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By all accounts, Whiskey Disco has matured. Each release unique, but compiled meticulously to meet some of the highest standards in the edit community.
WD45 continues the trajectory with 4 tracks combining equal parts soul, boogie and disco. Rastanils cuts up cheesy obscurity to reveal heavy disco vibes—this edit was smashed by MCDE at numerous festivals in 2015. Next up, the 'intriguing' Corsican Brothers reappear after a 5 year absence from Whiskey Disco with a sliced version of I Like It, beefed up bass and space on the platters with a touch of dub. Side B exemplifies the weirdness only a b-side can... Albion's Disco Chopper is a stretched and phased party jam that DOES NOT Stop.
Move to the inside for the lengthy and epic Big Time, a 9 minute exploration into rocking disco roots, courtesy of the eponymously named Blaxploitation movie from 1977.

Coming from Geneva (Switzerland) but "napoletano" by heart, Pascal Viscardi is a new face in the deep-house panorama. The 31 years old fellow started his career (as a producer) a few years ago with 2 twelve inches on "The Exquisite Pain", including remixes from some heavy weights : Mark E, Session Victim and Agnes.
For his debut on "Frole Records", Pascal kicks in with a single track. "The Warmest Color" is the kind of cut you might play when the sun shows up and the bodies are ready for the slower and sexiest loops. In a totaly "Modern Swiss Vibe" (Did you say Agnes...) this double kicked tune offers you a straight, extra-shuffled, moodygritty and dubby moment. Is this Love at first sight! Yes, it is...
Our new friend didn't come alone, chosing carefully his remixers to complete your wax in a most accurate way.
On the A side - together with Pascal's "Original Swiss Swing"- we're proud to present you the greek berliner : Kindimmer. If you ask Ralph Lawson (2020 Records), the boss could tell you how talented the young dude is... At least, his record on the inconic label proves it all. Here on our release, Kindimmer offers a subtle and minimalistic approach to satisfy all your germanic house needs.
The B side starts with the german puncher Manooz, well known for his bangers on labels like "Tomorrow is Now Kid!", "Morris Audio", " Housewax ", and more... His version is a devastating big room nugget you should drop if you wanna see your dancefloor burning.
On B2 we have the third remix which comes from a really interesting outsider, our french mate : Toni Be. His releases on "Courtesy Of Balance Recordings", "Soul Notes" and "Rawthenticity" have truely convinced the genre specialists. Concerning his tune : dont look further, here you have the deepest cut of the bunch.

After closing the year with four tracks of wintery house from San Laurentino, Aficionado set their sights on the spring with their latest release, which comes courtesy of Glaswegian trio Imperfect Product.Opening with a drifting dreamscape, reminiscent but intangible (entirely fitting for a track reborn out of decade's old rehearsal tapes) 'Solina' blooms into colour and focus at the rattle and crash of a jazzy drum break. An irresistible rolling bassline carries the groove onwards and upwards, loosening your shoulders nicely before spiralling synthesisers, swaggering wah guitar and rippling piano take your breath away completely.
As the fuzzy organ stabs and shimmering drones flood the soundscape, you're overcome with memories of youthful mixtapes where Innerzone Orchestra and Eddie Henderson rubbed shoulders with 'Summer Madness'. Understated but overwhelming, 'Solina's' sweltering perfection works just as well as an end of night life changer as the soundtrack to a spliff and sangria in the back garden.

On the B-side, London's Les Crocodiles deconstruct the track inna dubwise style, turning up the heat for some far out Balearic beat. The head nodding rhythm holds things together perfectly while the acid-tinged rubber bassline, echo drenched middle eastern strings and psychedelic synth lines do their very best to totally blow your mind.
As you head deeper into the groove, the dreamy piano of the original leads us into a euphoric breakdown before pulling us back in for more ecstatic dancing.
A score of releases in and with no two records sounding the same, Aficionado continue to fly the flag for open minded music.
Officially Aficionado.

Over the course of five albums, Manchester based trumpeter, composer, arranger and band-leader Matthew Halsall has carved out a niche for himself on the UK music scene as one of it's brightest talents. His languid, soulful music has won friends from Jamie Cullum and Gilles Peterson to Jazz FM and Mojo as well as an ever-growing international following. His new album Into Forever, puts the spotlight on Halsall the composer, arranger and producer. Halsall draws on a diverse range of influences from Alice Coltrane, Dorothy Ashby, Phil Cohran and Leon Thomas to the more contemporary sounds of The Cinematic Orchestra, Max Richter and Nils Frahm to deliver his most complete recording to date. Into Forever features renowned Manchester based soul poet Josephine Oniyama and rising star vocalist Bryony Jarman-Pinto (Werkha) as well as regular collaborators, flautist Lisa Mallett, harpist Rachael Gladwin, koto player Keiko Kitamura, pianist Taz Modi, bassist Gavin Barras and drummer Luke Flowers (The Cinematic Orchestra) and two percussionists Sam Bell and Chris Cruiks. The result is arguably Halsall's finest record, asublime melding of stripped back soulful funk and deep, minimalist, spiritual jazz, that will take you on a journey deep into forever!

Confirmed reviews Mojo, BBC Music Mag, Jazzwise, Record Collector Independent On Sunday, Guardian, Quietus, all main jazzy blogs, Airplay from Jamie Cullum, Gilles Peterson, 6 Music, Jazz Line-up, Patrick Forge, Ross Allen and many more

9 date national tour including Liverpool Capstone Theatre Oct 1, Bristol St Georges Oct 15, Manchester St Peter's Church Oct 23, St Mary's Hastings Oct 28 and London Union Chapel Oct 29 plus Uber Jazz Hamburg Oct 31

Amin Peck is an electronic studio project, contaminated by the New Wave from U.K. like most '80s electronic bands.
Amin-Peck walked a fine line between Disco and Minimal Wave throughout the course of the early 1980s, oftentimes incorporating shameless Pop melodies and Avant-garde leanings. Amin Peck were an italian band leaded by Giorgio Fioroni (aka George Fyron, arrangements, production, vocals) with Leonard Parker (arrangments, keyboards) and Max Marne (production). Incredible but true, Amin Peck started as 'hard rock' guitar band in the 70's... and becoming one of the best examples of italo disco.
This limited edition It contains full-length versions plus uncut audio material (A2) tracked down during tape restoration.
(the first pressing coming from 1982 was pressed only on 7inch in U.K.)

Reissue des legendären On-U-Sound Klassikers der Missing Brazilians von 1984, der mit seiner rhythmischen Kollision aus Noise, Dub und Elektro der Musikwelt den Atem raubte. Vocals von Shara Nelson (später Massive Attack) und Annie Anxiety (Crass Records). Neu geschnitten im Berliner Dubplates & Mastering Studio für noch wuchtigere Bässe. Schwarzes Vinyl inkl. Poster und Downloadcard mit zusätzlichem Bonustrack "Ace Of Wands (unreleased extended mix)".

'Sidetracking - Part 1: Prologue' is the first vinyl taste of Jona's de- but album project for Alex Niggemann's forward-thinking AEON la-bel. The musical puzzle will be completed in February 2016 with the release of a second vinyl instalment, featuring 6 more original tracks, and the full 10-track album on CD format. Created over the course of two highly creative years, the concept for 'Sidetracking' was for Jona to invite some of his musician and producer friends to collaborate with him in the studio and compli- ment his album's solo productions. This impressive coming together (to be fully revealed over the coming months) features Varoslav (Rue de Plaisance, Paris), Usio (Studio Barnhus), David K (Cocoon), Bo- livian percussionist Daniel Aguilar, Italian pianist Giovanni Verga, and Edinburgh-based producer The Reverse Engineer. Driven by his desire to explore new sound perspectives and ideas, Jona has carefully forged his career path by consistently creating exciting and forward-thinking music. His previous label outings: 'Traffic' on 'Lost Tapes Volume 1' (AEON010) and 'Gemini EP' (AE- ON016) have seen him fine-tune his own unique sound. By incor- porating a wide range of styles into his tracks, Jona strives to break down unnecessary boundaries and explores new ideas and ways to ignite that hallowed dancefloor flame. It is therefore no wonder that his collaborative creations for 'Sidetracking' have yielded such stimulating aural delights. Fittingly, the album prologue opens with a track whose style is heav- ily influenced by the jazz music that Jona was so in love with dur- ing his formative years. Calling on the somewhat mysterious Usio (whose 'Kuwa Huru' LP on Studio Barnhus should be checked by everyone) to join him in a studio jam, has resulted in 'The Chase', an utterly compelling afro-beat influenced percussive groove, topped with swirling funk-fuelled stabs and strings, mesmerising chiming piano, and a large helping of pure, hip-swinging goodness. Taking 'The Chase' on an entirely different and yet perfectly com- plimentary twisted trip, AEON family members Simone Sinatti and Marco Paladin (aka Speaking Minds) conjure up a futuristic technoid disco demon that is all about throbbing energy, sweat, darkness and hissing smoke machines - perfect ingredients for an unforget- table strobelight serenade. Changing the mood entirely and cutting the tempo to a dublicious skank, 'Transmission Breakdown' sees Jona's experimental creative juices in full flow, as he teams up with Edinburgh-based digital com- poser and sound artist Dave House (aka The Reverse Engineer) for a delightfully hazy downtempo jam. Both as an artist and a DJ, Manchester's Marcus Intalex has been at the forefront of soulful, musical drum & bass for what seems like forever. A passion for techno has always run deeply through his music and under his Trevino moniker he is also a powerful creative force (check his recent 'Front' album to get the full picture). Here, he takes 'Transmission Breakdown' on a magical excursion, filled with subtle, hypnotic, evolving energy, anchored with an irresistible pul- sating bassline throb - a perfectly synergetic interpretation to round off Jona's 'Sidetracking' album prologue in style.

Finally the dudes behind the fantastic Hell Yeah recordings step out into the limelight on their own with their debut EP of on Golf Channel. And what a debut !
Tracks range from blissful, boogie influenced house music (Adriatic Bolt) to the 1992 style Primal Scream psychedelic chugging banger (Quando) via sunny acid (Quiet Force) and deep emotional vocal led ambience (I Don't Care Who You Are).
Just as you'd expect from the amazing sounds their label has put out over the years, this ep is uncategoriseable in the best possible way We look forward to hearing more from the aptly titled Balearic Gabba Sound System, this is just an aperitivo, or is it a selection of antipasti...either way, it leaves you ready for the next course.
Golf Channel every time !

RAWAX MOTOR CITY EDITION is the new series for music which is influneced by the sound of
Detroit and of course also for artsist from the city. Orlando Voorn aka The Nighttripper
released ''Phuture'' in 1991. We are happy to present you on the first edition the
remixes by Kevin Saunderson & Robert Hood!

Norman Jay MBE presents his latest compilation, titled 'Good Times Skank & Boogie', set for release 9th October 2015 on Sunday Best Recordings. This is his first compilation since 2011's Good Times 30th Anniversary Addition and follows on from his hotly anticipated Good Times Goes East party at St John Church at Hackney on 29th August.
Norman Jay is undoubtedly one of the finest and highly respected DJs in the world today and yet again pulls from his impressive collection to provide the ultimate eclectic selection.
For this 12th compilation, for those of you counting, Norman kicks off with St Germain's version of Henry Mancini's Pink Panther Theme. A cult favourite from 2004s Pink Panther Penthouse Party album, it of course immediately brings Peter Sellers to mind and a smile to your face. Next up former Uniques front man Slim Smith's Everybody Needs Love is a classic from 1968, cut at the legendary Duke Reid's Treasure Isle studio. Penned originally by Motown heroes Norman Whitfield and Eddie Holland and covered by household names including The Temptations and Glady's Knight & The Pips, Slim's version became something of a signature tune until his mysterious death in 1971. Sticking with Motown, Stevie Wonder's Living For The City is up next but it's the Michael McDonald rendition from his 2008 album Soul Speak, which proves the man who gave us the sublime Sweet Freedom had lost none of his class 20 plus years on.
D-Influence's Good Lover takes things up and brings them closer to home, to the streets of London infact. After a couple of independent releases the band, who had strong connections to the London Jazz and Soul scenes, served up this contemporary boogie tune as part of their 1992 debut long player for East West. They would subsequently score hits as a production team for a number of British R&B acts. Homegrown soul continues with Paul Johnson's Better Than This, released here via longstanding UK soul imprint Expansion to deserved acclaim last year. It's quality and appeal are simply timeless, whilst master Dego and Kaidi's mix adds a classic 80s soul dimension to proceedings.
The Chi-Lites I Keep Comin' Back To You and The Real Thing's Love Takes Tears continue and expand the 80s theme, bringing in 2-step and boogie, as does Deodato's Never Knew Love from the same period.
We switch again with Delroy Wilson's Better Must Come, a massively popular sufferers lament from 1971 by this former Jamaican child star, it would go on to be used in election campaigns by various Jamaican political parties. Kent People by Laurel Aitken & The Gruvy Beat is the next one out the box and was the flip to the 1969 anthem Skinhead Train. It features the UK's top reggae band of the era The Rudies, who along with Aitken, the widely-proclaimed Godfather of Ska, comprised of Earl Dunn (lead guitar), Trevor White (bass), Sonny Binns (keyboards) and Danny Smith (drums). They would go on to enjoy UK chart success backing singer Freddie Notes before they evolved into Greyhound. From the same year Splash Down by The Crystalites is another slate that ignited dance floors in both Jamaica and the UK upon release. Some of you will have noticed the rhythm track is the same as that of the earlier Kingstonians' best-seller, Sufferer, which came courtesy of legendary producer Derrick Harriott.
As the end draws close The Stone City Band featuring Rick James serve up some hard edged boogie, hotly followed by a classic Tom Moulton slice of late 70s disco courtesy of The Fantastic Four and their I Got To Have Your Love. If that doesn't have you dancing then Chanson's superb Don't Hold Back featuring James Jamerson Jr. on bass will leave you no choice. Classic Good Times indeed.

Dhaze featured on Metroline Limited 76 (with Sabe) as well as on Amam, Little Helpers, Body Parts & more - Remix from Spanish producer Medu (Dissonant, Wavetech Ltd) Short info: For release number 80 we welcome back Italian producer Dhaze. Hailing from Rome, Dhaze started his self-thought experimentation with electronic music in 1996 when he bought his first sampler. His productions have seen the light of day on several undergound labels such as Amam, Little Helpers, Bla Bla, Body Parts, Inmotion and plenty more! Of course Dhaze has also already released on Metroline Limited, with fellow Italian producer Sabe, on the stunning Metroline Limited 76, Full Force EP. The EP opening is the 'explicit' Subatomic Pussy. The groove shuffles away with a clever use of drum patters and crispy hats. The mood is dark and disorienting, almost sinister with some crazy cavernous Green Velvet-esque vocal snippets that make their presence felt every now and then. And if the dark grooves of the openeing track weren't heavy enough, the following track, Waterdrip take the tension up a notch or two! The track is a relentless groovy monster, one for the darkest moments of a tech-house set but also suitable for the most obscure hours of Berghain! Not for the faint hearted! :) This time on remix duty we welcome Spanish producer Medu. Having loved his latest productions both on Dissonant and Wavetech Ltd we though about asking him to rework Subatomic Pussy and the result is excellent. Medu stripped Subatomic Pussy down to it bare elements but menaged at the same time to re-create a similarly hypnotic and driving peak time techno number! As we like our EP's to be 'all killers' and 'no fillers', to close this release in style we decided to include the incredible track 'Hardware In Love'

Steeped in house history it was only a matter of time until the next next generation of Chicago House artist came to the forefront of the genre. Luckily we're friends with them.

'Classic Music Company presents Chicago Nouveaux' brings together the new-breed collective of exceptionally talented Chicago-based artists on a single release. Shaun J Wright & Alinka contribute 'Wang's On Broadway' and 'Matters Of The Heart' - the latter coming with a remix courtesy of Smart Bar's own The Black Madonna while Chrissy drops 'Join Me' with Miles Bonny on vocals, complete with a re-edit for the one & only Rahaan.
This is about as Chi as it gets.

Two raw extended trips from the mind of STL in a rare foray beyond his self-run Something imprint. Stephan Laubner applies his usual auteur principles to these groove experiments, whose sounds circle round each other cagily, rough meeting smooth, organic meeting synthetic, all combining in a propulsive form that's classic STL. Shifty hats on 'Crank Notion' provide an insistent shuffle through which nauseous pads plot a dissonant course. 'Neat Buzzl' is a grimier excursion in the undergrowth, little creatures scurrying left and right while the kick maintains its forward stomp. Join STL and Assemble Music in these off-map excursions and see where you emerge.

After the label launch of Taped Artifact earlier this year with an EP by label co-founder Kevin Arnemann, the second release is coming by courtesy of Los Angeles resident Natan H. With his 'Erklingen EP', Natan H serves up four tracks of emotive dub-influenced house and techno excursions, showcasing his inimitable musical qualities.

Ever since the debut, 'Communication EP' which also marked our 50th release, Alexander Lay-Far has a special place in the Local Talk family.Since then things have been going well with plenty more releases, tours, the launch of his label In-Beat-Ween Music plus a new full length album done.
With so many things on the go we're of course very happy to welcome Lay-Far back and with him this time, two UK house legends that need little introduction, Ashley Beedle and Darren Morris. Together the trio produced an EP that embraces the charms of both disco and house and we think it hits on every level. The A-side is dedicated to 'Doctor Feelgood', which is just as the name suggests, a delicious disco house cut that will make you feel good.Extra bonus points for the wonky bassline.
On the flip, you'll find two versions of Slope. The first one is an easy / breezy number built around jazzy drums, warm chords to catch your breath for a minute or two, lovers of rhodes should lend the track an extra ear, it's pure bliss. After those 5 minutes and 14 seconds has ended Lay-Far steps into the remix arena, turns up the tempo and sends the track straight to the dance floor. No need to fiddle around too much, he just sprinkles some extra touches of Lay-Far magic to the original and voila, it's done.

Liquid G. (Liquid Garbage) is the project of EBM stalwart Peter van Bogaert from Melsele, Belgium. In 1987, he began to record music and self-release limited cassettes on his own label Liquid Produkts. Between 1987 and 1990, Peter composed over nine albums, in addition to a split release with Vomito Negro. Liquid G. made their first vinyl appearance on the 'Expo 87' 7' compilation, courtesy of Dirk Ivens' Body Records. 'Liquidation' is the first ever vinyl compilation of Liquid G.'s cassette recordings, taking you on a journey through the underground of the Belgian Electro Industrial scene. Each song was written, produced, recorded and performed by solely by Peter between 1987-1989. Liquid G. captures the DIY synth-punk ethos of Cabaret Voltaire, The Screamers, and Nervous Gender.

Finale Sessions is really pleased to launch new series Finale Sessions Limited with Berlin up and coming act Arcarsenal. Duo comprised of Alan Mathias and Etienne Dauta, both founders of Bass Cadet Records and its dedicated vinyl store located in the heart of the german capital, they are also active members of the large Underground Quality family. Arcarsenal have already started to establish themselves as proponent of a crossover sound, mixing many influences from jazz, house, ambient to dub and techno. They are always giving a prominence to jam, improvisation and textures work in their studio routine. This EP called « Dark Skies & Wetlands », even if slightly grittier than usual, is no stranger to the rules of the duo. The opening track « Different Planet » is an epic dark deep house cut which develops itself over a course of 8:40. Starting with a stamping ground bassline and hazy atmosphere, the track opens up with synth attacks, dub echoes and slowly brings in a blissful melody that ends up linking all the elements. « Substance Of Arjuna », the following track on the A-side, is a-contrario a short but intense ambient work. Shot in one take, this subtle cut showcases the kind experimentations that Mathias and Dauta can end up doing late at night in front of their machines. The b-side of the EP leaves all the space to « Racoons », one of the weirdest and yet most powerful work of the duo to date. Tribal techno could be a short try to define what they achieved here, but the track goes far more than this. Built on a gritty mental acidic bass and a huge drum kick, the frenchmen bring over aggressive synth work that could sound like an orchestra on rehearsal, pachydermic screams or an overdriven guitar larsen. Underlined by a complex percussion pattern recorded live in their nest and chopped up to the best effect, the track ends up in a looping transe from which the listener might not leave in a normal state.

Optimo Music release THE GOLDEN FILTER's 'PS1103' in late September.


We are very happy to welcome The Golden Filter to Optimo Music. In fact we loved all the tracks they sent us so much that as well as a 4-track EP, they will be sharing an EP release on Optimo Trax too.

Penelope and Stephen originally hail from opposite sides of the planet (Australia and America) but have united to create a distinctly unique electronic sound. Following several previous releases, their sound has progressed into a deeper, richer, advanced hypno-sound with state of the art synthetic sound design and vocal phrases ricocheting around the mix. It's hard to pull off tracks that constantly morph and develop over the course of a few minutes but The Golden Filter accomplish this with seeming ease on the "PS1103" EP.

Music for nightclubs and far beyond.

Common Edit makes a thunderous return with their 10th release and to celebrate, they're going big! 5 A whole extra 5 inches to be exact, extended cuts to keep the party going !
Some of the usual suspects providing the bits and pieces on this 4 course meal. Supplies for the A Side brought to you by the winsome duo of Khotin & Dane, and their two terrifically Eastern numbers 'IMHO' and 'System'.While the one and only Eddie C and Dane team up for a cut each on the B Side. Dane hands over a familiar giant with I Want More' and Eddie ends the trip with his psychedelic guarantee in his endearingly titled 'One For Dane'. No stamps this time, Dane's wrists need a break but no expense was spared in this deluxe offering.As usual, copies given away at the release party in Edmonton, Canada at "The Common"

"...don't ask if there will ever be a Volume 2. We don't know yet. What we do know is that if we ever come across a similar tour de force as Don McCaslin's composition, Praise Poems, then there will certainly be one..." These were the final words of the sales notes for Praise Poems Volume 1 - which we proudly released earlier this year. And indeed, since then, we have discovered a tune which led us to continue to curate this series of obscure, soulful, jazzy and spiritual sounds from back in the day. The song to which we refer to is Abraham Battat's jazz-samba masterpiece, Fly Away. Fly Away is a righteous combination of sonorous jazz guitar, crackling drums and warm acoustic piano. Floating through the tones as if in a private concert for you in your very living room, it is an earnest, honest vocal performance bringing a rainbow message of freedom and liberty to the world. This is the standard by which we judged the entirety of this compilation. Though they may be known in some circles, selections by Richard Martian, Larry Covin, and The Gingerbread Express are in the same category of pure beauty. Of course, good luck finding a copy of Larry Covin's Masquerade or the Portis Brothers' Summer Love. The single hit you receive while doing an online search is the exact same copy from which we took the master. To find a needle in a haystack is a cakewalk compared to turning up a copy of some of these gems to be found here.