The scottish singer-songwriter and multi-instrumentalist James Yorkston and the english guitarist with a fluid fingerpicking touch, David A. Jaycock, already played together in the first formation of the experimental folk ensemble Big Eyes Family Players. Their encounter with Swedish saxophonist Lina Langendorf gives rise to a little gem of pure acoustic candour, perfectly balanced between chamber avant-garde and neo-folk. As on an endless autumn evening in front of a lake in Finland or Estonia, the trio's nordic soul creates atmospheres that recall hidden nostalgia. In a process of rarefied sound matter, elegiac paintings spring up, moments that flow slowly and silently in a tension that is always suspended and unresolved. Soft, crepuscular passages, at times sharp and cold guitar, but also the velvety breath of the nickelharpa, combine with a saxophone that still blows dramas of distant Norwegian fjords, but can also become more Mediterranean and arabesque. The music becomes like a warm warmth around the fire, reflecting a hidden twilight zone of the soul, in a quiet, gentle whisper between poetic abstraction and arpeggiated themes of more recognisable narrative melody, typical of a certain Northern folklore.
Co-Release with We are busy bodies.
Suche:c i a records
- 1: Woke Up This Morning (With My Mind Stayed On Freedom)
- 2: The Journey
- 3: Calling All Souls
- 4: Alabama
- 5: Transformation
- 6: Tell ‘Em The Truth
- 7: Intro To Strange Fruit
- 8: Strange Fruit
- 9: On Living
- 10: Acknowledgement
- 11: The Drowned And The Saved
- 12: Truth
Carmen and María bring a raw, organic, and contemporary sound, where groove and rhythm are the key. Their new album fuses flamenco and soul with unique vocal harmonies and the unmistakable rhythm of María’s guitar. Each song is born from their individual universes but transforms into a shared story of roots, evolution, and emotion. From groove-infused bulerías to neosoul-inspired tangos, their proposal is innovative, authentic, and full of soul.
At the end of the 1980s, Mariolina Zitta approached the world of natural sounds, studying musicology and developing a passion for speleology. Her encounter with Walter Maioli was fundamental, guiding and influencing her definitive research into sound archaeology and the primitive sources of musical acoustic phenomena. In these recordings Mariolina conducts a magical ritual as a cave priestess, celebrating the icons par excellence of the mysteries of the an ancestral enchantment on the border between consciousness and dreams, a symbolic liturgy of primordial reverberations, echoes and whistles. Edition of 200 copies.
- Kangen, Sandaien Ichigu- I - Hyojo No Choshi
- Kangen, Sandaien Ichigu- Ii - Jo
- Kangen, Sandaien Ichigu- Iii - Ha
- Kangen, Sandaien Ichigu- Iv - Kyu
- Bagaku, Shunnoden Ichigu- I - Ichikotsucho No Choshi
- Bagaku, Shunnoden Ichigu- Ii - Yusei
- Bagaku, Shunnoden Ichigu- Iii - Jo
- Bagaku, Shunnoden Ichigu- Iv - Satto
- Bagaku, Shunnoden Ichigu- V - Juha
- Bagaku, Shunnoden Ichigu- Vi - Tessho
- Bagaku, Shunnoden Ichigu- Vii - Kissho
Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century. The recordings partly reflect repertoires borrowed from Chinese music between the 5th and 9th centuries. The incredible variety of timbres of the instruments greatly amplifies our exotic imagination: the eternal breath of the flutes (ryuteki and hichiriki) creates a sort of suspension of time, together with the hypnotic and hallucinatory atmosphere of the mouth organs (shō). The meditative tone of the string instruments (bika and koto) that punctuate the voids and silences is impressive, as is the enigmatic percussion section, with the tolling of the gong (shōko) and the calibrated beats of the drums (taiko and kakko).
- A1: Ain't That Loving You (Feat. Chris Murray)
- A2: I Only Have Eyes For You (Feat. Chris Dowd & Tippa Lee)
- A3: Your Old Stand By (Feat. Trish Toledo)
- A4: Are You Lonely For Me, Baby (Feat. Malik Moore)
- A5: Hercules (Feat. Alex Désert & The Lions)
- A6: You Don't Know Me (Feat. Eli "Paperboy" Reed)
- B1: After Laughter (Feat. Destani Wolf)
- B2: Cramp Your Style (Feat. N'dea Davenport)
- B3: Got That Will (Feat. Gina Murrell & Ranking Joe)
- B4: Live & Let Live (Feat. Miles Tackett)
- B5: Tell It Like It Is (Feat. Asdru Sierra)
- B6: Didn't I (Feat. Hollie Cook)
- B7: If You Let Me (Feat. Jr Thomas & The Volcanos)
Trackwahser side bring a crazy romance, mystic call for a tribal dancefloor banger ! Legend !
Second tune, in collab with Boubou, member of Antinorm-17 Sound System back in the years... The oldschool Acid excitation supported by a thick Hard Techno kick. Put some electricity in the air, be Deter-Mina !
With Roland K side you will get 2 Hardtek missiles !
The first track delivers a high-energy, fast-paced, and punchy vibe, perfect for rocking the dancefloor.
The second, a collab with Darth Leng, takes the energy even further with an explosive mix of styles and unrelenting power.
Tracks designed to get parties rocking and boost good vibes to the max!
black vinyl[10,29 €]
The Cryovac machine operates independently to service the world with an original strain of techno. Our people are pioneers of their own sound and seasoned veterans of its' cause. This cause is the basis for our action and the motivation for our vinyl. Cryovac believes the vinyl format is the truest way to take in our music, and this is why we take great care to personally craft our own plates and photograph our own art. The Cryovac approach and stance make it a true oddity in a world of commodities, and we hope you realize, feel, and respect our work.
Andy Vaz is a rebel from the city of Cologne. He is a creator of techno labels that follow their own path and challenge the standard dogma. His version of the techno sound has gone from stark and funky minimalism to synth cascades and housey feels. Andy Vaz is the perfect choice to collaborate with Andy Garcia. Garcia's brand crunchy soul tech mixed with vocal nonsense is the yin to Vaz's yang. These like minds share a name, a spirit, and a drive to keep moving forward no matter the cost.
The second release in French beatmaker Medline's 7" cover series of soul, jazz-funk, and rare groove classics!
Much like Leon Michels of El Michels Affair, Medline plays all the instruments himself?this release features two stunning tracks, including a newly recorded cover.
Side A presents a brilliant rendition of "Wind Parade," Donald Byrd's immortal 1975 masterpiece that has been widely sampled in hip hop. The iconic bassline remains intact, while Roni Alkekengi's transparent vocals and a bold substitution of flute in place of trumpet create a uniquely groovy interpretation.
Side B is a refined cover of the 1972 soul classic "People Make the World Go Round" by The Stylistics, which has also been heavily sampled and covered. Medline retains the charm of the original while adding his own polished touch.
[a] 01: Wind Parade (45 Edit) [feat. Roni Alkekengi]
Kontakt Records presents KNT-47 “Chromatic Noise”, a deep exploration of dub techno and dub-infused house from Canadian producer Matt Thibideau. Across three extended cuts, Thibideau sculpts spacious, analogue-leaning grooves where every element has room to breathe. Subtle saturation, soft tape hiss and finely tuned low-end weight create that unmistakable sense of depth, while shimmering chords and carefully placed delays drift in and out of the stereo field. The result is music that feels both hypnotic and alive, built for long blends, late sessions and sound systems that reward detail. “Chromatic Noise” sits comfortably in the Kontakt Records tradition: timeless dub aesthetics, modern production values and a focus on atmosphere over obvious peaks. It’s the kind of 12" that works just as well as a DJ tool as it does for attentive home listening – patient, understated and endlessly playable. Tiny shifts in texture, filter movement and echo tails keep the tension moving forward without ever breaking the spell.
Kontakt Records presents KNT-47 “Chromatic Noise”, a deep exploration of dub techno and dub-infused house from Canadian producer Matt Thibideau. Across three extended cuts, Thibideau sculpts spacious, analogue-leaning grooves where every element has room to breathe. Subtle saturation, soft tape hiss and finely tuned low-end weight create that unmistakable sense of depth, while shimmering chords and carefully placed delays drift in and out of the stereo field. The result is music that feels both hypnotic and alive, built for long blends, late sessions and sound systems that reward detail. “Chromatic Noise” sits comfortably in the Kontakt Records tradition: timeless dub aesthetics, modern production values and a focus on atmosphere over obvious peaks. It’s the kind of 12" that works just as well as a DJ tool as it does for attentive home listening – patient, understated and endlessly playable. Tiny shifts in texture, filter movement and echo tails keep the tension moving forward without ever breaking the spell.














![Medline - Wind Parade (45 Edit) / People Make the World Go [feat. Roni Alkekengi]](https://www.deejay.de/images/l/8/7/1195387.jpg)





