finishes with an electro beat lock groove to jam over.
Buy 2 copies for twice the fun, this record is a must for beat jugglers and scratchers alike! Much like the man himself, Jammy Fader Breaks is a beast with something for everyone!
Artwork comes courtesy of Woodwurk Records head honcho DJ Woody, bringing to life some of the suggestions made by JFB fans as to what the letters of his name really stand for.
• Produced by 3x World DMC Champion turntablist JFB.
• Skip-proof scratch phrases, drumming phrases, 133.33bpm juggle beats, full sentences, instrumentals, routines and lock grooves.
• Features hundreds of unique battle samples from JFB’s own collection, including vocals by Beardyman.
• Perfect for battle routines, freestyle scratching and juggle practice.
• Artwork by DJ Woody
• Black vinyl
After a recent, acclaimed EP on Madrid’s Analogical Force label, Suction Records is thrilled to announce “Grey With Breaks,” the 8th full-length album by Lowfish. The electro veteran, who’s been programming 808s since the early ‘90s, returns to Suction Records, the label he co-founded and debuted on in 1997.
“Grey With Breaks” is an electro record, with thick analog basslines and TR-808 boom tschak front & centre, but Lowfish’s electro-style stands out from the pack. Not only is the LP devoid of the Drexciya/Dopplereffekt worship that permeates the scene these days, it also rarely hits above 110bpm, oozing with melancholic melody.
After a recent, acclaimed EP on Madrid’s Analogical Force label, Suction Records is thrilled to announce “Grey With Breaks,” the 8th full-length album by Lowfish.
The electro veteran, who’s been programming 808s since the early ‘90s, returns to Suction Records, the label he co-founded and debuted on in 1997. “Grey With Breaks” is an electro record, with thick analog basslines and TR-808 boom tschak front & centre, but Lowfish’s electro-style stands out from the pack.
Not only is the LP devoid of the Drexciya/Dopplereffekt worship that permeates the scene these days, it also rarely hits above 110bpm, oozing with melancholic melody.
16 Bangers Produced and Recorded by Kenny Dope at Kay-Dee Studios Perfect for Beat Head’s & Producers Alike.
- A1: The Howard Lemon Singers - I Know God Is Real
- A2: John Fiddy - Baddy
- A3: Keith Mansfield - Omen
- A4: Masaaki Hirao - Track 4
- A5: Bernard Lubat - Super Smog 2
- A6: Eleanore Mills - He Said Goodbye
- A7: Detroit Emeralds - So Long
- B1: Syd Dale - Web Of Fear
- B2: Bennie Maupin - Farewell To Rahsaan
- B3: Procul Harum - Repent Walpurgis
- B4: Elkie Brooks - Honey Can I Put On Your Clothes
- B5: Solaris - Rainbow Music
- B6: The Smith Connection - Under My Wings
- B7: Les Mccann - Roberta
- B8: Junior Mance - I Believe To My Soul
Brand new label, Psychedelic Breaks & Beats, aims to uncover the rarest of rare breaks and beats and kicks off with two absolute diamonds. The pick for side A was inspired by DJ Bee, cutting up doubles of the original on Twitch, “Close Your Eyes” by The Capprells & Sul Brothers Band is a drum heavy funk banger – original copies on the Bano label go for £200+ Flip to side B for the eclectic “Soul Submarine” by The Inner Thumb aka DJMeDJYou lifted from the soundtrack "Soul Ecstasy” or should I say fake soundtrack, as the movie never existed! As played by Kenny Dope in one of his funk mixes – this label is gonna produce some collectable 45s don’t sleep! Original label art by graffiti artist, OPIUM, from Italy.
- A1: Soul Children - Intro
- A2: Isaac Hayes - Ik'e Mood
- A3: Jackie Wilson - Light My Fire
- A4: Syl Johnson - Different Strokes
- A5: The Counts - Thinking Single
- A6: The Emotiions - Blind Alley
- B1: Camille Yarbrough - Take Yo' Praise
- B2: Linda Lyndell - What A Man
- B3: Lowell Fulson - Tramp
- B4: Googie Rene Combo - Smokey Joe's La La
- B5: Jean Jacques Perrey - Eva
- C1: The Blackbyrds - Rock Creek Park
- C2: Fatback Band - Got To Learn How To Dance
- C3: Pleasure - Bouncy Lady
- C4: Joe Simon - Drowning In The Sea Of Love
- D1: Cannonball Adderley - Walk Tall
- D2: Soul - Burning Spear
- D3: The Otis & Carla Band - Tramp
- D4: The Pazant Bros - Chick A Boom
- D5: The Detroit Emeralds - Baby Let You Take You (In My Arms) (In My Arms)
San Francisco based DJ and bass extraordinaire Farsight knows how to make an entrance, first bursting onto the scene with his adventurous and daring EP 'Wisdom' back in 2016. At the time Farsight's music sounded like it had been beamed from another planet and has played an important role in the crosspollination of genres we've seen in recent years. Farsight has gone on to release on Scuffed Recordings, Maloca and Noire State, remaining firmly fixed on the future of club music. Now his blend of trap, jersey club, reggaeton and dancehall makes its way across the Atlantic with six mind-sizzling cuts for Brakes 'N' Pieces vol. 23.
Opening track 'Triangulation' combines rolling drums with party-starting vocal samples and steady whistles, letting listeners know we're really off! 'Mr Right' then enters the fray with throbbing subs, ravey stabs and a vocal that sits halfway between fun and outright menacing. The A side comes to a close with 'Leaving Las Vegas' a dubstep infused cut of choppy breaks and wide-eyed melodies. A masterclass in raising tension, this track will shut down any club, please use wisely.
'Lesser Light' shows Farsight's love for bass exploration; it's looming shadow pressing amongst some of the darkest corners of electronic. A unique brand of grime infused techno. 'Water Margin' delves even further, adopting a more measured pace for those heads down moments. The record comes to a close with 'Fulminous Edge' and is a reflection of the artist's darkest material. The drums still have a familiar spring in their step but the track's melodic bassline is mesmerizing; resulting in a melancholy trance that deserves a second play.
AM006 is by Berlin's ML, titled 'Life always breaks your heart'. Two 30-minute pieces were written, constructed, collaged and fixed together by himself. It's an important story, so there's a copy from ML below and also ours was written by Bokeh Version Industrial to do it justice.
Hallucinated Brazilian poetry read by text to voice engines, supernatural thrillers ripped from Youtube, the clang of cutlery and distant canteen conversation, that noise wire fencing makes when you rake it with a stick, crickets chirping over odd dance emotions, a sample you think your recognise but can’t name…..
The trivial is cosmically important, the cosmically important is trivial. ‘It’s about the product’ - all of life’s a sample. You contain universes.
Alice in Wonderland, late night sessions with kosmische guitar legends, ethnographic chants from an unknown land, “There’s no monopoly of knowledge / there’s no monopoly of power”: forecasts from global political trends, China will be important they say, someone’s whistling a tune that doesn’t exist, I’m thinking of times long before I was born . . .
Growing naturally like a beautiful montage from his field recordings (a rich library of personal psychoacoustic details) and his 150 Session on NTS, ML's Life Always Breaks Your Heart is mixtape-concrète:
Gamelan of the soul, Bio-Curry-Wurst in Kreuzberg, zither overlays the booms of the squatter’s homegrade grenades…
Mark Leckey vs. Alvin Curran, Gustav Flaubert vs Cabaret Voltaire, free association flashbacks with the timestamps mixed up, with added bass guitar, OP-1, Ableton, distinguishing the ‘real’ instruments becomes unimportant….they’re absorbed by memory foam….
No country, no flag – outernational without a cause!
There is no purpose, there is only reverie.
ML -
"A useless ruin, things are falling apart, even in our deepest, we long for harmony. A hypothetical path, for obscure reasons, fades into transparency. The mediocrity of Western culture, sicken by P.R., life offers a chance, a place for enthusiasm. The texture of the world, them can read it in your eyes. In the heart of schizo-culture, distance, suddenly shortened, forms characters as symbols. Deafen by mass media, embittered by unsettled chemistry, the willing body, forever in transition. The pre-invented existence, owned by language, creates a passage towards chaos. Paragraphs of currents, amplify the feelings, while silence leaks into the new luxury of time. Gentrification of sentiments, beneath our palms, all these memoirs. A modern consciousness, stretching over years in narcissistic differentiation. In touch with another human spirit, blowing backwards, beneath dark waters. We put our hands on your body, onto a new landscape, employed by metaphysical mutations. At the edge of the cosmos, prairies and mountains hide the truth in tactical silence. Apparently so, a number of months ago, above our head, a landscape of journals. Mystical content, statistically insignificant. A new patio, them crawled through the walls."
- A1: Herman Kelly - Dance To The Drummer's Beat
- A2: All The People Featuring Robert Moore - Cramp Your Style
- A3: Baby Huey - Hard Times
- A4: Isaac Hayes - Hyperbolicsyllabicsesquedalmistic
- B1: William De Vaughan - Be Thankful For What You've Got
- B2: The Detroit Emeralds - You're Gettin' A Little Too Smart
- B3: Freda Payne - Unhooked Generation
- B4: 20Th Century Steel Band - Heaven And Hell Is On Earth
- B5: 24 Carat Black - Ghetto Misfortune's Wealth
- C1: Ernie Hines - Our Generation
- C2: Rufus Thomas - The Breakdown (Part 2) (Part 2)
- C3: Joe Tex - Papa Was, Too
- C4: Wilbur Bascomb And The Zodiac - Just A Groove In G
- C5: Funk Inc - Kool Is Back
- D1: Pleasure - Joyous
- D2: The Fatback Band - Put Your Love (In My Tender Care) (In My Tender Care)
- D3: The Emotions - I Like It
- D4: Casesar Frazier - Funk It Up
- A1: Fred Wesley & The Jbs - Blow Your Head
- A2: Jimmy Castor - It's Just Begun
- A3: Magic Disco Machine - Scratchin
- A4: Earth Wind & Fire - Africano
- A5: Cheryl Lynn - Got To Be Real
- B1: The Incredible Bongo Band - Apache
- B2: Thin Lizzy - Johnny The Fox Meets Jimmy The Weed
- B3: Dyke & The Blazers - Let A Woman Be A Woman Let A Man Be A Man
- B4: The New Birth - Gor To Get A Knutt
- C1: James Brown - Give It Up Or Turnit A Loose (Live)
- C2: Shirley Ellis - The Clapping Song
- C3: The Monkees - Mary Mary
- C4: Freedom - Get Up & Dance
- C5: Melvin Sparks - Get Ya Some
- D1: Captain Sky - Super Sporm
- D2: Creative Source - Who Is He & What Is He To You
- D3: James Brown - Funky President (People It's Bad) (People It's Bad)
- D4: Johnny Hammond - Shifting Gears
2022 Repress in White Splatter Vinyl
London based newcomer Bartholomew Kind combines deep emotion with disjointed rhythms on his debut release.
Breaks 'N' Pieces Vol.7 opens with the sparse, emotive drum & bass of Memento while Sweetheart follows suit with rolling drum breaks lined with melancholic pads & yearning vocal samples. Sapien Beat takes the tempo down to a 2-step rhythm without compromising on poignancy. Opening the flip, Would You Do That To Me morphs from a halftime dancehall-inspired stepper into tearout jungle. The breaks continue on the UK hardcore influenced Feelz while Get Well Soon is a minimal, atmospheric builder closing the record with a message of hope.g
Following appearances on London's Threads Radio, Balamii and Lobster Theremin's own Rinse FM show, in addition to contributions to Juke Bounce Werk's JBDUBZ Vol. 9 and a recent release on Leeds based Gimme A Break Records, LA based DJ Introspekt prepares to be welcomed into the Breaks N Pieces family under a brand new alias.
Pulling inspiration from the UK-laden worlds of UKG, jungle and dubstep, Sage de Lestrogen has conjured up four killer cuts of heavyweight bass-pressure brimming with skippy riddims, chunky low-ends and low-ceiling energy.
'Slippy Bxtch' walks the line between melodic and lairy; a seemingly sun-kissed cut of 2-step quickly evolves into a sludging sequence of large wubs and gun-finger aesthetics. The tempo is raised ever so slightly on 'Femme Fatale', a jungle influence distinctively noticeable above the crisp percussion that highlights this as a certified stepper.
'Tough Technician' makes use of a familiar vocal-sample twisted into a love triangle between warehouse rave, breakbeat and the future-facing sounds heard at FWD>>, before 'System Test Dub' abandons the dark energy in favour of a bubbling cut of dubbed-out house-garage.
Also available via digital download are two dub mixes of 'Slippy Bxtch' and 'Tough Technician'.
We are combining 2 artists whose standout EP's were the turbo highlight we needed in 2021.
Nova Cheq & Samurai Breaks representing the best of Hooversound has to offer, for the first time released on vinyl for RSD 22.
Nova Cheq’s music is pure party fuel, Ghetto house styled jungle-juke pounders on Sherelle & Naina’s Hooversound Recordings. Samurai Breaks is one of the UK Bass scene’s best-kept secrets.
A rich palette of influence shines through past productions, making nods to pioneering generations on the way to futuristic gunfinger euphoria—and this latest release makes no exception in delivering the goods to the Hooversound imprint.
Over And Out label head and all-round speed garage bubbler Xander joins the Breaks ‘N’ Pieces family with his sights firmly set on deep and dark 2-step grooves following a string of killer Bandcamp releases through his own DIGI series.
Those with a keen ear for the emerging producers sound will have heard lead track ‘Restless’ across the BBC Radio 1 airwaves as part of Jaguar’s show; Looney Tune inspired sound effects give a whacky feel to the growling bassline and crisp percussion, before Break-a-Dawn provides a glimpses into a previously unexplored side of the Xander sound - dreamy atmospherics mould with playful vocal samples and rolling breakbeats in a killer blend of warm-up and UK energy.
‘Untitled (Afterhours Mix)’ is designed specifically for the club; large wubs and stipped-back production make for a minimal wobbler designed to set dancefloors alight, while ‘Don’t Stop, Won’t Stop’ maintains the darkness with flashes of screw-face brilliance.
Finally, Main Phase comes through with a massive speed garage remix of ‘Don’t Stop, Won’t Stop’ crafting for sweaty hugs and beautiful moments on the dancefloor
For over fifteen years, New England’s When The Deadbolt
Breaks have lurked in the dark corners of underground
metal. With a doom style both psychedelic and unsettling,
their music has been tagged as many different things; heavy,
daunting, overwhelming and unnerving, while the band
shows singer / guitarist Aaron Lewis’s gritty vision of life on
the subcultural fringes of New England society.
Following five highly acclaimed studio records, a split and a
remix album to date, When The Deadbolt Breaks release
their brand new album, ‘As Hope Valley Burns’.
The band have carved a niche for themselves within the
interplay of extreme genres. Having played the SXSW, New
England Stoner & Doom Fest to name just a few, they are as
well no less at home in doom and grind than they are in
pummelling sludge or ambient soundscaping, casting forth
triumphant riffs or proffering murder-dirge nods at a volume
level that can only be considered violent.
When The Deadbolt Breaks have always struck a balance
between the ugly and beauty; long and heavy compositions
wade through detuned, discordant and murky sludge metal
before shifting into melodic ambient space rock territories,
and back again.
“This album is a unique one for When The Deadbolt Breaks.
We have pushed our boundaries sonically,” band
mastermind Lewis reveals. “The heavy is heavier, and the
mellow, spacial parts are even more so. Akin to our first few
records, we have returned to more aggressive drumming,
and psychedelic spaces, yet this record has a certain depth
and maturity to it that was missing in the past.”
For fans of Eyehategod, Soilent Green, Nine Inch Nails,
Crowbar, Acid Bath, Stabbing Westward, Skeletonwitch.
LP pressed on grey vinyl.
With a string of releases on Hot Haus, Running Out Of Steam and Distant Horizons, M4A4 is no stranger to creating ear-catching dance music against a backdrop of collective influences, ranging from UKG, house and lunging 2-step. The prolific producer now makes his debut for Breaks ‘N’ Pieces - twisting the standard house template; with one eye on the past and another on the future.
‘Cartier’ creates a spark by combining slinky drums and classic house sounds with an M4A4 signature twist; while also offering a zesty 2-step digi-only version. ‘Enchanter’ is a punchier affair, with layers of nostalgia painted vividly within dreamy pads and M1 organs, before ‘Starbeam’ comes in as smooth as a knife to melted butter, with a bassline as tantalizing as it is hard. Each element within its structures supports another - creating a harmonized symphony of dance-floor conduction.
Responsible for some of the best UK induced music of 21’ - Interplanetary Criminal is on hand to remix, this time with a reflective rendition of ‘Starbeam.’ Neon lights luminate a smoke-filled dance-floor in a kaleidoscope of boundless colour, showing another face to Interplanetary Criminal’s seemingly endless talents.
Apparel Tronic is proud to present you the new album by Artizhan called Breaks From The V.
The DJ and producer from Naples, who’s been a pivotal figure of the Italian Electronic music scene since a very young age, is not new to the Tronic catalogues with his newest moniker but this one is surely his most complete, heartfelt and anticipated work to date. Having been in the scene for more than 25 years allowed Franky B to experiment, improving his creative techniques with ninja-like dedication and always testing himself along the rapids of music production, DJing and scratching. Now he’s ready to emerge once again from the shadows with his new LP: a groundbreaking, powerful, cutting-edge work we’re all extremely proud to finally release and, most importantly, his most profound sonic confession so far. With ‘Breaks From The V’ (the title of which is a tribute to his homeland, where ‘V’ stands for Vesuvius), Artizhan narrates his life through his music and embodies the best version of himself displaying, through ten stunning tracks, great versatility as a producer, ranging from D&B and Jungle to abrasive beats and some masterly composed and very personal paraphrase of IDM. The LP is a massive showdown by the artist himself and his label, both united towards a single objective: telling Artizhan’s incredible story as effectively and efficiently as possible.








































