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2026 Repress

After releasing on a variety of labels for a few decades FFF presents the "Control Tower EP" the first release on his own "3AM Eternal" label. This 3 track EP brings a mixture of styles from within the hardcore & jungle universe. The titel track "Control Tower" is a mix of dub infused amen jungle, clash vocals and rare grooves. Followed by "Cut Bwoy" hectic, stomping, moshpit ready, hardcore & dubby. The final tune Obedience goes a bit deeper, a synth heavy, moody amen roller but still with plenty of choppage.

Dutch titan Orlando Voorn plunges into deeper waters for his Lost Control 2097 debut. The opener ''Vibrations'' hits like a hazy '90s hip-hop daydream, wrapped in the glow of soulful deep house. ''Summer Breeze'' is strictly for the heads--pour up the gin and juice, kick back, and let the world melt for a minute. If you're hunting for that golden first strike, ''Purpose Pursuit'' cruises in with a boogie-soaked groove that feels like flipping through dusty dance-floor memories. And to top it off, label chief Black Eyes, the Prince of Hydro himself, delivers a remix that sinks you into a warm, tape-scarred drift.

2026 Repress

Who's in control? D.I.E.'s in control!

After his contribution on Various Artists - Part One, label co-founder Markus Suckut is back with his first full EP on Primordial State.

ULURU is a large sandstone rock formation in Australia. It's sacred to the Anangu, the local Indigenous of the area. For many years it had been deprived of its spiritual significance, due to mass tourism, capitalism, as well as greedy and selfishness of people who just want to make money out of it. However, as a result of the Anangu’s resilience, care and staunchness, huge changes took place in the national park around Uluru as well as in the broader public's consciousness, giving again to the Uluru the sacred identity that had been lost.

You might be reading and thinking now: so what's the point? Actually, there's no real point. I would rather say, there’s hope. The hope of seeing humans all around the world following the example of the Anangu. The hope of seeing humans finally stopping to treat the earth and all what’s part of it, what’s on and what’s in it, as a slave without soul. The hope of changing today, and if not today at latest by tomorrow. This system is failing. It's no longer sustainable, and there's no much time left.

So everybody, don't sleep, be critical.

For the tenth release on Rhythm Control Barcelona, we present something truly special: the debut of Not A Headliner presents José. This marks a new step in the journey of the Spanish artist, recognized in recent years as one of the leading figures of the national underground techno scene, who now introduces his alter ego to reconnect with his house roots.

"Usufructo (Uso + Disfruto)" is a four-track EP where the spirit of the mid-90s UK sound merges with tech house, acid, and breaks influences, resulting in a solid, characterful record set to delight all lovers of those classic and timeless vibes.

ULURU is a large sandstone rock formation in Australia. It's sacred to the Anangu, the local Indigenous of the area. For many years it had been deprived of its spiritual significance, due to mass tourism, capitalism, as well as greedy and selfishness of people who just want to make money out of it. However, as a result of the Anangu’s resilience, care and staunchness, huge changes took place in the national park around Uluru as well as in the broader public's consciousness, giving again to the Uluru the sacred identity that had been lost.

You might be reading and thinking now: so what's the point? Actually, there's no real point. I would rather say, there’s hope. The hope of seeing humans all around the world following the example of the Anangu. The hope of seeing humans finally stopping to treat the earth and all what’s part of it, what’s on and what’s in it, as a slave without soul. The hope of changing today, and if not today at latest by tomorrow. This system is failing. It's no longer sustainable, and there's no much time left.

So everybody, don't sleep, be critical.

Straight from the heart of the 1991 UK rave scene — CUT001, later known as Rabbit City 001, captures the raw underground energy of the era. Originally a short-run white label promo, the record became an instant cult classic.

Produced by Blow alongside Colin Faver (Kiss FM legend RIP), the release was born out of London’s early rave network — record shops packed with weekend ravers, distributors playing new cuts down the phone, and pirate radio pushing the boundaries.

ULURU is a large sandstone rock formation in Australia. It's sacred to the Anangu, the local Indigenous of the area. For many years it had been deprived of its spiritual significance, due to mass tourism, capitalism, as well as greedy and selfishness of people who just want to make money out of it. However, as a result of the Anangu’s resilience, care and staunchness, huge changes took place in the national park around Uluru as well as in the broader public's consciousness, giving again to the Uluru the sacred identity that had been lost.

You might be reading and thinking now: so what's the point? Actually, there's no real point. I would rather say, there’s hope. The hope of seeing humans all around the world following the example of the Anangu. The hope of seeing humans finally stopping to treat the earth and all what’s part of it, what’s on and what’s in it, as a slave without soul. The hope of changing today, and if not today at latest by tomorrow. This system is failing. It's no longer sustainable, and there's no much time left.

So everybody, don't sleep, be critical.

"No Control" is one of the albums that helped bridge the band"s more reckless earlier direction with their more focused (but just as pissed-off) "90s-era. The strength of such cuts as "Big Bang," "Automatic Man," the title track, and "I Want to Conquer the World." No Control is one of the bands best all-time albums and an archetypal blueprint for the genre.

Drumsauw returns to DCLTD, this time for a collab with Unknown Code. The title track 'Lost Control' is built around a rapid fire chords, sharp percussion and a looped vocal. 'Here and Now' surges with late-night energy, teasing skywards with shuffling percussion and a throbbing metallic lead. 'Collapse' arrives like a freight train, expanding on the ideas in 'Here and Now' stripped back and singular in focus, it surges forward driven by an eerie lead and industrial drums. 'Odyssey' is full-bodied head melter, driven by a menacing synth and a brutal barrage of drums.

After a lengthy time of careful planning, the first Bünker Bliss release finally comes to life, and it couldn’t be in better hands. TBILISI-based producer DJ Astrobee steps forward with a record that reaffirms his status as one of Georgia’s underground pillars.

The music itself moves fluidly from razor-edged, body-jolting rhythms to shadowy synth-driven journeys - always carried by a tension that feels both immediate and entrancing. DJ ASTROBEE channels that energy into Bünker Bliss, setting a defining tone for everything that follows

Next up on Bosconi, the ever-persistent Italian outpost helmed by DJ sorcerer Fabio della Torre, comes a bold new chapter from label mainstay Lapucci—a familiar name to heads who remember his trippy debut Levitated Sensor Detector (LSD).

With Level of Control, the Florence-based Burbi Dub dubplate conjurer delivers a four-track EP that travels across moody electronics, psychedelic grooves, and off-world rhythms.

Kicking off the A-side is “Radio Controller”, a dark and melodic new beat jam with deep ‘80s roots—think obscure synths, rolling drum-machine funk, and a haunting vocoder line that crackles like forgotten transmissions.
Next up, “Einstein”. This one’s a jacking electro-techno burner, all drive and tension—built for those peak-time moments where things feel like they could go off the rails. There’s a cinematic sense of anticipation here, a nod to the cosmic weight of relativity and dancefloor gravity.

Flip to the B-side for “Level of Reality”—a trance-soaked electro weapon, laced with a screaming guitar-like lead and a soaring, emotional melody. It’s peak-time power with sunrise sensitivity—equal parts rave and revelation.
Closing things out is “Irabijanti”, a stripped-back, hypnotic afterhours tool with a fresh, effortless groove. Subtle nods to Middle Eastern scales and rhythms give it a dreamlike, drifting feel—like getting lost in the dunes of some alien desert.

Another must-have from the Bosconi mothership—Lapucci pilots us further out, not with a bang but with a slow magnetic pull into somewhere weird, warm, and wired.

Charles D has got the touch right now. Following ‘The Bouncer’, his blistering collaboration with Space 92, he returns with another slice of peak-time perfection, ‘Control’. The New Yorker has become one of the most promising artists to emerge on Drumcode in recent times; from his terrific body of remixes, led by Adam Beyer & Bart Skils ‘Your Mind’ and Mike Macaluso’s ‘Final Chapter’, to cuts on the label’s A-Sides compilation (‘Traction’ and ‘Yantee’), right through to his breakthrough EP release in 2023 ‘Don’t Stop’. With a recent standout collab with Space 92 ‘The Bouncer’ under his belt, you can always rely on the artist to craft captivating, big-moment productions.

Host of the popular Synthesized Radio and soon to be launching his own label project KONKRTE, Charles D says the writing process for ‘Control’ came quickly, with the first ideas coming together on the plane home from an energising weekend of gigs. “I'm really inspired by a lot of the new music out there, and wanted to make something that felt peak time, but had some melodic techno and tech house flavor to it. I made several versions of it, but the very first version was the one that made the cut. When I heard Adam play it at Drumsheds and Resistance in Miami and saw the crowd’s reaction, I knew not to mess with it too much.” – Charles D ‘Control’ is a high-octane trip and deliciously dynamic. Framed by the producer’s trademark plump basslines and crisp percussion, it makes a statement via a torrent of head-scrambling riffs and effects.

Collecting Orders For 2025 Repress

Emotional Response's 10th-anniversary celebration are brought to a superb close with Benedikt Frey. He serves up a magnificently dubbed out and psychedelic cover version of Joy Division's 'She's Love Control across four different versions. The vocal version might be the best for us - it retinas that compelling dark drum funk you expect from the band with eerie synth additions and hefty bass. The instrumental is more slow and dubbed out in a traditional sense with the Lucas Croon dub doused in endless reverb. Last of all is a dub by Frey himself that is full of open space and bass bin distorting headiness.

DDE Signature Tracks is a record label based in Bogotá, Colombia, curated by the team behind Discos del Espacio Record Shop.

For our second release, we proudly present Force Control — a four-track EP by UK producer Tom Carruthers. Known for his stripped-back, old-school approach to house music, Carruthers delivers a collection of tracks that channel the spirit of early acid house, full of groove and tension. Force Control captures that late-night energy where classic machine funk meets a raw, almost industrial edge.

Out soon on 12” vinyl.

After a few collaborations, Ignatius and DJ Bruce Lee return with a joint production: Horizon. A fast-paced, ravey breaky house track, accompanied by two remixes—one by DJ Bruce Lee on his own, and another by label regular and Vallecas stomper TR, who delivers a wild acid-infused version. The 12" also includes an old DJ Bruce Lee remix of Ignatius' Lowdown.

BPitch präsentiert die nächste Ausgabe ihrer WE ARE NOT ALONE Compilation-Reihe - ein vielfältiges Paket mit Sounds, die den Geist der WE ARE NOT ALONE-Partys widerspiegeln und einen Einblick in eine Szene von Künstlern geben, die sich dem Underground verschrieben haben. WE ARE NOT ALONE pt. 8 bietet zwölf unverzichtbare Tracks für DJs, Raver und Musikfans, die eine breite Palette an Genres abdecken und dabei nie den Dancefloor aus den Augen verlieren. Die neue Compilation spannt die Fäden zwischen den Genres und dokumentiert mit der gewohnten Qualität des Berliner Labels das nächste Kapitel in seinem stetig wachsenden Beitrag zur Kultur.

WE ARE NOT ALONE pt. 8 zeigt, dass das Label keine Pläne hat, die Hitze zu drosseln, mit einer weiteren Runde reinstem Hedonismus für die Ewigkeit.

BPitch present the next iteration of their WE ARE NOT ALONE compilation series - a diverse package of sounds reflecting the spirit of the WE ARE NOT ALONE parties, and offering a glimpse into a community of artists that have committed themselves to the underground.

Touching on a wide range of genres whilst never losing sight of the dancefloor, WE ARE NOT ALONE pt.8 offers twelve essential cuts for DJs, ravers, and music heads alike. Tying the threads between genres, and with the mark of quality expected from the Berlin label, this new compilation documents the next chapter in its ever-growing contribution to the culture.
Returning to the label appearances on both BPitch and its accompanying label UFO Inc. - Turin-based duo Boston 168 open the club doors with a masterful fusion of trance build-ups and stripped back pointillism on ‘Feeling You’. Another member of the BPitch roster having just released an EP on the label, Tigerhead steps up with heavy kickdrums and uncanny pads on the aptly-titled ‘Alice Through The Looking Glass’. Stepping into more minimal territory, Sina XX - founding member of the Paris rave collective Subtyl - offers a warm, bouncing cut that teeters between the dark and euphoric with a masterful balance. Taking a swift 180 into the darkest industrial spaces, Endlec serves up a gritty percussive workout on the formidable ‘Panther’.

Theo Nasa - a South London-based purveyor of weird, melodramatic techno - moves into hazier spaces on ‘Sex and Acid Pleasure’, an eccentric dose of acid for the senses. Shaleen - a resident of the WE ARE NOT ALONE event series - continues into the warmth with a headspin of analogue sounds and modular experimentalism with ‘Vernalagnia’. Öspiel, the French-Korean producer and label head known for his cinematic sounds weaves together angular rhythms underpinned by a strong sense of minimalism. In hot pursuit, Puglia’s Raho comes through with a cyclone of bouncing kicks and harsh leads.

Diana May, a Berlin-staple and resident at KitKat offers us a welcoming spiral on ‘Just Shut The F*** Up’. Plunging into deep industrial caverns, KRTM ’s ‘Küss Mich Jetzt’ is a pounding glitch of hardcore techno for the biggest speakers. VUUDUU’s ‘SNAXX’ shifts the speed up a gear with an expansive gothic rave banger. Rounding things off is madwoman’s ‘Chaos Theory’, a sparse but unrelenting cut of atmospheric techno from deep inside a warehouse.

WE ARE NOT ALONE pt.8 shows the label have no plans on lowering the heat in 2024, with another round of pure hedonism for the ages.










j d1 | KRTM - Küss Mich Jetzt (04 05)

Communique Records re-issues DJ Hyperactive "Muzik Make You Lose Control" from 1996 on the sublabel SOUNDS. !!
Re-recorded and re-mastered from original DAT!

Following up on his first DJ Friction Presents Ground Control album „Boogie Some More“ via Sedsoul Records , Soulsonic Recordings, the just founded label of DJ Friction is working on the second album. The exciting tune features again vocals from David Whitley, now on one track on the A-side and a dub version on the flipside as the first single of the upcoming album and is an exclusive first release on 7“ vinyl. This marks the beginning of a new era for DJ Friction who launches Soulsonic Recordings in collaboration with Soulkitchen. This original songwriting, ‘Step Into The Light‘ is again a tribute to the golden era of funk and disco, this release perfectly captures the electrifying energy of the early 80s while keeping things fresh for modern dancefloors. It is a fully positive feel good song with a meant to be enlightened touch of a gospel ceremonie, asking to join in with clapping, dancing and singing. The writing and production make this another certified dancefloor bomb, embracing the spirit of 80s funk with authentic precision.

Zuul supplies pressure control’s debut release, Routine Machine.

Following releases on Exarde and White Scar, the Laik label-head’s signature sound takes a menacing turn. In a departure from his usual output he delivers a grizzly 5 tracker filled with EBM, New Beat and Wave affined floor-fillers; all fraught with tension, straight out of the Kirkstall strip.

Fitting for peak-time, warm-ups and rub-downs, the EP is filled with snarling, left-of-centre bombs. All reminiscent of the golden-era sound forged in Frankfurt and Ghent circa 88-91, with new-school stylings for the modern day working disk-jockey.

Constructed exclusively for dark and discerning dance floors.

You can run, but you can’t hide.

Credits:
All music by Ollie Burgess
Pressing and distribution by by One Eye Witness
Design by Al Robertson
Mastering by Marco Pellegrino
Words by Josh Bayat

Clear Memory welcomes En Direct back. After their appearance on CLEAR001 they released two EP's on our sister label Lunatic. With 'The Illusion Of Control', En Direct release their first album. A long player diving deep into the realms of the human mind and its abyss. Exploring insecurities, uproar and mania with Industrial studies and EBM, rounding it off with bittersweet Minimal Wave and Electro for the sleepless Edition of 200, comes with Info-Sheet.

Release number 30 from Píldoras Tapes, celebrating 5 years of dedication and promotion of underground music from South America and around the world.

Anatomía del Control brings together six exceptional tracks from artists who have been an integral part of the label’s journey. On side A, track number 1 is delivered by Happy707, the electrifying Techno Trash Jackin’ duo from Buenos Aires; the second track, signed by Argentinian artist Black.n, stands out with its powerful New Beat and EBM sound complemented by captivating vocals; and closing the side is Invalid User, co-founder of the label, contributing an impactful track filled with Noise, EBM, and Industrial influences.

On side B, Chris Mitchell kicks things off with a raw composition infused with Electro and Acid influences; the second track comes from Fillmmaker, showcasing his dark take on Electro sounds; and closing it all, Graphiel, the new alias of our co-founder and label director, delivers the final touch to this vinyl debut.

Control 333 is the E.P. of Uruguayan artist Leo Mendez a.k.a Jardines Sin Explorar, who has left this earthly plane at the beginning of 2024.

This release features 2 super powerful EBM tracks, with infernal bass lines and melodies that achieve a rave atmosphere, 2 pieces of music that takes us on a ride to the true essence of the Underground culture of electronic music.

"Heridas", a track with a classic Ebm sound with a strong bass that marks the hypnotic of the track, accompanied by melodies in their leeds with influences of the punk sound that characterized Jardines, a track loaded with many feelings that are transformed into pure fire. "Turbio" is the second track of the ep, which is more characterised by the electro industrial sound with post punk influences, rhythmic leads and break drums with crashing vocals that lead you to explore your darker side.

Time Ghost Technologies - Ghost One - E-Control “Evasional Feelings” Mini Lp.

A Childhood Intelligence Project.

Our newest record label was born from the urge to represent electro music through our Childhood Intelligence Universe. “Time Ghost Teknologies” is an entity dedicated to timeless and futuristic electro—one of the genres with the deepest roots in the age of technology, which has established itself into the 21st century and beyond. Tales of sci-fi endeavors, forgotten technologies, UFOs and outer world civilizations, yokai and spirits — electro has united mysticism and magic as one of the ancient pillars in electronic history.

We Are Thrilled to Announce the Reissue of Ellery Cowles' Iconic "Sonic Control" Ep, Originally Released in 1995 on the Legendary Djax-Up-Beats Label. Ellery Cowles' "Sonic Control" Ep Is a Masterpiece That Has Stood the Test of Time, Embodying the Raw Energy and Innovative Spirit of 90s Techno and Acid House. the Reissue Preserves the Original's Groundbreaking Sound While Delivering a Fresh and Vibrant Listening Experience on a Limited Blue Marbled Vinyl....

Bringing stark dread bass vibes like no one before or since, Mars89 makes a welcome return to Sneaker Social Club with another four-track script flipper.

Since he first surged onto the radar with some incisive moves on Bokeh Versions back in 2017, Masayoshi Anotani has deployed a raw, non-conformist kind of bass music that's minimal in spirit but packing incredible weight where it counts. It draws parallels with weightless grime, but swap the woozy square wave synths out for fierce industrial textures and dystopian bleeps, and maybe you're halfway there.

Following on from 2022's Night Call and a collab LP with Seekersinternational on his own Nocturnal Technology, Mars89 is back with an EP which takes on new sonic dimensions without losing the persistent moodiness that makes his shadowy sonics so compelling.

'No Control' feels the most in line with the earlier Mars89 work, creating a back and forth between an upfront grime-y synth lick and blown out bass notes. The space around the notes is as vital as everything being played, creating a tension that doesn't let up no matter how much the brittle percussion rattles.

'Sonar Breaks' feels distinct as it drags a sticky drum loop through the dirt until it comes out positively caked. That leaves plenty of room for the bleeps up top to cut through the mix with devastating clarity, and Mars89 needs nothing else to make a taut piece of soundsystem Semtex.

'Hydra' continues to draw influence from jungle while taking a sideways approach to breakbeat edits, finding a curious groove in angular drum science before a stark arpeggio locks the track down. It's another hint at the different tools being reached for on this EP, brought into the Mars89 methodology and bent to his particular will.

'Still Dreaming' closes the EP out with an evocative sample from a sci-fi blockbuster and a spiralling sound bed of synth lines and break shards. While the track lands softer than its predecessors, the dense mix whips up a claustrophobic allure comfortably aligned with the overall intensity of the record — an intensity which is wholly unique to Mars89 and his maverick manoeuvres in the field of contemporary bass music.

Italy's Francesco Argentieri mints his TRUE IDENTITY label with the 'Self Control' EP, landing September 2024.
Argentieri has been active since 2019, with a discography spanning labels like Dutch institution Planet Rhythm, Insolate's Out Of Place and his 2021 'Natural Killer' album on Diffuse Reality - now starting his own label as a home for his output.

First up on Fransesco Argentieri's 'Self Control' EP is the title track, a raw techno tool with excellently built-out loops set to keep the dance floor in full flux. Next up, 'Chili' boasts an infectious groove shot through with soulful techno stabs before 'Awareness' rattles and shakes with ample layers of distortion. Argentieri's 'Self Control' EP on TRUE IDENTITY is a versatile release that will find a home in the record bags of many, with closer 'Model' being yet another classy and gorgeous techno cut with plenty of nostalgia.

This concept album, recorded between 2020 and 2023, compiles electronic experiments based on analog synthesizers and hardware sequencers. The focus was made on generative patterns and oscillators wave shaping, resulting in long and repetitive pieces, each being the result of a constrain intrinsic to vintage hardware.

WOLFDRIFTA returns to his own Wolves That Drift imprint for its sophomore release via the ‘Control The Code’ EP, complete with remix from Phone Traxx’s Rob Amboule.

The EP kicks off with the titular ‘Control The Code’. A versatile track which seamlessly fuses elements of early Detroit electro and techno with a classic Chicago-esque groove packaged with modern dynamics and functionality. GOSU affiliate and Phone Traxx member Rob Amboule steps up to remix the aforementioned ‘Control The Code’, adding his trademark breakbeat and minimal stylings to proceedings. Closing out an impressive second outing for the burgeoning imprint is the haunting, hardware driven ’Twilight Zone’ to complete the hat trick.

Techno Tuesday Amsterdam, weekly club night at legendary Melkweg Amsterdam, is finally coming out with its own label. This first release is the kick off for the 15 Year Anniversary of Techno Tuesday Amsterdam, which will be celebrated in March 2024. The label will bring up some of the selected artists and established producers. Expect to hear innovative techno sounds, modular and analogue beats, and forward thinking music.

2024 Repress

A year on from the first release, Cleric returns for the 3rd edition on Clergy.

Let's start 2024 with Mark Reeve's first ever Terminal M solo EP.

2024 Repress

What if Kraftwerk's "Computer World" had a more dystopian message? Then you would get this album: "Control Paradox" by T/Error. This double 12 inch vinyl is filled with Kraftworkian moments, but is more updated to our current times. Today computers, smart phones, AI and algorithms have taken over our daily lives. This release features 9 original tunes and 3 remixes by none other than: Cygnol, Lloyd Stellar and Heinrich Dressel. The track "Cheerleaders Are Eating Flesh" is a homage to the legendary maestro I-F and his cult hit: "Space Invaders Are Smoking Grass".

E-control and Electrodefender , two mates and fans of the old arcade classics gamemachines decided to produce a vinyl split ep together.

For this, e-control provided two of his unreleased electro tracks from 2001 and electrodefender 3 of his recent tracks that he arranged and recorded in the years 2021-2022.

The EP is strictly limited to 150 copies in black vinyl and has a playing time of 30 minutes. Rootsy oldschoolelectro in the style of the early 80s into the early 90s.

The A side of the label is numbered with a stamp and there are two stickers of the two music makers on the cover.

2023 Repress

"I Hate Models makes his debut on Monnom Black bringing his trademark sound and style, anthemic ebm, acid, rave, techno killers. Absolutely Essential!"

Give it up for the first collaboration between our artists Alex Stein & Transcode