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pink vinyl edition

Continuing to make good on the promise to re-release the entire Metallica catalogue albums on vinyl, we are very proud to announce that Metallica's sixth studio album Load will be released on 5th July.As with all previous vinyl releases from Metallica, there will be two packages: a two-disc gatefold package for the 33 1/3 r.p.m. version, and a box for the four-disc, 180 gram, 45 r.p.m. deluxe edition. All the music was half speed mastered from the original analogue tapes at Bernie Grundman Mastering in Hollywood to bring you the best audiophile quality.

Der Ausnahmeproduzent Flying Lotus legt nach seinem vielbeachteten Debutalbum "Los Angeles" den Nachfolger vor! Auf "Cosmogramma" weitet er das Spektrum der integrierten Stile in Richtung Space-Jazz aus und lädt ein zu einem kosmischen Trip voller unendlicher Liebe und Begeisterung für Musik in all ihren Variationen.

In a career of myriad highlights Nightclubbing remains the high water mark of Grace Jones's imperial years with Island Records. It is indisputably the album on which her musical legacy rests, and rightly considered one of the greatest albums of all time. A sophisticated melee of sound, blending post-punk cool with a hot Caribbean vibe and a catwalk Studio 54 sensibility, it's a perfect example of artist and musicians working in complete accord.

It contains the all-time Grace classics in "Pull Up To The Bumper", "Walking In The Rain", "Demolition Man" (written by Sting) and of course the Bowie / Iggy Pop-penned title track. There is magic in its every groove. In keeping with its reputation as one of the best sonically sounding albums of the '80s and for the first time since its debut in 1987, Nightclubbing has been comprehensively remastered using the latest studio technology.

New Sampler on Robsoul Ltd with Jackin modern house. Kenny Fitz delivery new track with piano saple & classic voice used by Armandon on Radikal Fear. This sampler annonce new DJ Wild EP on Robsoul ..the catwash boy back with modern house for fans of Oslo, Moon Harbour & more. Oscar Miranda (Minority Music) give on this #Sampkler a Chicago modern influence !

The art of synth disco is being kept up by this little designer label called Aube records. Here is their fifth outing with another amazing record of superb quality! Roland Sebastian Faber delivers two electronic disco pop tunes with racing melodies, catchy and haunting energetic. Combined with floating David Gillmore 'esque guitars and stylish 808 beats these are two gems that are here too be enjoyed for many years to come! Very well crafted dance music!

ommy four seven is a young successful and prolific producer : not only has he had tracks signed to labels like brique rouge, catwash records, io music, love minus zero and jm recordings, but he has also remixed artists such as mike monday, fex, tom pooks and mark o'sullivan. being a permanent member of the br mob, he's the future of the label. mark o'sullivan is half of dk7 with jesper dahlbäck and member of the mighty quark.

months after the last Uturn output it's time for some news. The project C-MEM delivers this great debut contribution to the selective catalog of the Uturn label, the rude dark brother of Kanzleramt. The project fits perfectly with the small but like-minded Uturn label family. It's functional chord-techno without any intellectual concepts or advancements but with deep production skills and effective pure essentials.

Returning with another debut release, Second Circle's eighth record to date comes this time from young Viennese musician Giuseppe Leonardi. Performed on an array of synthesizers and experimenting with spoken word and vocals from various local singers, Giuseppe's 'TBC' EP take us on a dance through the catacombs and out through the jungle floor with ritualistic rhythm and haunting song... Whilst at other moments Giuseppe's horizontal ambient pieces leave us gazing out on the shores of a distant half-remembered planet.

Returning with another debut release, Second Circle's eighth record to date comes this time from young Viennese musician Giuseppe Leonardi. Performed on an array of synthesizers and experimenting with spoken word and vocals from various local singers; Giuseppe's 'TBC' EP take us on a dance through the catacombs and out through the jungle floor with ritualistic rhythm and haunting song... Whilst at other moments Giuseppe's horizontal ambient pieces leave us gazing out on the shores of a distant half-remembered planet.

Soda Gong presents a razor sharp collection of rigorous and imaginative new music from Moscow-by-way-of-St.Petersburg-based musician and producer Flaty. "Generic TARGZ" places Flaty's precipitously complex drum programming and keen ear for atmosphere and space at the forefront, offering up a dynamic array of techno, ambient, generative footwork, and other tougher to pigeonhole rhythmic experiments. It is a dizzying and cohesive document in which ethereal productions, such as "Praaai" wherein a bewitching vocal pad hovers over delicate, pin-prick percussion, sit comfortably alongside tightly controlled chaos, as with the synapse-knotting "Thread" and heavy-hitting "Horn of Plenty".

Over the past few years, Flaty has released a wealth of diverse and uniformly excellent music under monikers such as AEM Rhythm Cascade, Dada Ques, and Wrong Water. He is most closely associated with the influential GOST ZVUK label, but his work has also appeared on imprints such as 12th Isle, Muscut, and his own ANWO Records. Although Flaty serves as his primary alias, "Generic TARGZ" is only the artist's second full-length under the moniker, following 2016's "New Suggestions", a high-water mark in the impeccable GOST ZVUK catalog. Mastered by Rashad Becker at D&M. Artwork and design by Alex McCullough and Niall Wynne Lewis.

Iggy goes West! Soda Gong welcomes back Kansas City-based musician Iggy Romeu with his latest collection as Mister Water Wet. "Cold Clay from the Middle West" is a (characteristically) sharp left turn from his last two records, with Romeu offering up a surprising and addictive melange of crackpot Americana and smoky noir beat science. “Cold Clay Suite” opens the record, a five-part ride into the sunset that features Cooder-esque guitars, cat-gut fiddle, horse-hoof percussion, stadium organs, penny whistle, and bleary-eyed polysynth ruminations, among sundry other ephemera. Multi-instrumentalist Will Yates, known to most as Memotone, shows up three times on the album, lending clarinet, keys, guitars, banjo, sarangi, and vibraphone to these kaleidoscopic productions. It’s a wild ride of a record akin to following a dotted bridleway on a crumpled old map, marvelously variegated and stitched together as only MWW knows how. Get along, now.