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Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful jazz writing. For those of you intrigued by melodies, the art of musique concrète or the exploration of dub music’s deviant angles, this record will easily find its place on your turntable.

The two sides of the record are cut with play, improvisation and effects, while leaving room for themes and ideas. If this record’s first chapter was born from a request to remix and pay homage to Jackie Mittoo, its themes tell another story. They have been declined and even reduced to an explosion point. The tracks are also driven by subtle details of musique concrète, giving the record the effect of an intimate musical production – but, above all, one of uncategorisable beauty.

In Androo’s case, this is hardly surprising. He is a craftsman who is unassailable in every respect, a poetic dynamiter and, for this reason, one of the most unpredictable musicians in Geneva (and beyond). His appetite for dynamite is perhaps an indication of his conception of music as, first and foremost, an experience. His highly personal and inventive tribute to figures from free jazz and contemporary music proves the point. But perhaps it is also an indication of his attachment to Jean-Luc Godard. You'd have to imagine Androo at his mixing desk without a pre-written script. The idea of editing infuses the record. The two sides are very much in this style and spirit: (un-)shot, meticulous, (ir-)reverent. In this respect, this record is a formidable proposition, and perhaps difficult to understand, but not striving to be understood.

Its combination of improvisation and composition is underpinned by a razor-sharp precision and dexterity that's hard to ignore, especially if you're curious about the art of sound mixing and the romantic accidents. It has a dexterity that transforms musical grids into romantic essays and sketches. A romanticism in which Androo takes us on a liberating musical experience that makes us forget the inertia of the ramping formatting of the record industry. In any case, this record is an invitation to (un-)think the category, and will delight any ear curious to wander into territories of intuition where the word hybrid no longer makes sense.

Text by Carl Åhnebrink

Laolu, the acclaimed Swiss-Nigerian producer and DJ, is set to release his highly anticipated EP titled Try, marking a pivotal moment as the first release under his newly launched record label, Siembra. Known for his transformative remixes and immersive club tracks, Try captures Laolu's signature blend of evocative beats and precise production. Leading the EP is the single ‘You Don’t See Me’, a collaboration with South African vocalist Nomvula, whose tender voice intertwines seamlessly with Laolu’s production. The track embodies the emotive, atmospheric qualities that have earned Laolu a loyal following worldwide while reflecting his desire to collaborate with one of the great voices of the vibrant South African music scene. The title track ‘Try’ features the distinct vocals of SeeMeNot, a standout artist from Defected Records additionally, the EP includes ‘Creature of the Night’, a track powered by one of house music’s most iconic voices, Starving Yet Full.

"Try EP marks an important milestone as the first release on my new label, Siembra. This record represents the latest evolution of my sound, a fusion that draws from both my European roots and West African heritage, seamlessly blending electronic and live music. It’s a sound crafted with both instinct and precision, embodying my deep love for dance music and a newfound passion for songwriting," Laolu explains. With these powerful collaborations and Siembra's commitment to artistic freedom, Laolu continues to elevate his creative journey. The EP sets the tone for Siembra’s future releases, offering fans a fresh, innovative blend of cultural influences in club music that moves both the heart and the dancefloor.

Damian Lazarus returns to Crosstown Rebels with new single ‘Sunrise Generation’, featuring Fink. Including a remix from Norwegian talent and up-and-coming Crosstown family member Meera, the single marks Lazarus’ first material on his iconic label in over a year.

Visionary DJ/producer and Crosstown Rebels founder, Damian Lazarus, makes his long-awaited return to the label with his new single ‘Sunrise Generation’, featuring the voice of acclaimed and celebrated singer-songwriter Fink. Set for release on 8th November 2024, the highly anticipated production marks Damian’s first material on Crosstown since his collaboration ‘Revolution’ with Dennis Cruz in October 2023, his Grammy-nominated single ‘Don’t Be Afraid’ with Diplo & Jungle, and his first solo release since his ‘Beijing Spring’ project on sub-label Secret Teachings in April 2022.

An emotive, captivating and uplifting track, ‘Sunrise Generation’ is not just a return to form but a heartfelt homage that celebrates the magical moment and euphoric energy of sunrise.

The release also features a return for Norway’s Meera, an exciting artist whose recent outing on Crosstown Rebels with her ‘Stikk’ EP made notable waves, building on her debut on sister label Rebellion last year in style. Her remix brings fresh energy, layering deep textures and rhythms over Fink’s haunting and heavily processed vocals to create a stirring counterpart to the original.
A sonic celebration of unity and renewal, ‘Sunrise Generation’ once again affirms Lazarus’ status as a true leader within the electronic scene. The single follows a series of high-profile remixes, including reinterpretations of tracks from Josh Wink, Jamie Jones, Bedouin, Totally Enormous Extinct Dinosaurs (TEED), and Made By Pete, along with his acclaimed collaboration ‘Don’t Be Afraid’ with Diplo and Jungle. As always, Lazarus’ ability to craft atmospheric, emotion-driven soundscapes shines through here as he continues to innovate and inspire with another cherished anthem crafted for special dancefloor moments.

Returning to Berlin has reignited a fresh, playful side to Benjamin Damage’s techno productions. Drawing inspiration from NIX’s bold direction, he has challenged his own sound and delivered a cheeky EP, Violet Ray, with great attention to detail, combining sharp sound design with strong dance floor energy.

Each track is born from live studio sessions, with long takes of experimentation and play. Carefully chopping and refining these moments, Benjamin ensures energy flow while maintaining maximum sound quality, perfectly crafted for a 12” vinyl release.

‘I Gotta Limit’ was the first new music shared from Matt Berry’s forthcoming album “Heard Noises”.

The track sees Matt trading lines with Kitty Liv, over a Sly Stone-inspired arrangement that is part Northern Soul, part Psych.

With an immediate incredible response for the track among fans - long ahead of the album release in January 2025 - Acid Jazz has decided to make the single available as a limited edition, picture sleeve 7”.

It is backed by a previously-unreleased remix of ’Summer Sun’ by Bond composer David Arnold.

Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.

Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.

Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.

"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.

Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?

Theme Ltd presents two new releases from resident artist GAIKA
, also featuring THE NARRATOR and Liu. The two tracks circle between various influences and bear a bright flash of versatility from the artist and his collaborators. ‘Racing Gloves’ is underscored by THE NARRATOR’s melodious, delicately discordant passages. It’s then supplemented by GAIKA’s visceral, close-to-home rap style and calculated production. This textural balance, the two voices in tandem, makes for a perfect synchronicity. Not sure which voice to listen to? Pick up the gloves and go for a drive.

’S Composites’ featuring Liu, guides the listener between the gentle throes of multilingualism. It’s a unique mix of ethereal melodies supported by a classic RnB beat, enriched by a soft, swelling droning that seems to mimic breathing. As the track inflates and deflates, we’re carried by Liu’s honeyed vocals to her countdown, and the track’s final minute-long ‘breath’.

Saverio Celestri is back on RAWAX with another high light release,
coming out in Spring!

The most famous and highly successful trance compilation worldwide is Talla 2XLC’s Techo Club series that always topped the charts and download shops. After 67 magical episodes in February 2023 Techno Club has celebrated its 25 years anniversary with the ultra large Best of 25 Years 4 CD edition. After 25 magnificent years of DJ battles and exceptional DJ mixes between DJ Talla 2XLC and his brilliant globally known guests including Taucher, Kai Tracid, Tom Wax, Scot Project, Cosmic Gate, Aly & Fila, Jerome Isma-Ae, Alex M.o.r.p.h., Woody van Eyden, Markus Schulz, Allen Watts, Ralphie B, Metta & Glyde amongst many others, trance fans can experience the mouthwatering and highly satisfying recap with the Best of 25 Years shinning edition. Two Mixed CDs perfectly arranged by the trusted hands of Talla 2XLC and the resident Techno Club DJs LXD and Bluefire to keep you dancing 24 hrs and 2 Unmixed CD’s with eternal trance classics for club and radio DJs who wish to educate their audience and incorporate these timeless jewels in their digital collection and DJ sets.

After thousands of requests via Talla 2XLC social media ZYX proudly presents the vinyl edition of Technoclub 25 Years vol.1. In two brilliant vinyls, trance aficionados will enjoy 12 of the most highly requested trance classics from the vaults of the iconic Technoclub compilations.

The 1st vinyl includes the legendary Jam & Spoon Watch Out For Stella Remix of the most significant trance track of all times Age Of Love, then the balearic Ocean To Shore Club mix of the melancholic On The Run by the late legend DJ and producer Tillmann Uhrmacher. Final track in A side the highly energetic Fly Away by Vincent De Moor in the most powerful remix by the German duo Cosmic Gate. On the flip side Jorn van Deynhoven Remixes RAM’s eternal beauty RAMsterdam. The legendary team of Nalin & Kane represented by their remix on Lustral aka Space Brothers blissful and oceanic Everytime. Lastly the well known Sunrise by Ratty aka Scooter side project with the rough tribal main section and the sunkissed feel good breakdown. The 2nd vinyl will bring tears of joy with Talla 2XLC remix on the highly euphoric Sky by Dito. The epic Ronski Speed remix of the countless times remixed trance classic 1998 by Binary Finary and finally the still crowd pleasing Dreams by the Australian Quench. The D side is all about Talla 2XLC productions including his brilliant remake of the fantastic The Meteor, followed by the highly uplifting Xijaro & Pitch remix on Pull, the epic Talla’s co-production with Junk Project. The final track is dedicated to psy-trance community with Zyrus 7 aka Talla 2XLC psy-trance project with the fast moving anthem Lost in Space. The growing fanbase of trance vinyls will adore this great collection of the finest trance anthems from the past, present and future carefully selected by Talla 2XLC and his Technoclub team mates.

Limited 2024 Black Vinyl Repress

Osaka based psych-rock three piece Hibushibire return after a long break, with a new line up and a stunning third album. Produced by Acid Mothers Temple/Mainliner guru Makoto Kawabata who also guests on the album.

Following the successes of their debut album 'Freak Out Orgasm!' (2017), the follow up ‘Turn On, Tune In, Freak Out’ (2019) and two very well received UK tours. The band headed home to Osaka, Japan and then, the pandemic hit.

During this downtime, guitarist/vocalist Changchang decided to create a new power trio. Enter Tetsuji Toyoda (Bass/Vocals) & Aoi Hama (Drums/Vocals). The new trio have spent the last three years writing new music, playing live and honing their sound in Japan, and a short well received tour of Taiwan with Riot Season labelmates Dope Purple. And now finally, Hibushibire mark 2 is born properly.

“Hibushibire has returned after a change of members. A psychedelic, progressive work, suitable for a new beginning"

Entering the studio with Acid Mothers Temple/Mainliner guru Makoto Kawabata in the producer chair (and also as a guest musician) once again, the band recorded album number three, 'Magical Metamorphosis Third Eye’. Makoto also adds some of his own trademark guitar howls throughout the album, perfectly complimenting Changchang’s own growing prowess.

Here the band have taken their trademark psych-rock blasts and blended them perfectly with some more trippy, dare I say sweet progressive psychedelic sounds.

“The idea of this album is based on the theme of "occultism and mysticism". But it's not a serious thing, it's about the things we like (UFOs, pyramids, psychic phenomena, shamanism etc) and we all had fun while making it. In terms of what makes it different from the previous Hibushibire albums, it’s where AOI HAMA's vocals are present. I had wanted to use a female vocalist for a long time, so it was a good feeling!”

Like the band's first two albums, 'Magical Metamorphosis Third Eye’ is very much an album of two halves. Side one again is full of killer shorter tracks, while side two is reserved for a blinding majestic 20 minute epic ‘Ayahuasca Witch Abduction’. Perhaps the biggest musical surprise here though is probably track two, the beautifully mellow tripped out ‘We Won't Go Back To The Past’, which sounds like it’s been beamed straight out of the late 60s/early 70s.

The band also tip a nod to the Beatles psychedelic classic ‘Tomorrow Never Ever Knows’, but with their own twist of course.

It’s clear with the line up changes, Changchang has decided to expand the band's musical pathway, and he’s achieved stunning results.

The band plan to return to the UK and Europe in 2024 to see friends old and new.

Erleben Sie das Dolce Vita mit der neuen Vinyl-Compilation
„Original Italian Classics Vol. 1“. Diese außergewöhnliche
Sammlung entführt Sie in die goldene Ära des Italo Pop
der 1950er und 1960er Jahre, als die Straßen Italiens von
unvergesslichen Melodien und charmanten Stimmen erfüllt
waren.

„Original Italian Classics“ vereint die größten Hits und
bekanntesten Interpreten dieser glanzvollen Zeit.

Comprised of Clams Baker Jr., Benjamin Romans Hopcraft, Adam J. Harmer, Marley Mackey, Quinn Whalley, and Bleu Ottis Wright, Too Cold To Hold is undoubtedly their best and most ambitious album to date. Taking on board the repetitive and polyrhythmic grooves of gqom (an alluring South African take on house music), adding in a dash of hip hop flavours and even jazz, and then harnessing that to their punk-funk, disco pogo, it’s a spellbinding mix. The album is produced by the band’s Ben Romans Hopcraft alongside Jamie Neville.

Talking about the first track to be taken from the album, ‘Fashion Week’, which is a joyous account of fashion’s die-hard fans rather than the more visible arrivistes or dilettantes, Clams said: “Those that will do anything to become that thing. That creation. And live it. It’s real artistry when you don’t have the means and you’re doing it. You’re hustling to get on the guest list, you get in, you’re done up by means that you can’t really afford, whatever you do… It’s a celebration of people who will do whatever to look good and feel good and step above wherever they are in their own minds.”

With a reputation as one of the most exciting and mesmerising live bands out there right now, they have also today announced both details of a very special ‘Fashion Week’ launch show at London’s Lexington on 10th July and a run of U.K. / EU dates to coincide with the album release in November – the dates include their biggest London headline show to date at The Troxy. The full list of dates, which is as follows:

Late-night jams in their new studio sees Jazzbois return to their beat-tape roots on Still Blunted

Having established themselves as one of the leading live bands in Europe grooving in improvised jazz motifs and hip-hop beats, Budapest trio Jazzbois return with their fourth LP Still Blunted that sees them touch base with their beat-tape roots.

Now situated in the heart of Buda at their new studio above a club, the Hungarian trio of Bencze Molnár (Rhodes/synth), Viktor Sági (bass) and Tamás Czirják (drums) take a more considered approach to Still Blunted and offer a snapshot into the jams, sessions, and shows they have played over the past year. The new album comes after performing at the legendary Montreux Jazz Festival this summer and will be followed by a European tour in October.

Inspired by contemporaries Domi and JD Beck, Kiefer, Nala Sinephro, and the sounds of Radio Juicy, Jazzbois have been more critical of their track selection for the sequel to their Goes Blunt albums. They’ve ripped up their playbook of producing records in a matter of days and took their time to approach the record through reworking their favourite tracks recorded over the past year.

“We’re trying to keep the same formula but there was a lot of thought gone into the process of making an improvised jam sound like a song. It has to be good in the moment, and we chose the ones we felt were expressive and resonated the most with us musically. We focus on our feelings in the moment and have trust in our own taste and music visions.”

The trio’s new studio has offered them the space and time to get the best out of their creativity. “This new spot is a Jazzbois headquarters. It’s above this club, sometimes there's a DJ playing outside on the street – everyday there's something on and lots of people coming and going. We hang out for the whole day and just record anything or edit.”

Jazzbois are a part of the rich, underground jam scene in Budapest, and those improvised-led sessions have fed into Still Blunted. One of their late-night jams turned after-parties produced sketches for tracks they selected for the album.

“It was the end of a wild night celebrating getting the album done. We’re having a jam and we looked around while we were recording and there was twenty people smoking and drinking around us – half of them we didn't even know who they are. It turned into an open after-party where people were coming to ours from the club. It was very spontaneous and unexpectedly, we made five or six new songs we ended up using for the album.”

The ethos of those unplanned, open jams is something they carry through into their live shows, as they never rehearse so their music can develop freely. Their trusted fourth ‘live’ member DomBeats joins them on Still Blunted adding saxophone to some of the psychedelic-tinged beats, such as on singles Shangri La and Chrome. After recently digging back into 70s and 80s jazz, discovering more hip-hop sampled tracks, and absorbing the breaks and high-energy of footwork and juke, these influences come through strong across Still Blunted.

The footwork sound is replicated in the shuffling, busy drums of Shangri La, with the echoing guitar twang reminiscent of a sample you may hear on an MF Doom beat. “Shangri La was a catalyst for the new album. It reflects on our trip to America and SXSW. We played at this venue Shangri La. The Texan air and sun are in that track.”

Chrome takes on a much more furious style of playing that allows for the drums to cascade and flow along with the pulsating, chromatic bass line, with the synths and saxophone spiralling into an engrossing frenzy. The liquidy keys and synths glides over the bass on Flute Thang, creating a 70s jazz-funk vibe that stands out from the rest of the album.

With hundreds of thousands of monthly listeners across Spotify and Apple Music, they have become a playlist staple that has earned them millions of streams since their debut release Jazzbois Goes Blunt in 2019. As more live dates are booked for the Hungarian trio, Jazzbois continue to transform the traditional jazz trio sound into deep, groove-led beats on Still Blunted.

5the release on Central Electronices comes from the very talented Konerytmi.
We are very happy to release this records, filled with lovely and filigree story telling - electro.
Don't miss this beauty!

The second release of Diggers Society Records is signed by an artist who has distinguished himself both for his compositional skills and as an excellent selector. NND takes us on a journey through his diverse musical worlds, track by track, revealing his deep musical background. The A-side stands out for its dark atmospheres, supported by strong rhythms and deep grooves. The B-side takes us back in time, offering a production inspired by the iconic soundtrack of the cult '80s TV show, followed by a production with a celestial and deep atmosphere.

Artwork by @designattitude_graphic

T.Recs is back with another salty rub of peak time house goodness on vinyl.

‘Urban Deep’ will ring several bells with the Gen X audience – especially once the iconic throbbing bassline hook and happy-clapping beats kick in. The big surprise comes from the throwback dreamy vocal laid perfectly across the production, which fits like a velvet glove on a well-manicured hand. ‘Urban Deep’ is a 122bpm stomper of a tune that will flood any dance floor at any time of the night, guaranteed.

For ‘Franklin & Marshall’ we head willingly and confidently into ‘classic house anthem’ territory. All the ingredients are in the mix here; from the unmistakeable Prophet 2000 generated piano riffs and Roland TR-909 drum box presenting the beats on a gold platter. You think you’ve got this one in the bag until the gospel sounding, smoky vocal arrives like a packed tram car. Epic, energetic, fantastical and full of pride, ‘Franklin & Marshall’ will be the preferred weekend weapon of many a DJ.

Celestial Echo is back with their fourth release and the first properly licenced reissue of Lisa Hill's dance floor anthem, 'I Am On The Real Side.' Originally released in 1982, this disco classic has remained a favorite among many discerning DJs and has kept dance floors moving for years.

Recorded in New York in 1982 with producers Dennis Williams and Joe Webb, this track became Lisa Hill's only release.

Now officially licensed and presented on 12-inch vinyl, the reissue features a reimagined company sleeve, updated labels, and pressed and remastered on heavyweight vinyl for an authentic analog experience.

Pressed and distributed by Prime Direct Distribution, buy or cry!

limited to 300 copies - no repress

Barcelona-based Italian record label DANCE CONMIGO introduces themselves with 4 exciting tracks ready to blow up the dance floors!

A1 Lukinsky takes us on a dreamy journey, something you can’t let drift away, getting lost in a nostalgic memory. A2 Elgo Blanco picks up the tempo slightly, giving this release the right kick to slide from day to night.

In B1 we find Flavio Folco’s inimitable touch, his live bass-line in a fresh energetic arrangement! While B2 is a collaboration of Daryl System & Mr Fantasy, bringing back a warm 80s vibe and sexy harmonizing that invites to dive into cosmic spaces, reaching out to other dimensions…

Compiled and produced with love by Chico Simon, hoping to support other DJs in fulfilling every dancer’s desires. Limited to 300 copies worldwide!

SOULMEEX record label premiers with a powerful nu-disco and italo EP conceived during the spring and summer of 2024. It comes with the signature of synth maestro Philipp Lauer, and remixes by Johannes Albert and Max Buchalik. An impressive debut for a label that originally began its path in the industry as a weekly mix series back in December ’22.

LP + insert with extended liner notes and download code including extra bonus track 'Movements of The Mind'.For his second album on the Belgian leftfield imprint Cortizona, Devin Brahja Waldman gathered a group of insanely gifted and talented musicians to start a new and highly moving musical chapter titled 'Nebulizer'.



From the first moment the pulsating tone of Devin's synth blends with the whispering voices of Earth, Wind and Choir and the menacing bells Naima Karlsson set in motion this record you just know and feel immediately 'Nebulizer' will be a soul-searching journey, soaking you deep into an unknown and very personal musical world.

Devin Brahja Waldman is a New York saxophonist, drummer, synthesizer player and composer who leads the group BRAHJA. He has performed with Patti Smith, William Parker, Nadah El Shazly, Malcolm Mooney, Thurston Moore, Godspeed! You Black Emperor, Charles Hayward, Luke Stewart and Yoshiko Chuma. Waldman is also a member of NYC's Heroes Are Gang Leaders (led by poet Thomas Sayers Ellis and saxophonist James Brandon Lewis), of Sam Shalabi's Land of Kush, and of the Norwegian hardcore group MoE.

In 2022 BRAHJA released the critically acclaimed album 'Watermelancholia' on the Belgian leftfield imprint Cortizona. For his second album on the same Cortizona label, Devin Brahja Waldman gathered a group of insanely gifted and talented musicians to start a new and highly moving musical chapter titled 'Nebulizer'.

Together with Adam Kinner, Georgia Wartel Collins, Earth, Wind and Choir, Luke Stewart, Kenichi Iwasa, Naima Karlsson, Alexis Mercelo, Janice Lowe, Watson and Damon Hankoff, Devin forms a slow-burning fireball unity.

A devotional séance channelling unknown powers proving music is a healing force of the universe.

Rejoicing the Holy Jazz Spirit.

Ready to nebulize the world and bring light out from the darkness. Head cleaning the world in 4 musical parts: Geological Drum, Nebulizer, Bushido and Movements of The Mind. Nebulizer is an elevating meditation on our estrangement of nature.

Interstellar sonic stardust from a mindblowing collective that will leave you flabbergasted.

Be prepared and hear it to believe it.

For fans of: Art Ensemble of Chicago, Archie Shepp, Pharoah Sanders, John & Alice Coltrane, Kamasi Washington, Shabaka Hutchings, SAULT, Ill Considered, Jamie Branche, Angel Bat Dawid, Mackaya Craven, Matana Roberts, Sun Ra and other good music.