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PAPER ROUTE iLLUMINATi is the compilation album from Paper Route EMPIRE, the label founded by late Memphis legend, Young Dolph, and home to the equally iconic Key Glock and an impressive roster of additional artists including Snupe Bandz & Big Moochie Grape. Including the hit songs, "Talking To My Scale," "I Do This," & "Mister Glock 2," as well as deep cuts like "Broccoli & Cheese," this album is a must have for Southern rap fans and encapsulates a time when PRE was at the height of their game, shortly before Young Dolph's untimely passing. 2xLP pressed on Red Snake Eyes Galaxy vinyl, and housed in a gatefold jacket. Long Live Young Dolph.

2026 Repress

The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.

"PRONTO" is the debut album by ARYA, an Italian-Venezuelan artist who grew up in Milan. ARYA arrives with this first full-length album after the EPs
Peace of Mind (2021) and Punto Zero (2023), collaborations (Mahmood, Venerus, Ghemon, Dardust, Calibro35, and many others), and an intense live
activity, which have made her one of the most interesting voices on the Italian neo-soul/R&B scene.
Born from a personal journey of therapy and awareness, "PRONTO" takes shape as a concept album, transforming the emotional investigation into a
coherent and layered musical narrative. The title captures the meaning of the project: "Pronto" is a word that crosses all the languages present on the
album—Italian, English, and Spanish—taking on different meanings ("subito," "presto"), and is also the first word uttered in the intro. A term that introduces the listener to a space of availability, anticipation, and presence.
The entire album was produced by Claudio La Rocca (Sup Nasa), a key figure in building the project's sonic identity. Giuseppe Seccia, Matteo D'Ignazi,
Martina Tedesco, Tiziano Codoro, Stefano De Vivo, and Giulia Gentile also contributed to the album, recording the instrumental parts and contributing
to the arrangements and production of some tracks.
With "PRONTO," ARYA takes the listener on a journey through different levels of her emotional history, until the elevator starts moving again and leaves room for a new possibility of balance.
ARYA (AryaDelgado) is an Italian-Venezuelan artist born in Milan in 1994. Daughter of salsa singer Orlando Watussi, she grew up surrounded by music
and quickly developed a sensibility that blends Latin roots, nu-soul, and contemporary R&B, with a strong focus on the emotional and narrative dimensions of her writing. In 2021, she released her debut EP, Peace of Mind, followed in 2023 by Punto Zero. These releases attracted press attention
and led to collaborations with artists such as Mahmood, Venerus, Ghemon, Dardust, and Calibro35. Over the years, she has consolidated an increasingly recognizable presence, alternating songwriting, solo production, and an intense live schedule in Italy and abroad. In 2024, she accompanied Mahmood on tour and released the single, "Si Potesse Tornare." In 2025, La Noche En Que Te Fuiste and Onda were released, songs that marked the
beginning of a new artistic chapter and anticipated the release of “PRONTO,” her debut album, released in February 2026. An intimate and layered
work, which focuses on vulnerability as a language and confirms ARYA as one of the most personal and aware voices of the new Italian soul scene.

Swirl-Vinyl. Diese 10-Jahre-Jubiläumsausgabe erscheint in einer neuen Gatefold-Hülle mit aktualisierten Fotos, Texten und Liner Notes. Disc eins enthält das Originalalbum in voller Länge, und die brandneue zweite Disc bietet die seltene B-Seite ,Nail In Your Hand", eine überarbeitete Version von ,Heaviside" mit der Künstlerin Wisp am Gesang sowie sieben bisher unveröffentlichte Demo-Versionen von Songs aus dem zweiten Album von Citizen. Vor zehn Jahren veröffentlichten Citizen ,Everybody Is Going to Heaven" - ein Album, das einen mutigen Wendepunkt in ihrer Karriere markierte. Nach dem Durchbruchserfolg von ,Youth" hätte die Band einfach ihren bisherigen Kurs beibehalten können. Stattdessen setzten sie noch stärker auf dunklere Texturen, schwerere Stimmungen und einen furchtlosen Sinn für Experimente. Das 2015 veröffentlichte ,Everybody Is Going to Heaven" erweiterte den Sound von Citizen über ihre Emo- und Post-Hardcore-Wurzeln hinaus und verwebte Elemente aus Grunge und Alternative Rock. Tracks wie ,Cement" und ,Stain" fingen eine rohe, unruhige Energie ein, die sich mit Sterblichkeit, Depression und Identität mit einer Ehrlichkeit auseinandersetzte, die bis heute nachhallt. Es war kein Album, das zum einfachen Hören gemacht war - es war auf Dauer angelegt. Jetzt, ein Jahrzehnt später, steht ,Everybody Is Going to Heaven" als entscheidender Moment in der Entwicklung von Citizen - ein Album, das sowohl die Band als auch ihr Publikum herausforderte und dazu beitrug, die furchtlosen, Genre-übergreifenden Künstler zu formen, zu denen sie geworden sind. Auch beim 10-jährigen Jubiläum bleibt Citizen eine Band, die sich ganz dem Wachstum verschrieben hat und sich weigert, sich auf einen einzigen Sound oder eine bestimmte Ära festlegen zu lassen. ,Everybody Is Going to Heaven" hat nicht nur markiert, wo sie standen; es hat den Weg für alles geebnet, was danach kam.

Released in 2002, Games and Hell marked an early chapter in Toxic Twin’s output, capturing the raw, hardware-driven sound of Berlin’s early 2000s electronic underground.

Minimal, direct, and rooted in a time when the scene was still forming.

Nearly 25 years later, Games is reissued and expanded to six tracks, including previously unreleased material from the same era, via Relic.

Mega hypnotic minimalism and micro house! TTM003 on Taka Taka Label brings together Kolhida and Cezar Lazar for Break And Escape EP, a razor-focused 12" built for late hours and locked-in floors. Rooted in micro house and minimal, the release balances hypnotic momentum, crisp percussion, and deep, rolling basslines with an understated, heady elegance.

Soul meets Funk 1967-style. Club Sounds, Funk Guitar Groovers, Soul Cha-Cha, Hammond Magic, Freak-Out Party Sounds, Slinky Organ Smoochers. Cornbread And Buttermilk, Chittlin' Salad, Sweet Potato Gravy, and a Bucket Of Grease. Just Instrumentals Soul and Funk-Style. Mmm Mmm Mmm.

Well here we are unbelievably 50 years on from year zero 1976, when the world stood still at the birth of Punk Rock. To celebrate this monumental occasion Mal-One has worked up a new song called God Save Us All From Misery and to accompany this fine effort he has also worked up alternative versions to what could be the best first 4 singles released by any band. The first four singles released by the Sex Pistols. He has produced his own takes on these classic singles with.. Someone Dropped a Bomb In The UK (Anarchy In U.K.), God Save The King (God Save The Queen), Mal-One’s Out To Lunch (Pretty Vacant) and Holiday In Someone Else’s Misery (Holidays In The Sun). So creating this rocking 5 track 12” E.P. Hope you enjoy the results and here’s to another 50 years… God save Us All…

Compare the best of British jazz circa 1963 with American sounds from labels such as Prestige, Tangerine and World Pacific. This album captures the period when rhythm and blues is emerging as the dominant club sound, forcing Soho jazz clubs to change their music policy in order to survive. On the British side, you’ve got Ronnie Scott’s arrangement of Last Minute Bossa Nova; Bang!, taken from Dick Morrissey Quartet’s first session for the BBC’s World Service, recorded around the time of the release of their first album Have You Heard? The version here is take two. You can hear take one along with the rest of the eleven-track session on R&B18 Jazz For Moderns.
Early In The Morning is a Ginger Baker/Jack Bruce arrangement of the traditional work song realized as a repeated blues riff, and is the first ever recording that is recognizably British Blues. Graham Bond features on alto sax along with Bruce and Baker together as members of the Johnny Burch Octet heard playing live at a BBC staff party from March 1963. Side Two features Jazz Stateside, such as West Coast guitarist Johnny Hartsman, Gene Ammons veering into proto jazz-funk on Jungle Soul, aka Ca' Purange plus a couple of top notch Hammond workouts from Terrell Prude and Charles Kynard.

Reissued for the first time ever, here’s the remastered debut album of jamaican singer/producer Enos McLeod, originally released in 1983 on Soul Beat record. An ultra rare affair recorded at Joe Gibb's studio with a great backing band featuring Sly & Robbie, Earl Chinna Smith, Winston Wright and more…

Reissued for the first time on vinyl here’s the debut album of mancunian band Ludus (originally released on New Hormones in 1981). Led by famous visual artist, performer and musician Linder Sterling and guitarist Ian Devine, Ludus moved all along the lines of post-punk and art-rock with their strictly original mix. Includes one extra track.

Studio One Sound is the classic Studio One collection from Soul Jazz Records. Described as ‘The University of Reggae’ by Chris Blackwell, Studio One, and founder Clement ‘Sir Coxsone’ Dodd are by far the most-important names in the history of reggae music. Originally released in 2012 this album has been out of print for many years, making it one of the most-collectible of Soul Jazz Records’ Studio One Series. This is the first ever colour vinyl edition of this classic album.

The album features some of the most in-demand and collectible Studio One tracks from over its fifty-year history and includes incredible legendary reggae artists such as The Heptones, Ken Boothe, The Skatalites, Johnny Osbourne and Wailing Souls. All these artists (and hundreds more) launched their careers at Studio One under the guidance of Clement 'Sir Coxsone' Dodd. The Studio One Sound collection features everything from classic ska and rocksteady to the deepest roots, heaviest dub and dancehall roots. Sleevenotes are by Rob Chapman, author of the celebrated books about Studio One Records, 'Never Grow Old' and 'Downbeat the Ruler'. The exact reproduction of the original artwork features the classic image of Dennis Brown on the cover. This album is newly fully remastered for vinyl by Jason Goz at Transition. Exclusive one-off pressing on heavyweight double transparent green vinyl.

From Detroit’s techno resistance to Berlin’s elastic minimalism, Lusaka’s ancestral futurism to Chicago’s house communion, When There Is No Sun is a recording project, uniting visionary electronic music producers to reimagine the universe of Sun Ra. One of the most radical musical pioneers of the 20th century, Sun Ra used jazz, electronics, poetry, and performance to expand the possibilities of sound, identity, and imagination. Commissioned by Omni Sound and curated by Ricardo Villalobos, the series brings together Underground Resistance, Chez Damier & Ben Vedren, Calibre, A Guy Called Gerald, She Spells Doom, Barış K, and Ricardo Villalobos himself. Drawing from Omni Sound’s recordings of Living Sky by the Sun Ra Arkestra and My Words Are Music of Sun Ra’s poetry, the producers pull fragments of sound and text into their own creative orbits, passing through the portal that Sun Ra opened into a realm where the impossible is possible. Saul Williams, Tunde Adebimpe, Mahogany L. Browne, Abiodun Oyewole, Anthony Joseph and Tara Middleton are the featured voices that turn rhyme into rhythm and revelation into resistance Rooted in deep reverence for Sun Ra’s legacy, yet reaching forward as a living, generative force, When There Is No Sun is not a tribute but a continuum, balancing the pulse of electronic music with the spirit of experimentation, embodying Sun Ra’s promise that ‘there are other worlds’ if you are willing to see them.

7 Inch Orange Dinked Vinyl in Label Branded Sleeve

Originally issued on Paul Winley Records in 1973, “Smokin' Cheeba-Cheeba”—with Ann Winley on vocals—became a cornerstone of the 1980s UK Rare Groove scene, earning cult-classic status among collectors and DJs alike. On the flip, “Dance Girl”—also released under the Rimshots name—serves up one of the era’s most revered up-tempo breaks. Its unmistakable groove has been sampled by The Roots, Large Professor, and many others, cementing its place in hip-hop production history. The creative nucleus behind both The Mighty Tom Cats and The Rimshots would later evolve into the legendary Fatback Band, adding another layer of pedigree to this essential pairing. With original copies fetching high prices on Discogs, this special-edition Orange vinyl Dinked 7-inch, housed in a branded Paul Winley Records sleeve for Record Store Day, offers a rare chance to own two deep-cut funk/soul essentials on one collectible release.

2 x LP Yellow Vinyl in Picture Sleeve

Celebrating three decades of cutting-edge electronic music, iconic Canadian Melleefresh’s Play Records marks its 30th anniversary with a premium collector’s edition vinyl release. Founded in 1996, Play Records was the launchpad for much of deadmau5’s early catalogue as he rose to global stardom. This special anniversary edition dives deep into the Play Records archives, showcasing previously unreleased gems, exclusive tracks, and rare remixes and covers spanning the label’s storied history. The release comes as a 2×LP transparent yellow vinyl, housed in an iconic artwork sleeve with photography marking the label’s rich legacy.

Introducing the near-mythical Boyd Jarvis/Danny Krivit remix of Sade’s 1992 (LP-only) downtempo masterpiece ‘Couldn’t Love You More.’ Originally making the rounds in 2008, this release finally sees the light of day in a completely remastered and sonically optimized 12" version for RSD 2026. Mr. K combines the irresistibly flawless qualities of the original with Jarvis’s epic keyboard jam, extending it into a magnificently evolving fourteen-minute dancefloor classic. Crucially, for those who were able to get their hands on the first issue of this rare gem, the sonic faults that marred that pressing have been completely eliminated, and we can finally hear this rework as it was intended by Mr. K and the late, great house legend Jarvis himself. With a lengthy instrumental on the flip side, this twelve-inch single is fully primed for warm ups, late nights, balearic beach sets or anywhere you want to just want to bask in the warm chords and lush arrangement of a true modern RnB classic.

FOLLOWING THE SUCCESS OF “THE OTHER HELL”, GOBLIN ARE BACK FOR RECORD STORE DAY 2026 WITH AN EXCLUSIVE COMPILATION OF SINGLES RELEASED BETWEEN 1975 AND 1979!

For the very first time on vinyl, this compilation gathers together all the singles released by Goblin during their golden era between 1975 and 1979, a journey that begins with the explosive, legendary debut Profondo Rosso, a true chart phenomenon of its time, and reaches the rare Amo Non Amo, passing through unforgettable milestones of Italian film music and progressive rock.

The collection opens with Profondo Rosso and Death Dies, taken from the soundtrack of Dario Argento’s masterpiece that catapulted Goblin to fame, blending dark atmospheres, virtuosity, and a unique sense of cinematic tension. It continues with Roller and Snip Snap, drawn from the instrumental album Roller (1976), a record not tied to any film, yet considered a cult cornerstone of Italian progressive music for its intricate structures and expressive power.

Chi? and Chi? - Parte Seconda follow; two tracks originally composed as the theme for a 1976 RAI television show, which saw Goblin bring their unmistakable sound to a different medium, experimenting within a shorter, punchier format.

Next comes Suspiria with its haunting counterpart Blind Concert, from the soundtrack of Argento’s 1977 horror classic. This remains one of Goblin’s most iconic and unsettling works, where music becomes an active narrative force: hypnotic, percussive, and filled with eerie vocal layers that made it a cornerstone of horror soundtracks worldwide.

From Il Fantastico Viaggio del Bagarozzo Mark (1978) come Un Ragazzo d’Argento and Opera Magnifica, two tracks that highlight the band’s more conceptual and visionary side, a move away from cinema toward a self-contained narrative and progressive experimentation.

The single Yell stands as another late-decade gem. Originally composed as the opening theme for the RAI television series “Sette storie per non dormire” (1978), it captures Goblin’s ability to merge rock energy with electronic pulse, proving their versatility far beyond the horror realm.

The compilation closes with Amo Non Amo and Funky Top, taken from the soundtrack of the 1979 film Amo Non Amo, one of the group’s lesser-known but fascinating cinematic works.

Far more than a simple anthology, The Singles Collection 1975–1979 maps the evolution of Goblin’s sound, from the worldwide success of Profondo Rosso to their most mature and experimental phase. It finally restores to vinyl a body of work that had long been scattered across rare 45 rpm releases, offering fans and collectors a complete, vivid portrait of one of Italy’s most inventive and influential musical ensembles.

Wenn du es weißt, dann weißt du es. Die Shows von Dash Rip Rock sind ein ausgelassener Spaß - eine explosive Mischung aus Respektlosigkeit, Verzerrung und rohem Gitarrensound. Dieses legendäre Trio aus der Louisiana Music Hall of Fame und langjährige Indie-Größen verbinden Roots Rock, Garage Rock, Country-Punk und Southern Swagger und werden von der New York Times für ihre ,Flüssigkeit in der amerikanischen Roots-Musik mit einer kräftigen Dosis Punkrock-Spirit" und von SPIN als ,unbestreitbar die größte Rockband des Südens" gelobt. Mit über siebzehn Underground-Klassikern, einer treuen, genreübergreifenden Fangemeinde aus Rock, Americana und Punk und einem Radiohit aus den 1990er Jahren mit ihrer ironischen Hymne ,Let's Go Smoke Some Pot" liefert Dash Rip Rock weiterhin mitreißende Live-Shows. Gründer, Leadgitarrist, Sänger und Songwriter Bill Davis wird oft als Pionier des Country-Punk, Cowpunk und Alt-Country bezeichnet - Genres, die Rock, Outlaw Country und Punk-Attitüde miteinander verbinden. Die Austin Chronicle lobt Davis als ,das Gehirn hinter Dashs Muskeln, einen Bar-Poeten mit einem ausgeprägten Sinn für Humor und einem unverschämten Talent für gute Riffs". Mit ,A Song in Everyone" kehrt Dash Rip Rock mit einer brandneuen LP zurück, die in Mississippi mit Matt Patton von den Drive-By Truckers aufgenommen wurde.