Search:crazy b

After a relative rest for the two Liège heads, it is time to get back to business. And this business requires four hands to play, very rapidly, and two ears, to be listened to very loudly. Trapped in a frantic chase on a Belgian highway, finally on a slope, this time, we are missing the brakes... and avoiding the famous ruts is imperative for survival. So here we are, grazing the slide in a shower of magnificent sparks, while being hit by these ten punchy pieces releasing a crazy energy. Even if the forays towards EBM become more and more pop (if we can use that word here), Punk becomes always more synthetic, Kraut is percussive and martial, but with PRINCE HARRY, it's a long time that the Indus has been moving very fast: at 140bpm on the emergency lane. "A Long Way Down" is the fourth LP from the Belgian duo to find asylum on the Parisian label. After 5 years of discretion - almost absence - this curious pink album propels us to the unthinkable frontiers of electronic punk, lo-fi EBM and garage new-beat.

*REMASTERED ROUGH TRADE DEBUT LP LIMITED TO JUST 500 COPIES WITH EMBOSSED OUTER SLEEVE AND ORIGINAL INNER SLEEVE ON BLACK VINYL*

Dream POP, they called it. Given AR Kane’s Alex Ayuli once worked for advertising agency Saatchi & Saatchi, it’s no surprise that he and collaborator Rudy Tambala invented their own genre before critics could stick their oar in. It was a canny move, but more importantly, it was accurate: the music of AR Kane was made for dreamers, by dreamers, and its languor and longing made it particularly bewitching listening; their music is often smeared and blurry, happily lost in its own indefinable pleasures. “We wanted dream pop,” Tambala says, “that feeling of a dream where the rules are different. Dream logic.”
-UNCUT REISSUE OF THE MONTH

"A.R. Kane carved out a unique musical path, welding elements of pop, psych, dub, electronica, funk, noise, jazz, ambient and more in a way that had never been done before. Or since. Their debut in particular is a work of unbridled brilliance."
*Electronic Sound*

‘Sixty Nine’ the group’s debut LP that emerged in 1988 had critics and listeners struggling to fit language around A.R. Kane’s sound. As a title it was telling - the year of ‘Bitches Brew’, the year of ‘In A Silent Way’, the erotic möbius between two lovers - and as originally coined by the band themselves,
‘dream pop’ (before it became a free-floating signifier of vague import) was entirely apposite for the music A.R. Kane were making. Crafted in a dark small basement studio in which Tambala recalls the duo had “complete freedom - We wanted to go as far out as we could, and in doing so we discovered the point where it stops being music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal flow to ‘sixty nine’s sound, but also real darkness/dankness, the ruptures of the primordial and the reverberations of the subconscious, within the grooves of remarkable songs like ‘Dizzy’ and ‘Crazy Blue’. Alex’s plangent vocals floated and surged amidst exquisite peals of refracted feedback but crucially there was BASS here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance crushed together to make music with a center so deep it felt subcutaneous, music constructed from both the accidental and the deliberate, generous enough to dance with both serendipity and chaos. ‘sixty nine’ remains - especially in this remastered iteration - ravishing, revolutionary – Neil Kulkarni


"A.R. Kane made some of the most exciting, forward-thinking, and science fictional music of their era".
*Reissue Of The Week In The Quietus*

Repress!

It is time to embrace the darkness once again with "Future Wars" by The Outside Agency. Get ready for a voyage into the depths of auditory darkness. From pulsating rhythms to haunting melodies, each of the four tracks on this Genosha Recordings EP is a testament to The Outside Agency's unparalleled creativity and mastery of irresponsible distortion levels. "Future Wars" defies convention, taking listeners on a crazy trip through different tempos and moods.

Husband-and-wife soul duo Ike & Tina Turner produced an astounding string of hits during the 1960s and 70s, before Tina found the will to go solo. Unjustly overlooked at its time of release, the duo’s first blues album finds Tina’s passionately powerful voice holding plenty of grit and Ike’s guitar a restrained accompaniment throughout; the take of Sonny Boy Williamson’s ‘Crazy ‘Bout You Baby’ has gripping electric piano and buzzing blues harp and Ike’s ‘Grumbling’ is a killer guitar groove. A good mix of covers and originals, it shows how well the duo could work in the blues idiom. Another great LP for all Ike & Tina fans!

In 1967, the English poet George Duffell, alias Jorgy Porgy, decided to set his verses to music, birthing J.P. Sunshine with guitarist/vocalist Rod Goodway of pop act the Pack (later with the Crazy World of Arthur Brown), the line-up expanding with a bassist and bongo player, Duffell’s girlfriend on percussion, and former Pack guitarist Andy Rickell on electric lead. These resultant recordings, cut on basic gear in Duffell’s flat, evidence an individual psychedelic sound, marked by the incestuous claustrophobia of the group’s romantic rivalries, the meandering lyrics and disjointed melodies pointing to the pervasive drug use that ultimately squashed the project. This is psych with a difference: rare, rough, and freaky!

Loud UK Drum & Bass and Roots Ragga Jungle. Masterpiece for Master Peace Jamasky ! Mastering is louder than ever... The sleeve is wicked ! Enjoy the little Jamaksy special speech bonus on track 5...

2024 Repress

Powerfull Hard floor sound, with a bloody bass and a crazy dynamic... pur style. KK1 is from the Canaries, Atlantik spannish islands in africa...

Crazy kicker fearless sound...
With a solid kick and a badass violent snare you can practice sports during the night.

FIST OF FURY motorisé F1 d'éléphants Hotrebor & S.Y.R.O.B et le lasergun mitraille les jambes Not a DJ lacereur de guitare dans le vent siffleur Armaguet Nad et ses 356 BPM à Twin Peaks

Brilliant crazy Hardcore/speedcore, Old School, Banging and... Colored !!

Orange :)

First you'll get a Korbo pityless hardcore shaker, a destructive industrial cogs.

Shady then brings Hardcore banging cruiser ina Sodom style.
L'Architecte opens the flip with a massive industrial banger... and finally... Leatherface finished the job killing you with his dancefloor tricks of a kind. Full of energy stuff !!

Prehistoric Sounds is the third studio album by the Australian punk rock group The Saints, released in 1978. This was the final album to feature founding lead guitarist, Ed Kuepper, who left the band shortly after the release. The record was described by AllMusic as ""the textbook by which to make a great rock record where horns play as much of a role as guitar"". In 2010, Prehistoric Sounds was listed in the top 50 100 Best Australian Albums. The album features two cover versions of the soul classics ""Security"" by Otis Redding, and ""Save Me"" by Aretha Franklin. Prehistoric Sounds is available as a limited edition of 1000 individually numbered copies on silver coloured vinyl and includes an insert.

Reggie Gibson, aka Saafir, is a producer, actor and underground Oakland California legend known for his abstract form of emceeing. Saafir made his recording debut on Digital Underground’s The Body-Hat Syndrome in 1993, followed by an appearance on Casual’s Fear Itself in 1994, which led to his solo release Boxcar Sessions.

The production was handled by Jay-Z, J Groove and Big Nose, with Sleuth and Saafir serving as executive producers. It features guest appearances from Big Nose, King Saan, Poke Martian and Rashinel.

Babez For Breakfast is the fifth studio album by the Finnish rock band Lordi. For this album, the band worked with million-selling hard rock and metal producer and mixer Michael Wagener (Metallica, Megadeth, Alice Cooper). The album also features guest appearances by none other than Bruce Kulick (KISS) and Mark Slaughter (Slaughter). The album entered the album charts in Finland, Greece, and Germany. Babez For Breakfast is available as a limited edition of 666 individually numbered copies on blood red and black marbled vinyl and comes with a sticker sheet and a 4-page booklet.

Rare debut LP by the eccentric Peruvian singer Jean Paul "El Troglodita", known for his wild performances and extreme way of life. Enrique Roberto Tellería made his Peruvian television debut in 1965 under the stage name Jean Paul El Troglodita and wearing an imitation leopard skin suit. He would switch from melodic calm to shouting wildly or suddenly drop to the floor on his knees and smash the furniture like crazy. At the age of 19, DisPerú signed him to the label on the strength of these early performances. His first single included a freely translated version of 'Secret Agent Man' in Spanish. He began to work on the eleven cover versions that would feature on his first LP immediately, writing all his own lyrics and accompanied by the beat band Los Steivos. Despite the predominance of English beat music in Peru, the album only included three songs directly related to the British invasion: 'Bus Stop' by The Hollies, also played in raga rock style; 'Paint it Black' by The Rolling Stones; and 'The House of the Rising Sun', which follows the arrangement recorded by The Animals. So most songs come the American songbook. Apart from 'Tema de El Troglodita' (a versión of 'Secret Agent' by The Challengers), we find the bluesy 'Mustang Sally' (Sir Mack Rice). Two other US numbers, originally performed with orchestral accompaniment, were adapted to fit the rock band format: 'Poor Side of Town' (Johnny Rivers) and 'Take Me to the Moon' (Kaye Ballard). 'El verdadero amor' ('True Love'), an uncredited version is in a similar vein. The Spanish song 'Negro es negro' (Los Bravos) and the Brazilian track 'Que todo se vaya al infierno' (Roberto Carlos) also feature on the LP. El Troglodita's association with the so-called nueva ola, indicated on the back cover, needs clarification. In Peru, nueva ola was a mixed bag rather than a specific musical style and encompassed slow rock, twist, bossa nova and all the styles that the record industry produced to tame the wild rock 'n' roll impulses of teenagers in the early sixties. The Peruvian artists that performed these inoffensive Spanish adaptations of Paul Anka, Neil Sedaka or Frankie Avalon, were presented as successful models of youth culture. This was until 1964, when the Beatles with their mop-top haircuts hit the charts, vindicating rock 'n' roll and imposing the group format over the soloist model. Meanwhile the press continued to call any youth music recorded during the rest of the decade nueva ola. Jean Paul noted these distinctions early on and distanced himself from it in several statements. He saw his performance more in a style as a solo artist as following in the footsteps of e.g. Los Saicos. His 'hippie' lifestyle got him arrested by the new de facto military government in 1968, who accused him of promoting drug consumption and corrupting the Peruvian youth. The charges were soon dropped but his reputation was tarnished, and he ended up emigrating to Central America. The album includes Spanish sung versions of British beat songs and covers of the American songbook as well as various international hits.

The three chicks--Rie (bass), Miku (keyboard and theremin), and Saori (drums)-- and their man Nao (guitar and vocals) deliver an absolutely wild, fuzzy, stompin' organ beat sound with screaming vocals on "Slay So Hard" and a furious instrumental with "The Rattle Snake". THE SCUMS' future activities are still undecided, but for now they are busy driving you to the crazy world of their fuzzy, wild and dazzling sound!

The Don is back to round off the series with maybe his most sought after release, Remember EP.

Reaching crazy prices online, the two tracks have been lost for some time. Now being remastered, ready for any dark club or after party.

300 copies.

'The Animation Of Entomology' is an EP by American supergroup Blotted Science, originally released in 2011. Like on their 2007 debut album 'The Machinations Of Dementia', these instrumental songs are a product of the union of Watchtower guitarist Ray Jarzombek and
Cannibal Corpse bassist Alex Webster's imaginations, this time with former Obscura and current Triptykon drummer Hannes Grossmann behind the kit. Once again, the trio embark on unusual and unpredictable compositions, as crazy as their titles seem to indicate.
Virtuosity goes hand in hand with extremity and experimentation for an unforgettable, unrepeatable experience.

"All seven tracks on this EP are beautifully written and could be praised for hours" - No Clean Singing
"a real progressive metal tour-de-force" - Sea Of Tranquillity