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Various - Fool’s Paradise Sampler Vol. 1

Fool’s Paradise is the exciting new label from Toolroom Records’ Mark Knight - that comes straight from the heart, it’s a natural progression from his hugely acclaimed 2021 album release, ‘Untold Business’, which saw Mark go back to his roots, paying homage to the more funky, soulful, and vocal House from the 1990s from where he came.

With a focus on real instrumentation and production, coupled with great song writing, this new Toolroom sub label will be a platform for high quality House music that’s designed to stand the test of time. Launching the new label with a mighty bang and delivering the first in our exciting new vinyl sampler series is head honcho, Mark Knight who joins forces with Australian Toolroom label mate, Sgt Slick and British Soul sensation, Beverley Knight on a dynamite cover of Prince’s 1979 classic, ‘I Wanna Be Your Lover’.

Respectfully transporting the song onto today’s dance floors, Mark & Sgt Slick deliver a classy uplifting soulful house production, loaded with funky guitars, warm pads and sublime key performances. Adding the icing on the cake and putting her own stamp on things, Beverley belts out one of her signature spine-tingling vocals, garnished with lush harmonies and BV’s that would indeed make The Purple One proud!

Completing the vinyl package is Dance music stalwart, Opolopo, and British Soul icon, Jaki Graham, who together bring the dance floor heat with their new single, ‘Fire’. Powered by a potent soulful house groove from Opolopo, loaded with warm piano hooks, emotive synth melodies and a sublime popping bass hook, ‘Fire’ see’s Jaki flaunt her electrifying vocal talents with a show-stopping performance on this irresistibly catchy song.

- I Wanna Be Your Lover reached Traxsource #1 where it stayed for 6 weeks consecutively - Radio support on BBC Radio 2, BBC Radio Cornwall, Hedkandi, Kiss FM, Mi-Soul, Gaydio, Radio 105 / Montecarlo (Italy), Mambo Radio, Rinse fm, Select Radio, Totally Wired Radio, Point Blank, RTE, Power fm (Ireland), Metro FM (SA), Cool Fm, Radio Reverb, Radio FG (France), Release Radio and many more.

DJ support from Husky, Hector Romero, Javi Bora, Grace Bones, Judge Jules, Sebb Junior, Jay Vegas, Odyssey Inc, ATFC, Claptone, Black Legend, Cevin Fisher, Michael Gray, Kisch, Hoxton Whores, Full Intention, Booker T, Jamie Jones, Knights Of The Turntable, Sam Divine, DJ Rae, CASSIMM, Alex Preston

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13,87
Session 4000 - Get Down EP

Session 4000

Get Down EP

exclLKDNV04
Locked In
19.12.2023

Locked-In's fourth release beckons you to dive deep into the distinctive sound of Session 4000 with the "Get Down" EP.

Launching the dancefloor manifesto on the A1 is 'Panaka,' a relentless groove brimming with infectious energy. The bassline asserts its dominance, while the synth patterns showcase a pure, playful mastery.

Progressing to the A2, 'Second Skin' unravels as a mind-bending revelation, leaving an enduring imprint. Session 4000 skillfully weaves intricate layers that captivate from the initial drop to the final fade-out.

Flipping to the B side, 'Get Down' lives up to its name, beckoning with a bumping rhythm and spraying synths. It's a decisive call to action, destined to be a certified dancefloor weapon tailor-made for late-night club escapades.

Concluding the EP on the B2 is 'Mr. Freeze,' as cool as its title implies. This track leaves an indelible mark, providing a memorable conclusion to this electronic narrative.

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11,72

Last In: 2 years ago
Various - Jason Boardman & Moonboots present 25 years of Aficionado LP 2x12"

Celebrating twenty-five years of Aficionado as a place to play away from suffocating mainstream club culture, DJs Jason Boardman and Moonboots have compiled a contemplative set of 16 tracks that holds a deep meaning to both themselves and attendees of their now legendary parties. The compilation includes two new tracks exclusive to the release: J Walk’s ‘Cool Bright Northern Morning’ and Begin’s remix of Canyons ‘Akasha’.
Reflecting on how it all started 25 years ago, Moon considers their no-plan-plan to be a makeshift plateau which evolved organically: “All we did was try to play good records one after the other without any consideration for fashion. And people wanted that”. Alternative approaches were not unknown at the time, but Aficionado, as Jason and Moon’s Sunday sessions became known, pressed the reset button with unique resolve.
Jason elaborates: “It was 1998 when we started. It was our own 'fuck you’ to the Super Club regime - almost everywhere then. The ‘anything goes’ Balearic ethos was in abeyance. It wasn’t cool at the time, but we both just wanted to keep that original spirit alive. ‘Keep it open’ had always been my approach to DJing - even from playing at Youth Clubs as a teenager. No rules or generic constrictions. Play anything that you like from any era, any style from any time. We always encouraged our guests to dig deep and play outside of their comfort zones, their usual styles”.
The lovingly crafted musical mystery tour of this compilation, considering its pleasantly hypnagogic intent, may not reflect the madness of these now distant memories. This is an older and considerably more responsible collection and this is what we need right now - a temporary respite from a world almost capsized. A mood, a meditation created by masters of their craft. Odd socks from disparate global locations making new sense side by side. An assemblage, if you like. A thread through many different kinds of thinking. A new picture pieced together from the lost pieces of many jigsaws.

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34,03
Louie Fresco - Junto A Ti EP

Hailing from Mexico City, Louie Fesco is as cool as his name states, he is never lame. Louie can make a Tiesto t-shirt cool, just by cutting off the sleeves and wearing it. Mr. Cool has graced many top labels over the last decade and made these labels even cooler, his outing on CV

Could be one of his best and coolest, #truestorybro.

On this crispy 12 inch he delivers a masterclass on party rocking grooves, proper basslines and drummy hooks (not to be confused with dummy hookers).

So to speak- a perfect weapon in your vinyl arsenal (not “Vinyl Arsenal” the amateur football team made up of various aging UK Djs).

On the remix duty, we get some heavy hitters from the ever mysterious Gathaspar. We heard he gets his inspiration from tiny elves that are only found in Munich catacombs. When asked about these tiny elves on Instagram, he leaves you on “seen”. His OP vinyl series are instant hits and collectors items among bearded vinyl nerds, and people who use a lot of bedroom hand lotion. These remixes are monsters- I know, I tested them myself in raves to people and they responded by dancing.

In short, if you are a Dj who likes nasty records to rock parties, this is a must, and if you’re a creepy Discogs shark, this is sure to go up in value.

Why do we even write these write ups?
I’m not sure, and if you are still reading this instead of listening to the 12 inch, I don’t know what else to say to you.
I guess I’ll give you the “ your good enough, your smart enough, and god darn it- people like you” words to get you thru the day.



Sincerely, Jay-the writeup guy.

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13,40

Last In: 2 years ago
Thomass Jackson - UFO House Vol I

Thomass Jackson presents UFO HOUSE.

A fixture in Mexico's thriving electronic scene, the Argentinian import has made a name for himself alongside cohort Iñigo Vontier with a style that seamlessly blends haunted desert disco with gritty acid house and techno.

This EP might be his most cogent formulation yet, a mightily playable set of peak-time DJ-friendly tracks that bring enough mystery and wonkiness to a perfectly club-ready backbone. It's a conspiracy of sound, a cosmic abduction with pulsating rhythms and hypnotic bleeps sure to melt minds on the dance-floor.


DJ Feedback:

Tiefschwarz - "soooo gooood!!"

Roe Deers - "dope EP"

Matt FX - "an absolute tour de force EP. hard to pick a favorite, maybe guadalajara"

Justin Strauss - "great ep"

Kiki - "Cool trax!"

Mawimbi - "really like the acid touch in back in guadalajara"

Jerry Bouthier - "well put together madness yay!"

Phil smart - "Solid bunch of tracks, all great! Can't wait to test out on a dancefloor:)"

Vidis - "Cool stuff as per usual from señor Thomass. Young Woman in Kashmir and Back in Guadalajara are the faves."

Phred Noir - "Alll the tracks are so good, super happy to see Thomass back with sooo good tracks !"

Genish - "Back in Guadalajara for me ! fire"

Ayala (It) - "I'm a Thomas fan from years and years"

Kato - "mad fun”

Fabio Me Llaman Soltero - "Sublime work, always favorito Thomaaaaaazzzz"

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14,24
Various - Wigan Casino Classics 1973-2023

Wigan Casino - the original UK dance culture super club - ran its’ first Nothern Soul All-Nighter in September 1973. It’s last session was in December 1981, and by then its 500 plus frantic All-Nighter had firmly stamped Northern Soul as an integral part of the British music landscape,

Wigan Casino Classics 1973 - 2023 proudly celebrates 50 years since the birth of the most important ever Northern Soul venue with 14 all time classic floor fillers. The Sandi Sheldon, Major Lance, The Seven Souls and Johnny Robinson gems were originally released on the Uber cool Okeh label but despite being part of the mighty Columbia Records empire sank without trace on release in the USA only to be discovered (and revered) by UK Soul devotees.

The Metros and Lorraine Chandler tracks were produced by Detroit’s mighty Pied Piper Productions crew and demonstrate that Motown were far from the only Motor City set up that knew how to conjure up truly breathtaking music.

In Northern Soul lore there is an intriguing story behind all 14 tracks - who produced and wrote them, which Rare Soul detectives - the original crate diggers - discovered them, what DJs played them..

But at the centre of it all is Wigan Casino, the seen better days Lancashire dance hall where 2,500 plus Soul fanatics flocked to every weekend to dance dance dance at the pre Rave era ultimate Rave. The recent 50th Anniversary celebration in Blackpool attracted a 5,000 turn out. The legend lives on.

This release marks the return of the always style wise Joe Boy label. Their trademark on point graphics are reinforced with the LP front sleeve being devoted to an iconic photograph by Francesco Mellini taken at the last ever Casino All-Nighter.

Soul plus Art from The Heart of Soul.

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15,25
Various - One Swallow Doesn’t Make A Summer Part 6

Numbers hold the key to unlock the universe. So, a six-pack can either consist of six bottles of beer, very well developed stomach muscles or in our case: a string of smash hits. To take it even further, it’s exactly six tracks for the sixth part of the VA-series that is One Swallow Doesn’t Make A Summer.

Hit men include friends new and old: Llewellyn, Stereocalypse, Zillas On Acid, Storken & Hammer, Ede, Señor Chugger & Count Van Delicious. The pace is cool and hot at the same time. Rave signals by Ede foil the nouveau disco by Stereocalypse or Storken & Hammer, Llewellyn does a classic house piano hop, Zilles On Acid deliver, well. mid-tempo acid, and last, but not least, Señor Chugger & Count Van Delicious strike a delicious pose.

One for almost everyone! And if not, let your body go with the flow!

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11,39
Matt Berry - Top Brass

Matt Berry

Top Brass

7"-VinylAJX767S
ACID JAZZ
06.11.2023

We're very excited to announce a new collaboration between Matt Berry and legendary library music label KPM, with a new single 'Top Brass' - out Friday 18 August on digital platforms, with a limited edition picture-sleeve 7" single, adorned in exclusive Acid Jazz x KPM labels.

'Top Brass' follows in the tradition of iconic KPM compositions by the likes Alan Hawkshaw and Keith Mansfield - infectious, sample-ready and cool. The KPM + Matt Berry album ‘Simplicity’ is out 18th November.

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12,56
Take Vibe - Golden Brown / Walking On The Moon

2020. Full On Lockdown: Musician LaurenceMasonputs together this off the wall idea meshing together two of his biggest musical heroes, Dave Greenfield of the tough 1970's proto-punk band The Stranglers with the oh so cool 1960's jazz of Dave Brubeck. He puts up his demo on Youtube not really expecting much in the way of feedback. And gets ONE MILLION hits. And hundreds of requests for a release. Jazz Room Records Head Honcho Paul Murphy says "Do you wanna record that and release it?"."Affirmative!" The result is this grooving Soulful and Funky Jazz version of "Golden Brown". We're rush releasing this as when announced we were swamped with requests asking when it will be available.

On the "B" side is a languid and super cool version of "Walking On The Moon", originally by 80's Supergroup The Police.

Each copy of the Take Vibe E.P. will contain a Cut Out and Keep Fully Customizable Front Cover Sticker Sheet

This is just a taster for what we're confident will be a must have album to be readied for 2021 release.

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15,08
Bert Hector - The Kraken / The Phoenix (Kenny Dope Mixes) 2x7"

Kay-Dee Records is coming at you with a 45 double-hitter, presenting Bert Hector’s ‘The Phoenix’ and ‘The Kraken’ with Kenny Dope on remix duties.

On the first record, we’re treated to ‘The Phoenix’: a sure-fire funk gem with a super warm sound. The beat is as cool as it gets, with a laid-back and funky attitude, sitting beneath a joyous intermingling of sitar, flute, brass and guitar - all performed at expert levels.

‘The Kraken’ has a killer groove, struttin’ along at 85 bpm with a real old-school sound on the beat. Joining the breaks is a huge brass section which pumps loud, while flute solos and funky Wah-wah guitar chops take things up a notch. This is a pure, unadulterated groove.

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31,89
Low Orbit Satellite - Somapolice

Analog Concept continues its exclusive SCENA ACID series with the highly stimulating Somapolice EP from Low Orbit Satellite.
Crafted for both the mind and body. All four tracks create an expansive journey of deep electro character defined by lush melodies, confident and cool drum rhythms, all married into intelligent atmospheric design, while keeping the Acid Electro essence in mind, as well as a deep lovely vocal appearance from Esmi

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4,16
Various - Metaflora I LP 3x12" BOXSET

Mind Against launch their eagerly awaited imprint Habitat with a 15-track compilation titled “METAFLORA”, available as a deluxe transparent vinyl 3LP box set including a 24x12” fold-out poster.

Suitably, the compilation features new and emerging artists with whom Mind against have relationships, and recurrent motifs of subtly unsettling melodic house/techno building alternate worlds in soundscapes.

Mind Against & Sideral – ‘Criseide’ heralds this new world with portentous pounding beat/bass, the melodic synth singing beneath like beauty surviving under threat, the vocal/lyrics with an edge of alarm: ‘if you think it couldn’t happen to you…’

‘Talk To Me’ by Dyzen (who also collab’ed with Mind Against on their fabric presents compilation) has stately chords riding a prancing beat while sombre piano and sweet high vocal create a heraldic, post-apocalyptic nu-medieval world, whereas Sam Shure’s ‘Plus Ultra’ has rattling percussion, with melody like a coded message from an abandoned spaceship to which something replies in stark tones…

Marino Canal, whose debut album was released by Nicole Moudaber’s MOOD, and who has support from many big names including fabric’s founder Keith Reilly, features plangent notes veering up, down and off the scale for a disturbing effect in ‘Ample’, while Swiss duo Read The News in ‘A Place’ set a fast, kicking beat against a female voice yearning for ‘a space where I can just be’.

Remcord, often played by Black Coffee, Tale of Us and more besides MA, show us why in ‘Entourage Effect’ while Laroz gives a lively melody and raucous chords in ‘Don’t Touch’ feat. Sheera as her cool, raunchy, layered vocals come to the fore.

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47,86
Louie Fresco - Pride

Louie Fresco

Pride

12inchFR016
FA>IE Records
29.09.2023

Y'all ready to mangle peoples heads??? Most of you are, but not YOU,-YOU know who you are, get out of here with your NU Garage chipmunk vocal Bass-Hop shit...

Mr. Cool aka Louie Fresco aka El Cabrone has some heat right here.
Get it- heat, cause he's from Mexico City, and cause the ep is Picante.

Pride is some dank ass bassment shit right here.
Percussive grooves for days, mind melting sounds and a nice tripped out vocal to round it all out.
Pride has a modern minimal shuffle, and that swingy greasy percussion that the Mexicans do
so well,its even low rumble that hits just right in the booty.

A perfect combo of blended brains and brawn!

On the flip we have the K-Dot. I hope it's referencing some new drug that is microdot acid and K combined in a mind warping 250Mg tablet.
This song sounds just like that, mind bending, face melting grinding madness, it rolls and rolls and evolves and evolves.
Put that record on and just watch people make twisted faces and dance like they are puppets getting their strings pulled.

Mr. Cool nailed this, and I question his sanity, and life choices. Nobody normal makes music like
this.

If you don't like this record now, you probably will in 18 years when it's the jam all over again cause a 65 year old Raresh drops it at Sunwaves 309.

Mind you if we keep this global warming shit up, all our vinyl gonna melt. Live in the moment and buy records now.

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11,98
Alan Parker & Alan Hawkshaw - Black Pearl LP

Repress!

Originally released in 1973, Black Pearl’s overall sound is the epitome of cool, orchestral funk / dramatic styles of the 1970s (e.g. “Next Stop LA”, “Collect”, “Oh! Militia”, “Choctaw”, “Black Pearl”, and “Blue Shadow”). Also featured are several more romantic, laid-back, emotive pieces such as “Miraculous Dream”, “Tryst”, “Sunny Monday”, “Melody and Lace”, “Monochrome”, “No Return”. Not to mention a couple of surprise solo honky-tonk piano jaunts – “The Vamp” and “Night of the Garter”.An eclectic mix that is sure to pique anyone’s interest. The album was produced by Alan Parker and Alan Hawkshaw, who is perhaps best-known for composing “The Champ”, which has been widely sampled and emulated by hip hop artists.“Library records are a collection of little one-minute pieces for soundtracks recorded by session musicians for movies, TV, student films, whatever. I don’t actually know the story behind when, why, or where they were made but…there were a bunch of different labels that made them and still probably do, and I was on the hunt for any recorded between 1969 and 1976. They all have random song titles like “Bouncy Strut” with descriptions like “hard-driving beat with percussion.” So imagine how much funky shit is on them. For me, De Wolfe Music was the best.”– Adam “Ad-Rock” Horovitz of the Beastie Boys

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29,20
Bobby Caldwell - Bobby Caldwell LP

Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.

"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”

The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.

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24,79
Substrada - FKOFv008

Substrada

FKOFv008

12inchFKOFV008
FatKidOnFire
01.09.2023

Continuing where Oddkut and Abstrakt Sonance’s FKOFv007 left off, our 8th record is a collaborative affair – three artists, four tunes and a whole lot of weight. 11th Hour is one of our long-standing collaborators, having appeared on our second ever EP back in 2013, and Substrada is quickly following in Jason’s footsteps with his latest outing with us. And, as you’d suspect, we’re delighted to welcome Charles back after his epic (collab) FKOFd046 in 2020. Last, but definitely not least, we welcome Kusmo to the FKOF family – an artist we’ve super excited about.

“FKOFv008’s been doing the rounds for most of 2022, with two solo outings for Substrada and two collaborative efforts. We’ve had some epic DJ support from the likes of Mala, but it’s hard to choose a favourite from across this record. ‘Coolin’ With The Gang’ is signature Substrada; all spooky atmospheres, suffocating sub pressure and a few vocal samples that have upset a few radio stations over the last 12 months. It’s a banger. The second A- side is the meditative ‘Predator Flow’ – eyes down power and our favourite beats, bass and space recipe. Watch for this one! The third inclusion, the Kusmo collab entitled ‘Wump’, does what you’d expect. It is, as it proudly exclaims, “the shit”. We’re excited to see where these two take their efforts (separately and together)! The record closes with the absolute scenes ‘Colossus’ has inspired across the dance floors this year, with Substrada and 11th Hour joining forces to create one of our tunes of the year. It is relentless.

“FKOF Records celebrates its tenth birthday in 2023 and we’ve got some epic physical releases coming to celebrate our decade of 140bpm. Substrada’s FKOFv008 gives you some idea of what we’ve got coming, and we hope you enjoy these four tunes (from three of our favourite producers!) as we close out 2022. Thank you for all your support this year, and we’ll see you on the flipside.

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8,36
Todd Russell & The Dangerous Coats - Playa Larga / 1900 Ocean Ave

Long Beach legend Scotty Coats links the West Coast eclecticism of Stones Throw to the NYC cool of DFA and Rong to the Balearic gods of DJ Harvey et al. He personally introduced Be With to Ned Doheny 10 years ago and he was immortalised on Smith & Mudd's last LP. And he's the main man behind the mysteriously titled duo Todd Russell & The Dangerous Coats, alongside Erick "Todd" Coomes (Lettuce founder/bassist).

In very real danger of being lost forever, we unearthed two of their private recordings and present them as a double A-Side 12", adorned with S-T-U-N-N-I-N-G artwork, courtesy of Arizona artist Frank Gonzales.

"Playa Larga" is a melodic, mellow masterpiece and is quintessentially Balearic. It's stretched out, low slung, guitar-soaked drum-machine soul music. It's multi-layered and contains multitudes: it builds and builds and builds and mesmerises as it does so. On the flip, "1900 Ocean Avenue" is a super slo-mo, sunbaked drug-chug which is already blowing minds thanks to early leaks of this cosmic, psychedelic detonation.

On first listen back, Erick said to Scotty: “So wait, nothing really happens, I mean nothing bad happens but nothing really happens”. Apparently these tracks were a bit foreign for Erick, musically, because of the lack of structure in the songs.

One morning, years later, Erick called Scotty and excitedly declared: “dude, I get it now!”. He was listening to random music with a lady friend while watching the sunrise in his 1900 Ocean Ave apartment and "Playa Larga" came on randomly. He'd forgotten all about it and said he had to get up and see what song it was because "it was the perfect soundtrack for a psychedelic sunrise over the ocean."

And that's exactly how we came across it, circa 2018, randomly popping up on a playlist while we were busy doing other things. It stopped us in our tracks but, when trying to find any info on iTunes, we were out of luck. It was only years later that we worked out Scotty had sent it to us. Ever since, we've been working on getting this out to you all. It's finally time.

We've only 500 pressed for the world, with many of them spoken for by those lucky enough to be already ITK, so these are gonna fly: be warned!

Scotty is a world class raconteur so we'll hand over to him to explain how these songs came about and why they mean so much to him in the context of his wider raison d'être:

"These were made 13 years ago when I was a new dad and left my job at Ubiquity Records to provide security for my newborn son, Nolan Liam Chai Coats. I became miserable working a job outside of music for the first time in my life and I was laid off 4 months into it. I was left wondering how the fuck am I going to provide for my family?

I lived in Long Beach and Erick lived a few blocks away. I would walk to his house when Jen finally got Nolan to sleep so I could escape my panic, drink some beers (is it beerlearic?) and make some music. He lived overlooking the ocean with the Queen Mary on the horizon, so I guess mellow Long Beach nights unintentionally inspired the music. These songs were the first two songs we ever made and they embody the desperation and hope I really needed at that time. 12 years later, when Rob at Be With expressed an interest in releasing it, we had Erick's brother Tyler Tycoon Coomes play drums on it at Jazzcats Studio in LBC, with Jonny Bell.

Shortly after I was laid off, I discovered The Stepkids. I was blown away by "Shadows On Behalf" and sent it on to Gilles Peterson. He played it on Worldwide the next day. The Stepkids pulled me back into music and made me realize I wasn't prepared to do anything but be involved with music. After I heard their unreleased album, I knew there was something there so I sent it to my good friend Jamie Strong who was at Stones Throw at the time. Jamie passed it along to Peanut Butter Wolf and the band asked me to be their manager. I didn't think I was the right guy for the job but wanted to see them do well so I told them I would help shop their album. Jamie suggested I take his place at Stones Throw, just as he did when he left Ubiquity Records. I always joke that Jamie can call me Scotty Coat Tails because I had been riding his for years.

Wolf told him that "Scotty is a nice guy but has horrible taste in music", which was ironic because he was literally trying to sign the band that I brought him. The Stepkids signed with Stones Throw and found a real manager. 6 or so months later Jamie sent me a note saying "Stones Throw is hiring and you should apply lol". I told him I was going to send my resume and the subject of the email was to read I HAVE GREAT FUCKING TASTE IN MUSIC. I did just that and got a call the next day from their new GM asking me to come in for an interview. When I walked in I was in Wolf's office where I had been 6 months before, signing The Stepkids
deal. Wolf and Jason McGuire were asking me some questions and wanted to introduce me to Jeff Jank. Jank walked in and said "Isn't this the guy that Jamie wanted to bring on 6 months ago?" They confirmed and he threw his hands up and walked out saying "I've seen enough". I got the job. I worked there for 2 or 3 years until I left to join forces with Jamie Strong at his label and stayed there for almost 7 years."

Scotty wanted to use a painting by his good friend, Frank Gonzales, for the front cover image. Frank was incredibly generous in letting us use this one, and Scotty was completely honoured. We think you'll agree, it's pretty striking. Simon Francis carefully mastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this double A-side 12" sounds appropriately outstanding. The immaculate Record Industry pressing will ensure these previously unheard, recently discovered recordings finally get a chance to shine.

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