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Temperance (Dominique Dalcan) - Temperance Vol. 2

Last February, We Had The Delightful Surprise To See Dominique Dalcan On The Victoires De La Musique Stage (main French Musical Award). The Elegant Singer Received The Award For The Best Electronic Album For His Project Temperance, An Album In English Full Of Reliefs, Dense And Splendid. We Are Delighted To See Today That Dominique Publishes A Second Volume Of Temperance. The First Albums Of Dominique Dalcan Came Out In The Early 90's, Especially On The Belgian Label Crammed Discs. He Is Considered One Of The Ambassadors Of The New French Pop, Combining Electronic And Orchestral Arrangements. At The Same Time, Under The Name Of Snooze, He Immerses Himself In Electronic Music And Creates Soundtracks For Cinema And Contemporary Art. In 2013, He Switched To The English Language And Adopted A New Artistic Identity: Temperance.

The Project Moves Away Freely From The Format Of The Song To Dive Into A Vast Electronic Palette. In Temperance 2, We Hear Contemporary R & B Ballads Full Of Artificial Strings, Collisions Of Textures, Even Balinese Sounds But Nothing That Never Steals The Show With Dominique's Voice And Lyrics. The Temperance Repertoire Addresses The Confusion Of The Human World And A Wild Nature. There Is Also A Question Of Fusional Love With Pop And Soul Songs. This Gives An Album That Rushes Against Each Other Joy, Fury, Despair, Desire Or Pleasure, Without Them Ever Contradicting Each Other, And That Moderates With Art And Temperance, In Short.

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27,31 €
Jimi Hendrix - Electric Ladyland 50th Anniversary Edition
  • A1: And the Gods Made Love
  • A2: Have You Ever Been (To Electric Ladyland)
  • A3: Crosstown Traffic
  • A4: Voodoo Chile
  • B1: Little Miss Strange
  • B2: Long Hot Summer Night
  • B3: Come On (Part I)
  • B4: Gypsy Eyes
  • B5: Burning of the Midnight Lamp
  • C1: Rainy Day, Dream Away
  • C2: 1983....(A Merman I Should Turn To Be)
  • C3: Moon, Turn the Tides....Gently Gently Away
  • D1: Still Raining, Still Dreaming
  • D2: House Burning Down
  • D3: All Along the Watchtower
  • D4: Voodoo Child (Slight Return)
  • A1: 1983...(A Merman I Should Turn To Be)
  • A2: Voodoo Chile
  • A3: Cherokee Mist
  • A4: Hear My Train A Comin
  • B1: Angel
  • B2: Gypsy Eyes
  • B3: Somewhere
  • B4: Long Hot Summer Night (Demo 1)
  • B5: Long Hot Summer Night (Demo 3)
  • B6: Long Hot Summer Night (Demo 4)
  • B7: Snowballs At My Window
  • B8: My Friend
  • C1: At Last... The Beginning
  • C2: Angel Caterina (1983)
  • C3: Little Miss Strange
  • C4: Long Hot Summer Night (Take 1)
  • C5: Long Hot Summer Night (Take 14)
  • D1: Rainy Day, Dream Away
  • D2: Rainy Day Shuffle
  • D3: 1983...(A Merman I Should Turn To Be)
  • A1: Introduction
  • A2: Are You Experienced
  • A3: Voodoo Child (Slight Return)
  • B1: Red House
  • B2: Foxey Lady
  • B3: Fire
  • C1: Hey Joe
  • C2: Sunshine of Your Love
  • C3: I Won't Live Today
  • D1: Little Wing
  • D2: Star Spangled Banner
  • D3: Purple Haze

Available as either a 3CD/1 Blu-ray set or a 6LP/1 Blu-ray set, both packages include:

· The original album, now newly remastered by Bernie Grundman from the original analog tapes. For the LP set, Grundman prepared an all analog direct to disc vinyl transfer of the album, preserving the authenticity.

· Electric Ladyland: The Early Takes, which presents 20 never before heard demos and studio outtakes. Included are incredibly intimate demos for song ideas Hendrix recorded himself on a reel-to-reel tape at the Drake Hotel, as well as early recording session studio takes featuring guest appearances from Buddy Miles, Stephen Stills and Al Kooper. Full tracklist included below.

· Jimi Hendrix Experience: Live At the Hollywood Bowl 9/14/68: Part of Experience Hendrix's Dagger Records official bootleg series, this live album documents their triumphant Los Angeles concert held a few weeks before Electric Ladyland was released. The recently discovered two-track soundboard recording captures the energy that had the audience in such a frenzy that many concert goers jumped into the reflecting pool that separated the bandstand from the seats. Full tracklist below. Experience Hendrix's Dagger Records releases are physical only so this will ONLY be available as part of the physical release with no digital.

· Blu-Ray: includes the acclaimed full-length documentary At Last... The Beginning: The Making of Electric Ladyland, the first ever 5.1 surround sound mix of the original album overseen by Hendrix's original engineer Eddie Kramer plus the original stereo mixes in uncompressed 24 bit/96 kz high resolution audio. NOTE: unfortunately due to unforeseen circumstances the documentary will not have translated subtitles.

· Electric Ladyland 50th Anniversary Deluxe Edition includes a full color, 48-page book containing Jimi's handwritten lyrics, poem and instructions to his record label, as well as never before published photos from the recording sessions that were shot by Eddie Kramer himself. Also included are essays by celebrated journalist David Fricke and Hendrix authority John McDermott

· All contained in a numbered luxe casemade book for CD+Blu-Ray release and casemade lifttop box for the LP+Blu-Ray release with new cover art which is true to Hendrix's original vision of the album's cover: a Linda (McCartney) Eastman photograph of the band and children at the statue of Alice In Wonderland in New York's Central Park.

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146,35 €
Chris Difford - Chris To The Mill (solo Albums Box Set)
  • A1: Tight Rope
  • A2: For A Change
  • A3: Cowboys Are My Weakness
  • A4: No Show Jones
  • A5: A World That Passed Me
  • B1: One Day
  • B2: Playing With Electric Trains
  • B3: Lamas Fayre
  • B4: Trafalgar Square
  • B5: Parents
  • C1: Come On Down
  • C2: Broken Family
  • C3: Battersea Boys
  • C4: On My Own I'm Never Bored
  • C5: Julian And Sandy
  • C6: The Other Man In My Life
  • C7: My Mother's Handbag
  • D1: Fat As A Fiddle
  • D2: The Gates Of Eden
  • D3: Reverso
  • D4: Never Coming Back
  • D5: Good Life
  • D6: The Party's Over
  • E1: 1975
  • E2: Like I Did
  • E3: The Still And The Sparkling
  • E4: Back In The Day
  • E5: Sidney Street
  • E6: Cotton Tops
  • F1: Upgrade Me
  • F2: Who'd Ever Want To Be
  • F3: Passion Killer
  • F4: Goldfish
  • F5: Wrecked
  • F6: Happy Once Again

- Chris Difford's place in the pantheon of great English songwriters is assured - surely nearly everyone can sing along to at
least one Squeeze song.
- So in anticipation of the new Squeeze album The Knowledge' (and extensiveUK and US tours this autumn), and following
Chris's autobiography and demos album as well as Edsel's CD box set of Difford's three solo albums (I DIDN'T GET WHERE
I AM (2002), THE LAST TEMPTATION OF CHRIS (2008) and CASHMERE IF YOU CAN (2011)), we now present all three albums on vinyl, with outer and inner sleeves, gathered together in a handsome rigid slipcase.
- Of these only the first album has appeared briefly on LP before - The Last Temptation...' and Cashmere...' make their
vinyl debuts.
- The inner sleeves feature all thealbum lyrics, track-by-track sleevenotes and brand new notes by Chris about the writing
and recording of each album.

pre-order now01.12.2017

expected to be published on 01.12.2017

46,43 €
Null + Void - Cryosleep (ltd Coloured Lp+mp3)

Cryosleep is the debut album from Null + Void, the alias of prolific New York producer Kurt Uenala. It's an album of contrasts and tension, where darkness is pierced by blinding light, and where moody new wave bleeds into stark electronics. In one moment, joyful memories give way to isolation and regret, and in the next, Cryosleep explores the catharsis of crowded dancefloors. Throughout the record, Uenala matches his dynamic production with incredible vocalists-from Depeche Mode's Dave Gahan and the inimitable Shannon Funchess, to Black Rebel Motorcycle Club and The Big Pink. Null + Void's take on dark pop meshes with his love for Detroit electro, poignant synth melodies, and cold atmospheres. With the cinematic opener 'Falling Down' and brooding instrumentals like 'Come To Me", Cryosleep can feel like the soundtrack to a lost space epic. No doubt, the album evokes Blade Runner, dystopian landscapes, and the splendor of far-off galaxies. As Uenala puts it, Cryosleep is inspired by 'classic sci-fi stuff,' images of futuristic machines sustaining humans frozen in a dreamstate. The melancholy 'Foreverness' explores what they might be thinking: 'A collection of fragments, memories of a life lived-preserved, but incomplete and jumbled.' Meanwhile, 'Into The Void' paints a peaceful, otherworldly picture, 'like soaring towards a white light.'

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17,10 €
Various - Norman Jay Mbe Presents Skank & Boogie

Norman Jay MBE presents his latest compilation, titled 'Good Times Skank & Boogie', set for release 9th October 2015 on Sunday Best Recordings. This is his first compilation since 2011's Good Times 30th Anniversary Addition and follows on from his hotly anticipated Good Times Goes East party at St John Church at Hackney on 29th August.
Norman Jay is undoubtedly one of the finest and highly respected DJs in the world today and yet again pulls from his impressive collection to provide the ultimate eclectic selection.
For this 12th compilation, for those of you counting, Norman kicks off with St Germain's version of Henry Mancini's Pink Panther Theme. A cult favourite from 2004s Pink Panther Penthouse Party album, it of course immediately brings Peter Sellers to mind and a smile to your face. Next up former Uniques front man Slim Smith's Everybody Needs Love is a classic from 1968, cut at the legendary Duke Reid's Treasure Isle studio. Penned originally by Motown heroes Norman Whitfield and Eddie Holland and covered by household names including The Temptations and Glady's Knight & The Pips, Slim's version became something of a signature tune until his mysterious death in 1971. Sticking with Motown, Stevie Wonder's Living For The City is up next but it's the Michael McDonald rendition from his 2008 album Soul Speak, which proves the man who gave us the sublime Sweet Freedom had lost none of his class 20 plus years on.
D-Influence's Good Lover takes things up and brings them closer to home, to the streets of London infact. After a couple of independent releases the band, who had strong connections to the London Jazz and Soul scenes, served up this contemporary boogie tune as part of their 1992 debut long player for East West. They would subsequently score hits as a production team for a number of British R&B acts. Homegrown soul continues with Paul Johnson's Better Than This, released here via longstanding UK soul imprint Expansion to deserved acclaim last year. It's quality and appeal are simply timeless, whilst master Dego and Kaidi's mix adds a classic 80s soul dimension to proceedings.
The Chi-Lites I Keep Comin' Back To You and The Real Thing's Love Takes Tears continue and expand the 80s theme, bringing in 2-step and boogie, as does Deodato's Never Knew Love from the same period.
We switch again with Delroy Wilson's Better Must Come, a massively popular sufferers lament from 1971 by this former Jamaican child star, it would go on to be used in election campaigns by various Jamaican political parties. Kent People by Laurel Aitken & The Gruvy Beat is the next one out the box and was the flip to the 1969 anthem Skinhead Train. It features the UK's top reggae band of the era The Rudies, who along with Aitken, the widely-proclaimed Godfather of Ska, comprised of Earl Dunn (lead guitar), Trevor White (bass), Sonny Binns (keyboards) and Danny Smith (drums). They would go on to enjoy UK chart success backing singer Freddie Notes before they evolved into Greyhound. From the same year Splash Down by The Crystalites is another slate that ignited dance floors in both Jamaica and the UK upon release. Some of you will have noticed the rhythm track is the same as that of the earlier Kingstonians' best-seller, Sufferer, which came courtesy of legendary producer Derrick Harriott.
As the end draws close The Stone City Band featuring Rick James serve up some hard edged boogie, hotly followed by a classic Tom Moulton slice of late 70s disco courtesy of The Fantastic Four and their I Got To Have Your Love. If that doesn't have you dancing then Chanson's superb Don't Hold Back featuring James Jamerson Jr. on bass will leave you no choice. Classic Good Times indeed.

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31,89 €
Jay Dee - Welcome To Detroit (instrumentals)

Jay Dee

Welcome To Detroit (instrumentals)

2x12inchBBEBGLPI001B
BBE
12.07.2005

Repressed !!

Jay Dee needs no introduction. Widely regarded as one of the most important figures in hip–hop alongside Pete Rock, Kanye West, Pharell, and Dr. Dre, his influence has reached far beyond the genre. Known widely as your favourite producer’s favourite producer, and having produced and remixed for legends like Janet Jackson, Daft Punk, A Tribe Called Quest, Brand New Heavies, Busta Rhymes, Common, Erykah Badu, Guru, The Pharcyde, The Roots, De La Soul, and Royce Da 5’9"—the list is endless—there is no questioning Jay Dee’s genius. Many have tried, but none have been able to duplicate his sound. Originally released in 2001, Welcome 2 Detroit marked Jay Dee’s first solo project and the groundbreaking debut of BBE’s Beat Generation series, where producers stepped into the spotlight with complete creative freedom. A paradigm-shifting record, it was short-listed for Artistic Achievement in Music in October 2001 (the U.S. equivalent of the Mercury Prize) and instantly set the bar for everything that followed. Now, 25 years later, Welcome 2 Detroit returns in a long-awaited repress, celebrating a quarter-century of influence and innovation. This anniversary edition brings the instrumental version of the album back into circulation after years out of print, allowing listeners to experience the full depth and complexity of Jay Dee’s production in its purest form. Stripped of vocals, the intricacy, texture, and brilliance of his work shine brighter than ever—revealing details you may have missed the first time around. Make sure you grab a piece of history.

pre-order now12.07.2005

expected to be published on 12.07.2005

28,78 €
A Lo aka Mor Elian / Gramrcy - BODE 001

A Lo aka Mor Elian / Gramrcy

BODE 001

12inchBODE001
Bode
12.10.2026

Berlin-based friends and cult DJs and producers Mor Elian and Gramrcy hook up here for A-Lo, a new collaborative project that comes after more than a decade in the game. Both have their own distinct approaches but fuse them here into "a fluid, hybrid system of production." 'Marzelvane' opens with drums that move you while also suspending you in the moment on shimming bass. 'Side Fumble' is glitchy, minimal electronic music with weighty bass buried way down low. There is a more electro-leaning kinetic energy to 'Tremie' as well as plenty of hi-fidelity details, while 'Lotus Deltoid' shuts down with loose jazzy cymbals and slow, dusty broken beats for a more abstract trip.

pre-order now12.10.2026

expected to be published on 12.10.2026

15,08 €
GLOK/VARIOUS - GLOK X BYTES: THE REMIXES

Since starting Bytes in 2019 we’ve fielded a lot of messages along the lines of, “Is this ever going to be released on vinyl?” The bulk of these requests have concerned remixes of artists on Bytes done by Andy Bell (RIDE/Oasis) under his electronic alter-ego GLOK. And on realising that he has done four for us now (Franz Kirmann, Steve Queralt & Michael Smith, Herrmann Kristoffersen and Seagoth), it seemed silly not to compile them all together on a four-track 12” EP. The super limited edition 12” is on black wax and comes in the original Bytes house bag with a vinyl sticker containing all the release info signed by Andy. Edition of 250. No repress.

A1. SOLITARY (GLOK REMIX) - FRANZ KIRMANN

The first remix Andy ever did for Bytes was a radical reworking of ‘Solitary’, the towering ambient closer to Franz Kirmann’s ‘Madrapour’ album, which was released on Bytes in 2019. Andy’s remix is a heartbreaking, melancholic 3am banger. This is one for fans of Four Tet and Jon Hopkins, a slowburner with billowing plumes of distortion that builds towards an ecstatic rush of a finale.

A2. CHALDEAN ORACLE (GLOK REMIX) - STEVE QUERALT & MICHAEL SMITH

In 2023 Andy took ‘Chaldean Oracle’, a track from the collaboration between his RIDE bandmate Steve Queralt and the writer Michael Smith, down the K-Hole, eschewing Michael’s vocal almost entirely and turning in a Detroit dub-techno monster with echoes of Bandulu and Carl Craig in its shimmering melodies, eerie distortion and pounding drums.



B1. GONE GOLD (GLOK REMIX) - HERRMANN KRISTOFFERSEN

‘Gone Gold’ was the title track of the excellent second album by ambient-techno group Herrmann Kristoffersen (2021). Andy taps deep into the dub at the heart of the original, with echoes of John Carpenter's soundtracks and his own extended electronic excursions under the GLOK moniker.



B2. ETERNITY (GLOK REMIX) - SEAGOTH

It was Andy who brought Seagoth to the attention of Bytes when he played ‘Eternity’ on his Soho Radio show in 2020. It all came full circle when Bytes released ‘Eternity’ as a single in 2021, with a stunning remix by Andy in his GLOK guise on the flip. Andy strips the track back to showcase the resonant vocal in all its glory before the blissed-out outro that makes full use of the track’s dancefloor-friendly drum break.

pre-order now12.10.2026

expected to be published on 12.10.2026

19,54 €
Joe Bonamassa - B.B. King's Blues Summit 100 (LP 3x12")
  • A1: Paying The Cost To Be The Boss (ft. Christone "Kingfish" Ingram)
  • A2: Don't Answer The Door (ft. Marcus King)
  • A3: To Know You Is To Love You (ft. Michael McDonald, Susan Tedeschi, Derek Trucks)
  • A4: Let The Good Times Roll (ft. Kenny Wayne Shepherd, Noah Hunt)
  • A5: Sweet Little Angel (ft. Buddy Guy)
  • B1: When It All Comes Down (I'll Still Be Around) (ft. Larry McCray)
  • B2: When Love Comes To Town (ft. Slash, Shemekia Copeland, Myles Kennedy)
  • B3: The Thrill Is Gone
  • B4: Watch Yourself (ft. Jimmie Vaughan)
  • B5: Why I Sing The Blues (ft. Bobby Rush)
  • C1: Sweet Sixteen (ft. Jimmy Hall, Larry Carlton)
  • C2: Don't You Want A Man Like Me (ft. Larkin Poe)
  • C3: I'll Survive (ft. Keb' Mo')
  • C4: Heartbreaker (ft. Trombone Shorty, Eric Gales)
  • C5: There Must Be A Better World Somewhere (ft. George Benson)
  • D1: Chains And Things (ft. Gary Clark Jr.)
  • D2: How Blue Can You Get (ft. Warren Haynes)
  • D3: You Upset Me Baby (ft. Chris Cain)
  • D4: Ghetto Woman (ft. Ivan Neville)
  • D5: Night Life (ft. Paul Rodgers)
  • E1: Ain't Nobody Home (ft. Jade MacRae, Robben Ford)
  • E2: Bad Case Of Love (ft. Joanne Shaw Taylor)
  • E3: Never Make A Move Too Soon (ft. Dion)
  • E4: Three O'Clock Blues (ft. Marc Broussard)
  • E5: Think It Over (ft. Train, Chris Buck)
  • F1: It's My Own Fault (ft. Kim Wilson)
  • F2: Every Day I Have The Blues (ft. D.K. Harrell)
  • F3: Please Accept My Love (ft. John Németh)
  • F4: So Excited (ft. Aloe Blacc)
  • F5: When My Heart Beats Like A Hammer (ft. Dannielle De Andrea)
  • F6: Playin' With My Friends

180 Gramm schweres, schwarzes 3-fach-Vinyl im Klappcover mit 20-seitigem Booklet und Download-Karte

pre-order now13.10.2026

expected to be published on 13.10.2026

45,59 €
beabadoobee - Pylon LP

beabadoobee

Pylon LP

12inch5060257966165
Interscope
13.10.2026

The follow up to her UK number 1 album This Is How Tomorrow Moves, the stark and striking fourth album by beabadoobee is named for the electricity towers that dot every major artery in the world—the strong, spindly structures that reminded Beatrice Laus of her connection to friends and family at home while she was staring down extreme disconnection and isolation on tour over the past few years.

The title can also be read as an allusion to Laus’ spiky, forceful new sound—the waves of distortion that crash and shatter across this record’s 14 songs mirroring the intense crackle you hear when walking under power lines. The pylon is also a fitting symbol for an album that reckons with the repetitive anxieties of your mid-twenties: What if I’m always going to be this way? What if life is just pylon after pylon on the road?

The album’s first single is available to stream and buy from today: “Sun Has Set” introduces Pylon as, in essence, a set of songs that began as diary entries, words that Laus thought she’d never be able to say out loud. “A lot of the songs on this record are things I wish I could have said to someone,” she says. “This song has this petty tunnel vision—it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.” The single comes accompanied by a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.


Ever a devotee of pure rock music—both as something to be cherished and something to be played with—Laus casts these feelings in songs that touch on classic grunge, midwest emo and ‘90s radio rock, zeroing in on a sound that is both harsher and more direct than any of her previous records. She says the music she’s loved has “always been an influence” on her music, and so for B4 she went straight to the source. A fair few of Beabadoobee’s composite influences contributed to Pylon, a fact that speaks to the goodwill and respect Laus has amassed over the course of her relatively brief career.

Hayley Williams sings on “Nothing to Prove,” a deeply anthemic indie-rock song about getting your power back from fairweather friends who just want a bit of your success. The moody “Powerlines” features a verse from Turnstile singer Brendan Yates, a master of matching vocal force with emotional nuance. Elsewhere, you’ll find contributions from Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran, as well as, on “Write Me A Letter”, production work from Laus’ longtime friends and collaborators Matty Healy and George Daniel of The 1975.

Beabadoobee will debut songs from the record on the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe this autumn-winter. The Powerlines Tour kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 and more (full routing below). Support comes from Wisp in the US, Canada and UK and Violet Grohl in France, The Netherlands, Belgium and Germany.





Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.

This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘‘All I Did Was Dream Of You,” teaming up with Grammy-nominated best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea.

pre-order now13.10.2026

expected to be published on 13.10.2026

25,63 €
Axefield - Ostuni Bound, NOW! (LP)

Rome, late afternoon, 1974. The light comes in over the colossal hills, the way it only does for an hour before the city forgives itself for the day's noise. Axefield is on an urgent quest to create cinema in the form of sound as a romantic alternative to disposable tools. He is looking for a sound so effortless he is not sure it can truly exist, but only be felt - somewhere between a film score, a heartbeat and a late night dinner at his favourite trattoria.

Ostuni Bound, NOW! is the debut album from Amsterdam-based electronic artist and composer Axefield, bringing club-heavy bass music together with the drama and romance of 70s Italian cinema. The narrative and emotions within the record stem from a romantic setting in Southern Italy that unexpectedly turned violent, forcing Axefield to flee the city after receiving the death threat "non provocare morte".

At its heart is the belief that romanticising life can lead us towards deeper human meaning, offering a different route from the hyper-capitalist pursuit of efficiency that increasingly shapes how we live and create. Throughout the album, Axefield worked through three characters representing innocence, control and destruction, using each as a framework for decisions in production, composition and mixing.

The album features Amsterdam-based rising UKG talent DANN and Johannesburg-based Kamohelo, frontman of Swedish electronic group Off The Meds. It's all starting to feel like cinematic time travel in which beauty is reintroduced in the realm of contemporary dance.

Released on Intercept alongside a beautifully crafted vinyl edition, Ostuni Bound, NOW! feels like the soundtrack to a film that was never shot. Somewhere behind him, a projector he cannot see begins to turn, playing a film for an audience that has not arrived yet.

As they arrive, he is the one who ultimately presses play.

And just like that, Ostuni Bound, NOW! Begins where Rome has always begun: beyond function and beauty and all that lingers in between.

ships from13.10.2026

The item is already on it's way to us and is expected to be shipped from 13.10.2026.

23,95 €
Memorials - All Clouds Bring Not Rain LP
  • A1: LIFE COULD BE A CLOUD
  • A2: CUT GLASS HAMMER
  • A3: I CAN'T SEE A RAINBOW
  • A4: DROPPED DOWN THE WELL
  • A5: IN THE WEEDS
  • A6: REIMAGINED RIVER
  • A7: MEDIOCRE DEMON
  • A8: BELL MINER
  • A9: LEMON TREES
  • A10: WATCHING THE MOON
  • A11: WILDLY REMOTE
  • A12: HOLY INVISIBLE
also available

YELLOW VINYL[25,17 €]


MEMORIALS jump off the waterslides and head above the clouds with their stunning second album, ‘All Clouds Bring Not Rain’. The duo of Verity Susman and Matthew Simms (formerly of Electrelane and WIRE) locked themselves away in a studio in a barn secluded deep in the woods in southwestern France and re-emerged with a beautiful, unusual record that is both melodic and unconventional. For such an ambitious album it’s striking that it was written, performed, recorded and mixed solely by the two of them. Sounding like an unearthed classic, MEMORIALS twist their influences into their own unmistakable sound. Imagine Nico singing with Can produced by David Axelrod and you’re somewhere in the right ballpark.

The record draws inspiration from a wide range of music including folk, dub, post punk, experimental tape music, 60s soul, garage rock, 70s spiritual jazz and Canterbury prog. This attention to detail in their sound meant finding several other studios to get what they needed to record with, including a harpsichord at 4AD’s studio in London and a vibraphone and vintage Leslie speaker in Stereolab drummer Andy Ramsay’s studio Press Play. Verity’s distinctive, unadorned singing is a focal point of the record, moving from tender to wild. Her vocal melodies quickly become earworms, providing the tuneful heart around which the songs’ more unorthodox elements are arranged, which is where Matthew’s unconventional approach to recording and production comes to the fore. With their adventurous arrangements, classic songwriting skills and innovative production techniques, MEMORIALS have created another mesmerising listen that’s accomplished and compelling in its unique approach yet remains dizzyingly immersive - just like their acclaimed live shows.

In Stock

On Stock and ready to ship

Last In: 3 days ago
25,84 €
Teal - Love Comes Thru LP

Teal return on October 2 with Love Comes Thru, the trio's nine-track debut album. Expanding their emotionally resonant blend of downtempo trip-pop, the record reaches into street soul, dub, and experimental grooves, marking a confident new chapter for the group.

At its core, Love Comes Thru is a reflection on the quiet strength of love—not through grand gestures, but through the steady presence that carries us through uncertainty, change, and connection. Written over the course of a year of bi-coastal collaboration, the album became a testament to the bond Teal share as artists, friends, and family.

From the lush synth landscapes of "Aries Moon" to the footwork-inspired pulse of "Time Is Blind," the album explores themes of patience, vulnerability, longing, and intimacy. Standout singles "Kissing in a Dream" and the title track lean into left-field street soul, while stripped-back, 808-driven tracks like "Change Your Mind" and "Anomaly" demonstrate the power of restraint without sacrificing momentum. Building on the group's love of ambient improvisation, Love Comes Thru also features instrumental pieces with percussion by Brandon Valdivia (Mas Aya/Lido Pimienta).

The album closes with the sensual "Bubbling," bringing the journey full circle with a reminder that love ultimately comes through in its most embodied, physical form. Love Comes Thru is presented in a deluxe, limited-edition matte-finish, double-embossed jacket with a printed inner sleeve. Available on LP and digitally through Rubadub, In Sheep's Clothing, and Forced Exposure beginning October 2.

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On Stock and ready to ship

Last In: 4 days ago
26,47 €
ESG - Come Away With

ESG

Come Away With

12inchFIRELP140
Fire Records
06.10.2026
  • A1: Come Away
  • A2: Dance
  • A3: You Make No Sense
  • A4: Parking Lot Blues
  • A5: Chistelle
  • A6: About You
  • B1: It’s Alright
  • B2: Moody (Spaced Out)
  • B3: Tiny Sticks
  • B4: The Beat
  • B5: My Love For You

Repressed LP on Neon Orange Vinyl. Come Away With ESG - 35-year anniversary release of the classic genre-busting debut album by the Bronx sisters ESG. The sample-friendly opus that’s the inspiration for hip-hop, house and post punk. Music that falls outside of the no wave, new wave and post punk library, it’s for the dance floor but it’s not funk, there’s no horns, no driving organ; it’s the opposite of Sly And The Family Stone but no less cool and no less groovy. “A lasting document of their unique brand of minimal funk that would influence subsequent post-punk, hip-hop, and dance music acts. Stripped down to the most basic of drumbeats and rudimentary bass lines, ‘Come Away’ confirms the notion that the real rhythm is what happens between the beats. AllMusic // “This is dub disco with a punk edge.” Paste // “Uncut punk-funk straight off the streets of the South Bronx.” Record Collector // “ESG are that rare thing” Guardian // “Come Away with ESG sounds so shockingly current.” Paste // “A musical snapshot of New York City at the beginning of the '80s.” Allmusic

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22,27 €
Olsvangèr - Honey Tangerine (LP)

Olsvangèr

Honey Tangerine (LP)

12inchOATH030
Oath
16.10.2026

For the label's latest, Oath is proud to present 'Honey Tangerine', the newest mini-album from producer extortionaire Olsvangèr, who serves up his signature blend of hyper-kinetic, ever-shifting dance music.

Olsvangèr's sound and musical journey are forever rooted in the liminal spaces that make up the broad-reaching and ever-shifting electronic music landscape, with his records consistently channeling that in-betweenness that imprints lasting impressions. A classically trained musician with a profound passion for house and techno, Olsvangèr's sonic palette is one of both broad and delicate brush strokes, applying an array of compelling motifs within amorphous arrangements that blend and blur perspectives. His records seek out the faraway fringes as much as focusing on the intensity found in the detail, creating cavernous soundscapes that are impeccably tuned and effortlessly free-flowing. Seemingly genreless, his records are anchored in all that is known and loved, yet due to the music's perspective situated at the intersectionality of electronica, a beautiful anticipation resides within every stanza of his tracks at what may come next. His musical language has found him releasing on the likes of Kalahari Oyster Cult, Hooj Choons and Craigie Knowes, and follows through within his imprint Tofistock, which has been pushing some of the most forward-thinking dance music of recent times.

'Honey Tangerine' touches upon the classic motifs of Olsvangèr's sound, and as always, the room for growth within the record's parameters remains truly endless. Over six tracks, Olsvangèr lays bare the directions of travel, with paths unravelling that feel well trodden yet with some that branch out towards new horizons. 'Source of Thought' opens up proceedings with a captivating ambience, where twinkling hues and lively tones paint the parameters of sound. The chuggy breaks that land deep within the mix drop in and out of view, allowing a deft balance between pure ambiance and rhythm to exchange dialogue between one another. 'In a Nutshell' shifts gears in atmosphere and energy, with all eyes placed upon the club. The shifting rhythm section lifts the acidic melodic features up above, with driving bass notes and a euphoric vocal like lead linking the depths to the heavens. 'Tulpa Nine' swings into heads-down territory, where the drums swing slow and the throbbing bass hits heavy. The auto-tune vocal line up above creates an atmosphere of hazy, smoke-filled rooms, where the party yearns for downtime in anticipation of the next shift in energy.

'Sunrise on the Lips' gives over further chill out room vibrations, where the lights remain low, and smiles reside all around. The enriching drums provide the basis for sitars and glossy keys to glide across the top ends, with the mind invited to dip deep within this enthralling ensemble. 'Zoom It Out' provides the release into the room, with the ante upped. A breaky house leaning number, this cut grooves through its chiming melodic section and groove-laden bass line, with the polyrhythmic drumming pattern doing much to keep the energy residing very high indeed. The record is wrapped up with 'Some Air', which gives over one final jaunt through the airy, slowed-down slipstreams. A wondrous beat is complemented by melodic elements that chime, absorb and quiver, glowing through the night with such charm and feel. An engrossing composition that demonstrates what Olsvangèr is all about - a crafter of sound, where adventure is sought and found, never wavering but curating new connections, feelings, and tones, with an eye on what might come next.

Whether softly undulating or boundlessly expressive, Olsvangèr's music remains a beautiful enigma that serves up both the glorious knowns and the captivating unknowns - 'Honey Tangerine' is yet another chapter in his glorious discography.

pre-order now16.10.2026

expected to be published on 16.10.2026

15,92 €
Baba Stiltz - Totally LP
  • A1: Totally
  • A2: Relief
  • A3: Leader of Men
  • A4: Must Be Nice
  • A5: Dang Me (An-Sich-Selbst-Saugen)
  • A6: Belief
  • B1: How About That
  • B2: Cool and Fun
  • B3: Later
  • B4: 15
 
2

A glorious night of no particular significance, Totally, the new album by Baba Stiltz. Recorded in Helsinki in studio with a drummer and overdubs committed in 5 days. Ballroom- sink songs of loss, grief, long drives on the I-5, centralized acquisitions, and corrective conditioning towards the prolonged effects of computerized lifestyles.

Every song looks you straight in the eyes, crooked and veering towards a light fixture off the side of the mirror. Ambivalence and assertions track us, down some gauzy networked afternoon. Relatively, perfectly, three dimensional. Proportions as they appear to us from outer intuition. Sometimes meaning is evoked through pure nothingness. Concealed and nothing known. We have no need for any paradise informed by anything beyond what is directly in front of us.

Stone repetition thwarts the possibility of control and surrenders itself to understanding. Who are we, and what are we trying to understand? To understand being universally greater than being understood. There are soap operas everywhere for those with eyes to see. You don’t have to look as hard as we currently look. The dramatic is everywhere, we breathe it unintentionally, then we come to hate it. Haptic, embodied facts of a tedious life lodged in the jowls of history. Everything under the
sky being the best bedlam has to offer. Your family, your relationships, your memory. As you eat a burger you are reminded of every sharp protrusion and corner under the florescent lights, the same lights you see when you’re born, and although unconfirmed, when you die.

Some of these songs were written years ago, some recently. The bookshelf and television set come into full view. Women/men come and go. Stars and poseurs collapse under their alienated contradictions, the search for truth yields to continued gradients of probability (collapse). Spatial order maintains itself through perceptional feeling. Silence, singing along to Roger Miller, people entering and leaving, figures hovering over you in your dreams and waking hours. Cool and fun, Totally

Text by Barrett Avner

pre-order now16.10.2026

expected to be published on 16.10.2026

22,06 €
Yesca - Paint On Walls

Yesca

Paint On Walls

12inchSNF143
Shall Not Fade
16.10.2026

Yesca is back on Shall Not Fade with ‘Paint on Walls’ 12” EP.

2024’s Yesca EP on SNF - “Mood Loops” - set a high bar, so when we say this record is something special you should take note. Of course if you already know Yesca’s music or have had the pleasure of a Yesca DJ set then you will have already this queued up.

Sweet Spot: Ben Sims, Deetron, Oliver Ho, Vince Watson, Grain (Artwork’s Techno alias). Planet-E, Primate Recordings, Paul Mac & Stimulus Recordings found the sweet spot.

According to the OED the first use of the phrase “Sweet Spot” was in 1976 in reference to tennis rackets and golf swings. It’s where everything hits just right. And that’s what this EP does, hits just right. What strikes me is how descriptive the phrase ‘Sweet Spot’ is. Given enough swings and some luck we all know what it feels like to hit the sweet spot in some regard. Finding the sweet spot regularly though takes time and skill. But being able to hit the sweet spot by design every time, well that’s something different. That’s what makes the greats great.

For us at SNF there’s a consensus that in the lineage of electronic music there have been many moments where artists & labels converged on a sweet spot. One such sweet spot for us is in Techno
around 2003 when at the tail end of Hardgroove tempos began to slow and a groovier more refined tech house infused goodness appeared in the racks from a group of killer techno labels & artists (some mentioned above) that moment before the fuller emergence of the 2nd wave of Tech House in the mid 00’s.

That sound, while often emulated, never quite hit the same for us at least – until Yesca came along. His music has everything that we love about that sweet spot. Raw driving groove, rolling basslines and hip shaking percussion. What’s different on ‘Paint on Walls’ is that Yesca stepped on - he had already found the sweet spot on 2024’s Mood Loop EP - now his sound (or swing) is natural. Repeatable, refined and seemingly effortless. To revisit the tennis and golf analogy, this is the start of a Grand Slam run from an artist ready to etch their name in dance music history. Tiger..... Serena......Yesca.

Run the Tracks:
‘How I Do It (They Wonder)’ - A masterclass in less is more, and a serious DJ tool. Full of groove - slow it down and it will light the touchpaper in a house set - speed it up and you’ve got techno weaponry. Forget gatekeeping, this will make you feel like you just found a 2004 techno white label from the likes of Grain or Ben Sims.

‘I Desire’ - House music that I reckon Deetron would be proud of... Blissed out machine funk, whispered vocals, slick jazzy chords and dubbed out techno stabs are all grounded by Yesca’s impeccable, loopy drum programming. The best tunes always end too soon.

‘Domination’ - The ever rising bass, err, dominates this track and this track will dominate on many a dancefloor, but Yesca's knack for dubbed out swinging synth lines has to get a shout out here too. He turns what would be melodic elements into what feels like part of the percussion. Double Threat. Hands Up and Heads Down business.

‘Paint on Walls’ - It would be a tough call to say Yesca’s saved the best til last with the EP’s eponymous track given what’s come before, but Paint On Walls works all the highlights from the rest of the EP into a latin techno/house infused anthem. Skittering percussion, a hint of Detroit goodness and a deep deep rolling bassline and THAT vocal. In every way hopeful yet resistant, and that is what techno is all about.

pre-order now16.10.2026

expected to be published on 16.10.2026

15,08 €
Brandon De Carlo - A Thousand Cuts Vol 1

Last year, Downside Up chief Brandon De Carlo aka BDC decided to bring the label to vinyl following a decade of digital-only releases. Release number one, which is finally available worldwide, naturally comes from the man himself. It's the first EP in his ongoing A Thousand Cuts series, which to date includes a quartet of digital missives. It offers a neat summary of his trademark sound, a blend of heady deepness, sonic grit, focused rhythms and an overall sense of tension-and-release. On side A, the muscular, raw and hypnotic 'Funny How Things' is backed by the deeper and wonkier 'Peer Pressure', while the flipside sports warped techno jacker 'Shell Of My' and weirdo ambient soundscape 'Uncommon Courtesy'.

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19,12 €
British Birds - Murmurate, Oscillate LP
  • 1: Ride Alone
  • 2: Lie Down With Dogs, Stand Up With Fleas
  • 3: Polka Dot Eyes
  • 4: Bayonet
  • 5: Thunder Claps
  • 6: Murmurate, Oscillate
  • 7: Blame Game
  • 8: Stick In A Room
  • 9: Scary Movies
  • 10: Just Like Them
  • 11: Two Dead Bees

Murmuration’ is the low hum made by vast, beautifully choreographed flocks of starlings as they simultaneously flap their wings and take to the sky. Some people say that the frequency of this unique, rumbling, oscillating sound can cure diseases...

One of the most exciting live bands in the UK, British Birds combine the garage-punk energy of Billy Childish, the wry English sophistication of XTC and the witty pop inventiveness of The Lovely Eggs. Like a murmurating flock of starlings, they create a unique sound, and might even be able to cure diseases.

Based in Chorley, Lancashire, British Birds are a resolutely DIY band. Bobby records and mixes all the music; Emma creates all the artwork. Their first two albums were self-released, selling hundreds of copies at gigs and at a few chosen record stores. British Birds didn’t wait for permission to take flight. They just got on with it. Their songs are sophisticated, hard-hitting, and very skilful. It may be DIY, but it’s big and it’s ambitious.

Sessions for Marc Riley and Gideon Coe have followed, along with tours supporting The Bug Club, BC Camplight and Lovely Eggs.

‘Murmurate, Oscillate’ kicks off with Lie Down With Dogs, Stand Up With Fleas, a rousing expression of exasperation at our passivity in the face of lame authority. British Birds are acute observers of the English political scene, shrouding their observations in humour and surrealism. Polka Dot Eyes is another piece of sharp social observation: it portrays Lancashire lads – friends from school – who join the Army and return home physically and mentally damaged. The song is simultaneously disturbing, funny and catchy as hell. From the fog of disinformation and doubt that surrounds us all in 2020s Britian, British Birds embrace the darkness, but with wit and verve – no slogans, no easy answers – and with an energy that helps us escape the mundanity of a declining island. This might all sound a bit bleak, but it’s not: every single one of the songs on this album has a chorus as big as a house.

There are personal songs too: Scary Movies is a poignant description of Bobby and Emma’s grandfather, who delighted in showing them horror films when they were kids – giving them sneak previews of the darkness they’d come to embrace as adults; Just Like Them is a celebration of introversion: it might not be fun, but it’s better than being an idiot. (Paradoxically, any other introverts who hear this song will feel impelled to join in in the chorus.) Blame Game and Thunder Claps examine the darkness inherent in relationships: there is always an impending storm, if you recognise the low hum of the imminent thunder. Once again: the choruses of these songs confound the melancholy sentiment.

You’ll get the same impression if you see British Birds live: Bobby’s ferocious guitar and dark lyrics are counterpointed with Emma’s sometimes haunting, sometimes playful vocal responses and insistent rhythms. You’ll be swept away by the energy of a band who don’t know the meaning of limits. And as the songs get darker and darker the smile on your face gets wider and wider.

The core members of British Birds are siblings Bobby and Emma Townson, working from their HQ-cum-nest in Chorley. Drums are by Dominic Lawson (apart from Michael Aindley on ‘Just Like Them’). Bass is by James Robinson.

British Birds will be embarking on a headline tour of the UK in early 2027.

pre-order now16.10.2026

expected to be published on 16.10.2026

24,16 €
EarthBall - Outside Over There LP

Heavyweight psychedelic improvisers EarthBall are back with their third and most monstrous record to date: ‘Outside Over There’, released on Upset The Rhythm (Nov 7th). Born from the haunted basements of Nanaimo, Canada, the quintet thrives on spontaneity, shaping improvisation into jagged hallucinations and ecstatic eruptions.
Recorded live-off-the-floor in 2024 in Jeremy, Izzy, and Kellen’s basement, and mixed by drummer John Brennan, ‘Outside Over There’ is an album that feels both summoned and inevitable. Each track lands with uncanny purpose, as if uncovered rather than written.
The opener, 100%, features a cameo from comedian and English icon Stewart Lee, who lent his blessing for the band to use a fragment of his stand-up. The album was mastered by John Dieterich (Deerhoof), with liner text contributed by longtime comrade John Olson (Wolf Eyes). Olson describes the album in his unmistakable style:
“This eight-track odyssey unfolds like a dreamscape, where whispered incantations brush against the shadowy fringes of the cosmos, and wild, Cézanne-inspired rock anthems erupt like geysers of color in the midst of a western warm and wet rain storm… culminating in the sprawling eleven minute masterpiece, ‘And The Music Shall Untune The Sky,’ aptly dubbed the Earth Crusher. A creation so utterly deconstructed and intertwined with the pulse of nature itself that if AI was called upon to conceive ‘Outside Over There’ anew, it would just spit back, “F.U. in Tree Font”. An enchanting invitation for even the flat-earthers to join the circle, if only just a little.”
EarthBall’s trajectory has been relentless. Their 2024 album ‘It’s Yours’ was praised by The Quietus as “fully aggressive and fully life-affirming,” and by The Wire as "a boisterous mind-melting album”. The band’s live double set LP ‘Actual Earth Music Vol. 1 & 2’ (2025) captured blistering performances: a performance opening for Wolf Eyes at the Fox Cabaret, and a Café OTO improvised throw-down featuring Chris Corsano and Steve Beresford. These releases on their own confirm them as one of Canada’s most vital experimental exports, not to mention the impressive self-released discography on their Bandcamp. The band’s reach has stretched far beyond their west coast roots with a UK tour May 2024, plus this past June, EarthBall closed Montreal’s Suoni Per Il Popolo Festival alongside Pulitzer Prize-winning composer Raven Chacon. This November they will perform at Le Guess Who? Festival in Utrecht, with a European tour to follow (tour dates below). Outside of EarthBall, each member carries their own torch. Jeremy Van Wyck, founding member of the legendary Shearing Pinx, has toured extensively, released over 100 records, and has been a vital force in the Vancouver and West Coast underground for the past 25 years. He and Isabel Ford (Izzy) play together not only in EarthBall, but also in Psychedelic Dirt, Shearing Pinx, Behaviours, and Crotch.
John Brennan collaborates widely, including recently with Endlings (Raven Chacon and John Dieterich), Evichen (Victoria Shen), Francesco Fonassi, Plan Your Future (with Greg Saunier of Deerhoof), Brennan/Corsano duo and Physics with John Dieterich. Kellen Maclaughlin performs with KVMP and Ora Corgan, while saxophonist Liam Murphy is a west coast staple, playing with the best across Vancouver Island and the mainland. On three of the tracks of ‘Outside Over There’, the band is joined by their comrade Justin Patterson, who also plays with Brennan in the duo Modale. This cross-pollination fuels EarthBall’s sound - a collective improvisation, psychically overdriven, and grinding into bloom.
Outside Over There’ is more than an album though, it is a ritual, a gathering of sound at the forest’s edge; where feedback, saxophone screams, and ecstatic vocals dissolve the boundary between chaos and clarity. EarthBall invite you into their circle, to share in the joyful terror of spontaneous creation. ‘Outside Over There’ will be released on November 7th through Upset The Rhythm digitally and as a limited blue-in-black vinyl LP.

pre-order now16.10.2026

expected to be published on 16.10.2026

13,87 €
Eiji Nakayama - Aya's Samba

Eiji Nakayama

Aya's Samba

12inchSTUDIOMULE13
Studio Mule
16.10.2026

2026 Repress

johnny's disk record is an independent jazz label run by the owner of jazz cafe kaiunbashi no johnny located in rikuzentakata city in iwate prefecture, japan.

the legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. albums such as 'farewell my johnny / left alone' and 'aya's samba' has reached cult status among fans as some of the best works to come out of the japanese jazz scene.

another japanese jazz classic, aya's samba was a debut effort by bassist eiji nakayama, who played as part of elvin jones' jazz machine and toured with don friedman.

this album is an important release in the johnny's disk catalogue, not only because it is the first ever release, but also because the owner hearing the band play was the reason why the label came to be.

'aya's samba' is a mellow jazz samba in minor key that's considered a japanese jazz classic. slow ballad 'yellow living' is drenched in melancholy with emotive keys and sax notes, while the dreamy 'sea sea town' impresses with a captivating, expressive sax solo. the 4 tracker ends with 'far-away road,' an uptempo tune with rhythmic keys.

pre-order now16.10.2026

expected to be published on 16.10.2026

Last In: 3 years ago
22,27 €
Manaka Kataoka, Yasuaki Iwata and Hajime Wakai - The Legend of Zelda: Breath of the Wild LP 8x12" BoxSet
also available

LP 2x12"[36,93 €]


Nintendo and Laced Records are linking up to bring the sweeping music of The Legend of Zelda™: Breath of the Wild to vinyl records with this 8LP box set featuring nearly four hours of music.

This collaboration marks the first time a Nintendo soundtrack has been commercially released on vinyl outside of Japan. This box set features heavyweight LPs that come in printed disc inners and spined inner sleeves, all housed in a rigid board dual slipcase. All packaging is adorned with archival artwork by the team behind The Legend of Zelda: Breath of the Wild. Each disc side is sequenced around a theme, reflecting players’ adventures in the game, whether exploring Hyrule, battling enemies, freeing the Divine Beasts from Calamity Ganon’s hold, or unlocking the mysteries of the Shrines. The unforgettable music of The Legend of Zelda: Breath of the Wild introduced bold new musical textures to the series, while embracing classic themes. From the first spine-tingling piano notes of “Main Theme” to the final choral-orchestral stirrings of “Epilogue”, the soundtrack follows the ups and downs of Link’s epic adventure. Each element of the game enjoys a distinct musical palette, including the iconic minimalist piano of the open world, the alien sounds of Sheikah technology, the tension-filled rhythms of enemy encounters, and the orchestral grandeur of the Divine Beast battles. The pieces were composed by Manaka Kataoka, Yasuaki Iwata, Hajime Wakai, and Soshi Abe. Along with this wonderful soundtrack on vinyl, fans can experience the full digital soundtrack for The Legend of Zelda: Breath of the Wild by downloading the Nintendo Music app.*

pre-order now16.10.2026

expected to be published on 16.10.2026

174,58 €
milan93 & 9ICK & Mauricesax - A Garden Between Us

On Last Night At Marienbad's latest, the imprint brings together three of the brightest souls found within the realms of Jazz, namely Mauricesax, 9ick and Milan93, with their collective talents synergising effortlessly on 'A Garden Between Us', alongside a stellar cast of remixers who add even further delight between the grooves….

As a genre, Jazz has perhaps lent itself the most to other musical universes, in that its curious heart, endlessly experimental nature, and parameter-defying spirit have wrapped itself deep within the core of countless albums, scenes, and music makers. It's a genre that welcomes reinvention, consistently defying its contents and always reaching out to find new methods of expressionism. Electronic music, in its many forms, has truly embraced Jazz perhaps like no other movement of music has, with a truly astonishing array of records surfacing in the past 40 years which have blended Jazz's unique motifs with grooves, chords, and emotive excellence. From 90s Jazz house and UR Techno, through to Future Jazz, downtempo, and Hip Hop, and around many other suns, there remains such an intrinsic and symbiotic relationship between the two musical realms that caters to those who wish to live music both within and out with themselves.

As practitioners of blending electronica and Jazz, few do it like the trio of Mauricesax, 9ick, and Milan93. All three are known for their distinctive soundscapes, yet share commonalities in terms of musical language, feel, and sense of progression. Bringing them together allows for overlaps in their sounds to emerge, and just like Jazz itself, this is where the intrinsicness of sound begins to blossom. 9ick brings his softly evolving vibe to the table, one which was so prevalent and celebrated on his 2025 album 'SMIL'; Milan93 draws from his focal point of exploring fill-laden grooves and a myriad of emotive sensibilities; and Mauricesax draws up his extensive musicality that exists at the corner of jazz, electronic, and experimental music, along with running musical workshops all over the globe.

'A Garden Between Us' represents the trio's core tenets, with this immediately obvious from the record's opener, 'Rhodora'. A gentle solo piano quickly evolves into a series of powerful rhythmic pulses, with brass lines bringing vitality and feel to proceedings. The track shifts gears with purpose, transitioning between musical vignettes of the highest order, with the synth work doing much to bind the transitions together. 'Tulip' emerges slightly differently, with glossy Rhodes tones and an unravelling rhythmic undercurrent setting an enthralling stage. The track flourishes amongst sweeping textures, coming up for air amongst a deeply hypnotic rhythmic section that holds on and never lets up. 'Honeysuckle' lands next, which sees the trio emerge with a boundless, dynamic soundscape. The drums shift within the undertones, as keys, chords, horns and hip-hop vocal samples dance around the pulse, capturing the imagination with their narrative-like placement. Wrapping up the A side comes 'Camellia'. A dazzling array of harmonic sounds converges around the transfixing rhythm section, which emerges from deep below to lavishly roll out over the midsection, with the delicateness of the instrumentation a real highlight here.

The B side features two exquisite remixes, with Pacific Coliseum's version of 'Tulip' landing first. Beginning with a signature four to the floor to get things going, his careful handling of the source material is seen in the tactful introduction of the blissful elements that made the original cut so impactful, with great focus placed on emotive fidelity. The result is a summer-bound house number that reimagines the original in all the right ways, flipping it into a euphoria-driven jazz-laden pacer that reaches for the heavens as much as it drives right into the heart. Teuteu then showcases their take on 'Honeysuckle', and at 9 minutes long, represents the longest cut on the record - and the experience is all the richer for it. Leaning heavily into dance music flavours, Teuteu shifts perspective totally into the realm of the club, with the walls beating hard to the kicks. The sax lines that drift ethereally up top keep eyes closed and souls full, as the dance shifts into the next phase.

An experience that drifts from the daydreaming, to soul-warming through to the club shaking - what else is left to experience, except for 'A Garden Between Us' and how it will brighten up life itself….

pre-order now16.10.2026

expected to be published on 16.10.2026

14,71 €
Kava Kon - Tiki For The Atomic Age LP

Tiki for the Atomic Age feels like a mid-century transmission intercepted from a parallel timeline—one where hi-fi futurism, Polynesian fantasy, and postwar optimism never lost their sense of wonder. Kava Kon isn’t recreating exotica so much as reviving its original promise: escape, elegance, and possibility, rendered in warm, widescreen stereo.

Built on shimmering vibraphones, reverb-drenched guitars, analog organs, and ritual-leaning percussion, these tracks move at an unhurried pace. This is oceanic music—designed for dim lights, glowing glassware, and time stretched just enough to breathe. The lineage is clear: lounge exotica, bachelor-pad modernism, space-age pop. But this isn’t pastiche or museum work. It’s retro-futurism with intention, imagined from the future looking back.

The “Atomic Age” isn’t just aesthetic shorthand. It speaks to contrast—leisure in the shadow of anxiety, beauty alongside uncertainty, fantasy as a necessary technology. Kava Kon understands that tiki was never about geography; it was about psychology. A constructed elsewhere. A permission slip to slow down.

Pressed on vinyl, Tiki for the Atomic Age comes fully alive: tactile, immersive, and meant to be lived with. For listeners drawn to mid-century dreamscapes and modern exotica that honors the past without freezing it, this is an invitation—step sideways out of the present and into something more elegant.

pre-order now16.10.2026

expected to be published on 16.10.2026

31,30 €
Jolie Gentiane - Insaisissables LP

The duo Jolie Gentiane come to us straight from a wild and unpredictable mountain peak, a perched place far from civilization, where the beauty and cruelty of mother nature reign but harmonize the elements. They walk the high, steep paths, looking down on the chaotic and industrial world. This increasingly smoky world, which, from the top of the mountains, looks metamorphosing dangeroulsy, but would only need a few changes to make it less crazy. Or perhaps infinitely more so. Jolie Gentiane is a skilful concoction of sound and daring. Unclassifiable, impalpable, the contemporary embracing the tradition and the acoustic swinging with the electronics. Autotuned/vocoderized vocals, 4th world, kitsch sax, psychedelic arpeggios, acoustic guitar, techno, it's all there: the story told by Jolie Gentiane on this album is rich and complete. Nature, love, celebration, struggle, work. Yes, even work. Because the energy deployed to create this album was surreal, patient, extremely methodical, and the abnegation of the protagonists has been vertiginous: the cliff of the highest peak is finally climbed. This album is like an ode to the earth, to the respect we owe it, an ode also to music in its purest essence, that which does not confine itself to borders, but shout for federation, dance and uprising.

pre-order now16.10.2026

expected to be published on 16.10.2026

14,08 €
Alan Parker / John Cameron - Afro Rock

2026 re-issue, 180g vinyl, remastered from the original tapes

Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: Hard Afro Pop featuring large percussive rhythm section and front line. We say: One of the best-loved of all the KPM LPs. Afro Rock was recorded at Morgan Studios by John Cameron and Alan Parker in London in 1973 as a collection of stripped-down African rhythms, virtuoso jazz instrumentation, fuzzed up wah wah guitars and spaced out library breaks. The percussion is effortlessly funky, and those flutes so melodic, it’s as if the LP was crafted with the beat lovers of the future firmly in mind. As Cameron himself described it in Unusual Sounds, this is “heavy duty drum-and-bass salsa music”. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

pre-order now16.10.2026

expected to be published on 16.10.2026

Last In: 7 years ago
24,58 €
DJ Quest - Squeaks / Snake Style

Following hot on the heels of the Frequency Damage EP, DJ Quest returns to Cyberfunk with Squeaks / Snake Style— a two-track release that dives deep into the unmistakable sound that made Quest’s productions stand out during the early 2000s.
Rather than simply recreating the past, both tracks tap directly into the DNA of the original Cyberfunk sound: rolling breakbeats, huge basslines, twisted analogue synths and the kind of distinctive production that became synonymous with DJ Quest at the height of the Bassline Breaks era.
Built around original analogue synth work throughout, Squeaks / Snake Style is a deliberate throwback to the raw, futuristic sound of the early 2000s, produced with the weight and clarity needed for today’s sound systems.
It’s classic Quest, strange noises, big bass, rolling drums and plenty of attitude.

A. Squeaks
Everything DJ Quest became known for rolled into one track. Squeaks is an unapologetic throwback to the classic Quest sound of the early 2000s, driven by heavyweight breaks, deep bass and original analogue synth work throughout.
Twisted electronic squeaks and evolving analogue sounds weave their way around the drums, giving the track that instantly recognisable combination of funk, darkness and futuristic weirdness that characterised so many of Quest’s early productions.
Raw, energetic and built firmly for the dancefloor, Squeaks takes the spirit of the original Bassline Breaks era and brings it straight back onto a modern sound system.
AA. Snake Style
On the flip, Snake Style takes the same analogue-driven approach but moves into deeper rolling territory.
A more hypnotic, heads-down breaks roller, the track develops around a heavyweight bass groove, rolling drums and constantly shifting analogue synth lines. There’s less emphasis on the immediate impact of the A-side and more on building a groove that locks into a DJ set and keeps moving.
Still unmistakably Quest, Snake Style combines the rawness and character of early-2000s breakbeat with modern low-end weight and production, proper rolling Cyberfunk business.
Special Vinyl Edition
Making this release particularly special for collectors, the 12” vinyl comes with an exclusive book showcasing the artwork from some of DJ Quest’s biggest and most memorable releases.
The book looks back through Quest’s extensive catalogue and the visual identity that accompanied the records, bringing together a selection of classic release artwork from across his career plus photo collages of memories made across his journey.
It turns Squeaks / Snake Style into more than just a new DJ Quest 12”, it’s also a celebration of the music, artwork and history surrounding one of the original pioneers of the Bassline Breaks sound.
For long-time followers it offers a piece of Quest history alongside two brand-new productions, while newer listeners get an introduction to the catalogue and imagery behind the sound

pre-order now16.10.2026

expected to be published on 16.10.2026

15,08 €
Pan Amsterdam - Panarama LP

Pan Amsterdam

Panarama LP

12inchDFPR34LP
Def Presse
16.10.2026
  • A1: Old Friend (Feat. Nick Zinner, Brad Truax, and Leron Thomas)
  • A2: Cutlery (Feat. Spice Programmers)
  • A3: Hot Potato (Feat. Spice Programmers)
  • A4: Vanilla Ice (Feat. 1FS)
  • A5: Szechuan Beef (Feat. 1FS)
  • A6: Pan Out (Feat. 1FS)
  • A7: Itchy Cashews (Feat. AnOtter)
  • A8: Impossible Meat (Feat. Mr.Shn)
  • B1: Shuriken (Feat. AnOtter)
  • B2: Unseasoned (Feat. AnOtter)
  • B3: Drunken Noodles (Feat. Mr.Shn)
  • B4: Plantain De Negro (Feat. Spice Programmers)
  • B5: Blushing (Feat. Leron Thomas)
  • B6: Stingray (Feat. Leron Thomas)
  • B7: Deep Fried Shiney Things (Feat. Leron Thomas)
  • B8: This Coverband Rules (Feat. Nick Zinner, Brad Truax, and Leron Thomas)

Trumpeter, rapper and sonic wanderer Pan Amsterdam has carved out one of the most distinctive voices operating at the intersection of jazz and hip-hop today.

Pan Amsterdam is a musical enigma wrapped in an enduring riddle. His creator is a jazz musician from Houston who’s found fame working with Detroit punk rock God, Iggy Pop, and British indie royalty, Metronomy, and now makes shapeshifting, adventurous hip hop out of the music’s spiritual home, New York.

He’s an irreverent character born out of frustration and named after a misunderstanding, yet one who’s on the verge of releasing his fifth album of truth-slaying, genre-crossing rhymes and beats. The result is a catalogue that feels both deeply rooted in Black American musical tradition and completely untethered by convention.

Pan Amsterdam returns with ‘Panarama’, his fourth full length album and a bold reassertion of his hip hop identity, released via Def Pressé. Created by Houston-born, New York-based musician and composer Leron Thomas, the record finds Pan Amsterdam embracing the harder edges of his sound while continuing to blur the lines between jazz improvisation, abstract rap, punk attitude, and experimental production

Written as a response to contemporary life and the endless cycle of information, conflict and distraction that defines modern culture, ‘Panarama’ unfolds as a stream of consciousness journey through hyper-normalised realities. Across sixteen tracks, Thomas navigates social commentary, personal reflection, absurdist humour, and cultural critique, delivering his observations with the same spontaneity and freedom that have become central to the Pan Amsterdam project

Lead single ‘Szechuan Beef’, produced by acclaimed collaborator 1FS, serves as one of the album’s defining statements. Built around Thomas’ signature free-flowing delivery, the track explores the overwhelming nature of contemporary life, where domestic conflict, social division, entertainment scandals and political discourse become flattened into a constant stream of content.

In Thomas’ own words: “My stream of consciousness style comes quite naturally to me due to the conditioning of scroll down culture where everything, no matter how minor or extreme, is hyper normalised.”

Elsewhere, the track ‘Vanilla Ice’ was written in response to widely publicised ICE killings and the speed at which tragedy is absorbed and forgotten within online culture. Thomas channels the anxiety and emotional disorientation of endlessly consuming information, allowing his thoughts to unfold in real time as social commentary collides with everyday digital noise. The result is both deeply personal and sharply observational, reflecting the fragmented reality of modern life. Other album highlights include the cinematic, Interpol-esque opener - ‘Old Friend’ complete with shimmering guitar lines and an far-reaching introspective, no-filter vocal as Thomas teams up with Nick Zinner (Yeah Yeah Yeahs) and Brad Truax (Interpol) across multiple tracks, often the production traverses left-field indie territory, but always maintaining Pan Amsterdam’s unique musical identity throughout. For the hip hop purists and beats lovers there are plenty of riches to discover from the clever nostalgic sample flips of ‘Cutlery’, the sleepy lofi of ‘Shuriken’ and the wonky LA beat scene / early Flying Lotus era beats of ‘Drunken Noodles’ - all boasting quick witted lyricism. ‘Deep Fried Shiney Things’ explores early electro and industrial sonics while album finisher is an upbeat new wave / indie band cut which sees Thomas take a break from rapping, but of course never letting up on the sharp observations nonetheless


While his previous record explored more alternative territory, ‘Panarama’ marks a deliberate return to rap, as Pan Amsterdam explains:

“I just wanted to do a rap album again.I enjoyed making my last album, but I felt like rapping again. I like to have the freedom to move in between musical worlds that suit the current state I’m in. Frequency accommodating frequency.”

This philosophy runs throughout the album. Tracks move effortlessly between jazz-inflected arrangements, experimental beats, punk energy and underground hip hop aesthetics, allowing ideas to evolve organically rather than conforming to traditional structures. Thomas describes himself as an improviser first and foremost: “I think like an improvisor. That’s how my albums pretty much move. It’s improvisation.”

Featuring additional contributions from Spice Programmers, AnOtter and Mr. Shn, ‘Panarama’ presents a wide-ranging cast of collaborators while remaining firmly rooted in Thomas’ singular creative vision. The record embraces contradiction, humour and unpredictability, capturing fleeting thoughts and observations with the same freedom and spontaneity that define jazz improvisation itself.

A musical enigma wrapped in an enduring riddle, Pan Amsterdam has built a reputation as one of contemporary music’s true outsiders. The project emerged from frustration, experimentation and artistic freedom, with Thomas drawing equally from his background as a jazz musician and his collaborations with artists including Iggy Pop and Metronomy. Operating from New York while carrying the spirit of Houston’s musical heritage, Pan Amsterdam has developed a distinctive voice that sits comfortably between avant-garde jazz, underground hip hop and experimental music.

Reuniting with Def Pressé for ‘Panarama’, Thomas explores what he describes as the more hardcore side of his artistic identity:

“They let me do anything and everything I wanna do so long as it’s on audio, and I need that freedom. What may verbally be perceived as vulgar to one group of people may be very thoughtful and a poignant description of the times that we’re presently in, so I’m glad that I’m part of a label home that understands that.”

pre-order now16.10.2026

expected to be published on 16.10.2026

28,15 €
J.D. Slater - Filling Your Silence

Dark Entries is Filling Your Silence with the help of J.D. Slater. Legendary actor, director, and composer J.D. Slater is sometimes known as “the Lou Reed of gay porn.” Slater cut his teeth in the New York punk scene, even opening for the Talking Heads and Blondie at CBGB with his project Frenzy. A true polymath of the erotic, he co-founded Raging Stallion Studios with Chris Ward in 1999, which has remained a prolific outlet in the world of gay pornography. Having spent years in front of and behind the camera, 1999’s Filling Your Silence was his debut as maestro. This album collects the soundtracks from the first two Raging Stallion films - Sexpack One and Sexpack Two - to bring us nine tracks of sleazy beats and trance-like moments of pure ecstasy. Album opener “Seduction” begins with the iconic synthetic pan flute, one of the defining sounds of the 1990s, before pulling us along with its wild grooves.

Halfway through its nine-and-a-half- minute course, it breaks down to bust out a jazzy electric piano vamp. “Running with Scissors” ups the tempo with some crunchy breakbeats to undergird its portamento-laced lead synth. Elsewhere, like on “Mercy” and “Mercy (2nd Movement),” we see Slater embracing a bleep-adjacent sound close to early Nightmares on Wax or 808 State. Filling Your Silence’s endless grooves pursue that oceanic feeling. This record comes with a one-sided insert that includes archival Raging Stallion press materials. In the words of the Bay Area Reporter, Filling Your Silence is “quite possibly the best music for sex ever written.” A bold claim, but we can’t help but agree.

pre-order now16.10.2026

expected to be published on 16.10.2026

20,38 €
Various - KYSH-003

Various

KYSH-003

12inchKYSH-003
KYSH Records
16.10.2026

KYSH returns to wax with its third vinyl release — another milestone in the label’s steadily growing catalogue. More than a year and a half into the journey, KYSH feels more in its element than ever, bringing together five names that represent both the label’s own extended family and fresh acts joining the ranks. All well-established and highly respected figures in the modern techno landscape, they deliver a sharp selection of contemporary club weapons. Kashpitzky opens with “Blush”, a raw, boomy cut where rough-edged rhythmics meet crisp modern production, channeling the spirit of industrial techno at its best. “Tarmac” by Regent follows with a dense, restless groove, while Chontane’s “Gyuto” dives into hypnotic territory, layering rhythmic elements around subtle dissonant melodies. On the flipside, Temudo & Pierce join forces for the threatening, aggressively contemporary “Highest Clarity Grade”, balancing intricate sound design between rhythm and atmosphere. Closing comes GCOD with “Sleeper Agent” — dancing sub bass, a striking hook and a relentless hi-hat groove keeping the weight firmly down low. Another strong statement on wax, KYSH-003 confirms the label’s vinyl output as a mark of quality, with five floor-tested cuts drawing from a fresh, current take on the industrial influences that shaped techno a decade ago. A new lineup, a distinct direction, and five tracks ready to speak for themselves on a proper soundsystem.

pre-order now16.10.2026

expected to be published on 16.10.2026

13,03 €
N8NOFACE - Tomorrow's World LP

N8NOFACE

Tomorrow's World LP

12inchSTH2533LP
Stones Throw
16.10.2026
  • A1: Taker
  • A2: My Life In LA
  • A3: Dream Or Die
  • A4: I Hope It’s Ok
  • A5: Is What It Is
  • A6: Memories
  • B1: Dig Up Your Grave
  • B2: Paranoid
  • B3: No Take Backs ft. Scarlettt
  • B4: Gray Area ft. Angélica Garcia & Scarlettt
  • B5: When Not Asking For Anything
  • B6: Thank You

Tomorrow’s World is the new album from synth-punk/darkwave artist N8NOFACE. Fully produced by Dave Sitek of TV on the Radio, the record also features contributions from Hudson Mohawke, Snow Wife, and Angélica Garcia.
On Tomorrow’s World, N8NOFACE pushes beyond the DIY spaces that formed him, delivering his most ambitious album yet: a collection of hard-as-nails songs that manage to be furiously catchy. In line with N8's cyberpunk aesthetic, Tomorrow's World's title comes from the 1960s British TV show of the same name about tech and science. N8 came across the show when he found a clip of Kraftwerk performing and breaking down their music on it, with Tomorrow's World being credited in breaking the band to a wider audience. In N8's words, the album sees him “imagining what the punks and the street kids might be listening to in 2077.”

pre-order now16.10.2026

expected to be published on 16.10.2026

28,36 €
Mould - Hoping as a Coping Mechanism LP
  • Misanthrope
  • Float
  • Emotive Language
  • Tapes
  • Lucid
  • Hatching
  • Superseded
  • Falling Posture
  • Reshaping Nothing
  • Lists (with Perfect Binding)
  • Decades
  • Humm
also available

Tape[12,40 €]


In their own words, it's "more focussed, paced and thought-out." Over 13 tracks that explore the horrors of the outside world and the internal minefield of the brain, Mould's debut also hits with the thrills of a brilliant live band who've distilled that energy to tape. The title comes from a line taken from the time signature-warping 'Emotive Language' that distills what it means to be a band in 2026 down to one concise sentiment. "This has always been the dream, playing with your mates and making good songs and getting to tour and make records," says Kane. "But the realities of trying to start a band now, when you're 30 and also have other goals at the same time are hard. We'd be doing it regardless, but you have to learn a lot. " This duality runs throughout the record, where tracks like lead single 'Float' speak of "strolling through hellscapes" of social media yet surround their frustrations with the sort of barbed, visceral musicality that sounds like if Interpol had grown up in gloomy, rain- soaked Britain. "You're endlessly doom scrolling, past a funny video of a sausage, and then there's Farage and then there's an ad for something," Joe says of the track. "That mindnumbing flashy distraction turns you into idiots."

pre-order now16.10.2026

expected to be published on 16.10.2026

28,36 €
Mould - Hoping as a Coping Mechanism (Tape)

In their own words, it's "more focussed, paced and thought-out." Over 13 tracks that explore the horrors of the outside world and the internal minefield of the brain, Mould's debut also hits with the thrills of a brilliant live band who've distilled that energy to tape. The title comes from a line taken from the time signature-warping 'Emotive Language' that distills what it means to be a band in 2026 down to one concise sentiment. "This has always been the dream, playing with your mates and making good songs and getting to tour and make records," says Kane. "But the realities of trying to start a band now, when you're 30 and also have other goals at the same time are hard. We'd be doing it regardless, but you have to learn a lot. " This duality runs throughout the record, where tracks like lead single 'Float' speak of "strolling through hellscapes" of social media yet surround their frustrations with the sort of barbed, visceral musicality that sounds like if Interpol had grown up in gloomy, rain- soaked Britain. "You're endlessly doom scrolling, past a funny video of a sausage, and then there's Farage and then there's an ad for something," Joe says of the track. "That mindnumbing flashy distraction turns you into idiots."

pre-order now16.10.2026

expected to be published on 16.10.2026

12,40 €
Dire Straits - Dire Straits LP 2x12"

Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous pressing.

Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.

Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.

Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.

Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. "Down to the Waterline," "Wild West End," and "Lions" all feature colloquial touches that add to their reach. By extension, "In the Gallery" functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, "Sultans of Swing," pays homage to struggling bar bands.


Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.

pre-order now19.10.2026

expected to be published on 19.10.2026

97,44 €
Larry Heard - Ice Castles LP 2x12"

ICE CASTLES, Larry Heard's downtempo ambient, deep house masterpiece available on vinyl again. After nearly three decades out of print, Larry Heard's Ice Castles is finally getting the reissue people have been asking for. Originally released in 1995 (as Sceneries Not Songs - Volume Tu), Ice Castles stands out as one of the most overlooked, but essential records in deep house and downtempo. A hazy, RnB, jazz-inflected suite of tracks from the genre's original architect. Forming a blueprint for his release in the decades to come. From the shimmering ''Crystal Fantasy'' to the aching title track, this is Heard at his most intimate: less dancefloor, more personal. Now, for the first time since 1998, it's back on vinyl. Remastered and expanded to a full double LP with all tracks.

pre-order now19.10.2026

expected to be published on 19.10.2026

27,10 €
King Tubby - Surrounded By The Dreads At The National Arena LP
pre-order now19.10.2026

expected to be published on 19.10.2026

21,64 €
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