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Presenting “M.L.K. & The Breadwinners- The World Is In Trouble”. Vintage analogue business. Eleven new vocal cuts in a ROOTS tradition from songwriter and vocalist M.L.K. originally from Sierra Leone and now based in Amsterdam, a man with pure vibes and a serious message to share.
The music is a mix of original Breadwinner riddims and a few choice re-cuts, drawing on some of the more obscure recordings from Lee Perry’s Upsetters house band, most of which have never been re-versioned. They were suggested for a re-cut by long time Breadwinners supporter Chris Durning, who was curious to see where M.L.K. could take the vibes with his unique vocal style and fresh lyrics.

The road is a wrinkled timeline. Uncanny flatness conceals unfolding textures, transparent layers and open tabs. The truck cuts the landscape, tracing the road with a line of mad logic that composites time, space, thought. On “Le Camion de Marguerite Duras,” French duo Jean-Marie Mercimek have returned with a road movie for the blind. Composed and recorded by Marion Molle and Ronan Riou over six years across France and Belgium, this unlikely distillation of microtonal MIDI composition, French B.O., and post-punk chansons brazenly expands the duos’ penchant for lowkey narrative spectacle.

Across “Le Camion,” sounds form a theatrical screen. Our ears are the curtains drawn wide and listening with a look that pans across the shot. No title cards, they cut straight to action. The truck is a camera, zooming and framing the tracks as scenes. Songwriting and sound design blur in a tangle of delicate economy. The balance of mutant music-boxes and dewy miniatures recalls otherworldly hits from Gareth Williams’ Flaming Tunes, Residents, and catchier corners of the Lovely Music catalog. Strange, sure, but this flick is never quite a cartoon. Molle and Riou’s vocals dilate into a cast of very human characters. Voices sing borrowed texts like untrained actors (playing themselves, in fact) stepping into the frame once before disappearing forever. And when they’re gone, you miss them. But here in the truck, it all comes back again under the cyclic spell of repose in perpetual motion. Turn up the radio and appuyez sur le champignon. - Turner Williams Jr.

This is what you get when an emcee/producer is fed on a diet of abstract hip-hop, Southeast Asian samples, and Taoist folklore. Together with the Clementi Sound Appreciation Club (a five-piece band of up-and-coming musicians schooled in jazz from the local scene in Singapore), Mary Sue melts samples with live instrumentation on 'Porcelain Shield, Paper Sword.' At the core of the album is the tale of a time-traveling oracle, struggling to find meaning in the modern world-where ancient wisdom feels fragile, and truth is ever-shifting. A reinterpretation of idioms shapes its journey, where spiritual pursuits feel performative, and where the weight of the past clashes with an uncertain future. The music mirrors this tension: phrases of Gamelan music dissolve into smoky brass, spectral melodies unravel over off-kilter drums, and time bends through layered textures. 'Porcelain Shield, Paper Sword' is both a reckoning and a dream, where echoes of the past find new life in the chaos of now. A porcelain shield shatters on impact; a paper sword folds before it cuts. It's about the constant, fragile push-and-pull between aesthetics and money, tradition and progress, meaning and spectacle. "Like the oracle, we're all stuck in a world where spiritual longing gets tangled up with consumerism, where authenticity is blurred by performance, and where finding real meaning feels shakier than ever," rapper and producer Mary Sue explains. "'Porcelain Shield, Paper Sword' lives in that field of tension. The album drifts between beauty and collapse, truth and illusion, and past and present, without ever landing on solid ground."

As part of the Acoustic Sounds series, three of Diana Krall’s most beloved albums will be reissued on vinyl throughout the year, with the first, her dazzling Grammy-winning 2001 album, The Look of Love, to bow May 31st. The record boasts such standouts as “S’ Wonderful”, “Cry Me A River”, and her bewitching take on the Burt Bacharach-penned title track. Krall’s 1999 album — celebrating its 25th anniversary this year — When I Look In Your Eyes, will follow July 5th with her 1996 LP, All For You: A Dedication To The Nat King Cole Trio, to come September 27th. The two-time Grammy-winning album, which was also nominated for Album of the Year, When I Look In Your Eyes, features Krall and her excellent ensemble performing a sultry set of updated standards, including highlights like “Let’s Fall In Love”, “I’ve Got You Under My Skin” and “Let’s Face The Music and Dance”. All For You: A Dedication To The Nat King Cole Trio is a superb salute to the mighty Nat King Cole Trio with Krall putting her unique spin on 12 of Cole’s classic cuts like “Frim Fram Sauce”, “Boulevard of Broken Dreams”, “You Call It Madness” and “Hit That Jive Jack”. The albums will be mastered by Bernie Grundman from the original tapes and pressed on 2-LP black vinyl.

2025 Repress

A tale of paramount love for machines and the inextinguishable power of subjugation that lies in these button-studded boxes teeming with cabled bowels that feel so intimidating to the uninitiated, Italo Brutalo's longed-for debut album "Heartware" is a 12-track voyage across 25 years of intense synth collecting, fiddling,
composing and endless loving for audio synthesis and the art of how robots make human bodies jack.
Throughout the twelve cuts that compose "Heartware", a feeling of retro-gazing, candidly playful glee prevails. Looking right in the eye of the era when dazzling flipper visuals and static-filled VHS glitches
reigned supreme, Italo Brutalo invites us to witness first-hand his own textbook smorgasbord of fast-wheeling arpeggios and vocodized hoodoo ("Heartware", "Reach Horizon"), dystopian digital sunsets by the beach ("I Feel Lonely"), early hip-hop-informed whackin' n' thumpin' ("Analog Bars") and the slo but hard churn of a robot heist score ("Nobody Moves").
A lush tapestry of woozy exotic pads set in contrast with a deft and aggro drum programming ("As Above So Below"), followed by a new-beat oriented hammer-drop that shall leave no raver unscathed ("Heat of the Knight"), Italo Brutalo shifts the scope to radical effect whilst maintaining that cohesive headspace flush with the iconic 80s-to-90s-sourced assets. The hardware used in the making of "Heartware" is obviously the star here, and the inner sleeve pays tribute to that: the ideas behind the album have been there waiting to find their way out for over twenty years!
From adrenalin-boosting fractals of keyboard razzle-dazzle ("Chemical Element") to straight out pumping EBM primed for hi-octane mosh pits down the basement ("You Are Welcome"), via polyrhytmic percs-driven assaults and sizzling hot synth-smithery ("Into a Sampler"), the pressure levels never falter. Yet, Italo Brutalo sure knows how to weave further oneiric, softer narratives for your mind to frolic in unhindered ("Dream Machine") and rounds it all off with a total, space-opera'esque epic bound to have you spinning out of orbit into the great unknown ("Eternia").
"Heartware" is released in a neat double-vinyl gatefold package presenting the concept and machines involved in its making, including a twelve-page booklet featuring Italo Brutalo's key pieces of gear.

The sign of a truly great artist is that you can put on one of their records from some 15 years ago, as well as one out next week, and not tell which is which. Mr Pittman is one of those - a Detroit flag bearer with a raw, otherworldly take on house and techno that always sounds futuristic. 'The Midwest Advocates Part One' first dropped back in 2007 and is being repressed now and is just as good as ever with ramshackle and dusty grooves, wonky synths and eerie textures all getting you into a trance and keeping you there. Both cuts on this are standouts in his impressive discography.

Nick Bike has been at it again, crafting high-grade club cuts that always make an impact. These two have already been well road-tested with great effects. 'Party People (Night & Day)' is the first and is a brilliant collision of some funky, soulful disco classics into one new and strident sound with irresistible claps and vocal hooks. On the flip is the scorching 'Every Night (Hold Me Tight)' which is just timeless and super smooth disco-funk with a persuasive charm. Two no-brainers here that will bring next-level fun to any set.

Running some cranky, tempestuous currents on the latest, courtesy of Berlin’s Okain.

A quartet of the meanest cuts to grace the label for a minute as he pulls no punches on propulsion. Hurtling through the temporal plane at break-neck speed.

Proper strapping accelerators rooted somewhere between third portal freak-out and girder-strength tech house flex. All four built like a brick shithouse, but the foundations have given out and we’re falling down a wormhole. Transcending epochs and realities with one foot in the free party and another in the big room.

Organ synth, searing 303 and lysergic flourish in abundance. Synths darting, drums impeccable.

Trippier than we’ve come to expect from the Talman Records founder, but no diminishing returns on dancefloor potency.

Mr. Tophat & Art Alfie return with a bang! Fresh off a short hiatus, the duo drops a box of fierce, grooving house cuts packed with signature Karlovak energy--raw, rhythmic, and irresistibly funky. Classic vibes with a fresh twist. The boys are back, and they mean business.

DJ Sodeyama returns to Sound Of Vast under his The People In Fog guise this June with the nine track 'Too Much Knobs And Cables' LP.

Over the past three decades DJ Sodeyama has been a staple in Japan's underground and beyond across the globe as a DJ and releasing material under his own name via the likes of Radio Slaves' Rekids, Dynamic Reflection, Nina Kraviz' трип and more. Here though, he makes a welcome return under his The People In Fog alias to Tokyo's Sound Of Vast, the platform that's played host to all of his material under this alias as well as others like The Mole, Shinichiro Yokota, San Proper and more.

Across the nine-track 'Too Much Knobs And Cables' LP, The People In Fog once again radiantly showcases his depth and understanding of true underground sounds. From the classic Deep House aesthetic of opener 'Red Morning', 'CC Love' and 'New Life' to more classic Chicago House inspired cuts like 'Animal Kingdom', 'Jack Out' and filtered Disco house jams like 'Dance To The Air', 'New Life' and 'Miraval'.

Sodeyama also dives deeper beyond House once again in true long player fashion to deliver the unique 80's tinged, funk-infused and vintage synth/drum machine laced 'Night Driver' and the cinematic closing piece 'Sun Moon Lake', which leans into a Balearic leaning sonic world via drifting guitar melodies, arpeggios, acid licks and a crunchy rhythm section.

Federsen’s Alt Dub continues with its third release this May, the ‘Artist Series’ focused VA features cuts from cv313, Taction, Hidden Sequence and Fletcher.

Based out of San Francisco, Federsen and his Alt Dub imprint are known as purveyors of all things raw and intricate in the world of Dub Techno, holding the beacon and championing the sound, introducing new artists and featuring highly respected figures from the scene also. This new various artist package promotes exactly that.

Taking the lead is the widely revered cv313, the Detroit based dub powerhouse delivers his signature sound with ‘Spectral Vector’ via hazy field recordings, textural noise, modulating percussion and spiralling dub echoes all subtly nuanced throughout its nine minute duration. Sydney’s Taction then offers up ‘Caesious’, employing trickling water sounds, ethereal, expansive pads, pulsating subs and reduced percussion.

Opening the B-Side is Hidden Sequence’s ‘Azteca’, picking up the energy levels courtesy of swinging organic percussion, bubbling echoes, reverberated stab sequencing and oscillating resonant synth flutters. Fletcher’s ‘A Distant Place’ then rounds out the release, an eight and a half minute excursion through soft, dream like chimes, twitchy synth tones, a heavily swung rhythm section and subtly nuanced structure.

Suburban Base Records Presents: SUBBASE SAMPLER – 2 x Vinyl Album First Time Ever as a Vinyl Release!

Originally released in 1997 as a CD-only compilation, Subbase Sampler is finally available on double vinyl for the first time ever! This iconic collection captures the energy and evolution of the jungle and drum & bass scene, featuring a heavyweight lineup of genre pioneers.

The reissued album includes classic tracks from legends like Remarc, Mampi Swift, Dream Team (Bizzy B & Pugwash), Pascal, and Intalex presents The X (Mark XTC)—bringing together the unmistakable sound of Suburban Base during the golden era of Drum & Bass.

This long-awaited vinyl edition is a must-have for collectors and fans alike, delivering timeless cuts that shaped the underground. For the first time, the album will also be available digitally to stream and download—bringing these essential tracks to a new generation.

Don’t miss your chance to own a piece of Suburban Base history!

Originally released in 1973 by New York-born soul singer Melvin Bliss, 'Synthetic Substitution' was never meant to change music. A B-side to his single 'Reward', it quietly slipped out on Sunburst Records i and then, years later, exploded.

With 'Funky Drummer' sticksman Bernard Purdie's drums at its core, it became one of the most sampled tracks in hip-hop history, forming the rhythmic backbone of cuts by De La Soul, Mobb Deep, LL Cool J, Justin Bieber and hundreds more. This new release gives the track its due, with a sharp remaster and a respectful rework from Just Blaze. The original still hits hard i a slinky, minimal soul groove with impeccable swing and eerie vocal calm. On the flip, the 'Just Blaze Take 6 Master Mix' lifts that legendary break into widescreen, looping and layering it with warmth and flair. It's not flashy, just smart i honouring the DNA while letting it breathe. It's a fresh pressing of a foundational beat, and a timely reminder of how deep hip-hop's roots run. Whether you're crate-digging or just craving drums with history, this is as vital as it gets.

With releases on Brooklyn’s Major Records and UK imprints Non Stop Rhythm and Indulgence, DJ Split is a breakthrough producer putting his own stamp on the classic Chicago house sound. For his Shadow Pressings debut he has conjured up five original club cuts that will work their magic on any dance-floor worth it’s salt.

Last Night Baby sets the tone with taught 909 beats, punchy bassline stuttering vocal hits. Piano chords and a smattering of melodic chimes and just the right amount of musicality without taking away any of the raw energy and turbo-charged grunt. Treading a similar path but upping the BPM’s, XNXX goes for the jugular with gnarly FM bassline and frenetic groove.

Flip over for Can I Tell You? which goes a little deeper with a rolling bassline, filtering Detroit pads and strings whilst Step For brings touches of acid, banging 909 toms and vocal chops. Closing out the EP we have One In A Life Time which turns up the jack factor with snappy 808 snares, mechanical bass line and deep stabs. DJ Split is a man on a mission to bang the party and has come prepared with his piñata fully loaded with big, fat beats n basslines.

For his first solo vinyl release Slovenian producer Nitz drops four introspective cuts exploring unusual rhythms and soundscapes. Spanning techno, electro and IDM, this is material built for discerning dancefloors.

Celebrating the 60th anniversary of these iconic Mojo Men recordings, this fantastic collection now comes pressed on heavyweight colour vinyl with all new artwork and liners. Produced by none other than Sly Stone (from Sly & The Family Stone) during the group"s Autumn label era, these West Coast recordings include the breakout hit "Dance With Me" (1965) alongisde other rare cuts and rock and pop gems. Sly Stone, then a rising producer and arranger, helped shape the sound of many Bay area artists during the early-mid 60s. The partnership between Sly Stone and The Mojo Men was a key chapter in both of their stories.

Fast Castle kicks off 2025 with another five-track heater: Stable Units by Gent1e $oul!
Across five tracks, Gent1e $oul hones his signature blend of bass-driven genres, adding more dancefloor-focused cuts to his ever-expanding sonic universe.
The opener, 4TC Boom, came together in a single restless session, crafted as a late-night special for the label’s most recent dance at Fitzroy. Its thick, drippy bassline—born from Digitakt overdrive manipulation—makes it the perfect stalactite cave anthem.
Next up, Paladin—named after the strongest horseback unit in Gentle $oul’s beloved AOE II—marks Gent1e $oul’s second collaboration with recent Femme Bass Mafia production graduate Rolex3k. This jersey-tinged, wubby roller was first road-tested by MSJY at Reef, where it proved its undeniable dancefloor potential.
Who doesn’t love that classic M1 grime flute? +390 pairs its signature "ring ring" sound with rolling UK techno drums, making for a no-brainer DJ tool.
On the flip, Steppe Lancer is a brooding, venomous mutation—headsy, progressive, and laced with heavy, evil energy. An FCHQ favorite and one for the heads!
Closing things out, Parthian Tactics dives deep with a late-night dubstep cut. Powerful enough to shake the subs, yet swaying in half-time for those introspective moments.
For the artwork, our graphic wizard Jonas went all out, creating a stunning detailed Bronze Age–inspired 3D equestrian design. Snag the full-cover printed vinyl via Bandcamp or at your favorite record store.

Quick Guide
4TC Boom, 154bpm – Drippy stalactite cave, peak-time weapon
Paladin, 142bpm – Wubby jersey roller, groovy DJ tool
+390, 138bpm – Grime-tinged dubstep x techno hybrid
Steppe Lancer, 154bpm – Headsy, progressive rattlesnake venom bomb
Parthian Tactics, 146bpm – Deep dubstep for late-night sessions

Polish producer Newborn Jr. joins forces with the incredible vocalist Annjet for their highly anticipated debut full-length vinyl LP under the collective name Krush Klubb, set to be released through the renowned Bristol-based independent label, Shall Not Fade.

The Zone Out LP seamlessly blends the best of modern dance music, effortlessly merging the smooth, hypnotic rhythms of deep house with the frenetic energy of breaksy jungle cuts, all while showcasing the rich, captivating vocals of the talented Annjet. This dynamic collaboration not only highlights Newborn Jr.'s unparalleled production abilities but also elevates the musical landscape with Annjet's signature vocal style, which adds an emotive, immersive layer to each track.

With its intricate soundscapes and genre-defying approach, Zone Out stands as a testament to Krush Klubb's versatility and vision, offering a unique listening experience that crosses boundaries and defies expectations. The LP promises to be a perfect soundtrack for those who love to lose themselves in the rhythm of dance music, whether you're winding down or getting lost in the groove.

The Zone Out LP drops on Friday, 23rd May via Shall Not Fade, ready to leave an indelible mark on the dance music scene and introduce Krush Klubb as one of the most exciting new acts in the genre.

LOVETEMPO returns with three original cuts. The ultra groovy title track wears its 90s NY house influence on it's sleeve, complete with deeply addictive sax riffing. 2 silky disco grooves round out the A-side, with a pair of phenomenal remixes from legendary ERIC KUPPER on the B.

Detroit deep house don Rick Wade back in full force! Four cuts of pure groove, lush vibes, and soulful grit. Limited wax, no sleep!

Laurent Garnier : cool release
Radio Slave (Rekids) : Woah !!! Rick knows.
Ben Sims : Now downloading. Will check asap!
DJ Bone (FURTHER) : So deep so dope! Love every track here.
DJ Sneak (I'M A HOUSE GANGSTA) : superb work
Jaye Ward (Dalston Super Store / Netil Radio) : super deep super lush
Marcel Dettmann : thx
Ryan Crosson (Visionquest) : Been playing Rick's music for 20 years. thanks for sending
Arno (Pressure Traxx / Einzelkind / Half Baked) : In a world that gets more and more crazy and unpredictable it feels good to know that some things can still be relied upon. Like Rick Wade and his crunchy deep house jams. Thanks! I was pleasantly surprised to receive such a good digital promo. Keep up the good work. Greetings from Berlin
Pat Hyland (Northside Loft Society) : Loving this EP. Rick‘s House interpretations are the finest. Full Support. Your Love Is........ Magic!
Mike Shannon (Cynosure) : Big Daddy Rick is goin' deep!
Harri (Sub Club) : lovely stuff, will play and support
Fred P : Dope...
Kai Alce (Real Soon) : Classic sounds of Rick Wade!
Enrica Falqui (ERIS, Plexus 4) : Dusk Runner for me, thanks!
William Kiss (Rekids) : Lovely!
Kléo (Rush Hour) : deep and soulful just the way it's supposed to be!
Bill Brewster (NTS) : Best track: Your Love Is
Gerd (4Lux / Clone) : Amazing house tracks by Rick Wade as usual! Phonogramme killing it too!
Aleqs Notal : Love it !!! Full support
Jorkes (Freeride Millenium) : lovely. thanks so much for sending. xoxo
Geir Aspenes (G-Ha (Sunkissed)) : Nice, thank u
Dorian Paic (Raum Musik) : Your Love Is is the one for me. Thx for the promo!
Dj Hutch (Ambers) : Lovely stuff this