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Radicall - FR047

Radicall

FR047

12inchFR047
Future Retro London
11.11.2025

It's not often where I sign a whole release off the back of a demo folder sent to me but when Radicall sent me some tunes he'd made on the Polyend Tracker, I was well impressed by the quality of the tunes & knew I had to have some for the label.

I narrowed it down to my favourite four and thankfully, they were all available for signing and ready for release, probably one of the most seamless releases I've worked on since I started Future Retro London a few years back!

Big thanks to Radicall for his wicked tunes!

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16,39

Last In: 3 months ago
Eminence & Sabola - FR048

I first remember meeting Eminence in 2019, at one of her Upraw events she was doing at the time in Leeds (now taking place in Bristol). She had booked me & Coco Bryce to play & since then, we kept in contact and she would send me her music that she was working on.

Last year, I heard that she had collaborations on the go with both Dwarde & Kid Lib, which made me curious about how those tunes would sound & when she sent me early previews of them, I was very keen on getting them for the label. It took quite a while for both of these collabs to get finished but eventually, after many back & forth between Eminence & both artists, we reached a point where everyone was happy (I think!) with the end results.

I was asked by Priori (a producer based in Montreal) who runs a label called NAFF about doing a remix of this tune called "First Step To Peace" by Sabola. I did the remix that month & both him & Sabola were pleased with how it sounded and it got the go ahead for release (should be out at some point soon!)

In February, I had a gig in Montreal where I was able to meet both of them beforehand to hang out and chat about music and such & getting to know Sabola in person, I realised that he had more interest in & knowledge about jungle than I had initially assumed. Also, he was occasionally producing jungle tunes, but none of them had been released before.

I asked him to send me some of what he had been working on & when he sent me "Close Your Eyes", I knew straight away that I needed to get him on the label in some form. I signed that track instantly and then waited for him to work on some more music for a Future Retro London release, which then resulted in "Give You Some Space" & that was all I needed.

In the end, I decided that rather than doing 2 separate 10" releases for the collabs Eminence had done with Dwarde & Kid Lib and the tracks that Sabola had made, it would be more practical to combine them into a split 12" EP release & here we are.

Big up to Eminence for her collabs (as well as her putting up with my constant chasing up of progress for the release), to Dwarde & Kid Lib for their work on the collaborations, to Sabola for his excellent work on his two tracks & to Priori for introducing me to his music.

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16,39

Last In: 5 months ago
KiF - Still Out LP

KiF

Still Out LP

12inchSNDREC005R2
Sound Records
10.11.2025

2025 Repress!

Recorded in a remote cabin on the Devon coast, STILL OUT is an album-length collaboration between musician-filmmakers – and childhood friends – Will Cookson and Tom Haverly. A reflection on friendship, landscape and the passing of time, it inspired a road trip from North Yorkshire to North Devon they took together in the summer of 2024, and forms the soundtrack to a film of the same name which had its premiere screening as part of Stroud Film Festival in March 2025.

Like the film, STILL OUT is also an oblique homage to The KLF’s iconic 1990 album Chill Out, which the Gloucestershire-based pair revisited after it turned up unexpectedly a few years back in Tom’s dad’s record collection. Inspired to create their own recording using a similarly free-spirited process, Will and Tom relocated to the Devon coast in late summer 2023, splicing together a 40-minute mix from their personal archive of recordings and found sounds in a remote cabin with no electricity or mobile reception.

"It came together using cut-and-paste techniques, with ongoing shifts and tweaks,” says Will. “The final result was an audio collage that felt like something legendary hip hop producers The Bomb Squad might make - if ambient music was the only material in their sample library."

Using ‘ambient’ as a starting-point rather than an end in itself, they took inspiration from across the musical spectrum – classic-period Brian Eno, Philip Glass, Bill Evans, plus outliers such as 80s singer-songwriter Virginia Astley and the late DJ-producer Andrew Weatherall. The connections, though, are anything but obvious as the audio shifts seamlessly from field recordings and spoken-word interludes to mood pieces and snatches of vintage pop.

Edited and assembled using freely available open source programs, the source material was often radically altered using tools such as “PaulStretch”, a digital sound-morphing algorithm that allows users to stretch audio files to extreme lengths.

"When we found ourselves in a creative slump or unsure how to navigate a tricky part, we'd say, ‘Let's put some syrup on it and slow it down,’” says Tom. “That always helped us get back on track during late-night recording sessions at the cabin."

Part-soundtrack, part-meditative experiment, STILL OUT is intended as a reflection on the mental and emotional shift that occurs when stepping away from the routine of daily life – an album that forms a celebration of our ever-changing relationship to the world around us and the mystery of what it means to pass through time and space.

“The true follow up, 35 years later, to The KLF’s ‘Chill Out’”.
JD Twitch (Optimo).

An ambient journey reflecting on friendship, the British landscape - and The KLF’s landmark album Chill Out

"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)

"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)

"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)

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30,88

Last In: 6 months ago
THE RAH BAND - GOING UP (2025 REMASTERED VERSION)

Going Up, originally released in 1983, is one of the most curious and enduring records from British studio mavericks The RAH Band. Long out of print, it now sees its first ever vinyl reissue courtesy of Shocking Music and Rush Hour.

Led by super-producer, arranger, and multi-instrumentalist Richard Anthony Hewson, The RAH Band has always existed just outside the mainstream. Blending jazz-funk, sci-fi synth pop, and cosmic lounge, their sound never quite fit the mould. That might explain the cult status they’ve held ever since. Beloved by Balearic heads, rare groove collectors, and adventurous synth diggers, Going Up is perhaps their most influential record.

At the centre of it all is the intro track “Messages From The Stars”, the band’s runaway cosmic hit. A spacey, retro-futurist groove that has become a viral favourite in recent years, it now boasts hundreds of millions of streams, with a new generation discovering it through TikTok and YouTube. But it was originally just one track on this understated 1983 album.

The rest of Going Up is just as compelling, filled with dusty drum machines, off-kilter instrumentals, woozy vocals, and that unmistakable early '80s charm. It is a snapshot of a band in transition, blurring the lines between leftfield pop, sci-fi funk, and home-brewed synth experiments.

Out of print for over 40 years, Going Up finally gets the reissue treatment it deserves. Restored and remastered, and still sounding like nothing else.

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20,59

Last In: 5 months ago
CONCRETE NOIR - ROMANCE RUINS LP

CONCRETE NOIR

ROMANCE RUINS LP

12inchFRQNS001LP
Frequense
10.11.2025

Concrete Noir is the latest project from multimedia artist and sound designer Piero Fragola, known for genre-defying ventures like We Love (BPitch Control) and ANGLE (Tiptop Audio Records). With this project, he explores a hybrid space where electronics, voice and image merge into an introspective and shadowy form. The debut album, Romance Ruins, is the first release on the newly founded Frequens Records.

Composed entirely using Tiptop Audio’s ART modular system, it unfolds as a series of layered, emotionally charged compositions. These are structured songs with a physical low-end impact.

Musically, Romance Ruins moves beyond genre boundaries to inhabit a space shaped by contrast and collision. The result is a form of modern hybridization—melancholic yet forceful, intimate yet expansive. The sonic identity is carefully constructed but deliberately raw, emphasizing emotion over precision.

The title itself captures the core of this paradox. Romanticism, in its intensity, may ultimately destroy. And yet, from that destruction, something vital emerges. The album embraces the figure of a decadent hero—a child of broken ideals who reclaims beauty from collapse. It’s a romantic vindication of decadence, a belief that clarity can rise from ruin, and meaning from fragmentation.

Moving through a broad range of tempos, the tracks explore murky, melancholic, tactile and cinematic moods. Synths intertwine with guitars (Fender and Gretsch Dobro). All vocals are performed by Piero Fragola, except on Faraway Places, where his voice is joined by that of Viktoria Lishkee—the album’s only guest appearance.Nearly every track is paired with a video, expanding the work’s audiovisual dimension. As a designer for Tiptop Audio and instructor at IED and LABA in Florence, Fragola brings a multi-sensory vision to Concrete Noir—one where medium and message, form and feeling, are inseparable. With Romance Ruins, he delivers an artistic statement. A body of work that resists categorization and embraces the beauty of decay.

Romance Ruins marks the beginning of Frequens Records. Available in a 180-gram vinyl edition.

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17,23

Last In: 6 months ago
HIDDEN FREQUENCIES - DANCING ON DATA STREAMS EP

Funnuvojere’s curator and founder, Massimiliano Pagliara, reunites with longtime collaborator Gian to present a new chapter in their shared musical exploration: a full-length album under the moniker Hidden Frequencies. The pair’s creative dialogue began with a 2017 release on LACKREC — itself a tribute to Detroit electro — and this LP continues that sonic discourse, refining and expanding their vision. Hidden Frequencies pays homage to the emotive minimalism of acts like The Other People Place, channeling the melancholic elegance and machine soul of Detroit’s second wave.

It’s a record built on analog textures, brooding basslines, and crisp drum programming — both a reverent nod and a forward-looking reinterpretation. Tracks like “Oscillations Of Us” and “Dreaming In Electric Blue” inject peak-time energy into the atmospheric and almost restrained narrative, with a techno drive built for the dancefloor. “Obsidian Reflections” walks the line — structured around classic electroarchitecture but charged with intense propulsion. Pieces like “Dancing On Data Streams” — the contemplative title track — and “EncodedWhispers” offer more introspective soundscapes, inviting deep listening and emotional immersion.

Together, these tracks form a nuanced body of work that shifts seamlessly between reflective and kinetic, minimal and expansive. Familiar yet exploratory, Hidden Frequencies is the sound of two artists in conversation —not just with each other, but with a musical legacy they continue to honor and reshape. This is a modern electro séance that blends introspection with intention, nostalgia with forward motion.

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13,40

Last In: 6 months ago
Phèdre - Liquid Constancy (2x12")

In the two years since Parallel Minds’ Juno-Award-winning 5th release Homesick by label co-founder Ciel, we have taken our time reassessing our next moves as the larger dance music scene experienced a paradigm shift. What does it mean to release music made by underground artists from lesser-known scenes like Toronto at a time when bookers and A&Rs are taking fewer risks than ever before? How do we truly celebrate the musical diversity of electronic music when the bottom line threatens to reduce any and all forms of risk-taking?

You just do it, of course.

In truth, few artists have come to represent the music scene in the Big Smoke more than Phèdre, and having seen the duo’s progression from indie weirdo-pop to live hardware act to breakbeat wunderkind in the last decade has been nothing short of amazing. It’s really artists like these that inspired us to start the label in 2018, and we are super elated to usher in PM006 with their long-awaited album, Liquid Constancy.

On its face, Liquid Constancy is a breakbeat record. There are housier joints, to more bassy Baltimore club bangers, to breakneck footwork and jungle steeped in sunshine. All of them share a distinctly syncopated, dubwise rhythm that grounds the album’s tracks. With some having been developed as early as seven years ago, these tracks had their genesis in Phèdre’s mostly improvised live hardware sets from some of Toronto’s most notorious warehouse raves. Primarily powered by two Korg Electribe ESX-1s and the semi-modular Moog Mother-32, the jams found new life in the studio when the duo began recording them as tracks, which demanded a mindfulness of their permanence that Daniel Lee and apè Aliermo at first found intimidating.

Over time, the pair developed a synergistic workflow that pulls from Daniel’s background in drums and apè’s keen ear for texture and movement. They sourced samples featuring voices of BIPOC and feminist icons, drew from their shared love of sci-fi and kung fu movies, and from their Filipino, Chinese, German, and Surinamese backgrounds. Samples were manipulated via techniques like lowering bit rates and adjusting speed to maximize usage due to the Electribe’s limited sample time, which was a subtle way of injecting their interests into their music without being too on the nose. Growing up in the melting pot of the GTA, going to raves as teens, bumping post-punk, industrial, electro, hip-hop and 90s R&B — these experiences all had an undeniable influence on Liquid Constancy. As kids of immigrant parents, equally informed by both their adopted and native cultures, Phèdre makes music informed by sampling and defined by cultural hybridity. In times like these, what is more feel-good than believing in music as a universal language that brings our different backgrounds together?

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21,64

Last In: 6 months ago
Deetron - Running Back Mastermix: Deetron (Tape)

What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.

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16,18

Last In: 6 months ago
ICE CREAM - Previously Unissued  LA California 1978
  • A1: With Love You'll Find Peace Of Mind (3.57)
  • B1: Seaside Vibes (3.12)

Epsilon Record Co is pleased to introduce its latest release ICE CREAM.

The two previously unissued tracks from 1978, recorded in Los Angeles, California, re-mastered by Steve Fuji.

Steve Fuji and I have collaborated on several projects including Paris Ford, The Kopestetics, Real Side, Taxie, Kenyatta, Henderson & Jones, Natural Impulse, Ray Williams & Prime Cut. He is a valued member of Epsilon Record Co and we are grateful for his assistance and expertise.

Several years ago Steve informed me that he had a master tape from a recording session he conducted in 1978 (he believes it was at Mystic Studio) from one of the original members and co-founders of Taxie, Charles Erwin Williams II, also known as ‘Ice Cream’.

The tape was in good condition and the original version of With Love You’ll Find A Peace Of Mind was 7 minutes 38 seconds. I asked Steve if it was possible to shorten it to approximately 3 minutes.

A few days later I received several versions re-mastered and re-mixed by him and we both agreed they sounded excellent.

We hope you will enjoy this as much as we do. It is a fantastic piece of unheard Californian soul music available exclusively on Epsilon Record Co.



The B side Seaside Vibe is a killer funky instrumental with an amazing production.

pre-ordina ora10.11.2025

dovrebbe essere pubblicato su 10.11.2025

19,54
Beroshima Feat. Rummy Sharma - Delhibelly Ep

A key label on the Berlin scene since the 1990s, Muller Records—famed for a deep and chunky club sound from artists like Dave DK, Claude Young and The Hacker—is back with a new EP from Beroshima feat Rummy Sharma with remixes from Namito and Pascal Hetzel. Beroshima, of course, is the production work of label Frank Muller sometimes accompanied by ethereal electronic music specialist Ulrich Schnauss. After more than twenty years together they have amassed a fine body of work that includes five albums and more than a hundred Eps!

Always mixing up acid, techno and tribal into something fresh, the Beroshima sound has its own unique signature.... For this latest single Muller steps up solo to produce another gem. The stellar Delhibelly is a slick and muscular cut that bubbles away on a bed of warming bass.... Smeared pads add soul and snares flap about like tin foil in a breeze. It's a futuristic cut that will always pack a punch in any context. The Techno Mix is just as soulful but is quicker and more expansive so as to carry dancers away on an uplifting groove. Namito is a Green Horn Records producer from Iran but based in Berlin. He is another veteran who is as relevant as ever and his mix slows things down to a deep, inviting roller with jazzy perc, absorbing synths and kinetic kicks driving things along in style. Finally Pascal Hetzel, fresh from his super CYRK release with Sierra Sam, completes this sterling great package.

His classy remix is another rounded affair full of warm synths and bass that is sure to keep energy and emotional levels high in any set. Once again here Muller Records have concocted a club ready record that both DJs and dancers will love.

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12,56

Last In: 5 years ago
ASTRUD GILBERTO - The Astrud Gilberto Album (Limited Edition)

The debut studio album by singer Astrud Gilberto, featuring Antônio Carlos Jobim on guitar and arrangements by Marty Paich, The Astrud Gilberto Album was released by Verve Records in 1965. It peaked at number 41 on the Billboard 200 chart and, in 2017, National Public Radio placed it at number 73 on the "150 Greatest Albums Made by Women" list. The album received a ****½ rating on AllMusic, with reviewer John Bush stating that "her voice was yet more sweet than had been heard previously, and as before, the record featured two strong leaders. As long as intelligent musicians were playing to her strengths (as they do here), the results were splendid."

pre-ordina ora10.11.2025

dovrebbe essere pubblicato su 10.11.2025

29,83
MISS NELSON - DANCE SING AND LISTEN AGAIN! LP
  • A1: Introductions
  • A2: Silent Movies
  • A3: Tokey
  • A4: Machines
  • A5: Fireworks
  • B1: Children's Hoe-Down
  • B2: More Medieval Music
  • B3: Coco Remembers
  • B4: Jelly Dancers
  • B5: What Can Se Be?
  • B6: Rehearsal
pre-ordina ora09.11.2025

dovrebbe essere pubblicato su 09.11.2025

20,38
VARIOUS ARTISTS - Now Country Classics: 90's Dance Party 2x12
  • A1: Shania Twain– Whose Bed Have Your Boots Been Under?
  • A2: Faith Hill– This Kiss
  • A3: Brooks & Dunn– Boots Scootin’ Boogie
  • A4: Travis Tritt– T-R-O-U-B-L-E
  • B1: Tracy Byrd– Watermelon Crawl
  • B2: Vince Gill– What The Cowgirls Do
  • B3: George Strait– Check Yes Or No
  • B4: Reba Mcentire– The Night The Lights Went Out In Georgia
  • C1: Terri Clark– Better Things To Do
  • C2: Patty Loveless– I Try To Think About Elvis
  • C3: Martina Mcbride– Love's The Only House
  • C4: Mary Chapin Carpenter– Shut Up And Kiss Me
  • D1: Joe Diffie– Pick Up Man
  • D2: Rhett Akins– That Ain't My Truck
  • D3: Little Texas– God Blessed Texas
  • D4: Rednex– Cotton Eyed Joe
pre-ordina ora09.11.2025

dovrebbe essere pubblicato su 09.11.2025

16,18
DRAIN - ...IS YOUR FRIEND
  • Stealing Happiness From Tomorrow
  • Living In A Memory
  • Scared Of Everything And Nothing
  • Nothing But Love
  • Can't Be Bothered
  • Loudest In The Room
  • Nights Like These
  • Who's Having Fun?
  • Darkest Days
  • Until Next Time
disponibile anche

PINK EYE COLOURED Vinyl[23,49 €]


"Straight up, no one is having more fun than me when we"re up there!" beams DRAIN frontman Sammy Ciaramitaro, whose face is perpetually glued in a grin. For anyone that"s seen the Santa Cruz hardcore firebrands live, there"s no mistaking that fact. DRAIN isn"t just a good time as Sammy presides over the chaos of stage diving bodies and mic-grabbing frontline; it"s a party-and everyone is invited. (Dolphin shorts and boogie boards are optional but encouraged.) "The vibe of it is, enthusiastic, hectic," says the vocalist. "Five people deep singing and stagediving, then kids going berserk behind that. It"s a great vibe and I think people pick up on that." That, in a nutshell is DRAIN. The trio inject a serious dose of relatability-not to mention catchiness-into hardcore"s penchant for toughness and brutality on their new Epitaph album, ...IS YOUR FRIEND. Ciaramitaro"s desperate, snotty howl rides roughshod over thrash-leaning riffage as rhythms bounce in a big way. If you"re picturing the Pacific Ocean waves that rise and fall along the coastal town, occasionally violently so, you"re not far off.

pre-ordina ora07.11.2025

dovrebbe essere pubblicato su 07.11.2025

22,65
BETTY EVERETT - My Life Depends On You / My Love
  • A. My Life Depends On You
  • B. My Love

Betty Everett, a Mississippi-born singer best known for her 1964 hit The Shoop Shoop Song (It's In His Kiss) released on Vee-Jay Records, made her debut
shortly after moving to Chicago in 1957 with a single on Cobra Records. P-VINE is proud to reissue this historic debut release.

Among the highly collectible Cobra Records catalog, this single stands out as an especially rare gem. The A-side, My Love, written by Willie Dixon, is a cool,
minor-key mid-tempo R&B track that enjoys immense popularity within the Popcorn and New Breed R&B scenes. The song features a melancholic melody and
the fresh, vibrant vocals of a then-17-year-old Everett, leaving a lasting impression. On the flip side, My Life Depends On You is a charming, lovely ballad that
also shines as a truly exceptional track.

pre-ordina ora07.11.2025

dovrebbe essere pubblicato su 07.11.2025

30,38
OSCAR BOYD - Twist With Ossie Lee / She's My Baby
  • A. Twist With Ossie Lee
  • B. She's My Baby

★A rare reissue from obscure R&B singer Oscar Boyd
★First time reissued on vinyl in more than 60 years" "Oscar Boyd made his debut in 1959 with a single on Checker Records (featuring backing vocals by The Calvaes,
a Chicago doo-wop group who released two singles on Cobra Records), but he remains a relatively obscure singer with little widely known about him. His 1962 release
on the Hermes label is also a gem, and that same year he released this single on USA Records.

The B-side, She’s My Baby, is an absolute highlight—a thrilling rockin’ R&B track with a catchy melody, Boyd’s aggressive vocal delivery, and an outstanding backing performance.

The A-side, Twist With Ossie Lee, lives up to its name as a lively and danceable tune featuring a female vocalist—likely Anita, who also recorded a single
on USA Records in 1962 under the name Oscar & Anita.

pre-ordina ora07.11.2025

dovrebbe essere pubblicato su 07.11.2025

30,38
Various - Anjuna25 Anniversary Vinyl Box Set (10x12")
  • A1: Volume One (Original Mix) - Anjunabeats
  • A2: Gravity (Original Mix) - Parker & Hanson
  • A3: Northern Lights (Original Mix) - Smith & Pledger
  • B1: Gravity (Original Mix) - P.o.s
  • B2: Helsinki Scorchin' (Original Mix) - Super8 & Tab
  • B3: Amsterdam (Original Mix) - Luminary
  • C1: Black Is The Colour (Coco & Green Remix Edit) - Cara Dillon Vs. 2Devine
  • C2: Elf (Original Mix Edit) - Bart Claessen
  • C3: Chasing Love (Original Mix) - Maor Levi Feat. Ashley Tomberlin
  • C4: Sun 2011 (Original Mix Edit) - Slusnik Luna
  • C5: My Enemy (Rank 1 Remix Edit) - Super8 & Tab Feat. Julie Thompson
  • D1: Downforce (Club Mix 2025 Vinyl Edit) - Nitrous Oxide
  • D2: Sushi (Original Mix 2025 Vinyl Edit) - 7 Skies
  • D3: Rebound (Original Mix Edit) - Arty & Mat Zo
  • D4: Around The World (Original Mix Edit) - Arty
  • D5: Easy (Original Mix Edit) - Mat Zo & Porter Robinson
  • E1: In And Out Of Phase (Original Mix) - Andrew Bayer & Matt Lange Feat. Kerry Leva
  • E2: Bloom (Original Mix) - Norin & Rad
  • E3: Wayfarer (Original Mix Edit) - Audien
  • F1: The Great Divide (Myon & Shane 54 Summer Of Love Mix Edit) - Velvetine
  • F2: Big Ben (Original Mix Edit) - Ilan Bluestone
  • F3: The Dark (Original Mix Edit) - Boom Jinx & Meredith Call
  • F4: U (Original Mix) - Grum
  • F5: Enceladus (Original Mix Edit) - Sunny Lax
  • G5: All In (Original Mix) - Fatum, Genix, Jaytech & Judah
  • G6: Lost (Original Mix) - Tinlicker Feat. Run Rivers
  • H1: The Best Part (Original Mix) - Gardenstate & Anamē Feat. Bien
  • H2: Midnight (Original Mix) - Andrew Bayer & Alison May
  • H3: Sweet Feeling (Original Mix) - Amy Wiles & Leena Punks
  • H4: Remission (Original Mix) - Kasablanca & Lane 8
  • H5: Lifetime (Original Mix) - J Ribbon
  • I1: Nobody Seems To Care (Original Mix) - 16Bl
  • I2: Moth (Original Mix) - Jaytech & James Grant
  • I3: A Sort Of Homecoming (Michael Cassette Extended Mix) - Paul Keeley
  • J1: To The Six (Martin Roth Remix) - Boom Jinx & Andrew Bayer
  • J2: Beautiful Life (Original Mix) - Martin Roth
  • J3: Shadow's Movement (Original Mix) - Michael Cassette
  • K1: Be Mine (Original Mix) - Lane 8
  • K2: Got This Feeling (Original Mix) - Cubicolor
  • K3: Wyv Auw Chu (Original Mix) - Tom Middleton
  • L1: Mr Man (Original Mix) - Dusky
  • L2: Personal Space (Original Mix) - Yotto
  • L3: Deep In My Soul (Original Mix) - 16Bl
  • M1: Night Blooming Jasmine (Rodriguez Jr. Remix) - Eli & Fur
  • M2: Need You (Original Mix) - Luttrell
  • M3: Tuesday Maybe (Original Mix) - Way Out West
  • N1: Breathing (Original Mix) - Ben Böhmer, Nils Hoffmann & Malou
  • N2: Come Together (Original Mix) - Nox Vahn & Marsh
  • G1: Nightwalk (Original Mix 2025 Vinyl Edit) - Spencer Brown
  • N3: Sleepwalker (Extended Mix) - Tinlicker
  • G3: Only Road (Cosmic Gate Remix) - Gabriel & Dresden Feat. Sub Teal
  • N4: Room 1.5 (Original Mix) - Joseph Ray
  • O1: Nightwhisper (Original Mix) - Jody Wisternoff & James Grant
  • O2: Sometimes It's Scary But It's Still Just You And Me (Original Mix) - Leaving Laurel
  • O3: Externalizer (Original Mix) - Dosem
  • O4: Never Really Get There (Original Mix) - Cri Feat. Jesse Mac Cormack
  • O5: Proud (Original Mix) - Qrion
  • P1: Overtones (Extended Mix) - Frost
  • P2: Points Beyond (Original Mix) - Cubicolor
  • P3: Muse (Original Mix) - Rezident Feat. Kate Morgan
  • P4: Surge (Proff & Igor Garanin Remix) - Above & Beyond
  • P5: Next To You (Original Mix) - Romain Garcia
  • Q1: Tri-State (Original Mix 2025 Vinyl Edit) - Above & Beyond
  • Q2: Careless Love (Original Mix) - Croquet Club
  • Q3: 8 Hours, Still No Rain (Original Mix) - Hosini & Jones Meadow
  • Q4: Lose Sight (Original Mix) - Andrew Bayer Feat. Ane Brun
  • Q5: Before We Drown (Original Mix) - Boerd Feat. Stella Explorer
  • R1: Strength From Inside (Original Mix) - Above & Beyond
  • R2: Sleep Is Sacrament (Original Mix) - Cephas Azariah
  • R3: Kyoto (京都) (Original Mix) - Mark Barrott
  • R4: Happiness (Original Mix) - Omfeel
  • R5: Silhouette (Original Mix) - Yotto
  • S1: Razorfish (Above & Beyond's Progressive Mix 2025 Vinyl Edit) - Tranquility Base
  • S2: Anphonic (Original Mix Edit) - Above & Beyond Vs. Kyau & Albert
  • S3: Hello (Original Mix Edit) - Above & Beyond
  • S4: There's Only You (Above & Beyond Club Mix) - Above & Beyond Feat. Zoë Johnston
  • G2: Higher Love (Original Mix) - Seven Lions & Jason Ross Feat. Paul Meany
  • G4: Lovingly (Original Mix) - Oliver Smith Feat. Amy J Pryce
  • S5: Screwdriver (Original Mix Edit) - Above & Beyond
  • T1: On A Good Day (Above & Beyond Club Mix Edit) - Above & Beyond Pres. Oceanlab
  • T2: Sun & Moon (Original Mix) - Above & Beyond Feat. Richard Bedford
  • T3: We're All We Need (Original Mix) - Above & Beyond Feat. Zoë Johnston
  • T4: Northern Soul (Original Mix) - Above & Beyond Feat. Richard Bedford
  • T5: Quicksand (Don't Go) (Original Mix) - Above & Beyond And Zoë Johnston

From its modest beginnings as a university project, Anjuna has grown to become one of the most influential forces in electronic music. What began as, and remains, a passion project has evolved into a global electronic music powerhouse. Led by Jono Grant, Paavo Siljamäki, Tony McGuinness (better known as Above & Beyond) and label exec James Grant - Anjuna now spans three distinctive imprints: Anjunabeats, Anjunadeep and Anjunachill. To mark the label’s 25th anniversary, Above & Beyond and James have carefully curated a selection of picks from its rich catalogue that includes countless genre defining releases to present the label’s most expansive vinyl offering to date.

Covering the full spectrum of that 25 year journey, the ten vinyl box chronicles 84 of the label’s most iconic releases across all three labels, including a vinyl dedicated to label founders Above & Beyond. Encased in a custom outer slipcase box with a debossed foil Anjuna25 logo. Accompanying the ten vinyl is a 48-page perfect-bound booklet printed on premium art paper and textured cover stock, featuring track-by-track insights from artists and Anjuna HQ staffers delving into the stories behind each record and their reflections on 25 years of music. The Anjuna25 anniversary box set is a beautifully presented tribute to 25 years of innovation, artistry and emotional connection.

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180,25

Last In: 6 months ago
HARMFUL - HARMFUL

Harmful

HARMFUL

12inchHAYK6
Hayk Records
07.11.2025
  • Culprit
  • Noxious
  • What?!
  • Damp Down
  • Forfeiture
  • Incline To Fall
  • Limpid Demirit
  • Nothing To Comfort
  • Skulk
  • D.h.a
  • Parted

Neon-orange Vinyl, limitiert auf 500 Exemplare. 1995 haben HARMFUL mit ihrem selbstbetitelten Debüt keine halben Sachen gemacht: herrlich anstrengend, atemlos und kompromisslos direkt - ein wuchtiger Sound, der bis heute Kultstatus hat. Keine Spielereien, nur pure, ungefilterte Energie. Grandios produziert von Guido Lucas, dem leider viel zu früh verstorbenen Kultproduzenten sowie langjährigen Freund und Wegbegleiter von HARMFUL, im legendären BluBox-Studio in Troisdorf. Das selbstbetitelte Harmful-Debüt war für das BluNoise-Label wegweisend und zugleich das erste Album auf dem später so einflussreichen Label - das danach Kultbands wie Blackmail und Ulme sowie viele weitere eigenständige Acts beherbergen sollte. Sänger und Gitarrist Aren Emirze, heute auch mit seiner Band Musa Dagh erfolgreich unterwegs, kehrt gemeinsam mit Chris Aidonopoulos (Bass) und Nico Heimann (Drums) in Originalbesetzung zurück auf die Bühne - für zwei exklusive Jubiläumskonzerte. Jetzt, 30 Jahre später, erscheint das Album als streng limitierte 30th Anniversary Edition auf transparent-orangenem Vinyl - limitiert auf nur 500 Stück - inklusive dem Original-Artwork, das den Kultstatus des Albums unterstreicht.

pre-ordina ora07.11.2025

dovrebbe essere pubblicato su 07.11.2025

28,78
ATA KAK - BATAKARI

Ata Kak schuf mit seinem Debütalbum **,Obaa Sima"** ein eigenwilliges Stück ghanaischer Musikgeschichte. Bei seiner Veröffentlichung im Jahr 1994 blieb es zunächst weitgehend unbeachtet, doch 2006 erlebte die Kassette online ein neues Leben. Als erster Beitrag auf dem Blog *Awesome Tapes From Africa* avancierte sie zu einer Art Manifest für das gesamte Projekt - und löste eine ungewöhnliche, aber nicht gerade leise Kultbegeisterung aus. Seine fesselnde Mischung aus experimenteller elektronischer Musik und Twi-sprachigem Hiplife erreichte ein überraschend breites Publikum unter Musikfans unterschiedlichster Couleur. Das Rätsel um die Identität des Musikers wuchs. Schließlich trat Yaw Atta-Owusu aus dem Schatten - aus seinem ruhigen Zuhause in Kumasi - und tourte um die Welt, spielte energiegeladene, schweißtreibende Auftritte auf großen Festivals wie Glastonbury, Sónar und Pop Montreal. Nun veröffentlicht Ata Kak erstmals seit 1994 neue Musik. Über mehrere Jahre hinweg in Studios rund um Kumasi entwickelt, präsentieren die Songs den akrobatischen Rap und das charakteristische Scatting des Sängers-Rappers, dramatische Drums und sogar die traditionelle Akan-Harfe. Die Kompositionen sind ambitionierter als seine frühen Werke, mit komplexeren Arrangements und vielschichtigen Harmonien. Die neuen Stücke sind auch Ausdruck eines ruhelosen Künstlers - Ata Kak ist ein produktiver Dichter und Autor von rund einem halben Dutzend Büchern, zudem passionierter Gärtner und fleißiger Maler. Geboren 1960 in Ghana, war Ata Kak nicht immer in der Musik aktiv. Seine Reisen und seine Offenheit für die Welt führten ihn jedoch in die Musikszene. Während seines Aufenthalts in Deutschland wurde er eingeladen, in einer Reggae-Band Schlagzeug zu spielen, und trat später in Highlife-Bands in Ontario auf, nachdem er in die Gegend um Toronto gezogen war. Dort nahm er **,Obaa Sima"** in seinem Heimstudio auf und veröffentlichte es 1994 in Ghana. In den Jahren danach war er nur wenig musikalisch aktiv, bis ,Obaa Sima" 2015 neu aufgelegt wurde. Seitdem spielt er seine Songs live - unterstützt von einer brillanten Gruppe Londoner Musiker - und hat auf drei Kontinenten getourt, vor Tausenden von Fans in den unterschiedlichsten Locations.

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22,27

Last In: 6 months ago
ATA KAK - BATAKARI

ATA KAK

BATAKARI

12inchATFADLX53
AWESOME TAPES FROM AFRICA
07.11.2025

Ata Kak schuf mit seinem Debütalbum **,Obaa Sima"** ein eigenwilliges Stück ghanaischer Musikgeschichte. Bei seiner Veröffentlichung im Jahr 1994 blieb es zunächst weitgehend unbeachtet, doch 2006 erlebte die Kassette online ein neues Leben. Als erster Beitrag auf dem Blog *Awesome Tapes From Africa* avancierte sie zu einer Art Manifest für das gesamte Projekt - und löste eine ungewöhnliche, aber nicht gerade leise Kultbegeisterung aus. Seine fesselnde Mischung aus experimenteller elektronischer Musik und Twi-sprachigem Hiplife erreichte ein überraschend breites Publikum unter Musikfans unterschiedlichster Couleur. Das Rätsel um die Identität des Musikers wuchs. Schließlich trat Yaw Atta-Owusu aus dem Schatten - aus seinem ruhigen Zuhause in Kumasi - und tourte um die Welt, spielte energiegeladene, schweißtreibende Auftritte auf großen Festivals wie Glastonbury, Sónar und Pop Montreal. Nun veröffentlicht Ata Kak erstmals seit 1994 neue Musik. Über mehrere Jahre hinweg in Studios rund um Kumasi entwickelt, präsentieren die Songs den akrobatischen Rap und das charakteristische Scatting des Sängers-Rappers, dramatische Drums und sogar die traditionelle Akan-Harfe. Die Kompositionen sind ambitionierter als seine frühen Werke, mit komplexeren Arrangements und vielschichtigen Harmonien. Die neuen Stücke sind auch Ausdruck eines ruhelosen Künstlers - Ata Kak ist ein produktiver Dichter und Autor von rund einem halben Dutzend Büchern, zudem passionierter Gärtner und fleißiger Maler. Geboren 1960 in Ghana, war Ata Kak nicht immer in der Musik aktiv. Seine Reisen und seine Offenheit für die Welt führten ihn jedoch in die Musikszene. Während seines Aufenthalts in Deutschland wurde er eingeladen, in einer Reggae-Band Schlagzeug zu spielen, und trat später in Highlife-Bands in Ontario auf, nachdem er in die Gegend um Toronto gezogen war. Dort nahm er **,Obaa Sima"** in seinem Heimstudio auf und veröffentlichte es 1994 in Ghana. In den Jahren danach war er nur wenig musikalisch aktiv, bis ,Obaa Sima" 2015 neu aufgelegt wurde. Seitdem spielt er seine Songs live - unterstützt von einer brillanten Gruppe Londoner Musiker - und hat auf drei Kontinenten getourt, vor Tausenden von Fans in den unterschiedlichsten Locations.

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23,49

Last In: 6 months ago
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