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Daniel Blumberg - The Brutalist (Original Motion Picture Soundtrack) (LP 2x12")

Brady Corbets "The Brutalist" wurde für 10 Oscars nominiert, darunter "Best Original Score". Dass der Film, der im Vintage VistaVision-Format gedreht wurde, von der Musik lebt, wird direkt am Anfang klar: er beginnt mit einer fesselnden 10-minütigen Ouvertüre, komponiert von Daniel Blumberg. Die Erzählung folgt dem ungarischen Architekten László Toth (Adrien Brody), der sein Leben im Nachkriegsamerika neu aufbaut.Die Filmmusik umfasst eine Mischung aus groß angelegten Blechbläser-Orchestrierungen, lyrischen Klaviermelodien und improvisiertem Jazz und verkörpert die Brutalismus-Designästhetik mit ihrem reichen und resonanten Klang. Dafür arbeitete Blumberg mit Musikern in Großbritannien und Europa zusammen, darunter Axel Dörner (Trompete), Evan Parker (Saxophon), Sophie Agnel (Klavier) und John Tilbury (Klavier).Für die Jazzclub-Szene des Films stellte Blumberg ein Quartett zusammen, das live am Set auftrat und eine der dynamischsten Nummern des Films schuf. Im Epilog des Films, das in den 1980er Jahren spielt, ist zudem Synth-Pop-Pionier Vince Clarke (Depeche Mode, Erasure) zu hören, der das Hauptthema des Films in einen Synth- und Drum-Machine-getriebenen Track verwandelte.

pre-ordina ora01.08.2025

dovrebbe essere pubblicato su 01.08.2025

27,69
PETE BENTHAM & THE DINNER LADIES - ART RELIGION AND CHOCOLATE BISCUITS LP
  • A1: Shed
  • A2: Is There Life In Rhyl?
  • A3: Art Is Shit
  • A4: Attention Deficit Retention
  • A5: Mermaids In The Mersey
  • B1: Punks Don?T Jam
  • B2: It?S Okay To Be Quiet
  • B3: Holy Pictures
  • B4: Stand By Your Nan
  • B5: Lie Down

LTD BRIGHT GREEN VINYL W/ 4 PAGE INSERT** **JEWEL CASE CD W/ 12 PAGE BOOKLET** A gloriously off-kilter yet deeply personal record that mixes absurdist punk theatre with an unexpectedly tender dive into mental health, Catholic guilt, and the surreal poetry of everyday life. “It’s more personal than the previous ones,” frontman Pete explains, “but not in a heavy way – more like Mortimer & Whitehouse than The Bell Jar”, succinctly summing up the Dinner Ladies’ approach: taking the kitchen sink, giving it a saxophone solo, and letting it spill over with charm, wit, and a fair helping of existential unease. Parody and poignancy runs through every song. Tracks like ‘Is There Life in Rhyl?’ and ‘Holy Pictures’ explore personal trauma and social conditioning through an unmistakably British filter; Catholicism, childhood fear, seaside holidays, and haunted toilet trips included. For fans of: The Fall, The Kinks, John Cooper Clarke, X-Ray Spex, Madness, cabaret, collage, chaos, and joyfully honest punk.

pre-ordina ora01.08.2025

dovrebbe essere pubblicato su 01.08.2025

28,53
OZZY OSBOURNE - DIARY OF A MADMAN

OZZY OSBOURNE

DIARY OF A MADMAN

12inch88697866651
EPIC
28.07.2025

h B4 Diary Of A Madman, Arranged By Strings – Louis Clark








h B4 Diary Of A Madman, Arranged By Strings – Louis Clark








h B4 Diary Of A Madman, Arranged By [Strings] – Louis Clark








[h] B4 Diary Of A Madman, Arranged By [Strings] – Louis Clark








[Strings] – Louis Clark

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23,95

Last In: 7 months ago
FOLK BITCH TRIO - NOW WOULD BE A GOOD TIME
  • God's A Different Sword
  • Hotel Tv
  • The Actor
  • Moth Song
  • I'll Find A Way
  • Cathode Ray
  • Foreign Bird
  • That's All She Wrote
  • Sarah
  • Mary's Playing The Harp

Folk-Musik hat die schlechte Angewohnheit, als eine todernste Angelegenheit dargestellt zu werden. Sie ist etwas, zu dem man weint, sie ist übermäßig heilig, sie ist feierlich von Kritikern und Historikern betrachtet. Aber das Folk Bitch Trio, die ehemaligen Highschool-Freundinnen Heide Peverelle (,they/them"), Jeanie Pilkington (,she/her") und Gracie Sinclair (,she/her"), haben einen gemeinsamen Sinn für Humor , der tief in ihre Musik eingebettet ist und sie zum Leuchten bringt, sicher vor den selbsternsten Fallen des Genres. Now Would Be A Good Time, ihr Debütalbum, erzählt lebendige, viszerale Geschichten und ist witzig und dunkel-ironisch in der Art von Schriftstellerinnen wie Mary Gaitskill oder Otessa Moshfegh. Ihre Musik klingt vertraut, aber die Songs sind modern, jugendlich, singen akut durch dissoziative Tagträume und ärgerliche Trennungen, sexuelle Fantasien und Medienüberflutung, all die belanglosen Ressentiments und kleinen Demütigungen, die Anfang zwanzig in den 2020ern sind. ,Cathode Ray" beginnt mit Vorsicht, seine ersten Harmonien kommen in großen, schleifenden Seufzern an. Es ist verletzlich, aber auch ein wenig bedrohlich, mit , einem weit offenen Refrain und einem geräumigen, luftigen Beat, der alles verankert. ,Moth Song", ein Song über unerwiderte Liebe und ,von so durchgedreht zu sein, dass man sich wie im Wahn fühlt und verrückte Dinge halluziniert", bildet das sparsame Herzstück des Albums, wobei Anita Clarks wogende Geigenstimme wie in einem Traum in den Fokus hinein- und wieder herausdriftet. Andere Songs sind nicht so schräg, sondern schildern brutal vertraute Momente am Ende von Beziehungen: Der spannungsgeladene, emotional flüchtige Torch-Song ,The Actor" handelt laut Peverelle davon, ,zur One-Woman-Show deines Partners zu gehen und dann Schluss zu machen". In ,Hotel TV", einer hypnotischen, nächtlichen Träumerei, geht es darum, ,einen Sextraum über zu haben, während man neben seinem Partner sitzt, und der Partner ist ein Lügner", erklärt Pilkington. Die stärkste Verbindung zwischen dem Trio, abgesehen von der Freundschaft, ist Musik. ,Wir haben alle darüber gesprochen, dass wir Musik liebten, als wir aufwuchsen, , und dass wir wussten, dass Musik ein großer Teil unseres Lebens sein sollte", sagt Pilkington. Dieses Gefühl, dass Musik eine angeborene Berufung ist, im Gegensatz zu Hobby oder Torheit, war berechtigt: Das Folk Bitch Trio tourte bereits auf durch Australien, Europa und die USA und unterstützte dabei so unterschiedliche Bands wie King Gizzard, Alex G und Julia Jacklin. Sie haben bei Jagjaguwar unterschrieben, einer Heimat für einzigartige Ikonen und Ikonoklasten (Bon Iver, Angel Olsen, Sharon Van Etten, UMO und andere), und sie haben ihre ersten eingefleischten Fans mit schillernden Harmonien und bissiger Lyrik gefunden, die über Genreerwartungen und Publikumsgrenzen hinausgehen. Das sind die Herausforderungen: Es geht darum zu lernen, wie man ein Leben ohne Liebeskummer und Verlierer-Ex lebt, wann man im zeitgenössischen Nihilismus versinkt und wann man mit seinen Freunden lacht, und warum sich das Leben so flüchtig und unwirklich anfühlen kann. In diesem Sinne fühlt sich Now Would Be A Good Time wie ein Handbuch für das moderne Leben an: eine Botschaft dreier stolzer Folk Bitches, die gemeinsam Schönheit und Weisheit finden, wo sie können.

pre-ordina ora25.07.2025

dovrebbe essere pubblicato su 25.07.2025

22,27
Kiln - Lemon Borealis

KILN return with an opulent new display of hue and swing on Lemon Borealis , a sumptuous
gallery of dazzling motifs that display a finely hewn concoction of visual tones and vital pulse.

Across its 12 cuts, this collection utilizes a fresh process of condensing immersive sprawl into compact, punchy and colorful sound.
Using aspects of live performance, beatmaking and waveform sculpting, the troika of Kevin Hayes, Kirk Marrison and Clark Rehberg III create
evocative and invigorating dioramas, continuing to surprise and enchant listeners after over thirty years into their collaboration.

Deep in waves of Hi-meets-Lo Fi, KILN delivers a panchromatic daymark arranged to biochemically align and stimulate your personal syntax, forging
a tapestry of sonic reveries ranging from the aquarium-on-fire radiance of DrnkGrlfrnd, a garden groove of field-recorded percussion in
Maplefunk Diptych, to the sizzling guit-noise whiteout of Deacon Rayhand.

Their eighth album, and first for A Strangely Isolated Place, on Lemon Borealis, KILN expands upon the long-explored themes of mosaic
texture, subtle melancholy, eroded consonance, and vivid cadence to reveal yet another aperture to their unique magnetic universe.

Lemon Borealis will be available on 12” Transparent Ochre Smoke vinyl and digital on July
18th. Mastered and cut by Andreas Lupo Lubich, and featuring artwork by KILN.

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25,00

Last In: 9 months ago
WAX POETICS - WAX POETICS JOURNAL SUMMER 2025: LOUIS VEGA / MOBB DEEP

148 pages - Heavyweight paper

Exploring the great Louis Vega's legacy and re-visiting the raw impact and enduring influence of Mobb Deep, tracing their blueprint on East Coast hip-hop and beyond.

Wax Poetics is back with Volume 3, Issue 1. We've been away for a minute with fresh words but this Summer we return and return hard.

Our spiritual home is New York and in this issue the city is a character and the mag is a movie. With our cover star Louie Vega we explore his legacy - from Bronx discos to the highs of house via Latin, hip-hop, freestyle and New York club culture. This is a trademark Wax Poetics deep-dive, with classic photos provided by the man himself. Then we flip from the dancefloor to the street with our second cover stars of Mobb Deep. We go hard on their career, their role in defining that 90's gritty, loopy, heavy heavy heavy hip-hop sound. With unique photos and ephemera lifting the story, there has never been a piece like this about the duo.

Wider articles include: Ace Records, Arthur Baker, Chris Clark, Dante's HiFi, Daupe!, Jazzy Joyce, Lotti Golden, Re:Discoveries, Record Rundowns and Tony Wilson... You know the score, the best god damn music journalism around.

pre-ordina ora18.07.2025

dovrebbe essere pubblicato su 18.07.2025

20,80
Eddie Henderson - Heritage

Trumpeter Eddie Henderson came to prominence as a member of Herbie Hancock’s Mwandishi in the early-70s after which he recorded a pair of seminal jazz-funk fusion classics for Blue Note—Sunburst (1975, and Heritage (1976)—the latter featuring a forward-looking crew with Julian Priester, Patrice Rushen, Paul Jackson, Mike Clark, Billy Hart, Mtume, and others. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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25,63

Last In: 9 months ago
The Morning Early - The Morning Early LP

The Morning Early release their debut LP via the LNFG Cartel in June 2025 - If you like your guitar power pop tinted with west coast American soul, this is one for you. Shades of Roger McGuinn and Gene Clark permeate throughout. Originally formed in the mid 1990's the band enjoyed some success in the central belt and released one single before going their separate ways. Back gigging now, they began work on this LP in 2023.

pre-ordina ora10.07.2025

dovrebbe essere pubblicato su 10.07.2025

28,99
Motörhead - The Manticore Tapes
  • Intro
  • Witch Doctor
  • Iron Horse / Born To Lose
  • Leavin’ Here
  • Vibrator
  • Leavin’ Here
  • Vibrator
  • Help Keep Us On The Road
  • The Watcher
  • The Watcher
  • Motörhead
disponibile anche

Black Vinyl[88,19 €]


1976, ein Jahr nach der Gründung der Band, stand die bahnbrechende Besetzung von Motörhead fest. Die „Drei-Amigos“-Ära von Motörhead – Lemmy (Bass/Gesang), Fast Eddie Clarke (Gitarre) und Phil „Philthy Animal“ Taylor – schlossen sich zusammen und begannen ihre außergewöhnliche Reise an die Spitze der Hardrock-Elite. Im August 1976 traf sich die Band im legendären Manticore Studio von Emerson, Lake & Palmer in Fulham, um zu proben und die neue Besetzung zu präsentieren. Dort nahmen sie zum ersten Mal gemeinsam auf. 49 Jahre später wurde das lange verschollene Band entdeckt, entstaubt und in all seiner Pracht restauriert, um das 50-jährige Bandjubiläum zu feiern. Erhältlich als klassische schwarze 1-LP, CD und als Deluxe-2-LP-Bookpack. Alle Formate enthalten zusätzliche alternative Takes und Instrumentalstücke für einen einzigartigen Einblick in die Entstehung dieser legendären Band. Darüber hinaus enthält das Deluxe-Bookpack eine zusätzliche Bonus-LP – den klassischen Bonus „Live: Blitzkrieg on Birmingham ’77“ sowie eine Bonus-7-Zoll-Platte mit zwei bisher unveröffentlichten LiveTracks von Barbarellas Birmingham 1977. Außerdem gibt es ein 24-seitiges Booklet mit Linernotes von Kris Needs, unserem langjährigen Kollaborateur.

pre-ordina ora27.06.2025

dovrebbe essere pubblicato su 27.06.2025

27,52
Motörhead - The Manticore Tapes 2x12" + 7"

1976, ein Jahr nach der Gründung der Band, stand die bahnbrechende Besetzung von Motörhead fest. Die „Drei-Amigos“-Ära von Motörhead – Lemmy (Bass/Gesang), Fast Eddie Clarke (Gitarre) und Phil „Philthy Animal“ Taylor – schlossen sich zusammen und begannen ihre außergewöhnliche Reise an die Spitze der Hardrock-Elite. Im August 1976 traf sich die Band im legendären Manticore Studio von Emerson, Lake & Palmer in Fulham, um zu proben und die neue Besetzung zu präsentieren. Dort nahmen sie zum ersten Mal gemeinsam auf. 49 Jahre später wurde das lange verschollene Band entdeckt, entstaubt und in all seiner Pracht restauriert, um das 50-jährige Bandjubiläum zu feiern. Erhältlich als klassische schwarze 1-LP, CD und als Deluxe-2-LP-Bookpack. Alle Formate enthalten zusätzliche alternative Takes und Instrumentalstücke für einen einzigartigen Einblick in die Entstehung dieser legendären Band. Darüber hinaus enthält das Deluxe-Bookpack eine zusätzliche Bonus-LP – den klassischen Bonus „Live: Blitzkrieg on Birmingham ’77“ sowie eine Bonus-7-Zoll-Platte mit zwei bisher unveröffentlichten LiveTracks von Barbarellas Birmingham 1977. Außerdem gibt es ein 24-seitiges Booklet mit Linernotes von Kris Needs, unserem langjährigen Kollaborateur.

pre-ordina ora27.06.2025

dovrebbe essere pubblicato su 27.06.2025

88,19
YAZOO - UPSTAIRS AT ERIC'S

Yazoo

UPSTAIRS AT ERIC'S

12inchRSTUMM7
Mute
26.06.2025
  • A6: In My Room; Noises, Producer
  • A1: Don't Go; Written-By – Clarke*
  • A2: Too Pieces; Written-By – Clarke*
  • A3: Bad Connection; Written-By – Clarke*
  • A4: I Before E Except After C; Voice
  • A5: Midnight; Written-By – Moyet*
  • B1: Only You; Written-By – Clarke*
  • B2: Goodbye 70'S; Written-By – Moyet*
  • B3: Tuesday; Written-By – Clarke*
  • B4: Winter Kills; Written-By – Moyet*
  • B5: Bring Your Love Down (Didn't I); Written-By – Moyet*

d A4 I Before E Except After C; Voice [Extra Chit-chat] – Eric's Mum; Written-By – Clarke*

[f] A6 In My Room; Noises, Producer [Additional Production] – Daniel Miller; Voice [Extra Chit-chat] – D. Davis (2); Written-By – Clarke*




[d] A4 I Before E Except After C; Voice [Extra Chit-chat] – Eric's Mum; Written-By – Clarke*

[f] A6 In My Room; Noises, Producer [Additional Production] – Daniel Miller; Voice [Extra Chit-chat] – D. Davis (2); Written-By – Clarke*

pre-ordina ora26.06.2025

dovrebbe essere pubblicato su 26.06.2025

29,29
RASCAL FLATTS - LIFE IS A HIGHWAY: REFUELED DUETS
  • A1: I Dare You (With Jonas Brothers); Backing Vocals – Jonas Brothers
  • A2: Fast Cars And Freedom (With Jason Aldean); Backing Vocals – Jason Aldean
  • A3: My Wish (With Carly Pearce); Backing Vocals – Carly Pearce
  • A4: Mayberry (With Blake Shelton); Backing Vocals – Blake Shelton
  • A5: Stand (With Brandon Lake); Backing Vocals – Brandon Lake
  • B1: Summer Nights (With Ashley Cooke); Backing Vocals – Ashley Cooke
  • B2: What Hurts The Most (With Backstreet Boys); Backing Vocals – Backstreet Boys
  • B3: Yours If You Want It (With Jordan Davis); Backing Vocals – Jordan Davis (3)
  • B4: Life Is A Highway (With Lzzy Hale); Backing Vocals – Lzzy Hale
  • B5: I'm Movin' On (With Kelly Clarkson); Backing Vocals – Kelly Clarkson
pre-ordina ora23.06.2025

dovrebbe essere pubblicato su 23.06.2025

33,74
JEANNIE C RILEY - Harper Valley P.T.A.
  • A1: Harper Valley P.t.a.; Written-By – Tom T. Hall
  • A2: Widow Jones; Written-By – Tom T. Hall
  • A3: No Brass Band; Written-By – Lenny Groah, Lu Groah*, Steve Singleton (2)
  • A4: Mr. Harper; Written-By – Tom T. Hall
  • A5: Run Jeannie Run; Written-By – Clark Bentley, Jerri Clark
  • A6: Shed Me No Tears; Written-By – Steve Singleton (2)
  • B1: The Cotton Patch; Written-By – Margaret Lewis, Myra Smith
  • B2: Sippin' Shirley Thompson; Written-By – Tom T. Hall
  • B3: The Little Town Square; Written-By – Ben Peters
  • B4: The Ballad Of Louise; Written-By – Naomi Martin
  • B5: Satan Place; Written-By – Ben Peters, Clark Bentley
pre-ordina ora20.06.2025

dovrebbe essere pubblicato su 20.06.2025

27,44
VARIOUS ARTISTS - Alts N' Outs: The Other Side Of Blue Note
  • A1: Cannonball Adderley– Bangoon
  • A2: Grant Green– Jean De Fleur
  • A3: Wayne Shorter– Dance Cadaverous
  • B1: Art Blakey– Moanin
  • B2: Jimmy Smith– On The Sunny Side Of The Street
  • B3: Sonny Clark– Lover
pre-ordina ora20.06.2025

dovrebbe essere pubblicato su 20.06.2025

35,84
John Pizzarelli - My Blue Heaven LP

John Pizzarelli

My Blue Heaven LP

12inchEVLP064BL
CHESKY
20.06.2025
  • My Blue Heaven
  • I'm An Errand Boy For Rhythm
  • It Could Happen To You
  • Lady Be Good
  • The Touch Of Your Lips
  • Take My Smile
  • Stray Horn
  • Oh Me, Oh My, Oh Gosh
  • Don't Get Around Much Anymore
  • Gee Baby Ain't I Good To You
  • Candy

Recorded in 1990 for the noted New York audiophile label Chesky Records, My Blue Heaven was John Pizzarelli's frst signifcant album release, heralding the arrival of a major talent and future Grammy- winning star

Supported by a dream team line- up of veteran jazz stars - including Pizzarelli's guitarplaying father, Bucky, together with trumpeter Clark Terry , bass supremo Milt Hinton, and drummer extraordinaire Connie Kay - the New Jersey- born singer and virtuoso of the seven- string guitar serves up a swinging cache of evergreen jazz standards. With the album's highlights ranging from spirited revamps of the Nat King Cole Trio's 'Candy,' and Dave Frishberg's 'Can't Take You Nowhere,' the impeccably recorded My Blue Heaven represented a signifcant step in Pizzarelli's early musical journey, helping to introduce him to a wider audience. The album is reissued on 180g One Step Pressing Vinyl LP.

pre-ordina ora20.06.2025

dovrebbe essere pubblicato su 20.06.2025

40,29
MOTÖRHEAD - MOTORHEAD
  • A1: Motörhead; Written-By – Kilminster*
  • A2: Vibrator; Written-By – Brown*, Wallis*
  • A3: Lost Johnny; Written-By – Kilminster*, Farren*
  • A4: Iron Horse / Born To Lose; Written-By – Brown*, Taylor*, Tramp
  • B1: White Line Fever; Written-By – Clarke*, Kilminster*, Taylor*
  • B2: Keep Us On The Road; Written-By – Farren*, Motörhead
  • B3: The Watcher; Written-By – Kilminster*
  • B4: The Train Kept A-Rollin; Written-By – H. Kay*, L. Mann*, Tiny Bradshaw
pre-ordina ora17.06.2025

dovrebbe essere pubblicato su 17.06.2025

21,30
Hologram Teen - Captain Fluo

Hologram Teen is the solo project (and anagram) of former Stereolab keyboardist Morgane Lhote. Her colourful playful songs are heavily influenced by disco and 80s French pop.

Initially from Paris, Morgane relocated to Los Angeles where she concentrated on her solo material. Captain Fluo is a disco-fuelled love letter to 1980s Paris and its underground nightlife, record store discoveries and the exhilaration of growing up as a gay teenager in a world of self-discovery.

Produced and mixed by Andrew Claristidge (Acid Washed) at Duca Sonora Studios in Brittany Captain Fluo is a vibrant fusion of propulsive beats, bouncy synths and funky basslines. Morgane’s signature keyboards weave through a constellation of guest vocalists including Sandra Zettpunkt, Maxwell Farrington, Eric D Clark and Alex Aikiu. From the euphoric pulse of ‘Lust Pill’ to the radio crooner nostalgia of ‘Fréquence Gaie’ each track is a portal to the dance floors and late-night airwaves of a bygone era.

Drawing inspiration from French pop icons like France Gall, Michel Berger and Louis Chedid alongside the sleek productions of Italo disco pioneers Kasso and the genre-defining touch of David Bowie, Nile Rogers, Quincy Jones and Depeche Mode, Captain Fluo is a heartfelt ride through an era when music was liberation.

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21,81

Last In: 9 months ago
MONKEES - Monkees

Monkees

Monkees

12inch829421001010
FRIDAY MUSIC TWO
16.06.2025
  • A1: (Theme From) The Monkees, Written-By – Hart*, Boyce*
  • A2: Saturday's Child, Written-By – Gates*
  • A3: I Wanna Be Free, Written-By – Hart*, Boyce*
  • A4: Tomorrow's Gonna Be Another Day, Written-By – Venet*, Boyce*
  • A5: Papa Jean's Blues, Written-By – Nesmith*
  • A6: Take A Giant Step, Written-By – King*, Goffin*
  • B1: Last Train To Clarksville, Written-By – Hart*, Boyce*
  • B2: This Just Doesn't Seem To Be My Day, Written-By – Hart*, Boyce*
  • B3: Let's Dance On, Written-By – Hart*, Boyce*
  • B4: I'll Be True To You, Written-By – Goffin*, Titelman*
  • B5: Sweet Young Thing, Written-By – King*, Goffin*, Nesmith*
  • B6: Gonna Buy Me A Dog, Written-By – Hart*, Boyce*
pre-ordina ora16.06.2025

dovrebbe essere pubblicato su 16.06.2025

45,08
VARIOUS ARTISTS / SOUL JAZZ RECORDS PRESENTS - Punk 45: Kill The Hippies! Kill Yourself! - The American Nation Destroys Its Young: Underground Punk
  • A1: (Theme From) The Monkees; Written-By – Hart*, Boyce*
  • A2: Saturday's Child; Written-By – Gates*
  • A3: I Wanna Be Free; Written-By – Hart*, Boyce*
  • A4: Tomorrow's Gonna Be Another Day; Written-By – Venet*, Boyce*
  • A5: Papa Jean's Blues; Written-By – Nesmith*
  • A6: Take A Giant Step; Written-By – King*, Goffin*
  • B1: Last Train To Clarksville; Written-By – Hart*, Boyce*
  • B2: This Just Doesn't Seem To Be My Day; Written-By – Hart*, Boyce*
  • B3: Let's Dance On; Written-By – Hart*, Boyce*
  • B4: I'll Be True To You; Written-By – Goffin*, Titelman*
  • B5: Sweet Young Thing; Written-By – King*, Goffin*, Nesmith*
  • B6: Gonna Buy Me A Dog; Written-By – Hart*, Boyce*
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45,59
Sahib Shihab & The Danish Radio Jazz Group - OKTAV
  • A1: Di-Da (Sahib Shihab) 5’10
  • A2: Dance Of The Fakowees (Sahib Shihab) 4’14
  • A3: Not Yet (Sahib Shihab) 3’25
  • A4: Tenth Lament (Sahib Shihab) 6’20
  • B1: Mai Ding (Sahib Shihab) 4’50
  • B2: Harvey’s Tune (Sahib Shihab) 3’07
  • B3: No Time For Cries (Sahib Shihab) 3’52
  • B4: The Crosseyed Cat (Sahib Shihab) 3’34
  • B5: Little French Girl (Sahib Shihab) 2’35”

Recorded August, 1965, Copenhagen, Denmark.

Original LP issue: OKTAV – OKLP 111



Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was rooted in his modernist compositions and arrangements, complemented by an intense, soulful playing style.



In 1959 he toured Europe with Quincy Jones after getting fed up with racial politics in USA and ultimately settled in Scandinavia. He worked for Copenhagen Polytechnic and wrote scores for television, cinema and theatre. He remained there until 1973. During this period, he recorded several albums as leader for European labels such as Vogue, Storyville and Futura.



In 1961 he joined The Kenny Clarke-Francy Boland Big Band and remained a key figure in the band for the 12 years it ran. He married a Danish lady and raised a family in Europe, although he remained a conscious African-American still sensitive to racial issues.



This record, on the Danish Oktav label, his second as a leader and also his rarest is a true masterpiece !!!



Personnel :

Sahib Shihab (Baritone saxophone, Flute, Cowbell)

Poul Hindberg (Alto saxophone, Clarinet)

Ib Renard (Baritone saxophone)

Bent Nielsen (Baritone saxophone, Flute, Clarinet)

Niels-Henning Ørsted Pedersen (NHOP) (Bass)

Alex Riel (Drums)

Allan Botschinsky (Trumpet)

Fritz von Bülow (Guitar)

Bent Axen (Piano)

Bent Jædig (Tenor saxophone, Flute)

Niels Husum (Tenor saxophone)

Svend Åge Nielsen (Trombone, Bass trombone)

Torolf Mølgaard (Trombone, Euphonium)

Palle Bolvig (Trumpet)

Palle Mikkelborg (Trumpet)

Poul Kjældgård (Tuba)

Louis Hjulmand (Vibraphone)

pre-ordina ora13.06.2025

dovrebbe essere pubblicato su 13.06.2025

30,88
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