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THEE BABY CUFFS & COLD DIAMOND & MINK - THERE AIN'T ENOUGH ROSES
 
2
также имеющийся в продаже

LTD. TRANSPARENT ORANGE VINYL[10,71 €]


If there's a group in this age that faithfully carries the torch of real group soul harmony, it must be these three cats from the US west coast by the name of Thee Baby Cuffs. Currently composed of Joe Narvaez and Reality Jonez, the trio prances on the stage with their new song "There Ain't Enough Roses". Produced together with the Timmion house band Cold Diamond & Mink, these gentlemen lay down pure soulful romantics enough to fill a jacuzzi. Even though they seem to be walking out from the candy and flower shop empty handed to meet their lover, they are equipped with lyrics and falsetto flows that can melt any heart. Continuing with their tried and tested downtempo ballad style, Thee Baby Cuffs deliver a soul boulder just as potent as their previous Timmion releases "My My Baby" and "You're My Reason", not to forget the brilliant work that they have put out on the Raza Del Soul label from California. So hop on in the passenger's seat and let Thee Baby Cuffs serenade you all the way to the sunset. In case you're more for the instrumentals, flip the single over to reveal the flute-led version that'll send you to that sweet Steve Parks lowrider territory in no time.

Сделать предзаказ18.04.2025

он должен быть опубликован на 18.04.2025

10,04
Harold Melvin & the Blue Notes - Wake Up Everybody
  • Wake Up Everybody
  • Keep On Lovin' You
  • You Know How To Make Me Feel So Good
  • Don T Leave Me This Way
  • Tell The World How I Feel About Cha Baby
  • To Be Free To Be Who We Are
  • I M Searching For A Love
  • Don T Leave Me This Way

"As one of the founders of Philadelphia soul, Harold Melvin & The Blue Notes played & recorded for a few decades, but the musical highlight of their career must have been when Teddy Pendergrass joined ranks between 1972 and 1975. Wake Up Everybody from 1975 is the last album on which you can hear his sultry vocals before he went solo, and it is filled with profound, uplifting & thought provoking songs that in some cases are better known for their covers than for their originals. The song ""Wake Up Everybody"" was a radio hit for John Legend & The Roots, and ""Don’t Leave Me This Way""’ is a disco classic that was made even bigger by Thelma Houston. This 180 gram audiophile vinyl version has a special bonus track: an 11-minute remix of ""Don’t Leave Me This Way"" by inventor of the remix and the 12”: Tom Moulton! Wake Up Everybody is available as a 50th anniversary edition of 750 copies on dark green coloured vinyl."








[h] Don T Leave Me This Way [Tom Moulton Mix]

Сделать предзаказ18.04.2025

он должен быть опубликован на 18.04.2025

31,51
Steps Ahead - N.Y.C. (LP)

Steps Ahead

N.Y.C. (LP)

12inch2930071ITT
Q-Rious Music
18.04.2025
  • Well In That Case
  • Lust For Life
  • Senegal Calling
  • Red Neon, Go Or Give
  • Charanga
  • Get It
  • N.y.c
  • Stick Jam
  • Absolutely Maybe
  • Festival
  • Paradiso

"STEPS AHEAD" ist eine der markantesten und einflussreichsten Instrumental- gruppen der 80er Jahre
Nun erscheint das Klassiker-Album N.Y.C. als remasterte Version in der INTUITI- ON-Master-Series auf 180g-Vinyl

Сделать предзаказ18.04.2025

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27,69
Thee Baby Cuffs & Cold Diamond & Mink - There Ain't Enough Roses
  • A1: There Ain’t Enough Roses
  • B2: Instrumental
также имеющийся в продаже

Black Vinyl[10,04 €]


Authentic group soul harmony that is guaranteed to appeal to fans of downtempo soul ballads. Accompanied with an instrumental version, where the flute plays the lead vocal melody. A recognizable continuation to the previous collaboration between the singers and the Cold Diamond & Mink band. If there’s a group in this age that faithfully carries the torch of real group soul harmony, it must be these three cats from the US west coast by the name of Thee Baby Cuffs. Currently composed of Joe Narvaez and Reality Jonez, the trio prances on the stage with their new song “There Ain’t Enough Roses”. Produced together with the Timmion house band Cold Diamond & Mink, these gentlemen lay down pure soulful romantics enough to fill a jacuzzi. Even though they seem to be walking out from the candy and flower shop empty handed to meet their lover, they are equipped with lyrics and falsetto flows that can melt any heart. Continuing with their tried and tested downtempo ballad style, Thee Baby Cuffs deliver a soul boulder just as potent as their previous Timmion releases “My My Baby” and “You’re My Reason”, not to forget the brilliant work that they have put out on the Raza Del Soul label from California. So hop on in the passenger’s seat and let Thee Baby Cuffs serenade you all the way to the sunset. In case you’re more for the instrumentals, flip the single over to reveal the flute-led version that’ll send you to that sweet Steve Parks lowrider territory in no time.

Сделать предзаказ18.04.2025

он должен быть опубликован на 18.04.2025

10,88
Thee Baby Cuffs & Cold Diamond & Mink - There Ain't Enough Roses
 
2
также имеющийся в продаже

Transparent Orange Vinyl[10,88 €]


Authentic group soul harmony that is guaranteed to appeal to fans of downtempo soul ballads. Accompanied with an instrumental version, where the flute plays the lead vocal melody. A recognizable continuation to the previous collaboration between the singers and the Cold Diamond & Mink band. If there’s a group in this age that faithfully carries the torch of real group soul harmony, it must be these three cats from the US west coast by the name of Thee Baby Cuffs. Currently composed of Joe Narvaez and Reality Jonez, the trio prances on the stage with their new song “There Ain’t Enough Roses”. Produced together with the Timmion house band Cold Diamond & Mink, these gentlemen lay down pure soulful romantics enough to fill a jacuzzi. Even though they seem to be walking out from the candy and flower shop empty handed to meet their lover, they are equipped with lyrics and falsetto flows that can melt any heart. Continuing with their tried and tested downtempo ballad style, Thee Baby Cuffs deliver a soul boulder just as potent as their previous Timmion releases “My My Baby” and “You’re My Reason”, not to forget the brilliant work that they have put out on the Raza Del Soul label from California. So hop on in the passenger’s seat and let Thee Baby Cuffs serenade you all the way to the sunset. In case you’re more for the instrumentals, flip the single over to reveal the flute-led version that’ll send you to that sweet Steve Parks lowrider territory in no time.

Сделать предзаказ18.04.2025

он должен быть опубликован на 18.04.2025

10,04
Ben Shirken - H.D. Reliquary LP

H.D. Reliquary is the first eponymous release from Ben Shirken a.k.a. Ex Wiish, and finds him returning home to his own label, 29 Speedway. The songs sparked during sessions with close collaborators - across 11 pieces, artists such as Pavel Milyakov, MIZU, Dorothy Carlos, Kevin Eichenberger and Muein breathe personality into the record. H.D.R. coaxes beauty from a serrated, raw, yet subdued palette drawn from improvised recordings of trumpet, violin, upright bass, cello, and modular synthesis.

The title references the hard drive as a sacred container for relics, contemplating how digitally archived fragments of one’s existence can burn eternally after death. Archives, and in this case recordings, splinter and warp. Some distort what they contain. Some vanish, and others are eternally preserved, immune to deletion. Your information on these digital drives becomes archival shrapnel, the music that survives the remnants of collaboration. Pieces of recordings were fed into a series of proprietary neural networks, generating MIDI information and audio that reacted to on-the-fly soloing, imaginary sessions between players and algorithms invented posthumously (in post).

Shirken will release H.D. Reliquary alongside a sound installation on April 11. Where his prior work was geared towards dissociation, H.D. Reliquary invites us to contemplate how our tools for understanding and containing the world fundamentally alter our relationship with it. He has performed in spaces such as The New Museum, Pioneer Works, Public Records and Nowadays in New York City; Dripping Music And Arts Festival in New Jersey; La Station in Paris; and Cafe Oto in London.

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26,26

Последний логин: 12 мес. назад
US3 - Hand On The Torch

Us3

Hand On The Torch

12inchMOVLP3014
Music On Vinyl
14.04.2025

The British jazz/hip hop fusion collective Us3 founded in 1992 in London and its notable members included producers Mel Simpson and Geoff Wilkinson. The group scored a major hit in 1994 with “Cantaloop (Flip Fantasia)”, a track that displayed the group’s fondness for sampling classic recordings from the Blue Note label (in this case, Herbie Hancock’s “Cantaloupe Island’). The track was included on their debut album Hand On The Torch.

The album was a result of their connections with Blue Note owner Capitol Records, which gave Simpson and Wilkinson free rein to sample anything from the Blue Note catalog. Together with several musicians and rappers Kobie Powell and Rahsaan Kelly, they sampled a series of Blue Note classics, from Art Blakey and Thelonious Monk, to Horace Sylver and the previously mentioned Herbie Hancock. With the release of Hand On The Torch, Us3 had forged one of the most elaborate union between styles and became one of the best-selling jazz albums on the Blue Note label.

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31,22

Последний логин: 12 мес. назад
Andy Crysell - Selling The Night: When Club Culture Meets Brands, Advertising and the Creative Industries

They say nothing good happens after midnight, but in the case of creativity, that’s just not so. The night fosters a different kind of creativity: something urgent, spontaneous, carved out of necessity. Tracking the past, present and future of this complex dynamic, Selling The Night explores what happens when after-dark creativity influences wider culture and converges with everything from media, advertising, design and to gaming, fashion, hospitality, alcohol, beauty, tourism and far beyond. Also, as importantly, the implications of brands taking space within dance music as sponsors and supporters.

Author Andy Crysell speaks to DJs, promoters, marketers, academics, activists, archivists, policymakers, photographers, writers and designers. He samples KFC through to Fiorucci, Absolut and Red Bull, and moves from New York disco to the modern global underground.

Selling The Night witnesses how ideas migrate from subculture to influence the creative industries. It searches for lessons in improving the value exchange between dance music and brands, seeking something more symbiotic and less parasitic. All the while, it celebrates what makes after-dark ideas so special – the unique and democratising role they play.

“So much has changed in dance music over the decades. Selling The Night offers a very timely look at the role that brands and culture marketing have played in the past and will play in the future.” Kazim Rashid (Resident Advisor)

“The friction created when youth subcultures meet corporate cultures is long overdue a deconstruction, Selling The Night is necessary reading on how and why there is a transfer of time and money between consumer brands and cultural ecosystems; and what both sectors have to gain and lose through these relationships.” Finlay Johnson (Association For Electronic Music)

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18,28

Последний логин: 12 мес. назад
Various - NOW That's What I Call Eurovision Song Contest

With the 67th contest taking place in the UK in May, Eurovision fever is about to hit!!! – NOW That’s What I Call Eurovision Song Contest presents the ultimate collection of winners, memorable and enduring classics, and fan favourites. 84 Tracks celebrating an incredible legacy… and your essential Eurovision party playlist - NOW That’s What I Call Eurovision Song Contest. Formats : An 84 track 5-LP box set presented in a rigid slip case, with the 5 individual LP’s, including track by track annotations on the reverse of each cover that include facts about the song, artist, and result at the contest. The LPs are pressed on clear transparent vinyl. Limited Coloured 2LP set with 36 songs across– LP1 pressed on translucent red, and LP2 pressed on translucent blue vinyl. 4CD set with all 84 tracks. Marketing: TV advertising from day one of release to include major programming, terrestrial and satellite (actual program placement available closer to release date). Digital rollout of advert / advertising across YouTube and Facebook plus Online/Social marketing

Сделать предзаказ04.04.2025

он должен быть опубликован на 04.04.2025

16,60
ANDREW DUHON - THE PARISH RECORD
  • Waco Kool Aid
  • Hand Me Down Love
  • Girl From Plaquemine
  • Bayou La Batre
  • Almost Forever
  • Felt My Heart Breaking
  • Shotgun Religion
  • Man On The Marquee
  • Just In Case
  • Another House
  • It'll Come Back To Me
  • Fog Rolls In

Andrew Duhon has a knack for telling the kind of stories that clearly cost the writer something to tell- the kind of honesty that feels noble and never half hearted. When a song written by a stranger heals you, even in the smallest way, that's a connection beyond entertainment, and that is the journey Andrew Duhon sets out on from his home in Louisiana. His songs are about recognizing our story as much as they are about telling his, and his coast to coast pursuits have given him a clearer view of the American Landscape than most are privy to. Still, after years of voyaging off to every corner of the country, a new sensation arises with each return home to New Orleans. From that familiar return comes The Parish Record, a snapshot of life venturing from and returning to one of America's purest cultural vignettes, and the beauty, conflict, and stories that come with it. The Parish Record was recorded at Dockside Studios in Maurice, LA, where deep in Cajun country sits a wood-panel barn engulfed in oak and cypress trees along the slow butterscotch bayou pace of the Vermillion River. In this isolated hub of Acadiana, Andrew Duhon embarked with his trio of most trusted musicians - Myles Weeks (James Hunter Six, Eric Lindell) on Bass, Jim Kolacek (Feufollet) on Drums, and Daniel Walker (Heart, Ann Wilson, Amy Ray) on Keys - to harness of the sound and feeling of their surroundings. "I wanted this record to feel like home. It wasn't time to get out of town or try out something new on this one. It was about believing in the songs from where the songs came from," Duhon says.

Сделать предзаказ04.04.2025

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24,79
AGUATURBIA - AGUATURBIA VOL. 2

Aguaturbia

AGUATURBIA VOL. 2

12inchMRLP475
MUNSTER
04.04.2025
  • I Wonder Who
  • Heartbreaker
  • Blues On The Westside
  • Waterfall
  • Well All Right
  • Rock De La Carcel
  • Evol
  • Aguaturbia

Aguaturbia's second LP "Volumen 2" (1970) is an essential album to understand the construction of what we know today as Chilean rock. Aguaturbia's debut album was originally released in 1970 and showcases one of South America's most significant psychedelic bands from the late 60s and early 70s. Their influence in their native Chile -and beyond- was groundbreaking. In July that same year the band recorded "Volumen 2" that, just as raw and dynamic as the debut,delivers even heavier intensity than their debut LP. As expected, this album is raw and dynamic, featuring heavy rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. Comparisons with the Grateful Dead, Country Joe and the Fish and Led Zeppelin can be drawn. Splendid heavy psych and proto-stoner tracks make this album a pioneer recording in the history of South American rock. The LP showcases breathtaking moments, like the psych-blues 'Heartbreaker' or 'I Wonder Who' where guitarist Carlos Corales shines. When he played solos at the gigs, the effect on the audience was silence and euphoria at the same time. In fact, Carlos Corales (guitar) and Willy Cavada (drums) were both professional musicians who had made a previous career in rock and roll bands. Other outstanding songs are 'Blues On The Westside', 'Waterfall' and the magnificent 'Well All Right'. Controversy accompanies the release of the album once again. In this case the cover artwork, a tribute to Salvador Dalí, scandalizes the most conservative sector of Chilean society. This outstanding album is now available again on vinylafter many years out of stock.

Сделать предзаказ04.04.2025

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22,06
Newban - If I Could (Make You Mine) / Rhythm & Rhyme

Back in what now feels like a golden period in music and creativity, in the 1970s, many bands were formed by students. It almost seems like so many people could either sing, play, dance or write songs! This was also the case of several Woodland High School students in New York, who created Newban with fellow classmates.
The group started gigging around the tri-state area of New York, Connecticut and New Jersey, and were soon brought to the attention of legendary Bell Recording Studios audio engineer Malcolm Addey, who recorded with the band over a two-month period in 1974. Three years later the tracks made up two superb and sought-after albums released by tax scam label Guinness.
In 1977, Newban headed out to play the Los Angeles nightclub scene, closed a deal with A&M, and changed the band name to Atlantic Starr at the request of Herb Alpert.
For the first time on a 7” format, Soul4Real brings you two of the best songs from Newban. Enjoy the music...

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20,04

Последний логин: 12 мес. назад
Nengue - Los Ninos Del Parque EP

The Italian 80s avant garde / anarcho scene is explored in this limited 12” release presenting Nengue and their previously unreleased cover version of the new wave classic Los Ninos Del Parque and the electro pop wave African Beat.

The tumultuous political climate of the 1960s through 1980s inspired Italian artists to craft an introspective, psychological musical landscape. As civil unrest, violent demonstrations, and political murders became commonplace, Italy's centres of intellect vibrated with activist energy. This atmosphere gave birth to a unique, mechanized sound that blended electronic elements with a raw, discordant aesthetic, reflecting the chaotic spirit of the times.

Through vintage forms of social networking and music sharing, a community led process steered the scene, publishing zines and records that grasped alternative concepts of music and lifestyle.

Nengue, were similar to many of these lo-fi, retro-future electronic music pioneers. Based in Rome, their music / art backgrounds flowed with anti-art, extreme noise, futurism, industrial, experimental, martial, folk, free jazz and exotica.

With a couple of releases as a duo, as was often the case, they appeared in numerous other projects and the music was a mixture of their individual backgrounds.

Extraordinarily, only appearing on a couple of obscure cassette compilations, indicative of the time, the quality of Nengue’s productions stands testament. Originally approached to reissue their Cosmic meets Kraftwerk inspired African Beat, a wonderful yet simple electronic idiom, layers of electronica rising, each element an addition flow, vocals the release’s waves.

However, the discovery of their cover of Los Ninos Del Parque – describing it as ‘powerful anarchic nonsense’ – is rightfully now the primary focus.

Acting as some Brutalist interpretation, its sharp electronics and industrial vocals, propel you to a brick-strewn squat party and a place in anarcho folklore.

These are matched with a remix / remake by Berlin’s Bionda e Lupo. Presenting a ‘Neumisch’, Sneaker’s exacting studio mastery and Sano’s additional vocals are a blessing – a new duo version – dynamic and wonderfully special.

To complete, the powerful dub of African Beat closes. Stepping out of his time as one half of Romanian duo Khidja (DFA / Hivern Discs), Andrei Rusu builds on his recent solo releases / remixes for Malka Tuti with a fantastic, bottom heavy version, perfectly building with expertise, an EP for the basements of today that was made in the dark times of the past.

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18,28

Последний логин: 10 мес. назад
TAPPA ZUKIE - HORNS UP - DUBBING WITH HORNS

Tappa Zukie is not only one of Jamaica’s greatest DJ’s, is also a much respected producer and arranger. Looking back through his master tapes we have found a lost release that due to being a worldwide recording artist and the pressures that this carries, it has stayed on his musical shelf and been passed over... until now.

When rhythm was King way back in the 1970’s, the predominant feature of the final mix down would in most cases be the drums and bass. Bringing drums and bass to the fore, the other instruments that create the tunes mood would take a back seat in the mix. With such fine musicians in the horn sections as Vin Gordon, Deadly ‘Headley’ Bennett and the unstoppable Tommy McCook, it sometimes felt, their services if nothing else were slightly underused.

So one way of rectifying this situation was one that Tappa himself instigated, putting a release together by picking some of his favourite productions that carried classic horn lines alongside those tightly recorded rhythms. Pushing those horn lines up in the mix and so making a feature of some of those touches that although added some colour to the original cut, laid back in the mix to the more Sound System friendly drum and bass cut.

When looking at the music with this approach, some of the other influences that were also in Tappa’s mind can be noticed more. Maybe it’s a Jazzier / Bluesy feel shining through. A strange thing happens that almost takes the song down the avenue of a soundtrack album. An unreleased film score to accompany an unreleased film.

So sit back and enjoy a lost release that time and place did not find time to see the light of day. As the opening track testifies and in the immortal words of Mr Tappa Zukie himself.. “Your Musical Daddy is back... Horns Up !!!!”

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13,87

Последний логин: 12 мес. назад
Abstract Orchestra & Ghostlife - Madvillain Remixes

Abstract Orchestra's composer, leader, arranger and producer Rob Mitchell has now added remixing to his already notable list of credits, in this case turning his hand to Abstract's MADVILLAIN project. Rob has worked with many artists during his busy career; The Haggis Horns, Rag 'n' Bone Man, Sharon Jones and the Dap–Kings, Brand New Heavies, and Slum Village, alongside many others but it was the orchestra's work he wanted to revisit. Seeing the pandemic as an opportunity to spend more time in the studio, Rob spent several months polishing his production skills before embarking on this remix project, he wanted to make sure he did it justice. Working under the moniker Ghostlife, a nod to the fabled anonymity of rapper MF DOOM, Rob has reworked the big band orchestration of Abstract, creating a beat led affair with greater dance floor appeal.

For Abstract Orchestra MADVILLAIN REMIXES, Ghostlife cherry picked ten tracks from Abstract's two-album project and plays with a higher BPM count within the hip hop aesthetic of the original. The tracks include "Raid", "Fancy Clown", "Curls", and "Figaro" and in this case Ghostlife has forgone the big arrangements Abstract is known for, rather he has coaxed out hooks and samples from their tracks and produced something he hope will appeal to a different crowd. There is dancefloor potential in "Eye","Accordian" and bass heavy "Borrowed Time" while the reworks of 'Fancy Clown" and "Curls" would fit well into any radio show.

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23,11

Последний логин: 2 г. назад
Love Of The Brave - Love Of The Brave LP
  • 01: Find My Way
  • 02: The Untold Story Of The Love Of The Brave
  • 03: Hey Girl
  • 04: Champ De L'amore
  • 05: Dusted Off (Feat. Tony Burkill)
  • 06: Infidel
  • 07: Gustav
  • 08: Heron (Feat. Tony Burkill)

Love Of The Brave are a psyche folk group, based in Leeds, West Yorkshire, at the time this album was recorded, back in 2010. The founder of the group Neil Innes still runs the recording studio, ATA Records, an extremely well maintained all analogue set up, used primarily to record jazz, funk and library music. The short-lived Love Of The Brave outfit was the first project recorded at the famed studio. It brought together some of the most versatile artists in the north, many of who still work on projects with ATA today, both these factors give this release a landmark aspect for the label. The "Love Of The Brave" consists of eight tracks and draws on inspiration from artists such as Pentangle, Rotary Connection, Richie Havens, the Kinks, David Bowie and Joni Mitchell. Vocalist Fuzzy Jones features on all tracks, as does Neil, in his case playing a variety of instruments. They are joined throughout the album by a variety of musicians, including jazz drummer Joost Hendrickx, Work Money...

Сделать предзаказ21.03.2025

он должен быть опубликован на 21.03.2025

14,71
Various - More Loving On The Flipside LP

This anthology follows Now-Again's Loving On The Flipside, issued more than a decade ago. And that anthology itself got its start in a different time, a decade even earlier - the era in which Now-Again's Egon and his friends chased down funk 45s and the odd LP for their testosterone riddled, aggressive sound. Often times the funk song on one of their chosen is would be the throw-away b-side, the hasty afterthought the band cobbled together the night before hitting - or while in - the studio because they'd put all of their energies into writing the amazing ballad that would ensure their entry in soul's history books. Every once in a while, that funk song they coveted could have been - in an alternate universe - a ballad. The Third Guitar's "Baby Don't Cry," El Pooks* "I Could Do The Impossible" and Spider Harrison's "Beautiful Day" all fit into this category. That realization notwithstanding, more often than not they shined over the ballads to get to the tough stuff. Then they started flipping those funk records over to find some loving on the flip side. Some marvellous tunes were there to be found. This is the long awaited follow up. Contained within this anthology are some of the greatest soul ballads that go sweet with a beat - or, to follow our tagline, epitomize "sweet funk." Most of these songs have never been compiled. Some have never been issued in any form. Some, like the Ledgends entry here, were sampled to great success (in that case for Freddie Gibbs and Madlib's "Deeper"). Some haven't been sampled, but, like Herb Johnson's entry, are patiently awaiting their day. It should go without saying that we're proud to present this music in good conscience; with the full participation of everyone but the most obscure names contained within. And, for those who we've not yet been able to contact, this is our message: We've found your brethren, we've placed them beside you on an album that we hope you feel is befitting of your collective contributions to soul music and now we're just waiting for you. Though the music you recorded is from the years past, vour time is now.

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30,67

Последний логин: 13 мес. назад
Clara Mann - Rift

Clara Mann

Rift

12inchCON992LP
The state51 Conspiracy
15.03.2025

Mesmeric, confessional alt-folk with hints of americana - weaving beautiful stories with deep and poignant lyricism and relatable storytelling, creating a sense of familiarity even in the ambiguous, leaving no choice but to feel everything with her. Mann’s debut album,

- Clara Mann’s evocative debut album Rift navigates the fractured environment of the in-between—those liminal spaces exposed between light and dark, growth and remorse, loss and reclamation. It is a record that makes a strong case for hope, those luminescent silver linings in the dark. With Rift, Clara Mann acknowledges the cracks through which both despair and hope can seep. It is a deeply personal record, yet it is universally resonant, holding the mirror up to herself and to the world around her. It is a record that reflects on embracing our fault lines, navigating the ruptures that can erupt from them and moving forwards, in motion, with a renewed sense of self and aliveness. Mann’s debut album, Rift is all of her—her past, her present, her emotions, her experiences—and now, it is for you.

- Influenced by artists like Jacques Brel, Edith Piaf, Judee Sill, and Tom Waits, Mann has a deep love and care for songwriting

- The album was primarily recorded at the 4AD Studios in London, produced and mixed by Fabian Prynn (Martha Skye Murphy, Ex:Re, Fabiana Palladino) who carefully facilitated an imaginative space for Mann to express the playful, strange and real parts of herself

- She has previously toured and collaborated with the likes of Daniel Rossen (Grizzly Bear), Billie Marten, Skullcrusher, Bill Ryder-Jones, Youth Lagoon and Willie J Healey

Сделать предзаказ15.03.2025

он должен быть опубликован на 15.03.2025

24,33
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