quête:chan
A multifaceted artist, who over his career has traversed between singer-songwriter, hit producer, DJ and curator, Ben Westbeech now arrives on Glitterbox Recordings with a fully realised artistic vision on his new album Everything Is Within You.
Encapsulating Ben’s appreciation of the power we all have within us to achieve joy and peace, as conveyed sonically by all the musicians involved, Everything Is Within You came together organically. His first full length solo LP since the acclaimed There’s More To Life Than This on Strictly Rhythm in 2011, Everything Is Within You showcases Ben’s artistic development as a songwriter, curator and producer as he steps into his role as producer and arranger, away from lead vocalist.
“This album is about speaking the truth. The truth from within. Luckily, I have been blessed to come across the paths of other artists that shared the same sentiment over the seas that dwell. These artists all feature heavily on this record. It isn’t about me or you. It’s about everything that is within.” – Ben Westbeech
Spotlighting featured artists such as Dames Brown (recorded by Moodymann in Detroit), RAHH, Karen Harding, DAVIE and Obi Franky, with co-production credits including Honey Dijon, Luke Solomon and Chris Penny, as well as Mousse T., the record was born out of a Glitterbox writing camp in London at Defected’s studios. The collection of records that were made that week became a catalyst for the full album, now arriving on Defected’s Glitterbox Recordings.
An artist with a rich musical history, from the release of his mature debut album Welcome to the Best Years of Your Life for Gilles Peterson’s Brownswood, to his chart-topping club records as Breach, and work as The Vision on Defected, the path to this new album has included periods of sobriety, self-work, spiritual exploration and the integration of a healthier outlook all round. Now based in Ibiza, the omnipresent energy of the magical island has permeated into the music on his new album, as well as the influence of his personal and spiritual growth.
Exploring a range of genres across the LP, from neo soul to house influences, the breadth of Ben’s musical knowledge is demonstrated throughout the eight tracks. From the blissed-out piano grooves of ‘Times Are Changing’, since remixed by house royalty Louie Vega and Josh Milan as Two Soul Fusion, to the uplifting ‘Do Me Right’ and the emotional soundscapes of ‘So Good To Me’, Everything Is Within You puts the emphasis on the guest vocalists. With exquisite live instrumentation and songwriting that give the record an evergreen feeling, this is a timely album that exudes a contagious, positive feeling throughout, something the world needs right now.
For customers of the Rush Hour shop, this item ships for its may 23rd release date. Any items ordered along with this will ship then also
After five years spent largely confined to the United States, Ron Trent is set to return to global touring in 2025. To mark the occasion, he’s partnered with Rush Hour to release Lift Off, a brand-new album of music recorded at different points over the last decade.
Arriving almost 35 years since he wowed the world with his game-changing debut, the Afterlife EP, Lift Off was inspired by Trent’s desire to ‘let the imagination speak for itself’ while exploring the diverse influences that have shaped his unique musical perspective. A departure from his previous album, 2022’s downtempo masterpiece as Warm, What Do The Stars Say To You, the 10-track set features a mixture of epic instrumentals, inspired collaborations and vocal cuts whose music was written with certain singers in mind.
While it features music that ripples with the experienced producer’s familiar aural trademarks – rich rhythms, warm chords, impeccable instrumentation, inspired arrangements, and lashings of heady hand percussion – it also consciously explores a variety of sounds and tempos, in the process blurring the lines between dance music’s past, present and future. It’s a vision, in his words, of what dance music can become.
For proof, check the five impeccable cuts on part one. There’s the tactile, Wally Badarou-inspired wonder ‘Hot Ice’, the mind-soothing chords, lilting synth-strings and samba-soaked percussion of ‘Woman of Color’, the warming deep house jazziness of ‘Jazz Funk’ and the restless, far-sighted brilliance of ‘Sexstrology’, where relaxed electric piano solos dance atop an infectious, locked-in dancefloor groove.
Best of all though is Leroy Burgess collaboration ‘Let Me See You Shining’ – an inspired musical meeting of minds that cannily fuses Trent’s signature deep house sound with the soulful, vocal-driven brilliance of the New Yorker’s iconic boogie-era work. Even by the two artists’ dizzyingly high standards, it’s a very special song.
PART ONE[25,17 €]
For customers of the Rush Hour shop, this item ships for its may 23rd release date. Any items ordered along with this will ship then also
After five years spent largely confined to the United States, Ron Trent is set to return to global touring in 2025. To mark the occasion, he’s partnered with Rush Hour to release Lift Off, a brand-new album of music recorded at different points over the last decade.
Arriving almost 35 years since he wowed the world with his game-changing debut, the Afterlife EP, Lift Off was inspired by Trent’s desire to ‘let the imagination speak for itself’ while exploring the diverse influences that have shaped his unique musical perspective. A departure from his previous album, 2022’s downtempo masterpiece as Warm, What Do The Stars Say To You, the 10-track set features a mixture of epic instrumentals, inspired collaborations and vocal cuts whose music was written with certain singers in mind.
While it features music that ripples with the experienced producer’s familiar aural trademarks – rich rhythms, warm chords, impeccable instrumentation, inspired arrangements, and lashings of heady hand percussion – it also consciously explores a variety of sounds and tempos, in the process blurring the lines between the past, present, and future. It’s a vision, in his words, of what dance music can become.
For proof, check the five tremendous tracks on part two. There’s the AM radio-ready warmth, guitar-flecked looseness, and eyes-closed bliss of ‘Just Another Love Song’, where Trent’s own multi-tracked vocals catch the ear, the slow-motion, head-nodding deep space bliss of ‘Juice’ and alternative Balearic love song ‘And Fly Away’.
Part two of the vinyl edition also includes two superb collaborations. Fellow Rush Hour artist Lars Bartkuhn lends his virtuoso guitar skills to ‘Street Wave’, a future house classic laden with nods to jazz-funk and fusion, while regular collaborator Harry Dennis (best known for his work as part of early Chicago house outfit Jungle Wonz) adds a poetic and emotion-filled spoken word vocal to the equally inspired ‘Her’.
Darren Allen is a North Ireland electronic music artist recognized for his minimalist and experimental approach to electronic music. Founder of the Underlying Form label, he has contributed to the underground scene by producing tracks that explore the boundaries of minimalism and techno.
Darren Allen influence the contemporary electronic scene through his authentic artistic approach and dedication to sound exploration. That’s why KAIROS CORP choose his music for your time travel.
Have you ever wanted to have a second chance ? Time is no longer a limit, be a part of time itself. Book now for a timeless adventure !
Mastering > Analogue Cut Mastering
Single Sided Vinyl
Meet Camy Huot: a French performance artist, music producer, and DJ currently based in Utrecht, The Netherlands. Known for driving the pulse of the underground scene via her events, radio shows and DJ sets at live shows & festivals (e.g. Best Kept Secret, Gothic Pogo and Grauzone)
The night stretches elastic, twisted. You’re a hostage to the rhythm, riding the edge of something primal and broken. Neon shadows flinch and fold into your peripheral vision. A voice, your own maybe, says you don’t have to worry about it. The night insists. The echoes pile up in your skull, turning themselves inside out. –It’s boring here, and I don’t wanna go home–
For her debut EP “Echoes in my Room”, Camy Huot set out to write about what she knows, channeling a primal collection of fucked up thoughts through an invigorating, brutally honest clash of feverish noise, cavernous textures and arpeggiated beats.
For fans of Sexy Sushi, L.F.T.
Released in 1975, Teddy Lasry's Action Printing is a fascinating album where jazz-fusion, synthesizers and sonic experimentation intertwine to create immersive, cinematic music. A former member of Magma, Teddy Lasry's audacious syncopated rhythms and futuristic melodies evoke both film music and avant-garde electronics. Long under the radar, this visionary album has now been reissued on vinyl, offering a new chance to plunge into its captivating, hypnotic universe.
Limited to 200 copies worldwide exclusive at The Pusher Distribution!
Solo project of ARIA-nominated Hudson Whitlock of Surprise Chef, who have 45 million+ Spotify streams, and The Cactus Channel who have 40 million+ Spotify streams. Album features members of Surprise Chef and Karate Boogaloo.
Melbourne, Australia's indie-soul wunderkind Brenda, solo project of Surprise Chef's Hudson Whitlock, make their College Of Knowledge debut with two heartbreaking, moody ballads 'Where Did I Go Wrong?' and 'Family'.
Bomj Diego had one simple dream – to spend a lazy summer weekend at his friend’s dacha, kicking back in a plastic lawn chair, sipping on Ovip Lokos, and letting the world spin as slowly as the rusty ceiling fan in the old guest house.
One Friday, he finally got his chance. He loaded up a plastic bag with a few cans of Ovip Lokos, an ancient Bluetooth speaker, and a single flip-flop (he’d lost the other one in a heated game of dominoes the week before). But as soon as he got off the train at the dacha station, Diego realized he had no idea where the actual dacha was. No address, no signal, just the distant sound of a chainsaw and the smell of freshly cut grass.
Undeterred, he followed the smoke of a barbecue like a hungry wolf. After an hour of wandering, he stumbled into a random backyard where a group of old timers were playing cards around a makeshift table. “Ah, Diego! You made it!” one of them shouted, raising a can of Ovip Lokos. Diego had no idea who the guy was, but he immediately sat down, cracked open his own can, and joined the game.
Hours later, as the sun dipped behind the trees and the mosquitoes started their evening shift, Diego realized – this wasn’t his friend’s dacha. In fact, it wasn’t even the right village. But the old men insisted he stay for shashlik, and as the Ovip Lokos flowed, Diego figured, “Eh, close enough.”
He never did make it to the right dacha, but sometimes, it’s the wrong turn that makes the best story.
Australia's world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album. Album opener "Sleep Dreams" is the closest thing to a Surprise Chef tune one would come to expect but then lead single "Bully Ball" comes on and you get the picture that they came to kick in the door on this one. The song's gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like "Body Slam" that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on "Fare Evader" where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-film. The fellas turn up the tempo for the dance with tunes like "Consulate Case" and "Tag Dag"; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on "Websites" and double down on their abilities to make beautiful and ethereal tracks with "Dreamer's Disease". With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground's most beloved to a household name and we are definitely here for it.
- A1: Radiorama - Vampires (Swedish Remix)
- A2: Valerie Dore - King Arthur (Extended Version)
- A3: Mozzart - Jasmin China Girl
- A4: Grant Miller - Red For Love (Remix)
- B1: Hypnosis - Droid (Extended Swedish Remix)
- B2: Joe Yellow - I'm Your Lover
- B3: Charlie G - Llama L'amour (Extended Version)
- B4: Lee Marrow - Mr Fantasy (Vocal)
- C1: Ken Laszlo - Glasses Man (Vocal)
- C2: Duke Lake - Satisfaction, Love & Passion (Vocal)
- C3: Jimmy & Suzy - Come Back (Versione Disco)
- C4: Flexy Summer - Indio
- D1: Mike Cannon - Stay (Vocal)
- D2: Mirage - Change Your Life (Vocal)
- D3: Alex Chroma Band - A New Day
- D4: Mark - Dreamland (Vocal)
- E1: Brian Ice - Night Girl (Swedish Remix)
- E2: Amy & Alba - Look Into My Eyes (Vocal)
- E3: Mex - Calling You (Vocal)
- E4: Micaela - 4, 3, 2, 1 (Number Version)
- F1: Robert Camero - Lady Surprise (Vocal)
- F2: Visions - Everybody (Remix First Version)
- F3: Mauro Micheloni & Fm Band - Looking For Love (Vocal)
- F4: Karl Olivas - It's Alright
LOCKJAW is up first with a moody yet optimistic progression through the traffic. There are upbeat and urgent tones just on the dry side of squelch, with arpeggiators emerging from the white noise of the hats’ long tails into clean synth work, as elongated tones gently push their way out of the filter, drawing out against the shorter synth loops that shimmer and echo with tight delays.
AROUND comes in punchier and with more pronounced percussion, gives a sense that something is up, and haze has been left behind.It acts as a precursor to more arpeggiated bass tones, gently meandering as they make their way to menacing metallic chords and modulations, allowing the keys which follow to have a sense of place before you’re pushed back into grooves and reprise.
ADAPT builds a slow and steady groove layered with, rather than punctuated by, metallic soaked chords like Basic Channel in bed with a fever. Vocal loops and lead lines creep their way out of the filter and cymbals gently exhale into, then inhale out of existence, blending with the reverberating chords and sedated pads which weave their way among the foggy reflected tails.
CONTACT slows things back down but punches through harder, with expansive sinister tones from the word go, in a Carpenteresque fashion that suggests it’s now time to make that Escape From Los Angeles. A feeling perpetuated by the vocal samples, pulsing synths and slower arpeggiated bass which act as groundwork for clean, moody strings and chords which perfectly round out this dystopian futurescape.
The Comfort’s sixth release comes from the Italian producer Cesare Muraca, aptly titled Calabrian Flow.
Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.
The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.
On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.
Australia's world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album. Album opener "Sleep Dreams" is the closest thing to a Surprise Chef tune one would come to expect but then lead single "Bully Ball" comes on and you get the picture that they came to kick in the door on this one. The song's gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like "Body Slam" that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on "Fare Evader" where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-film. The fellas turn up the tempo for the dance with tunes like "Consulate Case" and "Tag Dag"; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on "Websites" and double down on their abilities to make beautiful and ethereal tracks with "Dreamer's Disease". With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground's most beloved to a household name and we are definitely here for it.
Australia's world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album. Album opener "Sleep Dreams" is the closest thing to a Surprise Chef tune one would come to expect but then lead single "Bully Ball" comes on and you get the picture that they came to kick in the door on this one. The song's gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like "Body Slam" that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on "Fare Evader" where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-film. The fellas turn up the tempo for the dance with tunes like "Consulate Case" and "Tag Dag"; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on "Websites" and double down on their abilities to make beautiful and ethereal tracks with "Dreamer's Disease". With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground's most beloved to a household name and we are definitely here for it.
Originally released in 2015
To celebrate Molly Nilsson’s most enduring fan-favourite album to date, Night School and Dark Skies
Association are releasing a limited 10th anniversary pressing on Red-Gold vinyl, limited to 500 copies.
Since its release in late summer of 2015, Zenith has come to be considered Nilsson’s greatest album to date. Now
on its 6th pressing, in 2025 Zenith represents the mid-point in the songwriter’s career to date and contains firm fan
favourites in Mountain Time, Happyness and her most popular song, 1995. Zenith sits square between Nilsson’s
original flurry of DIY creativity and her later, outward-looking political material.
A sweeping, cinematic, emotional change is in the air. Molly Nilsson's sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson's big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement
De:tuned welcomes the Purveyor of Fine Funk, Midwest house and techno originator Dan Curtin, to the label with his first new album in 15 years entitled 'The 4 Lights'. The now Berlin-based DJ and producer channels his inner DC and opens up his soul on this exceptional eight-track LP. Dan showcases his unique take on techno and early 90s influences rise to the surface. The result is an in-depth masterclass of cosmic funk, spaced-out vibes and warm pads that stimulate the mind, while the distinctive groove moves your body. Stay tuned!
De:tuned welcomes the Purveyor of Fine Funk, Midwest house and techno originator Dan Curtin, to the label with his first new album in 15 years entitled 'The 4 Lights'. The now Berlin-based DJ and producer channels his inner DC and opens up his soul on this exceptional eight-track LP. Dan showcases his unique take on techno and early 90s influences rise to the surface. The result is an in-depth masterclass of cosmic funk, spaced-out vibes and warm pads that stimulate the mind, while the distinctive groove moves your body. Stay tuned!
The legendary New Jersey House collective Smack were responsible for a long list of hits throughout the 90's, with members of the team producing under a number of different aliases and alongside Blaze, Kerri Chandler, Tony Humphries were at the forefront of the New Jersey sound.
One such alias was Princess Di, produced by Smack Productions own Healey LeCator and featuring an unknown vocalist. Together they released a string of X-rated house tracks from 1994 until 1996 that have gone on to be cult classics, standing the test of time.
With the permission from Jeffrey Collins from Music Station, WOLF have hand-picked their favourite Princess Di tracks and combined them onto one bumper 12". Fully remastered and cut LOUD. Sometimes you have to look back in order to move forward!
Building on the subtle beauty of her last album ‘Kassi Valazza Knows Nothing’ (???? The Times, ???? Mojo) ‘Weight Of The Wheel’, the first single off her new album ‘From Newman Street’, evokes feelings of heaviness and confusion with life’s constant cycle. Delivered with what can only be described as exquisite songwriting alongside her unmistakably tender yet warm voice that conjures up thoughts of the likes of Karen Dalton, Joni Mitchell and Sandy Denny with much of the same quiet wisdom.
Kassi Valazza returns with From Newman Street on May 2 via Loose Music. Newman Street refers to the location of a friend's house in Portland where Kassi found shelter and a safe space while navigating change in 2023. Here, she wrote most of the songs for the new record and planned her move to New Orleans, Louisiana. The 10-track set is delivered through a strikingly honest lens as Valazza ponders her willingness to accept change, finding positivity where she can. From Newman Street follows 2023's Kassi Valazza Knows Nothing, which received rave reviews from NPR Music, UNCUT, No Depression, MOJO, The Times, Holler, and more.
‘Weight Of The Wheel’, the first single from the new album, evokes feelings of heaviness and confusion with life’s constant cycle. Delivered with what can only be described as exquisite songwriting alongside her unmistakably tender yet warm voice that conjures up thoughts of the likes of Karen Dalton, Joni Mitchell and Sandy Denny with much of the same quiet wisdom.




















