We are pleased to announce our new EP from Simon Schilling, known under the pseudonym 'The Angel Code'. The talented ambient producer, originally from Heidelberg, brings a breath of fresh air to the ambient scene with his latest work. The release will be available both on vinyl and digitally in March. The Vinyl buyers will also receive a special bonus gift.
The Angel Code is not merely an ambient music project; it is an invitation to wander inward, to inspire introspection and connection. Blending ethereal textures, subtle melodies, and atmospheric layers.
A place where sound becomes emotion. Trust in the unseen. Let the code guide you. Vinyl Tastes Better...
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- A1: Game Ft. Clara Le Meur
- A2: Days
- A3: Fight
- A4: Emergency Ft Kaba
- B1: Wrong Turn Ft. Chapelier Fou
- B2: Future Me Ft. Tioklu
- B3: Family Tree
- B4: Be Be
- B5: Secret
Who is Beatrice? Who is Melissa? Could they be one and the same?
This is the question at the heart of Secret, the duo’s debut album—or at least, that’s what the music seems to suggest. If sound is an extension of ourselves, it can also become a character we shape. The main character of Secret isn’t visible to the human eye, and yet they give off an androgynous and timeless energy, rooted in multiple languages and spaces. As the album unfolds, we sense the fusion of two distinct energies combined into a single, composite being. This constantly shifting, blurred identity comes to life in the album’s profusion of genres: club music, ambient, chanson, trip-hop, UK garage, and tech house. The tracks stretch and contract, following the trajectory of a dual voice.
Behind Secret lies a mélange of perspectives. Beatrice M., a Franco-British artist at the head of the label Bait, curates an innovative blend of syncopated UK club styles (mostly dubstep) and trancy techno grooves. Melissa Weikart, a French-American songwriter trained in classical piano with a deep passion for jazz, makes intimate avant-pop songs that embody her unique, hybrid approach to music-making. The diverse musical collaborations in Secret reinforce a dynamic that is central to both of their artistic journeys from the start, and these collaborations melt seamlessly into the album’s overall aesthetic. Despite a confluence of influences, the implied development of this obscure, extraterrestrial main character grounds us in a refreshing coherence. Secret is rich in variety and style, but above all, it diffuses a calm and serene atmosphere. Even when the BPM speeds up, we are carried along, suspended in Beatrice Melissa’s uncanny world.
As the leader of new outfit Sarter Kit, saxophonist Tara Sarter is creating a unique form of minimal, experimental jazz drawing on humanist principles and shared experiences. Her uncluttered and emotionally heavy debut album 'What I am and What I'm Not' creates an open, instrumental soundworld, where breaks and silences command equal gravitas as the notes and beats.
The masterful drumming of Lukas Akintaya dances between oblique patterns in odd meters, into rolling grooves and afrobeat inspired rhythms. On keys and synth, Elias Stemeseder creates tension and releases, with lingering chords and fragile melodies. Stemeseder's synthesizer work throughout the album is subtle yet masterful. Stalking the silence between the sax, drums and piano, creating a haze of digital textures within the margins of the music. Much of the album was recorded live, preserving the raw, unedited energy of their performances.
Beyond its musical qualities, 'What I am and What I'm Not' is a reflection of Sarter's belief in the power of music as a form of human connection. For Sarter, music is not about proving technical prowess but about creating something meaningful, something that transcends barriers and speaks to the shared experience of being human.
- A1: Sound Of Freedom Feat Gary Pine & Dollarman
- A2: Rock This (Remix) Feat Dollarman & Big Ali
- A3: What I Want Feat Fireball
- A4: Hard Feat The Hard Boys
- B1: Kiss My Eyes (The Cubeguys Remix)
- B2: I Feel For You (Axwell Remix)
- B3: (Kurd Maverick & Eddie Thoneick Remix) Feat Ron Carro
- C1: (Guy Schreiner Remix) Feat Ron Carroll
- C2: Ultimate Funk (Tocadisco Remix) Feat Big Ali
- C3: The Beat Goes On (Mousse T Remix)
- C4: Champs Elysées Theme (Jamie Lewis Remix)
- D1: Tribute Feat Ron Carroll & M. Robinson
- D2: Together Eat Steve Edwards
- D3: Give A Lil Love, Pt
Iron Curtis and Johannes Albert return to orbit with their highly anticipated Moon IV, the next chapter in their acclaimed lunar album series. Building on over a decade of collaboration and the cosmic groundwork in Moon I, II, and III, this fourth instalment is a testament to their ever-evolving artistry and expansive vision.
Released on their beloved Frank Music imprint, Moon IV sees the duo starring an 11-track journey that once again defies genres, challenges conventions, and charts a vivid course through the electronic cosmos.
From the warm opener "Void Gathering" and wistful melodies of "Silverclub" to the driving rhythms of "Sounds (The Feels)," which echoes the relentless pulse of NYC Post-Disco, Moon IV encapsulates the duo's signature blend of moods and eras.
"Club L'Avenir" & "Daso" serve up euphoric moments with a nod to the French Touch, while the ambient vignette "Into Somethin' (Interlude)" calms you down again. Electro cuts like "Pipeline" are reminiscent of earlier works in the Moon album series, and new paths are forged when the two are exploring Balearic Pop Music (BPM) territory in "Ohne Dich".
Returning from space with the elegant deepness of "Bliss (The Short Finale)", the duo gets you home safe and sound. Their unique studio alchemy shines brighter on this moonlit, flaring long-player than ever. So, buckle up and off we go.
- A1: A Fine Romance
- A2: Gee Baby, Ain't I Good To You
- A3: Moonlight In Vermont
- A4: Don't Be That Way
- A5: They Can't Take That Away From Me
- B1: Stompin' At The Savoy
- B2: Tenderly
- B3: Cheek To Cheek
- B4: Autumn In New-York
- C1: I Won't Dance
- C2: A Foggy Day
- C3: Let's Call The Whole Thing Off
- C4: Love Is Here To Stay
- C5: They All Laughed
- D1: I've Got My Love To Keep Me Warm
- D2: Stars Fell On Alabama
- D3: I Got Plenty O' Nuttin
- D4: Summertime
- D5: It Ain't Necessarily So
The queen Ella Fitzgerald and the king Louis Armstrong first met in 1946 for the recording of "The Firm Fram Sauce", a song made famous the previous year by Nat "King" Cole. They had the opportunity to collaborate again in the studio for a few tracks in 1950 and 1952, but it was mainly between 1956 and 1958 that the duo was extremely active. Thanks to the impetus of producer Norman Granz, the star-studded partnership recorded at this period nearly fifty songs, considered masterpieces of jazz history. All these great standards were released on Norman Granz"s Verve label, with a dream cast: Oscar Peterson, Herb Ellis, Ray Brown, Buddy Rich, and Louie Bellson. The grand finale took place in 1958 with their incomparable version of Gershwin"s "Porgy & Bess" conducted by Russell Garcia. For this Greatest Hits album showcasing the association of two geniuses, we have focused on the 1956-1958 period, choosing the most iconic standards and concluding this double vinyl on a high note with three excerpts from "Porgy & Bess".
The Mighty Bop, the group made up of Bob Sinclar and Dj Yellow, is celebrating the 30th anniversary of their first album, "La Vague Sensorielle". This opus, a blend of Acid Jazz and Trip-Hop, has become a benchmark for both musical genres. Rediscover such great tracks as"Freestyle Linguistique Feat. EJM" or "Infrarouge".
- A1: Apricot Morning
- A2: Transatlantic
- A3: Brand New Watusi (Featuring Eq)
- B1: Search The Heavens (Feat. Alice Russell)
- B2: Wider Than The Sky
- B3: Primate Boogaloo (Featuring Aspects)
- C1: Blackstone Rock
- C2: Sweet Calling (Featuring Alice Russell)
- C3: Trouble From The River
- D1: Not So Blue
- D2: Off The Beaten Track
With his debut singles championed by global tastemakers such as Gilles Peterson, Mr Scruff and Jazzanova, Quantic was quick to follow on the initial success of ‘The 5th Exotic’ Like Tru Thoughts label-mates Bonobo and Jon Kennedy, who went on to record with Ninja Tune and Grand Central respectively, Quantic took his inspiration from sleepy 1990s chill and his enviable collection of funk 45s. Apricot Morning, Quantic's ambitious sophomore full length, is built upon the achievements of its esteemed predecessor. Plentiful strings find themselves in friction against the hoots & parps of afrobeat brass, the loping percussion is tasked with drawing these elements together into a cohesive whole. Some inspired instrumentals were further fleshed out by the wonderful vocal contributions of EQ, Bristolian hip-hoppers Aspects and the majestic Alice Russell.
- A1: Wake Up Mr West
- A2: Heard 'Em Say (Feat Adam Levine Of Maroon 5)
- A3: Touch The Sky (Feat Lupe Fiasco)
- A4: Gold Digger (Feat Jamie Foxx)
- A5: Skit (#1)
- A6: Drive Slow (Feat Paul Wall & Glc)
- B1: My Way Home (Feat Common)
- B2: Crack Music (Feat Game)
- B3: Roses
- B4: Bring Me Down (Feat Brandy)
- C1: Addiction
- C2: Skit (#2)
- C3: Diamonds From Sierra Leone (Remix - Feat Jay Z)
- C4: We Major (Feat Nas & Really Doe)
- D1: Skit (#3)
- D2: Hey Mama
- D3: Celebration
- D4: Skit (#4)
- D5: Gone (Feat Consequence & Cam'ron)
2LP Vinyl Reissue of Late Registration, the second studio album by American hip hop artist Kanye West, released on August 30, 2005, by Roc-A-Fella Records. Recording sessions for the album took place over the course of a year at Record Plant Studios, Chalice Recording Studios, and Grandmaster Recording Studios in Hollywood, and at Sony Music Studios in New York City. West collaborated with American record producer and composer Jon Brion to produce Late Registration, and the album features guest contributions from artists such as Jay-Z, Common, Lupe Fiasco, Jamie Foxx, Nas, Brandy, and Adam Levine, among others.
After many years, Deformer has proven to still amaze and reinvent themselves. Fans always await the next record, because you never know what to expect, other than that it's most likely ear-shattering. This time again Deformer exceeded the expectations! The new crushing four track record entitled 'Instruments of torture', shows that Deformer still takes the lead when it comes to originality. Deformer has collaborated with some musical giants before and this time teamed up with Death Metal icon David Vincent (Vltimas, I Am Morbid), who previously shook up the music industry with Death Metal legends Morbid Angel. Featured on two tracks, David's signature grunt goes hand in hand with Deformer's musical carnage. This is not just groundbreaking, it's legendary!
Deformer producer, Mike Redman, is considered a musical maniac, known to be an artistic freethinker and has never watered down the Deformer concept. Where its foundation is still Hardcore Jungle, Deformer has always added various music genres into the mix making Deformer a genre of its own, even before terms like 'Breakcore' existed. Many of the more popular names in the field acknowledge that Deformer has always been a great source of inspiration. Where David Vincent made a blueprint in Death Metal, Deformer definitely did that for Hardcore Jungle/Breakcore.
- A1: Sheila Chandra - One 04 36
- A2: Tim Green - Got More Love 03 05
- A3: Stephen Whynott - What Have You Seen 03 19
- B1: February Montaine - Seven Letters 03 26
- B2: Gil De Ray - Something About Nothing 04 34
- B3: Robin Frederick - Night Blooming Thing 04 02
- B4: Bobbi Keith - Give Me Time 04 38
- C1: Jeff Putterman - Beside You 03 08
- C2: Kirk Edwards - Provincetown 03 40
- C3: Soapstone - You Brighten Up My Day 03 34
- C4: Jerry Thomas - Love Strain 03 53
- D1: Janelle Richey - Rainy Day Dreams 02 52
- D2: Dave Smith, Judy Dinning - Sail Far 04 07
- D3: Dwight Druick - Joshua 03 21
- D4: Franciscus Henri - Friendship 03 00
- E1: Tom Wasinger - Montse’gur 03 27
- E2: Charmer - Movin' On 02 35
- E3: Dennis Siren - Take It If You Try 03 43
- E4: Rhythm & Bliss - Love Is The Sun 04 16
- D1: Robert Carlton - Going All The Way 02 38
- D2: Roger Ekman - Motivationen Måste Vara Stor 02 38
- D3: Heaven & Earth - Feel The Spirit 04 46
- A1: Otis Rush - I Can't Quit You Baby
- A2: Muddy Waters - You Shook Me
- A3: B B King - Sugar Mama
- A4: John Lee Hooker - Boogie Chillun
- A5: Sonny Boy Williamson Ii - Nine Below Zero
- A6: Mississippi Fred Mcdowell - Shake 'Em On Down
- A7: Howlin' Wolf - Going Down Slow
- B1: Little Richard - Keep A Knockin
- B2: Elvis Presley - A Mess Of Blues
- B3: Eddie Cochran - Somethin' Else
- B4: Wynonie Harris - I Get A Thrill
- B5: Roy Brown & His Mighty-Mighty Men - Rockin' At Midnight
- B6: Ruth Brown - Sea Of Love
- B7: Amos Milburn - (Let's Have A) Party
- C1: Bob Dylan - In My Time Of Dyin
- C2: Joan Baez - Babe, I'm Gonna Leave You
- C3: Odetta - The Gallows Pole
- C4: Blind Snooks Eaglin - That's All Right
- C5: Sam Cooke & Bumps Blackwell Orchestra - Mary, Mary Lou
- C6: Muddy Waters - You Need Love
- C7: Arthur "Big Boy" Crudup - My Mama Don't Allow Me
- D1: Blind Willie Johnson - It's Nobody's Fault But Mine
- D2: Sonny Boy Williamson – I Got The Bottle Up And Gone
- D3: Robert Johnson - Traveling Riverside Blues
- D4: Big Bill Broonzy - Truckin' Little Woman
- D5: Bukka White - Fixin' To Die Blues
- D6: Sleepy John Estes - The Girl I Love, She Got Long Curly Hair
- D7: Memphis Minnie & Kansas Joe - When The Levee Breaks
Find all the titles that influenced one of the greatest rock band of all times, on a double vinyl. With: B.B. King, John Lee Hooker, Elvis Presley, Little Richard, Bob Dylan, Joan Baez, Muddy Waters, Sonny By Williamson I... The tracklist was made up by the journalist Lionel Eskenazi, who is a true specialist of the what many consider as the best rock band ever
Rognvald, aka Richard Wilson, returns at full throttle with part 2 of 'The New Selecta'. Rognvald's unique future-old skool sound continues to evolve in this release, the third 12" in his WIFE series. You will travel into unknown subterranean territory with 'The New Selecta', exploring the limits of break choppage and granular sound design on a loved and familiar soundscape, as well as 2 dread filled cuts of swampy ambient reductions.
Using a minimal sound palette to maximal effect, Rognvald deconstructs and abstracts the tropes of old skool jungle. Blending blunted breaks with burrowing subatomic sinewaves, euphoric rave vocals lead to a nuclear ruffneck ecstacy.




















