Buscar:classic

2025 Repress

Running Back’s Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London and an international cast from Italy on its first various artist sampler.
Originally released on Roy Davis Jr.’s Undaground Therapy outlet, Destination Heaven by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt’s Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, we unfortunately have never heard from the duo again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy ‚Jack“ Williams produced some of the more tender moments on Detroits 430 West label. Intervoles is amongst the most peculiar and catchy tracks that slow-burning dance floors can hope for.
The flip side turns the attention to the conclusions that Europe drew from its US-role-models. Released in 1992 on Rena Records with the involvement of New York’s JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the Edit Mix of I Have Been Wanting You to create one of the very first examples of fully formed dub-house.
Similar pioneering properties can be ascribed to the work of Rob Mello. We don’t have enough room here to list all his merits, but rest assured that the UK’s house scene wouldn’t be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, In My Mind is many things at once: broken beat, electro, house with embracing chords, and – if you will – a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore Deep House!

Canada's Andre Zimmer makes his SEVEN debut with his 'Wait a Minute' EP - a stellar collection of faster, chuggy, pacey style of house gems. The EP's title track is the first to slam, with a heavy-handed 909 kick blistering beneath a chugging bassline.

Taking influence from the Berlin house scene, it serves one purpose: to galvanise dance floor energy.
Parisian producer Vitess lands a remix of 'Wait A Minute' with his '90s-focussed sound and penchant for deep, minimal sounds being the pull. Lucious pads and electro synth lines across the hip-hop influenced vocals bolster the track's impact. 'Ice Lolly' came together at a friend's pad in Los Angeles, with a jam session grabbing UKG and speed garage influences and infusing those with a distinct '90s tech house vibe.

For its '90s influences, 'Round Two' finds its muse in a classic rave organ, while other elements that evoke a sense of the heady warehouse parties from that era include sampled vinyl scratches, breakbeats, and chunky bass from his Yamaha DX200 vintage synth.

The story of So-Do is both familiar and completely unique. A classically trained multi-instrumentalist with a poet’s sensibility and a passion for folk music meets a worldly bar owner with a love for psychedelia, post-punk and dub in the small town neither could bring themselves to leave. Over two years, they play dozens of shows in independent live houses across Japan, cut and self-release three singles – two 7”s and a 12” – and leave behind just eight tracks, all of which are set to be reissued for the first time forty years on.

So-Do’s Studio Works ’83-’85 collects the full output of this iconoclastic post-punk phenomenon, whose sparse, syncopated arrangements were infused with a dubbed-out flair that owed more to Dennis Bovell’s productions of Orange Juice, the Jah Wobble basslines of Public Image Limited or Adrian Sherwood’s live dubs of Mark Stewart than even they knew at the time.

Because for lead songwriter Hideshi Akuta, music offered an escape from the existential malaise of small-town life, folding a melancholy nihilism into tracks like ‘Kakashi’ and ‘Hashiru’ (which translates as ‘run’), or taking aim at the inequalities and creeping apathies of the middle classes, as he does on ‘Get Away’ and ‘Nothing’.

And if Talking Heads had CBGBs, Sex Pistols had the Roxy, then So-Do had Buddha. Influenced by Buddha venue owner and amateur producer Atsuo Takeuchi, Akuta turned So-Do’s sound towards dub, crafting playful, ironic and funky compositions that crackle with live energy at the vanguard of Japan’s nascent independent music scene.“So-Do is hard to explain,” Takeuchi says. “It’s been a struggle for years to try to find the words for our music.” The answer perhaps, is just to listen.

Both familiar and completely unique, So-Do extend Time Capsule’s genre-defining exposition of Japan’s reggae-inspired music of the ‘70s and ‘80s, as collected on the label’s two critically acclaimed Tokyo Riddim compilations, and London-based live outfit Tokyo Riddim Band.

Embracing the rip-it-up-and-start-again ethos of the early ‘80s, So-Do burned bright for a short time and then burned out. Their legacy is about to be reignited. Expect it to catch alight once more.


All songs are written & composed by Hideshi Akuta

Produced by Atsuo Takeuchi

Artwork by Ben Arfur
Liner Notes by Anton Spice, Ayana Honma, Kay Suzuki

Curated by Kay Suzuki

Licensed from Atsuo Takeuchi (Oregano Cafe)

Tape Restoration and Mastered by Mike Hillier at Metropolis Studios, London, UK

Time Capsule | TIME023 | 1983-1985 → 2025

Been a longtime comin, but very happy its here now!!!! Two tracks from the Gregory James edition - the superb cover version of the "Aint no sunshine" sample tastic!!!! massive club groove, much needed as a 7" 45 rpm On the flip is the classic sample from back in the days by the Balistic bros "I'll fly away"

Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.

Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.

After a long radio silence we are excited to finally share with you, La Luna 006.
This eight track VA is an epic sampler showcasing the sounds of La Luna. 
With tracks from AD4, Anderson, Aspetuck, Dream Terrains, Exit 47, Gloved Hands, and DAS, aka JD Typo.
This will be a special record to get you through the coming winter featuring moody ambient, downtempo, IDM and modern classical sounds.
This pressing features beautifully crafted artwork from Sonia Malpeso, which will include inner and outer pantone sleeves!
This release will be limited to 100 copies on black vinyl
Snag one while you can, and sit back and enjoy the journey.

2025 Reissue

Back in the 90s JP Buckle had releases on Aphex Twin’s legendary Rephlex records and Warp. His debut album Flyin Lo-Fi is true classic in the Rephlex cannon.

These JP Buckle originals are from that album, released in 1998 and out of print on vinyl for 20 years, now re-released on vinyl by Ping-discs with 4 exclusive new remixes from Myoptik, Roy Of The Ravers, Crispy Jason and Inkipak.

This is two slabs of wax with bangin tunes on all four sides. The originals remain classic favourites of Rephlex aficionados the world over, and the remixes come from pedigree artists as well. Myoptik has had releases on many labels, including Mighty Force who first signed Aphex Twin over 30 years ago. Everyone knows Roy Of The Ravers, he has even been played in Aphex Twin’s live sets! Crispy Jason’s amazing music has featured on releases by both artists and Inkipak is the new sensation, with all of his first 4 albums selling out rapidly, indeed his debut album Anomaly is on its 3rd re-release on Pingdiscs now, that’s how in demand he is!

Originals taken from the classic 90s Rephlex album Flyin Lo-Fi.

A Strangely Isolated Place presents a long-lost collaboration between Polish artists Olga Wojciechowska and Tomasz Walkiewicz as Monoparts—a partnership formed many years ago that resulted in an album once destined to remain unreleased.

Olga Wojciechowska, known for her modern-classical masterpieces such as Infinite Distances (2019) and Unseen Traces (2020), as well as her 2022 collaboration with Scanner, breaks all known expectations with Soothsayers. In a dramatic departure, Olga unveils a new and unexpected side, debuting her haunting vocals—a delicate, spellbinding performance that recalls the golden era of trip-hop, and comparisons to the sounds pioneered by Tricky, Massive Attack, and Martina Topley-Bird.

With Tomasz adding layers of depth through intricate beats and electronics, Olga’s voice becomes the emotional core of the record, conjuring an intimate and nostalgic atmosphere.

"This album is like becoming one with the earth itself—feeling the rawness of the wood, tasting the earth in your mouth, and sensing the presence of ancient spirits. The music carries a deep, primal energy, like being part of the forest, with creatures watching you from the shadows." - Olga Wojciechowska

To complete the journey, ASC lends his signature touch with a stunning drum’n’bass reinterpretation, amplifying the album’s nostalgic essence. Soothsayers emerges as a spellbinding ode to times gone by, in more ways than one.

Featuring artwork by Moon Patrol, with mastering and lacquer by Andreas LUPO Lubich.

King Street Sounds continues to deliver deep house classics with the third various artist sampler in the series. This release taps into the essence of original house music and features iconic names such as DJ Pierre, Blaze, Kenny Bobien, Palmer Brown, Dannell Dixon, and Big Moses.

The EP begins with Dannell Dixon's track 'Dance Dance (DJ Pierre’s Wild Pitch Mix).' This engaging piece features a steady groove, multiple percussive elements, and captivating vocal hooks that keep listeners immersed in the rhythm.

Next is Big Moses' 'Brighter Days (Extended Mix),' which showcases the unmistakably smooth and sultry vocals of Kenny Bobien. As is often the case with Kenny's lyrics, this song explores themes of love, hope, and the promise of 'brighter days,' delivering uplifting dance music.

On the B-side, DJ Pierre makes a second appearance with 'Dancin’ (Club Mix).' This track radiates sunshine and block-party vibes, effortlessly transporting listeners to a lively street party in New York City.

Finally, the record concludes with 'Shine (Shelter Vocal Extended Mix)' by Blaze. This track brings down the tempo just a notch, making it a perfect addition to sets when the dancefloor needs a moment to catch its breath and regain its energy.

Once again, King Street Sounds delivers a knockout release that is a must-have for collectors and DJs alike

The album SATO was made by the Ukrainian Crimean Tatar pianist and composer Usein Bekirov.
SATO was created during the difficult wartime for Usein’s motherland Ukraine and for the author himself.
Despite circumstances, the compositions of SATO express the ideas of the beauty and revival of Ukrainian music, a part of which is Crimean Tatar folklore.
The uniqueness of the release is caused both by the concept of the album and by the performers' star crew.

The jazz sound of the compositions of SATO is directed to the stylistic course of ethno-jazz and world music.
Rhythms and melodies of colorful Crimean Tatar folk music became the main source of inspiration in the creation of the album.
We can find both Usein's original author's themes, skillfully stylized to the oriental sound,
and referenced to the classic jazz vocabulary in its juicy riffs and grooves with features of fusion and funk music.

The name of the album reflected the inheritance of generations through music.
Sato is not only a folk instrument but also the name of the first Crimean Tatar jazz band, which made the first jazz arrangements of Crimean Tatar songs.
The music of this band became the basic musical experience of Usein Bekirov, because one of the members of the group was his father Riza Bekirov, to whom the album is dedicated.

The author and producer of the album is Usein Bekirov - Ukrainian pianist, composer, arranger, sound producer, and author of music for a number of films and theater performances.
Usein Bekirov cooperates with both foreign and Ukrainian musicians of the highest rank.
This is evidenced by the participants of the album Sato: Dennis Chambers, Randy Brecker, James Genus, Mike Stern, Ada Rovatti (USA), Hadrien Feraud (France), and Cenk Erdogan (Turkey).
Each performer reinterprets the author's material of Usein Bekirov through the prism of his own experience, character, and manner of performance, which was expressed in the daring stylistic combinations within a jazz style.

A special role in the creation of the album was taken by the participants of the recordings, especially, legendary jazzmen Dennis Chambers, Randy Brecker, James Genus, Mike Stern.
Their ideological and creative support became an important part of the creativity process.
Musicians expressed their impressions in small addresses for the audience.
One of the reviews of the musicians:
"The process of recording compositions was really exciting! This music reflects Usein's national origin and sense of his native culture.
It is full of real emotions. Actually, this music is quite difficult, but it is very well written and produced!
I sincerely hope you will notice this album, which also took part in Dennis Chambers, James Genus, Mike Stern, Ada Rovatti, and others.
I think it's going to be a really special album, can't wait to hear the final version.
When you hear about the premiere, I highly recommend listening to this new album created by Usein Bekirov.
It will be great!" Randy Brecker

Imagine a nocturnal rendezvous between the lyrical playfulness of Serge Gainsbourg and the infectious yet smooth danceability of Daft Punk. Tormento is a sexy soft disco odyssey that weaves a contemporary fantasy where dilemmas and desires—torments of the heart and flesh—are bathed in the sultry glow of classic erotic cinema.

Recorded in Los Angeles and Paris, the song is a collaborative effort between composer and multi-instrumentalist Louis Fontaine, DJ and music supervisor Alix Brown, and lyricist and writer Margo Fortuny. This sonic tale of longing and uncertainty, ignited by the trio's shared love for 1970s sounds, cinema, and style, draws inspiration from the cinematic soundscapes of François de Roubaix and from French and Italian chanson.

Tormento pairs a haunting, nostalgic melody with a late-70s disco arrangement featuring a mix of vintage synthesizers, driving basslines, and rhythmic percussion. Alix Brown's ethereal vocals convey the electrifying thrill of an immediate, magnetic attraction.There's seduction, mystery, the poetry of a moment, the allure of transgression, indecision, and all the things that happen late at night. When faced with temptation, what do you do? Perhaps, yousurrender to the sweet, intoxicating rhythm of the forbidden.

Adance song for night owls, loners, and romantics, Tormento is out on 7" and digital on February 14th, 2025, courtesy of Four Flies.

Innersoul's The Theory, originally released in 1996, has long been revered in the underground hip-hop community, and now it's getting a well-deserved reissue on limited edition vinyl with a Japanese obi-strip. The standout track, 'It's The Right Time', which was also released as a 12" single, captures the essence of the era, with its jazz and soul samples evoking the unmistakable East Coast underground vibe of the 90s. The album is full of lighthearted rap exchanges and soulful beats that are quintessential of the time. This reissue also includes bonus tracks, making it an essential pickup for both longtime fans and newcomers to this classic slice of hip-hop history.

The Legacy lives on.
While on Belgian Bootlegs 3 one could find “a track that would never be re-released, Maybe Tomorrow” Belgian Bootlegs 4 features another track “that will never be re-released”
FRED & MAX’ “Good Way” is one of the most sought-after Belgian trance-classics. Hard to find copies fetch up to 300€ on Discogs.

Add to this amazing gem a sniff of PAT KRIMSON & OLIVER ADAMS in the form of ULTRA SHOCK (“The Sound Of “E”), another hard to find one, “Pat’s Birthday” by LA BUSH TEAM and an almost forgotten early techno-gem by legends 2 FLYING STONES (“L.F.O. Cookies”) and you know BELGIAN BOOTLEGS 4 is another bestseller.

Control 333 is the E.P. of Uruguayan artist Leo Mendez a.k.a Jardines Sin Explorar, who has left this earthly plane at the beginning of 2024.

This release features 2 super powerful EBM tracks, with infernal bass lines and melodies that achieve a rave atmosphere, 2 pieces of music that takes us on a ride to the true essence of the Underground culture of electronic music.

"Heridas", a track with a classic Ebm sound with a strong bass that marks the hypnotic of the track, accompanied by melodies in their leeds with influences of the punk sound that characterized Jardines, a track loaded with many feelings that are transformed into pure fire. "Turbio" is the second track of the ep, which is more characterised by the electro industrial sound with post punk influences, rhythmic leads and break drums with crashing vocals that lead you to explore your darker side.

Josh Johnson’s Unusual Object is a world of sound. His fantastically processed saxophone & subtle samples & grooves give this work a sort of cyberpunk ambient jazz feel that crosses into realms akin to classic Warp Records and Jon Hassell. These qualities serve to bring the listener closer to Johnson, to his breath, his sense of song. In 2023, Johnson was grammy-nominated for producing Meshell Ndegeocello’s The Omnichord Real Book (Blue Note).

"Unusual Object" by Josh Johnson includes the following tracks: "Telling You", "Deep Dark", "Reddish", "Local City of Industry" and more.

Departing the Wasteland, the new album by Finnish pianist and composer Alexi Tuomarila, marks the beginning of a new creativeflowering for him and also 20 years of playing with the trio that’s at the heart of the album: Mats Eilertsen on bass and OlaviLouhivuori on drums. Portuguese guitarist Andre Fernandes and guest players add richness and texture to the trio sound whichincorporates electronics and synthesised moods and tones.For more than 15 years Alexi Tuomarila has been quietly building a considerable reputation as one of the finest pianists of hisgeneration in Europe. In 2003 he signed with Warner Jazz France, releasing the album ‘02’ ’, which brought him worldwideattention and critical acclaim. He shared the stage with some of the biggest names in jazz, his international career and talent fastdeveloping when, without warning, Warner Jazz ditched their jazz and classical department. He then worked for a decade withPolish trumpeter legend Tomasz Stanko, playing piano on the acclaimed album Dark Eyes for ECM Records, and collaborated withhis current drummer Olavi Louhivuori (Oddarrang) with whom he continues to record for Edition.Alexi Tuomarila has three highly successful albums on Edition, Seven Hills (2014), Kingdom (2017) & Sphere (2019).

Grammy-winning DJ and producer duo Deep Dish are back with a bang and return with 2 new versions of two seminal classics, both with 2024 reworks.

The 2004 hit ‘Flashdance’ has a fresh new Redux Remix along with a Deep Dish Does The Chug Remix, something to spark a fond memory whilst appealing to the sound of now.

The new versions of ‘Say Hello’ again offer a nod to the classic sound of 2004, whilst bringing the legends that are Deep Dish back to where they belong…the dancefloors.

In this electrifying 2024, Flexi is still spinning, louder and prouder, as it marks 40 years of igniting dancefloors and fueling underground happiness. From its humble beginnings as a haven for vinyl enthusiasts to a cultural stronghold amidst the turbulent waves of the music industry, Flexi has become a name synonymous with passion, resilience, and the relentless pursuit of quality sound. To honor this milestone, Flexi’s indie label, Flexi Cuts, is dropping a second, limited-edition compilation. Aptly named "Musica Solida," this collection is spread across three or possibly four lush 12-inch samplers, each showcasing a handpicked selection of tracks from Flexi's cherished circle of artists and producers. This release is more than just a celebration; it’s a declaration—a call to arms to keep the spirit of the scene alive and thriving in Italy and beyond, against all odds.

"Musica Solida #2" doesn't just hold tracks—it’s got stories, moments, and grooves that demand movement. Each cut is a slice of that raw, unpolished energy that Flexi has championed for four decades.

Featured Artists on Musica Solida #2

Minimono: The powerhouse duo of Fabio Della Torre (founder of Bosconi Records) and Ennio Colaci take us on a hypnotic journey with their floor-filling "Before Morning." It’s the kind of track that keeps the dancefloor alive until the break of dawn.

DJ Rou: Going minimal yet impactful, DJ Rou delivers "Elastic Body," a dancefloor-ready cut that blends a stripped-back groove with robotic vocals—a futuristic twist that keeps things unpredictable.

Relative: Flexi’s proud owner kicks things off with an electro track that was conceived, birthed, and brought to life in a single whirlwind afternoon—an anthem for those who live for the moment.

Delphi: One half of the renowned Tiger & Woods, Delphi isn’t afraid to dive deep with a heavy-hitting house track, loaded with acid stabs and thick, pulsating basslines. A track that’s both a nod to the past and a push towards the future.

The record will be released in about 200 vinyl copies no more.

Packaged in the classic discobag 2- holes, with a distinctive letterpress print in a beautiful red cover.

'BOSTICH PT.1' – A hot Chicago House flip on this legendary classic by Swiss synthpop band Yello! Some unexpected editing surprises in this one! The groove will have you from the start! 'OPTIMO' – A highly energetic rework of this classic from American dance-punk band Liquid Liquid, with a percussion section that uses the snare drum, bass kick drum, cowbell, and claves that all combine for insane repeated drum rolls! A hot sure shot for the dancefloor!

Cratebug is a Chicago Dj, Producer & Remixer. His remixes and edits are hot gold and have found their way into the mixes and live sets of COUNTLESS djs all over the world. Most notable and well-known among fans & supporters of Cratebug’s work include: Derrick Carter, Jamie 3:26, Honey Dijon, Frankie Knuckles (RIP), Louie Vega, Scott K., Kenny Dope Gonzalez, Dimitri From Paris, Boris Dlugosch, Francois Kevorkian, Danny Krivit, Moodymann (Kenny Dixon Jr.), Theo Parrish, Master Kev, Moon Boots, Jackmaster (Jack Revill), The Martinez Brothers, Doc Martin, Mark farina, KON, Detroit Swindle, Radio Slave, Moodena, Luke Solomon, Jimpster, Alton Miller, Juan McClean, James Murphy, Alton Miller, Horse Meat Disco, Gene Farris, Jack The Box (Tyree Cooper & Bobby Starr), The Black Madonna, Jojo Flores, Marques Wyatt, Terry Hunter, Ricardo Villalobos, Kiko Navarro, Ted Patterson and MANY MORE!…

Devilish edit duo Duane Harriott and Sean Marquand aka Devin Dare are back with some fresh flips for the new year! Kicking off with feel good classic NYC disco, DANCEMUZAK spins a familiar tune into something hypnotic and driving, while ITSDISCOTIME takes some mind-blowing holy grail source material and loops and builds to perfection. The flip side launches with the cheeky uptempo soul of LOOKINGGOOD that seems almost predestined for a Theo Parrish set, and finishes slow and low with the Clavinet driven funk of 1HEATER4SASHA. DD show once again why they are some of the best editors in the game!