High Roller Records, Orange/ Black Mixed Vinyl, 425gsm heavy cardboard cover, insert, poster
quête:cover
High Roller Records, Black Vinyl, 425gsm heavy cardboard cover, insert, poster
High Roller Records, Orange/ Red Mixed Vinyl, 425gsm heavy cardboard cover, insert, poster
High Roller Records, Black Vinyl, 425gsm heavy cardboard cover, insert, poster
High Roller Records, Blue/ Yellow Mixed Vinyl, 425gsm heavy cardboard cover, insert, poster
High Roller Records, Black Vinyl, 425gsm heavy cardboard cover, insert, poster
High Roller Records, Blue/ Orange Mixed Vinyl, 425gsm heavy cardboard cover, insert, poster
High Roller Records, Grey/ Red Mixed Vinyl, 425gsm heavy cardboard cover, 2 inserts, poster, A5 card
Brothers Dana and Alden McWayne, along with a troupe of multi-instrumental artists, come together to create jazzy melodies with indie sounds inspired by their unconventional upbringing in Eugene, Oregon. Following the success of their debut full-length album and it's lead track "Dragonfly" (which tracked 300,000 TikTok creations, and over 10 million streams) the brothers recruited Jared Solomon (Sza, Remi Wolf, Teezo Touchdown) to produce their sophomore LP, Coyote, You're My Star. Melding vintage sounds with the aesthetic and experience of existing in Gen Z and the digital age, the new LP has already been met with rousing approval, with airtime on the Zane Lowe show on Apple as well as playlist covers like Spotify's State of Jazz. The band is also set to tour North America and Europe across festivals and headline shows.
It's been nearly a decade since Montreal's PYPY (pronounced like 'π π'...with a long 'i' rather than long 'e', thank you very much) landed with their debut Pagan Day (Slovenly), but the same lunatics behind CPC Gangbangs, Red Mass and Duchess Says are back with Sacred Times on Goner Records. One might recall the thunderous pop of their banger "She's Gone" carving out a place for itself in the high-end fashion world, becoming the soundtrack to Yves Saint Laurent's 2016 show. If that album bounced, punched and clawed like Delta 5 covered in dirt and trying to get somewhere in a booted vehicle while dodging lightning rod guitar licks the whole way, Sacred Times takes things to somewhere far beyond the proverbial "next level."
Co-vocalist/founder/multi-instrumentalist Annie-Claude Deschênes' (Duchess Says) signature howl and vocal acrobatics are present but so is a tendency towards beautiful melodies. Bassist Philippe Clement's (Duchess Says) brings a nastier bottom end that locks onto Simon Besré's drumming with a death grip for the entire affair. And guitarist/co-vocalist Roy Vucino (Red Mass, CPC Gangbangs, Black Leather Rose, Les Sexareenos, a gazillion others) goes bonkers with wildass blown-out guitar that's like hornets caught in yr hair.
"Lonely Striped Sock" grooves along like "Earthbeat"-era Slits/ESG until the chorus transforms PYPY into something else entirely. Something huge. Something with monster riffs and wah wah that pins you to the back wall. So there is clearly a brilliance with dynamics here, and it proves to be a not-so-secret-weapon that repays the "ear-vestment" in dividends throughout. "Ear-vestment"? Yikes. Then it's time for "She's Back," a sort of part 2/continuation (maybe a trilogy is in the works?) of Pagan Day's best-known gem (the aforementioned "She's Gone"). This one packs a hook that'll make your brain take out a restraining order. Looking for lost keys? Jury duty? Underwater welding? Negotiating a hostage situation? It doesn't matter...nothing will stop it from invading your thoughts. They say the only way to get a song unstuck from the noodle is to listen to it from start to finish, but you'll be doing that anyway. A lot. "Erase" is a (synth) noise-punk nugget; revealing a need for Brainiac-meets-Blondie we didn't know we had...deceptively kicking off with a no-fi drum machine that is immediately lost in the massive pop din that seemingly includes everything within reach. "Poodle Escape" is two minutes of perfect (and perfectly distorted) synth-punk and "I Am A Simulation" – with lead vox from Vucino – is yet another hit that deviates from the noise a bit and pays homage to both Devo and classic late-70's (big) power-pop (ex: the first Cars LP), but with a manic nature that is 150% circa right now. "15 Sec" (actually 3:38 in duration, thankfully) serves up a stanky-brown bass line, Deschênes' gorgeous vocals, wonderfully combative white hot, pin-the-meters Oh Sees/early Comets on Fire guitar rips, and a stunning coda that seems to utilize everything great about this band over its final minute. The album's title track is a love letter to Hawkwind in the musical language already established here. "Vanishing Blinds" is like being chased through the rain-soaked streets in an unknown dystopian nightmare from 40+ years ago. The album closes with the brooding if not playful menace of "Poodle Escape,” which, like its predecessors, is completely unlike every track before it.
Mit ihrem 6. Studioalbum “Sting” lassen Emarosa ihre Post-Hardcore Wurzeln zurück und öffnen das Tor zu einer neuen Welt voll von Pop-Rock Songs mit Ohrwurm-Garantie. In “Sting” vereint die Band ihre atmosphärischen Post-Rock Elemente mit einem musikalischen Ansatz, der als amerikanische Antwort auf The 1975 verstanden werden kann. Mit Funk Einlagen zwischen elektronischen Beats, einem 80er Jahre Vibe und modernem Alt-Rock, dominanten Synths und E-Drum Beats überzeugen sie alte wie neue Fans. “Sting” hat für die Band aus Kentucky ein neues Kapitel aufgeschlagen und ist nun auf limitierter neuer Multi-Color Picture Vinyl erhältlich, die zusätzlich den Cover Song “I Wanna Dance With Somebody (Who Loves Me)” enthält.
- A1: Heartbreaker (Feat. Jay-Z)
- A2: Can't Take That Away (Mariah's Theme)
- A3: Bliss
- A4: How Much (Feat. Usher)
- B1: After Tonight
- B2: X-Girlfriend
- B3: Heartbreaker (Feat. Da Brat & Missy Elliott (Remix)
- B4: Vulnerability (Interlude)
- B5: Against All Odds (Take A Look At Me Now)
- C1: Crybaby (Feat. Snoop Dogg)
- C2: Did I Do That?
- C3: Petals
- C4: Rainbow (Interlude)
- C5: Thank God I Found You (Feat. Joe & 98°)
- C6: Rainbow’s End
- D1: Thank God I Found You (Feat. Joe & Nas) (Make It Last Remix)
- D2: Against All Odds (Take A Look At Me Now) (Feat. Westlife)
- D3: How Much (Feat. Usher) (So So Def Remix)
- D4: Can’t Take That Away (Mariah's Theme) (Live At Vh1 Divas 2000)
- D5: Love Hangover/Heartbreaker- (Live At Vh1 Divas 2000
The 25th anniversary edition of Mariah Carey’s multi-platinum selling record, Rainbow has been pressed on rainbow vinyl and includes rare photos from the era. Rainbow is Mariah’s seventh studio album, with #1 hits, “Heartbreaker” (ft. Jay-Z), “Thank God I Found You” (ft. Joe & 98 Degrees), the globally successful cover of "Against All Odds" plus more fan favorites. This deluxe album also features several bonus tracks including, ‘Rainbow’s End,’ a brand-new recording.
Handys raus, Laptops raus, kommt alle raus - Morgen Teuer Töten macht Sommerschlussverkauf im Winter. Die Band schallt mit ihrem Debütalbum "Not Available" den alltäglichen Wahnsinn direkt in eure Ohren. Mit bissigen Songtexten stürzen sich Morgen Teuer Töten auf die belanglose Trendgesellschaft, bis diese schreiend vor der Supermarktkasse liegt. Versucht nicht sie zurückzuhalten: Sie müssen hier vorbei. Ihre Songs sind so ohrwurmverdächtig, dass man sie nach dem Konzert noch unter der Dusche mitgrölt - und so schamlos, dass sogar die Seife rot wird. Es gibt gute Musik, es gibt Scheißmusik und es gibt Morgen Teuer Töten. Das Album erscheint als LP in kleiner Auflage von 300 Stück als reines Indierelease. Das Album kommt mit schwarzem Vinyl, schwerem Coverkarton, Textblatt in LP Größe und Download Link.
- A1: Five Days (Mixed)
- A2: Love Don't Pay The Bills (Mixed)
- A3: Make It Alright (Mixed)
- B1: Please Don’t Break My Heart - Dj Andy Smith Reach Up Disco Wonderland Re-Edit (Mixed)
- B2: I Like Funky Music - Skratch Bastid Turntable Mix (Mixed)
- B3: Black Water Gold Part 2 - Dj Andy Smith Reach Up Disco Wonderland Extended Mix (Mixed)
- C1: Disco Hi-Life (Mixed)
- C2: Lovin' You - Smoove Disco Dub (Mixed)
- D1: Change (Mixed)
- D2: Free Yourself - Full Intention Extended Remix (Mixed)
- D3: Bad Times - Yam Who Extended Vocal Remix (Mixed)
- E1: Body Work (Mixed)
- E2: The Big Throwdown (Mixed)
- E3: Losers & Fools - Dj Andy Smith Reach Up Disco Wonderland Re-Edit (Mixed)
- F1: Beyond The Clouds (Mixed)
- F2: You're So Far Away - Dj Andy Smith Reach Up Disco Wonderland Re-Edit
Releasing in the autumn of 2024 Andy Smith's curation of the 3rd volume in his Reach Up – Disco Wonderland series brings us more carefully selected music from the Discosphere. With tracks from artists as far ranging as Buscrates, Trailer Limon and Rena Scott included in this 16 track killer compilation Andy has also included excellent edits and remixes from such stellar names as Full Intention, Yam Who and Skratch Bastid. Indeed, the CD and digital versions of the release also include a fully continuous Skratch Bastid mix of all 16 tracks. Reach Up-Disco Wonderland vol. 3 was curated during the lockdown periods of the pandemic after a series of virtual 'nights out' viewing DJs such as Skratch Bastid, The Nextmen, Chris Wheatley and others performing sets on the Twitch platform. Andy is now playing out in the real world with some of the DJs he 'met' online so now the time is right to drop this compilation on BBE Music. Andy Smith's pedigree in sourcing and mixing tracks from across eras and genres goes back to his debut compilation release The Document in 1998, he was the explorer and provider of samples and breaks for the first two Portishead albums and played as the band's international tour DJ. His compilation track record of some fifteen plus releases since 1998 has covered New Orleans Funk, Northern Soul, Reggae, the mixed genre follow ups to the The Document and, of course, the now three volumes of the Reach Up-Disco Wonderland series on BBE Music. Pressed as a triple vinyl LP, along with the aforementioned double CD and digital versions, not only is Reach Up-Disco Wonderland vol. 3 a delight for the DJ consul and the dance floor, but also an audiophile's dream on vinyl with all tracks mastered at the renowned and Grammy nominated Carvery Studios.
Exklusiver 10"-Release von Bakermats legendärem Hit "Baianá", einem lebendigen Mix aus House und Brazil-Sounds, der in Frankreich und Benelux mit Gold-, Platin- und Diamant-Auszeichungen überschüttet wurde. Die A-Seite enthält die Originalversion aus 2019, die B-Seite einen elektrisierenden Remix von Prince Kaybee, der diesem Klassiker frische Energie verleiht. Limitierte Auflage auf mint-grünem 10" Vinyl im farbigen Hochglanz-Cover.
Let’s Get It On is the 7th album of reggae pioneer Ken Boothe . The album is produced by Lloyd Charmers and is originally released by Trojan Records in 1974.
The record includes the well-known Syl Johnson cover of “Is it Because I’m Black”, plus Marvin Gaye’s “Let’s Get it On’”.
Let’s Get It On is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.
- A1: Can't Help Falling In Love
- A2: Heartbreak Hotel
- A3: Hound Dog
- A4: (Marie's The Name) His Latest Flame (Marie's The Name)
- A5: Surrender
- A6: It's Now Or Never
- A7: Stuck On You
- A8: I Forgot To Remember To Forget
- A9: Blue Hawaii
- B1: The Girl Of My Best Friend
- B2: Love Me Tender
- B3: All Shook Up
- B4: Are You Lonesome Tonight?
- B5: A Big Hunk O'love
- B6: I Feel So Bad
- B7: Little Sister
- B8: Rock-A-Hula Baby
- B9: King Creole
- C1: Blue Suede Shoes
- C2: A Mess Of Blues
- C3: I Gotta Know
- C4: My Baby Left Me
- C5: Wild In The Country
- C6: Wooden Heart
- D4: Give Me The Right
- D5: Sentimental Me
- D6: Starting Today
- D7: Gently
- D8: In Your Arms
- D9: Put The Blame On Me
- E1: Jailhouse Rock
- E2: I Slipped, I Stumbled, I Fell
- E3: Good Rockin' Tonight
- E4: Wear My Ring Around Your Neck
- E5: I Was The One
- E6: Judy
- E7: I Want You With Me
- E8: Fame & Fortune
- E9: My Wish Came True
- F1: Return To Sender
- F2: Mystery Train
- F3: Don't Be Cruel
- F4: I'm Coming Home
- F5: It's A Sin
- F6: (You're So Square) Baby I Don't Care (You're So Square)
- F7: Hawaiian Wedding Song
- C7: Flaming Start
- F8: Blue Moon Of Kentucky
- C9: Love Me
- F9: Fever
- D2: There's Always Me
- C8: Lonely Man
- D1: Suspicion
- D3: That's All Right
White Vinyl[31,89 €]
Featured here on this 3LP Silver vinyl gatefold set are some of the vital and most important music ever committed to vinyl. It covers the first seven recording years of Elvis Aaron Presley, years which saw him progress from teenage Memphis truck driver earning $35 a week to a multi-millionaire performer with the music and movie worlds squarely at his size 11 feet. Enjoy this portrait of the King at his imperious best – young, slick and ready to rock.
Bloodshot celebrates the 10th anniversary of No-Hit Wonder with this Barrel Select edition!
Barrel Select exists to highlight the best of Bloodshot’s cask-strength catalog and there’s no doubt that the No-Hit Wonder sits proudly on the top shelf.
“Your favorite songwriter’s favorite songwriter” according to Vice Magazine, Cory Branan, with songs covered by Frank Turner and Dashboard Confessional and a circle of friends and collaborators that includes Jason Isbell and the Hold Steady’s Craig Finn (who also grace this album’s credits as guest vocalists).
When it came out in 2014, all the people whose taste are worth a damn were raving about it, with Rolling Stone putting it on their list of that year’s best country albums.
With ten more years of aging, it’s only gotten better. It hasn’t mellowed, but it makes more sense now that the country mainstream has started to catch up to the level of outlaw cowpunk soul Cory was packing.
Our Branan-approved, Barrel Select edition stamps the sound onto Bloodshot Red vinyl and includes a full-size reproduction of the album’s 2014 promo poster with full lyrics and a new note from Cory on its backside.
Drink it in. It packs a punch.
Featuring appearances from Jason Isbell, Caitlin Rose, Craig Finn, and Tim Easton
10th Anniversary Barrel Select edition on Bloodshot Red vinyl
Includes a reproduction of the original promo poster, full lyrics
“Cory Branan is your favorite songwriter’s favorite songwriter” —Chicago Tribune
“He radiates talent” —Vice
“If you’re gazing slunk shouldered at your Jason Isbell and Sturgill Simpson records as so loved that you’re tired of listening to them, The No-Hit Wonder may just be the project to point your nose toward next. . . This is old school country rock at its finest” —Saving Country Music-
The 2004 holiday album from the Canadian rock band, Barenaked Ladies, is making its worldwide vinyl debut. Interlacing multiple holiday traditions with their signature off-kilter alt-rock style, the album contains Hannukah, Christmas and New Year’s classics along with original tracks and covers. The band also enlisted guest vocalists on some of the tunes. True to form as always, Barenaked for the Holidays delivers a uniquely Barenaked Ladies experience to get you in the holiday spirit.
Black Vinyl[24,33 €]
Bicolor Vinyl[24,33 €]
Gold Vinyl[24,33 €]
Galaxy Effect Vinyl[25,17 €]
High Roller Records, Galaxy Vinyl, 425gsm heavy cardboard cover, insert




















