Cerca:c i a records
- A16: Anchorite
- A17: Ultraviolent
- A1: Disc 1
- A2: Initialize Transmission
- A3: Matador
- A4: Eville
- A5: Gun Lover
- A6: Worms
- A7: F.w.m
- A8: Father In The Wall
- A9: Noarms Nolegs
- A10: Anchorite
- A11: Disc 2
- A12: Chameleon Skin
- A13: Sutures
- A14: Finalize Transmission
- A15: Monitor
- A18: Matador
o A15 Monitor [unreleased]
[p] A16 Anchorite [live]
[q] A17 Ultraviolent [b Side]
[o] A15 Monitor [unreleased]
[p] A16 Anchorite [live]
[q] A17 Ultraviolent [b Side]
Pink Vinyl[20,97 €]
- 1: A New State Of Grace
- 2: Cancel Culture (Feat. Ill Bill)
- 3: Listen Up
- 4: Ambition Of The Crown (Feat. Millyz)
- 5: It's All Good
- 6: Ain't Been The Same (Feat. Haile Supreme)
- 7: Coka Grillz (Feat. Paul Wall & Ill Bill)
- 8: Crumbled God (Feat. Rasheed Chappell & Termanology)
- 9: The Real Shit (Feat. Oc & Masta Ace)
- 10: Gusto (Feat. Ot The Real & Kxng Crooked)
- 11: World Don't Stop
- A1: Right Before My Eyes (Feat. Paul Weller)
- B1: Right Before My Eyes (Instrumental)
Frank Popp ist der erste deutsche Künstler, der mit dem legendären britischen Musiker Paul Weller an einem Song zusammengearbeitet hat.
Der äußerst gut produzierte Track "Right Before My Eyes" kombiniert Wellers einzigartige Stimme, Texte und Gitarrensoli mit der üppigen Produktion und den eingängigen Songtexten, für die Frank Popp bekannt ist. Fans der alten Weller-Alben kommen hier voll auf ihre Kosten, aber der Song hat auch das Potenzial, neue Zuhörer zu gewinnen.
- 1: Diamonds & Rust
- 2: Fountain Of Sorrow
- 3: Never Dreamed You'd Leave In Summer
- 4: Children And All That Jazz
- 5: Simple Twist Of Fate
- 6: Blue Sky
- 7: Hello In There
- 8: Jesse
- 9: Winds Of The Old Days
- 10: Dida
- 11: I Dream Of Jeannie
- 12: Danny Boy (Medley)
If people were unaware of the significance of Joan Baez to western culture, her portrayal in the Bob Dylan biopic A Complete Unknown (played by Monica Barbaro) underlines how central she was to the popularization of folk music in the early 1960s. And it is her decade- previous relationship with Dylan that hovers joyously over Diamonds & Rust. The title track is about a thinly disguised ex-lover who calls up out of the blue; it remains one of her most loved songs in a 65- year- career.
There's a playful cover of "Simple Twist Of Fate" from Dylan's then just released Blood On The Tracks, complete with impersonation in a later verse; and "Winds Of The Old Days", written in response to Dylan touring again after a lengthy hiatus. Diamonds & Rust is a perfect, sunshine- drenched album of west- coast folk- tinged rock, full of star session players. It could almost have been a signal to all the recent comers on her patch many of them friends and colleagues, Joni Mitchell, Carole King, Maria Muldaur that Baez was here first and was sweetly reasserting her authority. Just listen to her mastery on "Children & All That Jazz", her cover of Stevie Wonder's "Never Thought You'd Leave In Summer" and the poignant closing medley of "I Dream Of Jeannie/Danny Boy".

















