Suche:d j sound

Australian talent DJ Swella making his debut on the Clone Royal Oak series! Known for his warm, chord-driven house sound (highlighted on his Pleasure Trax releases). He continues the trajectory here: classic-leaning, groove-focused club music with that late-night energy.

Integrate marks the debut release for both new UK electronic music label System One & label head D. Howard* No stranger to the music having worked with some of the most well known electronic acts over the last 30 years, Integrate marks the first time D.Howard has gone studio side to empty the contents of his mind

Integrate spans a range of classic influences over its 7 tracks. The warm vintage pads and arpeggiated acid sequences of Helford Dawn recall a touch of Warp era Black Dog. Solaris take a spacey electro driven trip adrift on evocative & reflective chords while Aja takes the beat further, melancholic & eerie atmospheres sits atop a lithe acid bass line and crisp drum programming

Dear James pays tribute to the much regarded producer James Rekab Baker who sadly passed away in September 2025 James was the first person to hear this project & his enthusiasm and support was the push needed to start System One and release the music. The track is a soulful melodic deep tech cut reminiscent of early Dutch techno and has received great reactions from radio DJs such as Damo B, Colin Dale, Luke Una, Ross Allen, Paul ‘Apiento’ Byrne & Ollie Chubb at NTS and Quinn Paranoid London (Rinse FM)

System One is a new label dedicated to soulful electronic music, late night grooves & intergalactic beats, drawing its inspiration from the early 90s techno & ambient sounds of Uk, Frankfurt, Detroit & beyond

System One - Bass, Beats, Pads & Bleeps

After the excellent response to the first volume, Acid Jazz Classics returns with the second volume.
The Acid Jazz sound born in the 1990s, which harked back to the Soul Funk of the 1970s, found in IRMA one of the labels most dedicated to
this world, and still releases music that can be categorized under this name.
From songs from the 1990s with artists like Jestofunk, Bossa Nostra, Black & Brown, Gazzara, Italian Secret Service, LTJ Xperience, Sarah
Jane Morris, to the present day with artists like The Smoke Orchestra, Yuts and Culture, Fusion Funk Foundation, Micky More & Andy Tee,
Belladonna, and many others.
19 tracks on a double vinyl, some of them never before released on vinyl, all rigorously perfect for both the club and listening.
In fact, some tracks are little club gems:
"Say It Again" by Jestofunk in its very first version from 1993;
Belladonna - Black Jazz, one of her most requested songs ever released on vinyl;
Key Tronics Ensemble - You For Me, the Montuno Salsa version performed for years by Little Louie Vega at many of his gigs;
the Micky More & Andy Tee remix of Sarah Jane Morris's Hold On To Love!

Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik, and released an album with her Polish group teskno last year. She has performed at some of the most prestigious venues in Europe - from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London (where she made her debut at the Gondwana 10thanniversary festival last October) and at festivals such as Open'er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.

LP comes with heavy weight reverse board sleeve including a double sided printed insert plus digital download code.

Esja is her debut solo album and for Rani it is her first, real, personal statement as an artist. "No hiding behind the "collaborations" or "projects" anymore. For the very first time, finally - just me, as I am".

Recorded at Rani's apartment in Warsaw (the piano room has a beautiful reverb and the space has become part art studio and part sound laboratory for Rani) and at her friend Bergur Þórisson'sstudio in Reykjavik, Esja is a series of beautiful melodic vignettes. Sensual, sensitive, rhythmic, atmospheric, free but harmonious, beguiling and hypnotic, collectively they project a sense of unlimited space and time.

Expect support from accross the media spectrum from Mojo to Uncut and Gilles Peterson and Mary Ann Hobbs on 6 Music to Radio 3 and beyond. Full servicing to the Gondwana Records datebase.

2025 Repress

Cirkle makes a striking debut with the EP "Sonic Surge" on Sublunar, curated by Sciahri, delivering a truly memorable release. Hailing from Greece and affiliated with labels such asSk11, Cirkle unveils his interpretation of timeless techno in this EP, characterized by a distinctive and deeply personal sound.

Opening with the sharp and compelling "Sonic Surge," the record quickly captivates listeners before transitioning into "Echoes Of Eternity," a hypnotic journey driven by an unstoppable groove. On the B-side, "Subsonic" commands attention with its irresistible and powerful rhythm, leading up to the EP's epic conclusion, "In The End There Is a Hope." This minimal yet profound track leaves an indelible mark with its unforgettable sonic textures.

Rising talent of the Frankfurt scene, Kuyateh joins the Jisul Family with four tracks that cut to the heart of the label's signature sound.

Under a sky of short days and long nights, Notta Records from Finland unveils Dog Sleep, a deeply immersive EP by Cyclic/Random. Known for crafting slow-burning, atmospheric excursions at the intersection of dub techno and deep, dubbed-out house, Cyclic/Random extends the labels mission of a warm, hypnotic winter soundtrack.
Across the EP, soft-focus chords drift like snow over steady, smoked-out grooves, basslines pulse with understated weight, and echoes curl around the edges of the stereo field. These are tracks built for long, nocturnal sessions, the moments when the outside world is frozen and the dancefloor feels like a shelter. Dog Sleep is intimate yet expansive, perfectly tailored for winter: crackling dub house, deep dub techno and distant ambient textures that invite you to slow down, sink in and dream with your eyes open.

Finnish dub-techno craftsman TM Shuffle, head of Vuo Records, resurfaces with a deep and distilled EP that goes straight for the late-night heart of the dancefloor. Rooted in Tampere’s raw, analog dub sound, his productions have long balanced weight and warmth, smoked-out chords, rolling low-end and subtle shuffle that keeps the groove in constant motion.
The lead track “Kellari” dives into basement mode: pressure-cooker drums, slow-burning stabs and a humid, lived-in atmosphere that feels equally at home on a huge system or in headphones at 4 a.m. On the second original cut, TM Shuffle links up once again with long-time collaborator Monoder, the alias of Jussi-Pekka Parikka, known for his dubbed-out explorations on labels like Statik Entertainment and Pakkas-Levyt since the early 2000s. Their joint track stretches time, letting echo, tape hiss and distant melodic fragments float around a rock-solid groove, channelling years of shared studio language into one focused, hypnotic flow.
On the flip, Anton Kubikov (SCSI-9) steps in with a lush reinterpretation of Kellari. A true Russian techno veteran with a catalog that spans Kompakt, Force Tracks, Mayak and beyond, Kubikov melts the original into a widescreen, dream-state trip, soft-focus pads, gentle yet insistent percussion and that unmistakable rolling pulse that made his work so enduring. The remix doesn’t just extend the track; it opens a new dimension, turning the basement pressure into a slow-rising, celestial drift.
Pressed on limited coloured vinyl, this EP is built for selectors who like their dub techno deep, human and timeless, a record that will quietly live in bags for years and keep resurfacing whenever the room calls for true late-night elevation.

Finnish dub-techno craftsman TM Shuffle, head of Vuo Records, resurfaces with a deep and distilled EP that goes straight for the late-night heart of the dancefloor. Rooted in Tampere’s raw, analog dub sound, his productions have long balanced weight and warmth, smoked-out chords, rolling low-end and subtle shuffle that keeps the groove in constant motion.
The lead track “Kellari” dives into basement mode: pressure-cooker drums, slow-burning stabs and a humid, lived-in atmosphere that feels equally at home on a huge system or in headphones at 4 a.m. On the second original cut, TM Shuffle links up once again with long-time collaborator Monoder, the alias of Jussi-Pekka Parikka, known for his dubbed-out explorations on labels like Statik Entertainment and Pakkas-Levyt since the early 2000s. Their joint track stretches time, letting echo, tape hiss and distant melodic fragments float around a rock-solid groove, channelling years of shared studio language into one focused, hypnotic flow.
On the flip, Anton Kubikov (SCSI-9) steps in with a lush reinterpretation of Kellari. A true Russian techno veteran with a catalog that spans Kompakt, Force Tracks, Mayak and beyond, Kubikov melts the original into a widescreen, dream-state trip, soft-focus pads, gentle yet insistent percussion and that unmistakable rolling pulse that made his work so enduring. The remix doesn’t just extend the track; it opens a new dimension, turning the basement pressure into a slow-rising, celestial drift.
Pressed on limited coloured vinyl, this EP is built for selectors who like their dub techno deep, human and timeless, a record that will quietly live in bags for years and keep resurfacing whenever the room calls for true late-night elevation.

Ascension marks the Manjumasi debut of Brazilian producer Canavezzi, distilling the label’s trademark quirky sophistication through a distinctly South American lens. The EP drifts between deep house, dub-soaked textures, micro-details and tech-driven grooves, always subtle, never obvious.
Across the record, Canavezzi works in tiny movements: flickers of percussion, vapor-trail chords and basslines that feel less “written” and more sculpted over time. Nothing shouts, everything glows. It’s the kind of sound that sneaks into a warm-up set and is still echoing in your head when the lights come on.
True to the San Francisco imprint’s ethos of deep, complex, melodic grooves with a playful twist, Ascension is built for dancers and listeners alike, equally at home on a smoky after-hours floor, a rooftop at sunrise or late-night headphones.
A thoughtful slice of contemporary house from Brasil to Manjumasi, Ascension is less about peak-time fireworks and more about that slow, undeniable lift: a steady climb into its own hypnotic orbit.

How better to solidify over a year of meteoric rise than with the release of a debut EP? dublon is both the phenomenon of the moment and one of the most promising prospects for a lasting career in the electronic scene. The Norwegian producer has teamed up with top-tier musicians (saxophonists, pianists) to blend organic craftsmanship with his incredible electronic touch. He has also collaborated with respected and renowned artists like Tour-Maubourg, TABLE, and the incredible American singer Deza to bring this project to life.

The result is Nectar, an EP that balances touching elegance with an insatiable urge to dance to its uplifting rhythms. dublon and his Jazz-House sound are set to keep us moving all year long.

Soul-Funk-Disco-grail officially reissued for the first time by Backatcha Records. Recorded and released in 1981, Stars' core line-up consisted of the musicians from Aura (‘Freex’, ‘Last Stop’, and ‘Sunshine Love’). “Stars was a band name and not a band”, explains keyboard player Steven Young. It was a studio group made up of mostly players from their neighbourhood band Hooker in Corona, Queens, that’d performed on the New York live circuit since the early 1970s. At the helm of Starbase Sounds was the Cadle Brothers trio: producer Ray Cadle, bassist Jules Cadle, and an older brother as financial backer, leading to the creation of the short-lived Starbase Sounds label. It released a total of four singles, including this rare 45 bomb, and three previous singles from The Freex Machine and Aura, all equally prized and sought after, and all reissued for the first time by Backatcha Records.

Out of Buenos Aires, Argentina the ever-consistent Manuel Sahagun comes
correct for Sounds of Style Records with our 6th release titled “Feed The
Flame EP”.
With excellent releases on Freerange, Pomme Fritte and Fortunea we are
excited to welcome Manuel to the team!
We start off with a jam that's funky and moving titled “Stressed Out’ that’ll give
the heads something to think about while the dance floor boogie’s. Next up is
“1000 Shamans” with a nice spoken word over a funky chugger that will turn
out the heads whether its early in the night or full-on boogie till the sun comes
up.

The B side starts off with our title track “Feed The Flame” which gets to the
feels of classic House music that we love so much! We round out the ep with
“Younger Brother” that ties a catchy spoken word over solid chord work and
bumping low-end to round out this quality record!
Already getting play by DJ Sneak, Toomy Disco, Jay West, DJ Dazy, Mateo
Dufour, Cory Wells, Sound Process & more.
Up next, we have Eddie Leader ”Need To Pivot EP” that is due out January 30th!

DC10 remains one of the most authentic clubbing experiences on the White Isle. It has different golden eras depending on your age, but for minimal lovers, that was 15 years ago, when you would get the likes of Romanina outfit a:rpia:r doing a cult b4b with Ricardo Villalobos. That's the vibe these new edits are going for from the Sorry We Play Vinyl label. 'EDIT4' is all wonky rhythms and twisted synthetic sounds and rising sine waves with chopped vocal fragments. 'EDIT5' is dubby house scattered with congas and 'EDIT6' is a more light and soulful sound for the early morning session with funky guitar twangs and skeletal rhythms locking you in for the duration.

Monsieur Van Pratt is one of the leaders of the edit game and his Illegal Disco is all the proof you need. This latest drop finds him tap into vintage Japanese rare grooves and flip them with his signature style. 'Space Scrapper' is up first and is the sort of comic cut that will have you wide-eyed as it reworks a celebrated Japanese musician and vocalist. 'Time Machine' is a big, stomping disco cut with rubbery bass riffs and Japanese city pop vocals riding next to cursing synths. It's a bright but steamy sound for when things really heat up. Last but not least is another showstopper with 'Feel So Fine' layering wispy cosmic melodies with cool-as-you-like disco drums and carefree vocals. Lovely stuff.

Robohands, das Projekt des Londoner Schlagzeugers/Komponisten Andy Baxter, gilt mit seiner experimentellen Erkundung des Jazz, Krautrock, Ambient und cineastischer Soundscapes als aufstrebender Name der internationalen Jazz/Ambient-Szene - mit über 10.000 verkauften LPs seiner fünf Alben und Auftritten bei den London Jazz, Montreal Jazz und Waking Life-Festivals. Die neue LP "Oranj" ist eine Hommage an die Pioniere der analogen Aufnahmetechnik mit Röhrenverstärkern, einem 1960er Fender Jazz-Bass, Fender Twin Reverb-Verstärkern und einer Vintage-Hammond-Orgel. Die Tracks vereinen die Wärme der 1960er/70er Jazz-Fusion und Soundtracks der Spät-1970er/80er mit modernen Einflüssen von Boards Of Canada bis Robert Glasper. Frenetische Uptempo-Nummern balancieren mit besinnlichen und experimentellen Momenten. Teils auf Tonband für zusätzliche Klangsättigung aufgenommen, ist es das bisher rohste und spontanste Album von Robohands.

No Fuss is back with a 14th outing that levies up to its name of dealing in only quality, fad-free sounds. Saison kicks off here with 'The Truth' which is a deep, lithe and soulful sound laced with soft acid, before DJ Romain's 'I'm Gonna Love You' taps into 90s New York house depths with neat organ stabs. On the reverse, Manuel Sahagun gets loopy with his bumping and raw 'Rouff' and its deft melodic curlicues while classy house operator Toni Lionni's remix of Deepmore's 'Babe' is a prime slice of serene and gently back-lit deep house hypnosis.

Third Space returns with ‘Third Wave’ and it’s a big one! The latest Various Artists EP gathers four deep and soulful house cuts from talented producers SY, Mbius, Jay Gadian, and label boss Miguel Seabra. A tribute to vibey, musical house tracks made for both the soul and the dancefloor. Each tune stands strong as an anthem, respecting the rich heritage of house music while dressing it in fresh, modern grooves. True to Third Space tradition, ‘Third Wave’ arrives as a limited vinyl-only release, capped at 150 copies with a strict no repress clause. A must-have for collectors and house music enthusiasts alike.

Mastered by: Miguel Seabra at Aura Project Studio

Distributed by: Carpet Distribution

Reissue 2026

"Call Me" is an electronic/house track by DJ Dino (Dino Lenny) on Nu-Tella Records, released in 2003.

It's praised for its deep, emotional, and melodic atmosphere, occasionally shifting from darker tones to uplifting major keys,

recalling classic electronic sounds with modern touches, though specific aggregate scores are scarce.

Official 2026 reissue includes, in addition to the original and remixes by Par-T-One and Santos, the previously unreleased version by Walterino.

Mixes completely remastered by Gianni Bini at HOG Studio.

Repress Orange Vinyl

Endlich können die Millionen Fans von "Stranger Things" ihre Leidenschaft für ihre Lieblingsserie durch den Kauf von physischen Produkten (vor allem LPs, aber auch CDs und sogar Kassetten, eine Anspielung auf die 80er Jahre als zentrales Thema der Serie) zum Ausdruck bringen! Noch mehr als in den vorherigen Staffeln spielt die Musik eine wichtige Rolle in der Erzählung, insbesondere das Kate-Bush-Phänomen "Running up that hill", das natürlich im Soundtrack enthalten ist, sowie "Pass The Dutchie" von Musical Youth und "You Spin Me Round" von Dead or Alive, die in den ersten Episoden sehr auffällig waren. Supererwartetes Kultprodukt: Vorbestellungsstart am 1. Juli, wenn die zweite Hälfte von Staffel 4 startet. Enfin les millions de fans de "Stranger Things" vont pouvoir matérialiser leur passion pour leur série préférée en achetant en physique (surtout le LP, mais aussi le CD et même la cassette, clin d'oeil aux 80's thème central de la série) ! Plus encore que pour les saisons précédentes la musique joue un role prépondérant dans la narration avec en particulier le phénomène Kate Bush « Running up that hill » évidemment présent sur la BOF ainsi que Pass The Dutchie de Musical Youth, You Spin Me Round de Dead or Alive très remarqués dans les premiers épisodes. Produit culte super attendu : lancement de précommande à ne pas manquer pour le 1er juillet, date de lancement de la 2e partie de la saison 4.