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Aspetuck has been steadily carving out a name for himself through releases on Never Late and Oslated, garnering a respected following for his DJ mixes and festival performances. Aspetuck’s latest record, Immersion, was sequenced and curated from dozens of ideas spanning a transformative few years in Griff’s life. The album is less a snapshot in time and more of a memory bank - flashes of fatherhood, loss, modular rabbit holes, late-night studio sessions, and long walks by the Hudson River with his daughter.
The emotional undertow of the album is immediate. Opener Hit Me With Your Pet Shark is one of the earliest compositions in the collection, created just months after the loss of Griff’s brother and during the sleepless swirl of new parenthood. Built around a single sound from Spectrasonics Omnisphere, found while rediscovering his brother’s studio gear, the track sets the tone: restrained yet searching, personal without becoming precious.
From there, The Printing Press captures the raw energy of a live jam in Griff’s upstate New York basement, running through a 1980s Tascam mixer like a lo-fi assembly line of synths, pads, and drum machines. REI, named after a spontaneous family mission to find a pink water bottle, encapsulates his knack for imprinting daily minutiae into sound. And title track Immersion- once known simply as Tuesday 303 Jam- emerges from a dinner break and a blender, distilling modular sketches and distorted drums into a powerful, slow-motion march.
Under, Under The Tree hits hardest. Built around a grainy iPhone voice memo of Griff’s daughter singing by the Hudson. And closing the album is Bobik, a collaborative studio session with Moon Patrol channeling the playful chaos of a close friendship and modular exploration. Named after a joke about their golden retriever and filled with alien textures from Griff’s beloved EMU XL7 gifted years ago by his late brother, it’s a fitting send-off to an album that straddles celebration and mourning with grace.
The artwork comes courtesy of Peter Skwiot Smith, whose textured analog/digital aesthetic resonated immediately with Griff’s original vision. Peter’s treatment draws on Griff’s personal photography and leans into motion, blur, and the layered nature of memory, echoing the album's sonic tone without overexplaining it.
Mastered by Sven Weisemann, Immersion is available on blue smoke colored 12”

memotone returns to Accidental Meetings with a collection of stunning and delicately crafted songs, featuring Ugné Uma, guest (Jabu) & Typesun!

Multi-instrumentalist, producer & composer memotone (Will Yates) announces the release of his album Warm Shadows and a homecoming on Accidental Meetings. Warm Shadows sees Yates’ discography continue to flourish and traverse into new territory once again, his ever-growing sound palette commands total attention throughout the LP. Within the album sees delicate collaborations with Lithuanian artist Ugné Uma, Jabu’s guest and percussionist, Typesun.

Memotone is a learn-by-playing multi-instrumentalist and producer, working with minimal, ambient and contemporary classical music. Predominantly an improviser, recent years have seen memotone lean towards a more free-form approach, exploring jazz, drone and more meditative music, also showing a keen interest in sound design and textural experimentation. Will has released music with various labels over the years to critical acclaim, most notably; World of Echo, The Trilogy Tapes, Sähkö Recordings, Accidental Meetings, Patience/Impatience & Black Acre.

Introducing Whoman, a Brussels trio formed by Mira and Ambroos De Schepper and Lou Wery, after several years of concerts and sonic explorations between electronic and acoustic formats. Born from travels, rehearsals, and fragments accumulated in various living spaces, About Honey has patiently taken shape, like a collection of soundscapes and intimatenarratives. The richnessof the textures and the fluidity of the arrangements are striking. Acoustic guitars, mandolin, and tenor guitar converse with synth pads and delicate vocal harmonies, sketching a shifting sonic universe where pop energy and introspective folk atmospheres intersect. Finalized at Studio Ledeberg in Ghent, the album bears the mark of these years of concerts, particularly the tours in mountain refuges that refocused the band"s attention on the essence of the songs: voices, harmonies, and collective breath. Like the honey from which it borrows its metaphor, About Honey concentrates multiple influences to reveal a singular color: the textured expanse of Animal Collective and Panda Bear, the luminous melancholy of Fleet Foxes, and the abundant songwriting of Dirty Projectors. In ten tracks, Whoman delivers a dense and luminous debut album, both organic and inventive, where the delicacy of the vocals and the richness of the arrangements combine to create a warm and vibrant record, revealing a unique new voice on the Belgian indie scene.

Every journey has it's final beat.
This vinyl marks the last NTFO release - a record made to move bodies
and stay in collections long after the needle lifts.
No reissues! No repress!

Presenting Deyjavoo Volume One - A compilation of neverheard-before tracks from four iconic artists/collaborations.

These tracks were pulled from old computers, long-lost hard drives and DAT tapes almost forgotten. A very special collection indeed. The music comes from the legendary Lance DeSardi & JT Donaldson, Audio Soul Project (Mazi), Jacob London and Ilija Rudman & Richard Littler. A reminder of the timeless magic of music and its refusal to never grow old. This project is brought to you by Bizarre Trax.

CRYME lands on Oddysee with 5 club tools designed for maximum dance floor functionality. Titled “7th Element”, the Berlin-based producer finds himself in form with a collection of deep and dubby dance floor grooves, rhythmic programming and sexy vocal-infused house. The record also features a sophisticated slice of steamy, house-laced techno in collaboration with Ben Reymann. Another step in the SEVEN’s co-founder steadily growing repertoire that shows continues upwards progression.

After the well-received Kreme de la Kreme EP, D3 Classic Edition returns with another essential vinyl release. This time, they present four rare and highly sought-after tracks from the talented Toyin Agbetu—all newly re-mastered from the original DAT tapes. Showcasing some of his finest work as The Dark Knights, this collection is a treasure trove for fans of deep, soulful grooves and classic, old-school rhythms. Featured are four must-have tracks: I Do Believe, Party Time, Piece of Time, and U Gotta Slow Down—the latter released under Agbetu’s other alias, Nemesis, and making its debut on vinyl.

But there’s more: the release also includes a brilliant reinterpretation of Piece of Mind by London producer K15, who adds his signature spacious, broken-beat style to the original, breathing new life into a classic track. For vinyl collectors and true aficionados, this is an absolute must- own.

Leading voices in contemporary Organic House anchor LS001 V.A-Thunderlab Collective, the inaugural vinyl-only edition from Life Signal. This first chapter introduces Life Signal as a curated imprint dedicated to presenting standout works from modern electronic music-pieces selected for their lasting impact and now pressed exclusively for listeners who value both sound and physical format.

These tracks have earned significant attention within the digital space, and this release brings them to vinyl for the first time, giving collectors a chance to experience them in a new, tactile form.

A1-Volen Sentir & PROFF-"Luna Amazonia (PM Mix)"
The record opens with a signature blend of organic textures and melodic flow, shaping an atmosphere that sets the tone for the edition.

A2-Krasa Rosa-"
Kaftan"A refined balance of acoustic nuance and electronic drive, building toward a standout breakdown and a sharp, vocal-chopped lead.

B1-Jiminy Hop-"Cavalier (Extended)"
Marked by Jiminy Hop's characteristic phrasing and evolving percussive movement, this version extends the melodic narrative with precision.

B2-Audiense-"Winterfell (Extended)"
A steadily rising finale combining psychedelic touches and ethno-vocal textures, rounding out the collection with an expansive sense of lift.With LS001, the Life Signal vision arrives on vinyl: curated electronic works preserved for collectors who follow music not only by sound, but by legacy.

In a Secret Room is a retrospective that reopens the sonic and visual archive of KKD, bringing back to light a trajectory that long remained underground within the history of Italian new wave. The tracks, recorded between 1979 and 1986, reflect a constantly evolving process shaped by experimentation, improvisation, and a drive toward new languages. The project takes shape inside a former hotel in Italy’s Po Valley, transformed into a studio, rehearsal space, and visual lab.

Here, among analog synthesizers, homemade electronics, and multitrack recorders, Kriminal Killer Division experimented with and pushed their available technology to its limits, developing a hybrid language: sounds captured from radio and the street, synthetic voices, guitars, and electronic sequences intertwine in compositions that move between art rock, minimal wave, and more industrial directions. This collection aims precisely to reactivate that imaginary. The vinyl is accompanied by a risograph fanzine that restores the project’s visual dimension: collages, photographs, and graphic materials reflecting the same experimental attitude found in the recordings. Sound and image move together, as parts of a single expressive device. In a Secret Room offers access to a hidden space where interference, noise, and intuition take form without mediation. Not a nostalgic operation, but a re-emergence: a living archive that continues to generate meaning in the present.

Totoyov vinyl series returns with a 4 heavy hitters produced in the shores of the Black Sea, by the romanian artist George Heerd.

Massive support around the world from some of the biggest names in the scene and now it's your turn to elevate dance floors with these weapons!

An essential for everyone's vinyl collection! Grab your copy while you can!

A Profound Non-Event, the debut album by Sydney-based three piece Daily Toll, comprises 11 songs traversing three years of forged friendships, collaborative experimentation and a shared love of growing through words and song.

Those attuned to the ever-vibrant Australian underground may already be well familiar with Daily Toll, their consistent live presence since their inception in 2021 embroidered by a handful of (mostly) home-recorded, (mostly) digital self-releases that have steadily accumulated an appreciative following. Initially the project of self taught musician, poet & artist Kata Szász-Komlós(they/them) and Jasper Craig-Adams(he/him), and expended to a three piece with the more recent addition of friend Tom Stephens(he/him), Daily Toll represents the union of three unique creative dispositions, of relationships blooming through the push and pull of creative practice. Mapping the band’s existence through their recorded output is to bear witness to the flux of three people learning to respond to one another and gently ossify into a collective vision that at once calls to mind folk song intimacy, post-punk dynamics and the artful poeticism of an adjacent Flying Nun legacy.

If those earlier recordings reflect a band imagining themselves into being in real time, A Profound Non-Event observes a clear shift in both conviction and approach. Recorded in just three days with Alex Bennett at the purely analogue Sound Recordings studio in Castlemaine and holing up at night in the century old cottage situated beside the studio, sheltering from the late-June wind and rain within walls littered with instruments and microphones, lighting fires to stay warm. Kata describes the experience as defined by “candle light and creative camaraderie”, an idyllic account of a collection of songs that glide with an undeniably warm, easy charm, evidenced in particular in the record’s second half as the tone turns increasingly introspective, the very sound of a cold evening’s drift into night. When contrasted with the moody swirl and sing-song bounce of the opening trio of tracks, there’s clear evidence of a band not simply in the process of becoming, but committed to finding their truth in that process.
Still, if Daily Toll display a reluctance to be wholly defined, then album centerpiece ‘Killincs‘ (positioned in the middle for a reason) might just be their Rosetta Stone. A verbose rumination on unsettled feelings of isolation and longing, exploring the challenges in making peace with one's decisions amidst the uncertainty of an often harsh world and the realisation that some things remain best unresolved - “I have the keys still, but I’ve buried the path”.

"Ed DMX has been part of Shipwrec since the label's inception. Under his DMX Krew moniker, this analogue wizard has released four Eps and one LP on the Nijmegen imprint. DMX Krew returns to Shipwrec for a brand new album, a collection that displays yet another side of this sculptor's sound. Brutal and cold, shadows are long and shades dark from the outset. Drum patterns twist in tempo and intent, from hard and punishing to gentle and fragile. Elements of breaks and industrial are also present in the percussion, this fragmenting allowing deep and soulful melodies to counter the battery. In fact, echoes of electronica permeate the harmonies across the LP such as deep and divergent "Interrupt." No single style is adhered to. Instead, the full palette of machine music is employed. From the squelchy Tudor electrofunk of "I Wonder Why" to the melancholic braindance of "Rephlections in Time", genre boundaries are given little credence. Instead, Ed DMX draws on his decades of experience to create sounds that are both familiar and completely one of a kind. The deep-sea dive of "Final Comedown" is juxtaposed with the ambling calypso of "Dinosaur Reaction", styles reimagined and reshaped to the creator's evolving purpose. Echoes of the halcyon days of Rephlex permeate the 2LP. The harshness and softness of the Cornwall imprint being present throughout, those more subtle tones coming to the fore in the delicate beauty of the "Phaser Level 2." A transcendent album and a certified future classic. To accompany this very special release, there will be a limited edition run with full cover art by Ruwedata. An artist very close to Shipwrec's heart, Ruwedata was responsible for the sleeve work on DMX Krew's Cosmic Awakening."

Two Piers proudly announces the upcoming release of Bridges Towards Open Spaces: Circadian Rhythms 1967–2025.

This new collection brings together a wide range of artists and styles, weaving immersive sonic landscapes that explore a connection between natural cycles and the rhythms within.

Featuring artists such as Brian Eno, Moebius, Roedelius, Meat Beat Manifesto, Fun Boy Three, Daniel Avery, and Spectrum, the compilation moves fluidly between shimmering ambient textures and raw, straight-ahead garage rock.

Bridges Towards Open Spaces: Circadian Rhythms 1967–2025 follows in the footsteps of Two Piers acclaimed previous releases, Night Train: Transcontinental Landscapes 1968–2019 and Music for the Stars: Celestial Music 1960–1979, continuing the label’s exploration of expansive, time-spanning musical journeys.

“I wanted once again to shape a compilation around a time period, this collection is a nod to my days behind the counter of a record shop, the people I met and the styles of music that was played and I was introduced to. Some are from that time, some are of the style/feeling, that I can associate & with the friends I met there; from the early shift to the late shifts as the tempo rose throughout the day and the neons of London started to buzz”

The album will be available on Limited Vinyl and CD in May, arriving just in time for the longer, warmer days and the shifting light of the Seasons Sun.

Two Piers proudly announces the upcoming release of Bridges Towards Open Spaces: Circadian Rhythms 1967–2025.

This new collection brings together a wide range of artists and styles, weaving immersive sonic landscapes that explore a connection between natural cycles and the rhythms within.

Featuring artists such as Brian Eno, Moebius, Roedelius, Meat Beat Manifesto, Fun Boy Three, Daniel Avery, and Spectrum, the compilation moves fluidly between shimmering ambient textures and raw, straight-ahead garage rock.

Bridges Towards Open Spaces: Circadian Rhythms 1967–2025 follows in the footsteps of Two Piers acclaimed previous releases, Night Train: Transcontinental Landscapes 1968–2019 and Music for the Stars: Celestial Music 1960–1979, continuing the label’s exploration of expansive, time-spanning musical journeys.

“I wanted once again to shape a compilation around a time period, this collection is a nod to my days behind the counter of a record shop, the people I met and the styles of music that was played and I was introduced to. Some are from that time, some are of the style/feeling, that I can associate & with the friends I met there; from the early shift to the late shifts as the tempo rose throughout the day and the neons of London started to buzz”

The album will be available on Limited Vinyl and CD in May, arriving just in time for the longer, warmer days and the shifting light of the Seasons Sun.

House and techno mainstay Steve Bug returns to Nu Groove with four-track EP ‘Let’s Work’, showcasing the sound of a true electronic pioneer on vinyl. Up first is title track ‘Let’s Work’, a bouncy club record with a cool, metropolitan feel. What follows are ‘Mr Wonders’ and ‘Not The First Time’, two tracks that highlight Steve Bug’s rhythmic expertise and mastery of tension. Closing out this vinyl collection of fresh house music is a collaboration with Los Angeles native and dance culture expert Juliet Mendoza; ‘Whispers In The Dark’ features Juliet’s magnetic spoken word over Steve’s brooding electronic groove.

2026 Repress

Ten years after it was first released, the eponymous debut EP by M.O.O.N gets a re-release in the much sought-after picture sleeve alongside the follow-up collections, Particles EP and Day/Night EP.

The EP has found fans in DJs such as Andrew Weatherall, Peggy Gou, and Jacques Renault, whilst the appearance of all four tracks on the soundtrack for cult game Hotline Miami the EP ensured a cult following, racking up millions of plays on streaming sites.

All tracks have been remastered by Brendan Zacharias aka Assembler Code giving the EP a new level of punch in the club and on home hi-fi.

Ten years after it was first released, the eponymous debut EP by M.O.O.N gets a re-release in the much sought-after picture sleeve alongside the follow-up collections, Particles EP and Day/Night EP.

The EP has found fans in DJs such as Andrew Weatherall, Peggy Gou, and Jacques Renault, whilst the appearance of all four tracks on the soundtrack for cult game Hotline Miami the EP ensured a cult following, racking up millions of plays on streaming sites.

All tracks have been remastered by Brendan Zacharias aka Assembler Code giving the EP a new level of punch in the club and on home hi-fi.

Big Bombs EP marks the debut release on Bertie Bassett’s self-titled label, introducing a collection of groove-led house cuts rooted in classic influences and underground club culture.

Already gaining global support from DJs like Marco Carola and, Shaka Loves You and featured on Traxsource’s Essential Afro chart.

Across four tracks, Bertie Bassett delivers a mix of DJ-focused tools and edits, blending raw house rhythms, funk-driven elements and stripped-back arrangements designed for dancefloor use.

From the driving energy of Get House and Back To Underground to the reworked grooves of Man In Black (Edit Mix) and Finga Loop (Bertie Bassett Rumba Remix), the EP offers a versatile selection suited to both peak-time and deeper club sets.

With a long-standing background in house music and production, Bertie Bassett brings a seasoned approach to this first release, combining classic influences with a modern underground edge.

As the first release on the label, this EP sets the tone for the project moving forward, offering strong appeal for DJs looking for fresh, playable house cuts with a raw, groove-led feel.

A natural fit for fans of labels such as Razor-N-Tape, Toy Tonics, Bed Edits and Disco Express.

A DJ-friendly and versatile release for stores supporting underground house and edit-driven sounds.

EFUNK Volume V is the fifth installation of the annual VA compilation featuring music from a curated collection of artists set to perform at Soul Clap’s House Of EFUNK touring party series. This release date on wax and digital is right in time for the official Movement Festival afterparty @ TV Lounge in Detroit that spans 2 days with 3 areas of sound. This year’s compilation features music from Soul Clap alongside long time friend and Baltimore favorite Baronhawk Poitier who present “Set The Scene”, a futuristic earthshaking groove with Baronhawk’s spoken vocals backed by Charles Levine’s vocoder and a Moog topline played by Baronhawk that won’t quit. Hercules & Love Affair makes a debut on the label with “Stay Ready” a chugging tracky / acid infused banger which should absolutely induce a dancefloor sweat. Kai Alce shares a discofied sample-licious crowd pleaser called “Boogie” with the help of additional keys by Byron Blaylock better known as Byron The Aquarius. Detroit’s new school starchild JMT joins with the hard hitting peaktime soul powered “Black Magic Touch” and last but certainly not least, Lauren Flax adds an edge of danger while calling for “Revolution” featuring vocals from Liz Wight. These tracks are sounding warm and round thanks to the mastering expertise of Caserta and have been dancefloor approved by Soul Clap!