Her Majesty's Ship is proud to present 'This Never Happened', the latest album from hugely talented French-American singer and producer Yan Wagner.
This always inventive and off kilter artist has had many top releases on labels like Kitsune and has worked with the likes of the legendary Arnaud Rebotini and Etienne Daho. He also has a side project, The Populists, is producing the first album of Calypso Valois and wrote the soundtrack for the short film 'Victoria' by Mathilde Marc. Someone who plays events like SXSW and Montreux Jazz Festival, Wagner's playful disco-pop tunes always find their way into the emotions of those who hear them.
For his second album, the artist wondered what to do: surprise everyone with a selection of ballads or serve up the electronic sounds that defined his last effort Forty Eight Hours. The answer lies somewhere in between, with covers of Frank Sinatra and Lee Hazlewood mixed in with fresh and catchy disco production. Unlike the last record produced by Arnaud Rebotini, this record is producer by Yan himself with a triple objective: to favour the first takes, the heat of the sound and to reduce the post- production to a minimum. It makes for something authentic and real, and is an album of artistic self-questioning, tenacious dreaming and overcoming doubt.
Says the artist, "The songs on this record are a series of lies; views of the mind. 'This Never Happened' is a collection of stories that never happened. Ten tracks talking of vain loves, of nocturnal experiences and of life and truth, which are all so short.'
Starting with the retro synths and shiny arpeggios of the title track, ensuing cuts like 'Blacker' are real chuggers with almost de-humanised vocals over the robot beats. 'SlamDunk Cha-Cha' is descended from Bowie with its camp synth wiggles and sung- spoken vocals. Switching up the tempo, slower tracks like 'Grenades' are perfectly glowing and frazzled with their pixelated melodies and cold chords. More upbeat affairs like 'No Love' are like lighter and cheerier versions of Depeche Mode, and the Sinatra cover 'It Was A Very Good Year' is a stirring, synth heavy version that is every bit as tender as the original.
This is a fantastic album of timeless electronic songs and is sure to be one of the standout releases of the year.
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* C. Scott is an MPC virtuoso who first started producing in 2009, inspired by the hypnotic, jazz-influenced sound of hip-hop's golden era. Having refined his craft, he jumped head first into Pittsburgh's music community, maintaining a strong presence in the hip-hop and dance music scenes. After his 2016 debut release on Lumberjacks in Hell, this is Charlie's return to vinyl with a seven track EP with a range of tempos and vibes. The EP includes a remix from LA DJ/Producer Aaron Paar, who is 1/2 of the legendary Teflon Dons.
Having recently relocated to the remote redwood forests of Northern California in order to set up a satellite mixing studio for his old stomping ground, Glasgow's Green Door Studio, Sordid Sound System returns to Invisible Inc with 4 cuts of Psychedelic Dungeon Disco.
The EP opens with his most blissed out track to date 'Die Ewige Nacht', an eight and a half minute inverted sun ritual based around shimmering cascades of dubbed up electronic percussion and an overdriven tintinnabulated FM arp.
Hi-NRG meets 80s B-Boy electro on 'Crescent City' with a careering off-road excursion into tripped out mutant carnival cavalcade territory.
Dia De Muertos's offbeat eerie percussion and driving low frequencies are met with spectral buzzing melodic refrains from the furthermost reaches of a decaying Oaxacan cemetery.
The acid drenched ambient lullaby 'You & Me' brings proceedings to a fittingly fucked up close.
Sordid Sound System's last release on Invisible Inc, 2017's 'Fear Eats The Soul', received plays and praise from the likes of Manfredas, Trevor Jackson, Sascha Funke, Optimo's JD Twitch and Thomas Von Party.
Originally from the United Kingdom, funky soul-jazz veterans The New Mastersounds have been touring USA, Europe and Japan for over a decade and return here with their twelfth studio album, recorded in New Orleans and Denver and featuring a slew of musical guests.
"Renewable Energy" expands on the NMS template while still providing plenty of the band's trademark sounds. Guitarist Eddie Roberts, drummer Simon Allen, bassist Pete Shand and keyboardist Joe Tatton are joined on this 11-track effort by a number of guests: Sam Bell, one of the founding members of NMS precursor The Mastersounds who also guested on two previous NMS albums, plays percussion on most of the tracks. Mike Olmos and Joe Cohen of the West Coast Horns once again provide added horn action as they did on "Made For Pleasure" from 2015, while Adryon de León from LA band Orgone contributes vocals on "Gonna Be Just Me". Uptempo numbers "Tantalus" and "Yokacoka" see the band flexing their playing chops over a tightly-wound rhythm, while "Green Was Beautiful" and "Groovin On The Groomers" are toe-tapping slabs of soul jazz. The band's cover of James Gang's "Funk 49" takes the album in a fuzzed-out psych-rock direction with Eddie singing the lead, while the moody Hancock-esque inflections of "Stash" and the sweet mellow vibes of "Swimming With My Fishies" add the final brushstrokes of colour to the canvas.
- 180 GRAM AUDIOPHILE VINYL
- INCLUDES INSERT
Invitation was the third album by Jaco Pastorius, originally released in 1983 while the bassist was a member of Weather Report. This is a live album recorded at various venues during a tour of Japan, featuring his Word of Mouth' big band. While his debut album Jaco Pastorius (MOVLP136) showcased his eclectic and impressive skills on the electric bass, both Invitation and his previous album, Word of Mouth (MOVLP1260) focused more on his ability to arrange for a larger band.
This album features mostly numbers written by other artists. The exceptions are Continuum', from his debut album, and Liberty City', from Word of Mouth, as well as Reza', an original number bookending his version of John Coltrane's Giant Steps'.
The band's all-star cast included Randy Brecker, Bobby Mintzer, Toots Thielemans, Peter Erskine, Othello Molineaux and Don Alias.
A new colossal star rises in the twilight of funky soul jazz as Ernie Hawks releases his debut album "Scorpio Man" on Timmion Records. The impressive trombonist/flutist, is known to hold no punches, when performing live in the ranks of The Soul Investigators. Here he delivers a fierce selection of S.O.U.L. and Cymande flavored instrumentals that also bring to mind some of the finest sample-fodder library music.
The album's name, "Scorpio Man" might come from the stinging and slightly intimidating style Hawks handles the trombone slide, known to pierce the hearts and souls of the ladies in the front row during his live performances. On this album, Ernie rides to battle equipped only with the flute, but this does not mean we will be exposed to some smooth jazz snooze fest. Rather Ernie handles his instrument with muscular rawness at times and moody ambiance at others, sliding with ease into any groove that the extended Soul Investigators band lays down.
"Scorpio Man" is no one trick pony, and the listener will be shifted around from the exhilarating psych funk of "Scorpio Walk" all the way to the airy moods of "Street of Tears". Take a chance with the Scorpio Man, his sting will give you a funky high much better than what they sell in the streets.
Original year of release: 1989. Features the tracks 'King Kong Five', 'Pas Assez De Toi', 'Sidi H'bibi', etc. Mano Negra the legendary first band of French singer Manu Chao ... featuring songs in Spanish, French, English and Arabic.. We are celebrating this year the 30th anniversary of its foundation. The album has been unavailable on vinyl since its first original pressing.
- A1: The Jimmy Castor Bunch - Creation (Epilogue)
- A2: Ann Peebles - The Handwriting Is On The Wall
- A3: The Dells Vs. The Dramatics - Tune Up
- A4: Sydney Joe Qualls - How Can You Say Goodbye
- A5: Jackie Moore - If
- B1: The Supremes - It's Time To Breakdown
- B2: Judy Clay - It Ain't Long Enough
- B3: Barbara & The Browns - In My Heart
- B4: Willie Mitchell - Mercy Mercy Mercy
- B5: Joe Tex - I'll Never Do You Wrong
- C1: The Sweet Inspirations - You Roam When You Don't Get It At Home
- C2: Bobby Bland - Ain't No Love In The Heart Of The City
- C3: B.b. King - Chains And Things
- C4: Rufus Thomas - The Breakdown Part 2
- C5: Freddie Waters - Groovin' On My Baby's Love
- D1: David Porter - Hang On Sloopy (Single Version)
- D2: Dionne Warwick - You're Gonna Need Me
- D3: Ann Sexton - I'm His Wife (You're Just His Friend)
- D4: The Rimshots - Takin' It
- D5: The Persuasions - Gypsy Woman
- A1: New Age Synthesis ( Unzipping The Zype )
- A2: Hurdy Gurdy Glissando (Live At Philips Halle )
- B1: Light In The Sky ( Live At Philips Halle )
- B2: Unidentified (Flying Being )
- C1: Radio ( Live At Philips Halle )
- C2: The Dervish Riff ( Live At Philips Halle )
- C3: Hurdy Gurdy Man ( Live At Philips Halle )
- D1: Motivation ( Live At Philips Halle)
- D2: 1988 Aktivator ( Live At Philips Halle )
- D3: Crystal City ( Live At Philips Halle )
- E1: Activation, Meditation ( Live At Philips Halle )
- E2: The Glorious Om Riff ( Live At Philips Halle )
- E3: Meditation Of The Dragon ( Live At Philips Halle )
- F1: It's All Too Much ( Live At Philips Halle )
- F2: Encore 1 : Electrik Gypsies ( Live At Philips Halle )
- F3: Encore 2 : Talking To The Sun ( Live At Philips Halle )
Some gigs are simply meant to be out there - even if they take decades to actually make it into our hands. This is without doubt one of those concerts, recorded at the Philips Halle, D sselsdorf on the 28th March 1979
during the Live Herald Tour. Includes the only known live recording of Talking to the Sun' Released following the AIM-nominated deluxe box set from Hillage, 'Searching for the Spark', this new 'Dusselsdorf' double CD showcases the Steve Hillage Band's prowess with excellent sound quality - a quality so high that you'll forget that it's a live recording until the applause. This is a band at the height of its powers, with Steve in great voice throughout, and most obviously utterly
enjoying themselves. The vibe is completely infectious and doesn't let up throughout the entire gig. Featuring Steve's own adventurous compositions and covers of Beatles and Donovan classics, all are approached with a joie-de-vivre and high sensibility. The trademark heady combination of vibrant psychedelic rock interwoven with an irresistible full blooded groove, interspersed with the smoothest of deepspace synth/guitar trips gathers all before it in a tsunami of up-lifting music.
With the benefit of hindsight, Steve's musical trajectory from the creative space riffs of Gong to the trance and techno of System 7 is made instantly clear. This version of 'Dusseldorf' will be released as a double CD presented in
mediabook packaging complete with a 24-page booklet and 3LP gatefold pressed on to 180g heavyweight vinyl.
- A1: Indian Ocean - Schoolbell / Treehouse
- A2: Linkwood - Love Lost
- B1: Black Dog Productions - Flux
- B2: Circulation - Sincerely (Creation Mix)
- C1: Terrace - Seventh City (Filtered Dub)
- C2: Equiknoxx - Flagged Up (Mark Ernestus Remix)
- D1: Deetron Feat. Jinadu - I Feel. I Know (Dj-Kicks)
- D2: Shake - I Got A Feeling
- A1: Flares
- A2: Boating For Beginners
- A3: The Good Ship Teignmouth Electron
- A4: A Sparrow Alighted Upon Our Shoulder
- A5: Terra Firma
- A6: Into The Wide & Deep Unknown
- B1: Good Morning, Midnight
- B2: A Sea Without Shores
- B3: Karen Byr Til Engil
- B4: Innocence
- B5: The Doldrums
- B6: Meditation
- C1: The House Latitudes
- C2: Radio
- C3: The Furious Seas Of Fogs & Squalls
- C4: Three Thousand Five Hundred & Ninety One Benches
- C5: The Captain's Log
- D1: The Mercy
- D2: She Loves To Ride The Port Ferry When It Rains
- D3: The Radiant City
- D4: A Pile Of Dust
- D5: At 19 41'10 40 North 79 52'37 83, West Lies The Shadow
- A1: Prince Fatty Meets Nostalgia 77 - Little Steps Dub
- A2: Figub Brazlevic - Shadows In The City
- A3: Guts Featuring Tanya Morgan & Lorine Chia - Score 20
- B1: Mankoora - Sonor Tropical
- B2: Green Street - Don't Deny It
- B3: Cro-Magnon - Mysterious Vibes
- B4: Slakah The Beatchild - Ain't Nothing Like Hip Hop
- C1: Nautilus - Root Down
- C2: Shawn Lee Featuring Hmegga Watts - We Got The Jazz
- C3: Shin Sight Trio - You Got Soul
- D1: Suff Daddy - Paper-Proclamation (Pat Van Dyke Remix)
- D2: Dj Cam Quartet - Mental Invasion
- D3: Indigo Jam Unit - Sepia
'Oonops Drops' is the eponymous name of DJ Oonops' monthly broadcast on Brooklyn Radio (NYC). It's not your average radio show without talk and comments for which he invites renowned guests with their exclusive mixes from around the globe to create timeless and thematic episodes. In the last sixty shows he got visited by artists like Morcheeba, Guts, Nickodemus, The Herbaliser, Nostalgia 77, Boca 45, Blundetto, Chinese Man and many more.
Born in 1977 he got in contact with music at an early stage and soon discovered his medium of choice: vinyl. Oonops is a dj, selector, digger and is known for his smooth mixing skills to rock parties in his unmistakable wildstyle of jazz, soul, funk, hip hop, beats, edits, reggae, dub and afro. He shared the stages with acts like Nightmares on Wax, The Beatnuts, Jeru The Damaja, Ebo Taylor, Myron & E, Akua Naru and The Artifacts to name just a few.
As a longtime friend of the label and as a resident of its own club night he now gets his own compilation series to showcase his manifold taste in digging, selecting and mixing. His matter was to create a compilation of manifold genres of undiscovered, previously unreleased and for the first time on vinyl delicacies for any avid and discernable listener and dj. Especially for the vinyl lovers he dug many tracks which are treats for every set from warm-up until peak time. This compilation will stay for a long time in the bags.
- 180 GRAM AUDIOPHILE VINYL
- FEATURING SUN GODDESS', JUNGLE STRUT', LIVING FOR THE CITY' AND MORE
Ramsey Lewis is an American jazz pianist, keyboardist and composer born 1935, Chicago. He has recorded over 80 albums and played with artists like Max Roach, jazz-singer Nancy Wilson and performs with his own trio.
The album Sun Goddess was a soul jazz-funk album, recorded in 1974 and was produced by Maurice White, Teo Macero (who had produced albums by Miles Davis) and Ramsey Lewis himself. The opening track Sun Goddess' was composed, by Earth, Wind & Fire member Maurice White and featured Philip Bailey on vocals. Living For The City' was composed by Stevie Wonder, arranged by Ramsey Lewis and Jungle Strut' is a jazz track melting funk and R&B.
Sun Goddess was Ramsey Lewis' biggest success of the decade reaching #1 on the Billboard Black Albums chart, #12 in the Pop chart and has been certified gold, it also featured most of the key players of Earth, Wind & Fire.
- A1: I Can't Explain
- A2: Bald Headed Woman
- A3: Anyway Anyhow Anywhere
- A4: Daddy Rolling Stone
- A5: My Generation
- A6: Shout And Shimmy
- A7: A Legal Matter
- A8: Instant Party
- B1: The Kids Are Alright
- B2: The Ox
- B3: La-La-La-Lies
- B4: The Good's Gone
- B5: Substitute
- B6: Waltz For A Pig
- B7: I'm A Boy
- B8: In The City
Driven by a vicious and visceral soul, The Buttshakers are known for their fierce and fiery music: turntables steam from the heat of their records, dance floor buckle under the blistering pressure of their infectious grooves, a group with a burning Midas' Touch.
Yet after nearly a decade of touring and recording, it was with a different musical vision that they approached Sweet Rewards, their first collaboration with Underdogs Records.
Accustomed to the raw, primitive sounds of 60s garage rock and the crude sexuality of pre-Motown soul music, the Buttshakers have created a reputation as a must see live band perfectly aligning loud rock riffs and lustful desires. A sound they could have continued to dig into again and again. Instead they decide to take another route. A creative shift, a return to a style of soul music that no longer has to rely on pure energy alone, a sound that concentrates on the quality of writing composition and interpretation rather than pure virility.
Finale Sessions launch a new series entitled Unreleased, and their kicking things off with label boss Michael Zucker sparring with Jonno & Tommo (more commonly found lurking around labels like Ornate). As you would expect from Finale, it's a deep house masterclass, with Jonno & Tommo leading the proceedings with the deft piano licks and hard grooving sub bass of "Dirty Nylons" before Zucker steps in with the pattering rhythms and swooning pads of "Just Believe". On the flip Zucker embraces a gentle strain of electro for "Narrow Is The Gate" before Jonno & Tommo round the record off with the immersive tones of "Shark City".
Initial Programs is a new project by respected ambient producer Mick Chillage. It is also Mick's first ever vinyl release and sees the Irish artist focus on deep, acid-tinged techno and melodic electro. The background to the release is a simple one; First Cut boss Richard Be was a long admirer of Mick's music and discovered an electro project he did as The Shape. Over the course of emails, pints and coffees, the music for Initial Programs' first record came together. The resulting three tracks are melancholic, late night jams, the soundtrack to high speed cruises on the streets of south Dublin.
Hot on the heels of the critically acclaimed 2017 LP Windswept - which soundtracked David Lynch's Twin Peaks, Digital Rain is Johnny Jewel's latest album. Jewel is known for his extensive collaborations with film makers David Lynch, Nicolas Winding Refn, and Ryan Gosling, as well as for his work with groundbreaking musical groups such as Chromatics, Glass Candy, and Desire.
The 19 movements of Digital Rain are three dimensional beds of analogue warmth encompassed in raw electronic moisture. The result is an expansive pallet of soft color amid canyons of jagged oscillations. According to Jewel, "Digital Rain is a mirror image of itself designed to play as a singular liquid movement."
"After living a few years in a desert climate, I realized I was nostalgic for the constant presence of precipitation from every city I once called home. The sound of hail ricocheting off my roof in Houston...The floods crashing in from the Gulf of Mexico that would destroy my mother's house three times...The constant kiss of drizzle on the streets of Portland, and the morning rain against the windshield of Trimet city bus number 15 that I would ride home after recording all night...The snow buried row houses of Montreal where my daughter was born, and the rhythmic feel of ice cracking under my boots for six months straight."
"The desert is constant, and I love this repetitious ritual of Los Angeles so much. As moisture and humid weather seem more and more like a dream I once had or a fading memory of the places I fell in love with...I wanted to make a record without drums, without lyrics, vague in form. Each track morphing and eclipsing the next like the ever-changing movement of clouds obscuring the moon."
Cut By The Legendary Bernie Grundman In Hollywood. Recorded in Joshua Tree / Mixed in Los Angeles.




















