When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
quête:com sin
Their newest release “For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved” comes from Brooklyn-based Dekalb Works (debut ‘Duologue’ on Where To Now? Records), the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D).
The release summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.
“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.
Limited to 300 copies only! A-side taken from soon to be released LP Quonk! B-side exclusive to this release! 'Things May Happen' is being released as a single. What inspired you to write that song? Slimy - The extraordinary lightness of being ... just the path and what's on it. Marty - This is Toad's one and it's a cracker. Johnny turned 70 last year, celebrating in style with a gig at London's 229 Venue. Some people have said it was the best Moped gig ever. How was it from your point of view? Slimy - I thought Johnny's birthday gig was a rip-roaring success _ I enjoyed it _ The next Moped gig will be the best Moped gig ever and the one after that ... Marty - It's not the best gig as far as how we performed. But as far as the turn out and the size of the crowd that came along to celebrate Johnny's Birthday it was the best vibe of all the gigs for certain for me. This year marks the 50th year of Johnny Moped. What have been the high (and low) points for the band in the last five decades? Slimy - The constitution of these thoroughbred punk rockers is testimony to getting up and rocking out _ Johnny is not stopping he's class. Marty - I've only been in the band since 2017 and before that was the driver and shit carrier and before that a fan and also the band are my mates. So not one low point for me at all. You'll be back out on the road this summer. Any message for fans who'll be coming to see you? Slimy - You better believe it! You enjoyed that you bums or I'll kill you! Tomcats! Marty - Be afraid. Be very afraid.
Italian Ibiza favourite Tuccillo returns to legendary NYC label Nu Groove with another four-track EP, ‘Frames’, including a feature from Chicago native Ron Carroll. With previous Nu Groove releases like the ‘Sunshine City EP’ and ‘I Believe’ with TradeCraft earning the respect of esteemed selectors including Archie Hamilton, Chloe Caillet and Laurent Garnier, Tuccillo’s expertly crafted sound is revered for its analogue approach. Similarly, his passion and respect for vinyl has earned him respect from crate diggers and house music tastemakers globally ever since the 90s. Tuccillo’s ‘Frames EP’ opens with the eponymous lead, showcasing his malleable sound that comes alive in underground scenes for heads in the know. Chicago house authority Ron Carroll lends his vocals to ‘Don’t Walk Away’, supported by Tuccillo’s fresh club-defining production that also permeates ‘You Got Me’. ‘Everything’ closes out this collection of pure house excellence, with expressive yet softer synthwork creating a cooler feel perfect for the afterhours.
Since releasing on Reinforced at the age of 16, Dominic Stanton has always remained one of most influential producers in the west London broken beat scene. Those early adventures via numerous successful aliases laid the foundations for Dom's sound, eventually leading to the launch of 'Sonar's Ghost' in 2013.
Welcoming Sonar's Ghost to Metalheadz is now long overdue, so it's a pleasure to be showcasing 'The Fall and Rise Of...' as part of the Metalheadz Platinum series this July. Consisting of 5 collabs, 4 of them making the vinyl cut, the release draws inspiration from the rich heritage of jungle and breakbeat, effortlessly weaveing together intricate rhythms and immersive textures. Outrage & Scale feature on 2 tracks each, whilst Acid_Lab also gets in on the virtual collaboration bringing together a complimentary selection of styles.
Acid Reflux is an EP compiled by Acid Adams that focuses on acid sounds from different times, genres and genders. The journey starts with the deep and melodic excursions by Nihilist and softcoresoft before we enter a sweaty basement to get lost to rough and punchy tracks by ADSX and Ida Bux. On both sides, a track from the 90s (which has never been released on vinyl before) is followed up by a new composition that was inspired by its predecessor and has been produced especially for this release. Since the 90s-tracks are exclusively by male producers, the concept tries to balance this era-inherent state of affairs with the fact that the new tracks are solely by finta* artists. On a meta-level, this release is about connecting times, genres and genders, beyond forms of binary thinking. The record comes in a reused sleeve from the 90s with a fresh logo sticker designed by Frieedland and a promo sheet like back in the days.
Dj Nitro, nos sorprende una vez más con un nuevo lanzamiento bajo el sello discográfico Blue Roots Label. Este artista incansable nos presenta su última creación mussical, un álbum cargado de energía y ritmos que te transportarán a otra dimensión.
Desde sus inicios, ha demostrado ser un talento excepcional. Su pasión por la música electrónica nació desde muy joven y se ha convertido en su vida. Ha logrado conquistar a miles de seguidores en todo el mundo, y ahora, con este nuevo lanzamiento, está listo para llegar a aún más personas.
Este artista eleva la escena Old School con su último lanzamiento.
El vinilo presenta tres pistas emblemáticas que encapsulan la esencia única del sonido de DJ Nitro. La primera, “A – Luminosity “, es un viaje hipnótico a través de capas de ritmos vibrantes, melodías y vocales que tejen una atmósfera de euforia sonora. Esta pista se erige como un faro de creatividad y energía pura, donde los beats trascienden el tiempo y el espacio.
Por otro lado, “B1 – All I Want You” encarna la pasión y el deseo con una fusión cautivadora de ritmos y progresiones melódicas que atrapan los sentidos. Esta pieza es un tributo a su amigo F.EE D.EE y nos demuestra la maestría para combinar la intensidad emocional con la profundidad musical.
El cierre de este excepcional vinilo lo lleva “B2 – Mixed Feelings”, una pista que refleja la versatilidad del DJ al explorar diversos matices sonoros. Esta composición lleva a los oyentes a un viaje emocional donde se entrelazan distintas sensaciones.
Con este nuevo lanzamiento, reafirma su posición como un pionero en el universo de la música electrónica Old School. Su habilidad para fusionar lo clásico con lo contemporáneo y su talento para crear paisajes sonoros únicos han consolidado su lugar en la vanguardia de la escena musical.
El vinilo estará disponible en edición limitada, lo que lo convierte en una joya codiciada para los coleccionistas y amantes de la música por igual. Prepárate para sumergirte en la magia de DJ Nitro con este cautivador lanzamiento en Blue Roots Label.
BRL0001 NITRO – BLUE ROOTS es un verdadero tesoro musical. Cada pista del álbum está cuidadosamente diseñada para llevar al oyente a un viaje sonoro inolvidable. Los pianos acompañados de bonitas vocales y los beats irresistibles te atrapan desde el primer segundo.
Este album sin duda es una combinación perfecta de elementos clásicos y vanguardistas
After more than 6 years of silence, Abschaum is finally back with a new album, and it was about time because this new opus is sublime!!
‘Shamanic’ Chris (Abschaum’s mastermind), made alone this magnificent piece of Folk, Ambient, Kraut music, that he carefully recorded in the mountains of Jura, experimenting with his guitar and a little electronic set-up, composing beautiful melodies and singing French lyrics with powerful voice to bring us to another level of harmonies, the all merged with special atmospheres that are not without remembering Eno or Froese sometimes. In our opinion, this record could easily been recognise as a timeless masterpiece in the future.
- A1: A Certain Ratio – Shack Up
- A2: 23 Skidoo – Coup
- A3: Gang Of Four – To Hell With Poverty
- B1: The Human League – Being Boiled
- B2: The Slits – In The Beginning There Was Rhythm
- B3: This Heat – 24 Track Loop
- C1: Throbbing Gristle – 20 Jazz Funk Greats
- C2: The Pop Group – She Is Beyond Good And Evil
- D1: Cabaret Voltaire – Sluggin For Jesus
- D2: 23 Skidoo – Vegas El Bandito
- D3: A Certain Ratio – Knife Slits Water
Unavailable for over 20 years, In The Beginning There Was Rhythm was Soul Jazz Records first foray into post-punk and punk-funk in the UK and captures the groundbreaking and seminal groups that crossed the divide of punk and dance music for the first time.
" In the Beginning is essential missing-link history – and body-rockin' fun" The Guardian
" In the Beginning doesn't have a single limp tune. It'll amaze new listeners and give old ones some hard-to-find tracks. Buy it." Pitchfork
"There's no denying that In the Beginning There Was Rhythm is a great gateway into this expansive, fruitful, trailblazing era." All Music
First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.
This album comes as a limited-edition one-off pressing double coloured vinyl (red and blue) complete with two bespoke inner bags containing extensive sleevenotes and original photography.
As Muzik magazine noted on its initial release 'In The Beginning' is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst.
The bands featured come (mostly) from the then bleak post-industrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time.
The title of the album comes from The Slits track of the same name.
This album is produced with all the original photos and full extensive sleevenotes.
Italian born and Berlin based DJ, producer, label and record store owner Deluka kicks things off for Futuristic Architecture, System Error's newest offshoot for all things strictly Techno.
Deluka has long been a secret tip among vinyl and techno heads in Berlin and afar, having been a resident for several years at Berlin's infamously wild Same Bitches Party and the founder of No Signal Records, recently opening a record store of the same name.
With his Heroes EP, he commits 4 timeless techno tracks to wax, paying homage to his musical heroes with tunes that honour the sensibilities of the genre.
Deluka almost single-handedly reminds us of how much we love techno and we couldn't think of a better artist to begin this new story for System Error.
All tracks written and produced by Francesco De Luca.
Mastered by Alberto Pretto.
System Error MM GmbH, Berlin, Germany, Earth © 2024.
It's been 32 years since Hyper Go Go's 'High' crashed into life, combining the best of Italo House and rave into an exuberant, floor destroying piano anthem.
Fast forward to 2024 and HOOJ reissue this 92 classic with the Original & Cloud 9 Mixes on the A side with 2 newer remixes on the B side.
Remixes come from Fast rising Scottish duo Testpress, who strip things back a bit, working the original riffs around a thumping kick and hooky new synth line & Kyle Starkey, the youngster takes no prisoners, tearing into the OG with slamming 135bpm drums, big drops, the odd snare roll, and lots of drama, for an energy driven update.
" Official reissue of a German pop rap obscurity in addition with a bombastic HADE rework. Comes in picture sleeve with the original artwork. Limited to 300 copies.
The project fes consisted at its core of Fred Schwalbacher and Herry Schmitt. Their impetus was to combine the local dialect of the German Saar area with modern musical styles. After a full length release in 1984, the single 'Altstadtking' was released in 1986.
At that time musicians were encountered with rap music and some experimented with and included it into their musical output. 'Altstadtking' (old town king) is the result. The old town part of Saarlouis was a mecca for all kind of braggadocio back then, it was all about seeing and beeing seen. This tongue-in-cheek song is the story of a man showing off and bragging at nighttime while living an ordinary life at daytime.
For the flipside jack of all trades and any-bpm-powerhouse HADE (baumusik, OYE Records, Razor-N-Tape) did a stunning rework. He chopped and cooked down all instrumental parts of the original into a new dub version, added keys & bass on top and an extra punch to the mixdown for his vision of a dancefloor-ready 'Altstadtking'.
Rock it! "
Nørus & Dj Whipr Snipr team up for Gravitational Attraction on Nerang Recordings. Queensland based DJ/producer and label head Dj Whipr Snipr has been running Nerang Recordings since 2016, putting out music from the likes of Interplanetary Criminal, Subjoi, DJ Swagger, DJ Bowlcut, J. Albert, Cassettes For Kids, and many more since its inception. Teaming up with Brazilian DJ/producer and Gestalt Records alumni Nørus here, the duo air their Second collaborative EP With flavours from Breaks, Electro, Techno and beyond.
Early support by: ÂME, Noah Pred & Eduardo De La Calle + many more!
Minds At Large comprise of Zak and Hoj from Watford, North London who were active between 1992 – 1997, releasing on their label Choicest Music. Most of their releases were white label only releases, some handwritten, others stickered. Each release was a limited pressing and since they debuted over 30 years ago, they have become hugely popular and collectable.
Here is out first release with the group – 4 tracks of hardcore/early jungle.
Only 350 pressed on an incredible marbled vinyl.
Sleep Now Forever is the second and final album released by Sorrow, the post-Strawberry Switchblade group fronted by singer Rose McDowall. Originally released in 1999 and long since deleted it is a cornucopia of pastoral, elegiac folk music, swirling atmospherics, hymnal compositions and above it all the alternating towering and fragile vocal performances of McDowall. Recorded in the late 90s with fellow band member and co-songwriter Robert Lee, Sleep Now Forever is the definitive statement by the now defunct group and Rose McDowall’s most complete long-form work to date.
Released through the group’s own Piski Disk Records, Sleep Now Forever was distributed by World Serpent which struggled through the early 2000s with financial woes, eventually folding due to bankruptcy in 2004. Due to the company’s troubles, Sleep Now Forever was never distributed widely and was a victim of the company’s failure. Released on CD only, original copies are now rare and only traded on second hand channels. Remastered by Mikey Young for a limited vinyl release, Sleep Now Forever will be released on April 20th on double vinyl format, with one side an exclusive etching by Glasgow artist Holly Allan.
Despite its rarity, Sleep Now Forever enjoys a firm cult following. The album’s textures are expansive, lush, deliciously detailed and celestial. Recorded in home study Velvet Hole by Rose McDowall and then-husband Robert Lee, the album enlists an array of players from the underground Neo-folk / industrial scene: Nigel McKernaghan (Uilleann pipes, Whistles), Susan Franknel (Bassoon), John Contreras (Cello) and Lawrence Frankel (Oboe, Cor Anglais). The eleven songs here revolve around McDowall’s instantly recognisable voice. Brought up singing in the Catholic Church, McDowall’s vocals are impeccable and angelic, particularly on tracks like Turn Off The Light where her experiences with religion are canted over soaring oboe and guitar backing. By far the most evolved and realised version of Sorrow’s vision, it feels somewhat criminal that music this beautiful could be lost to time until now.
McDowall’s lyrics throughout Sleep Now Forever deal frankly with mental health, depression, altered states, death and redemption. Wave upon wave of harmony drench each song, McDowal’s vocal multi-tracked and imperious. Opener Soldier benefits from Robert Lee’s use of the studio as instrument, summoning forth a lilting group performance of sparkling guitar and percussion that recalls the Velvet Underground. Mikey Love’s master treats the compositions to brand new frequency dynamics and space. Harmonium and string drones form the counter to McDowall’s vocal on Love Dies, a slow, lurching lament that feels transcendent. On Haunting, the arrangement is orchestral and aching, bleeding into Fear Becomes You, with chord and harmony structure that recalls the baroque sixties pop of West Coast Pop Experimental Art Band or the 60s psychedelic folk movement. A towering, beautiful statement, this elegy for times lost and moonlit-illumination is finally resurfacing from the darkness.
2026 Repress
The incomparable Deepchord is back on Soma and drops the first single from forthcoming album, Auratones due in October. As is expected from the Detroit based sound designer, the Campfire EP is everything we have come to know and admire about his productions, from the spaced out, ambient sound fields to classic Dub Techno.
Perfumes Of A Spring Mist delicately opens this latest EP with entrancing, processed soundscapes, beautifully haunting melody and simple rhythmic elements than seem to evolve naturally allowing you to get lost in the sea of vibrations. Xpan leans on the more classic Dub Techno sound from Deepchord of years passed. Sub heavy beats and jagged yet tranquil synths sweep across the palette as Deepchord plays with constantly fluctuating chords, bringing the quintessential 90s Deep Techno into his more modern, processed sound. Title track Campfire brings ambience to the forefront to close out the EP. Melancholic synth elements drift across an expanse of refined and uniquely crafted field recordings, offering an insight into the areas from which Deepchord draws his inspiration.
Once again Deepchord proves to be one of the most visionary artists the electronic world has seen.
*”Transcended Before Me” featuring Horace Andy takes us deep into the universe. Icey, blue, dreamy, hypnotic,
*The song features soul singer Horace Andy who sings from his heart about how “the things you love the best, never ever stay, you try to hold onto it, it slips away…” Emika’s repetitive “come, come, come” sonic hook guides us through and epic journey of transcendental woosh sounds,
*Beethoven-esque piano bass stabs, symphonic synth harmony, and in unforgettable marching beat and puts hip-hop, trip-hop and techno into a new dimension.
One day early in the global lockdown, Frédéric Blais scribbled four words on a Post-It note and pinned it up in his studio. When he headed to a studio in the mountains north of Montreal to start work on his fifth album as Fred Everything, those words went with him. They would not only provide inspiration during two weeks of isolated music-making, but ultimately provide the subsequent album with its title: Love, Care, Kindness and Hope.
Those sentiments – a positive mantra during a period of personal and collective vulnerability and isolation – resonate throughout the album, a gorgeously warm and beautiful affair that counts as Blais’s most personal, musically expansive, mature and sonically detailed set to date.
While each of the tracks began as a rough sketch laid down during Blais’ retreat, they evolved considerably over the months that followed. Blais reached out to a handful of carefully selected guest vocalists and collaborators, including Stereo MC’s, Robert Owens, Sapele, James Alexander Bright, Wayne Tennant, string arranger Pete Whitfield and multi-instrumentalist Finn Peters. He also lent his voice to several tracks, a first in a career that stretches back to the 1990s.
The results are magical, with Blais not only offering subtle variations on his own trademark deep house sound, but also nods to complimentary music styles and classic electronic albums from the late ‘90s and early 2000s.
Naturally, much focus will fall on the album’s high-profile guests, whose contributions work perfectly with Blais’ cultured dancefloor electronica and soul-soaked broken house grooves. Robert Owens – “the voice of house” himself – expertly delivers lyrics full of compassion and reassurance on recent single ‘Never’, Sapele infuses ‘A Long Time Coming’ with lashings of soulful spirituality, and UK hip-hop/soul legends Stereo MC’s make their presence felt on the subtly Latin-infused dub house excellence of ‘Soul Love’.
Then there’s ‘Breathe’, where UK singer-songwriter James Alexander Bright and backing vocalist Wayne Tennant rise above punchy broken house beats, Blais’ trademark square-wave bass and Pete Whitfield’s swelling strings on ‘Breathe’. By the time kaleidoscopic, sun-down breakbeat brilliance of ‘A Good Day’ arrives to draw proceedings to a close, you’ll be overflowing with Blais’ “love, care, kindness and hope” – just as he intended.
Twin Cities duo Feel Free Hi Fi return to their in-house imprint Digital Sting with their first full length entitled “I was so far in I was out.” After two prior EP's and collaborations with Equiknoxx and Duppy Gun Feel Free Hi Fi deliver 8 new tracks of their distinct but eclectic digital dub. Amalgamating many of the sounds, sonics, and aesthetics of prior releases into these eight percussive instrumentals. The industrial dub and weirdo dancehall remain but the focus is further refined while also exploring environmental and cinematic sounds to create often dark and heavy versions that are as singular as they are collective, as introverted as they are expansive.
The records come in double sided silk-screened printed custom DJ Jackets, with Obi Strip style stickers and hand stamped white labels created and printed by Digital Sting.
- A1: Bakeren (Feat Faye Houston)
- A2: O Mar E A Lua (Feat Olav Wöllo)
- A3: Bergen Sunrays (Feat Selim Mutic)
- A4: Belle Époque
- A5: Den Franske Gitaren (Feat Aich)
- B1: Don`t Fall Asleep (Feat Faye Houston)
- B2: Rory`s Sunrays
- B3: Nada Pode Me Calar (Feat Olav Wöllo)
- B4: La Psychosomnie
- B5: Den Franske Gitaren (Feat Martin Halla)
2023 sees the return of multi-talented Norwegian producer Espen Horne to Wah Wah 45s, after a 24 year hiatus. The man behind the label's very first release, the now seminal Magnetica, never lost his connection with the imprint and has remained very much part of the Wah Wah family, making a comeback this year with his first solo material under his own name since that club classic from 1999.
Back in the spring, the first single from the project, the gorgeous soul-jazz beauty Bakeren, featuring the stunning vocals of Resonators' Faye Houston, quickly found a home on Gilles Peterson's internationally renowned BBC Radio 6 show as well as that of Jazz FM legend Robbie Vincent, Bandcamp Weekly and the Fresh Finds Jazz Spotify playlist.
Following that, Bergen Sunrays, became a weekly fixture on the Craig Charles Funk & Soul Show on BBC 6 Music, with the limited 7-inch of both singles selling out within hours of release.
Next up was the wistful Den Franske Gitaren, a lugubrious soul-jazz piece with drum & bass leanings featuring Bergen based MC and vocalist Aich, which found favour with legends Laurent Garnier and Jazzanova as well as hot Japanese production outfit Dazzle Drums.
This was closely followed by the final single to be taken from the album, the stunning and outspoken vocal jazz waltzer Nada Pode Me Calar (which roughly translates to Nothing Can Shut Me Up!) featuring the sublime talent of Olav Wöllo on vocals and Juno - anotherr big one with Gilles Peterson on Worldwide FM and Deb Grant on BBC 6 Music.
And now the full album, entitled The Anatomy Of Serene Eloquence is available for your aural delectation. Recorded largely during lockdown, the LP is a sophisticated and composed piece of work that sees the Norwegian producer make connections with musicians from across Europe, and some closer to home, to collaborate on this sedate and peaceful collection of songs.
The aforementioned Faye Houston also appears on the soulful, dub flavoured Don't Fall Asleep, a piece of music that explores the feeling of being isolated whilst sharing a mutual love and drive to explore new sonic possibilities.
Elsewhere, Olav Wöllo pops up again too, this time on O Mar E A Lua and once again singing in Portuguese to give this track a certain Tropicalia feel, as Espen explains:
"Olav Wöllo is a close friend, an excellent musician and vocalist, and a capoeira professor here in Bergen. He has spent much of his life living in Brazil and speaks Portuguese fluently. He wrote the lyrics for this tune years ago and had just been waiting for the right collaboration to come along.
We went to his lovely studio out on this remote island, made a massive gyoza meal, had some serious good wine and stayed the whole night to record his vocal harmonies and outspoken lyrics."
The single Bergen Sunrays also appears on the album in instrumental form with featured keys courtesy of London based player Rory More - here entitled Rory's Sunrays. His Lowrey organ adds a more melancholic feel to the track, as it does on the stunning Belle Époque, alongside the ivory work of Eirik Blåsternes - an emotional, contemplative and atmospheric track that was tested and shaped in the eclipse of Covid.
As with Belle Époque, La Psychosomnie is a playful yet explorative cut that examines insomnia, paralysis and hypnosis courtesy of some enigmatic French spoken word spinning around a framework of drums, bass and swirling keys.
And finally, the album offers up an alternative version of the single Den Franske Gitaren, this time featuring Martin Halla, a vocalist out of the Bergen Grieg Jazz Academy and winner of the Norwegian version of The Voice back in 2012! The perfect flip to Aich's more mournful interpretation of this bass and drum future classic.




















