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Ca$H Bonus - Got Me Thinkin' Tonight / Joy & Pain
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Black Vinyl[8,61 €]


Limited Metallic Silver Vinyl is exclusive to INDIE STORES. "Money Mouse Records moves effortlessly into the neon-hued vibes of 80's boogie culture with their latest 7" offering from Nashville's CA$H BONU$. Made up of some familiar faces from Music City's funk and soul movement, Andrew Muller and Nick DeVan are joined by Amber Woodhouse who lends her powerfully silken vocals to the mix. With the addition of Pittsburgh's synthesist maestro, BusCrates, along with Muller's deftly executed production flourishes; this record goes straight to the sweet spot of post-disco lushness. "Got Me Thinkin Tonight" is designed for the late-nite dancefloor aficionados, taking cues from some of the era's greats and shaking things up into something new and heaving. The synth work and beats weave together with Woodhouse's amorous lyrics to create a dancefloor jam that sounds just as at home in 1982 as it does in 2022. That magic is repeated on the B-side with "Joy & Pain" a straight up hustler of a track, with a driving drums and heady arrangements that, again, are meant to get the dancefloor churning. Woodhouse's vocals deliver a sweet soulful emotion that jives perfectly with a groove that would make Rod Temperton proud. And don't forget the heavy drum break at the end. CA$H BONU$ is bringing the boogie heat to your feet for real!"

Reservar25.11.2022

debe ser publicado en 25.11.2022

10,04
Fruit - Gilgamesh

Fruit

Gilgamesh

12inchØEN020
ØEN Records
24.11.2022

repress!

ØEN Records is back with a special two track EP from up and coming Copenhagen based producer Fruit. Originally from Iceland, but based in Denmark Fruit has been making waves in the Copenhagen club scene with his eloquent DJ and live-sets. Following up his acclaimed 2019 Drømmeland EP for Coastal Haze he is finally back with two epic, fast-paced and euphoric tracks to light up the summer dance floors.

Drawing inspiration from myths and legends and particularly the Epic of Gilgamesh – a 4000 year old poem from ancient Mesopotamia – “Gilgamesh” is a hypnotic and trancey trip destined for the peak hours of the post-corona parties.

Created during the peak of the pandemic on an old half broken borrowed MacBook, the two distinct but kindred tracks are testament to Fruits unique production style, effortlessly navigating between euphoric fast-paced house, ambient soundcapes, hypnotic percussion and haunting atmospheres. Skillfully crafted and executed “Gilgamesh” is primed for both floor and mind.

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11,47

Ültimo hace: 9 Meses
Broken Bells - INTO THE BLUE

Broken Bells are back with their third full length album, INTO THE BLUE. Featuring two of the bigger names in indie and alternative music -- the Shins' singer/guitarist James Mercer and producer/multi-instrumentalist Brian Burton, aka Danger Mouse -- Broken Bells combined the pair's greatest strengths. On 2010's Grammy-nominated self-titled debut and 2014's more structured After the Disco, Mercer's gift for indelible, slightly spooky melodies and Burton's atmospheric productions complemented each other perfectly. In the late 2010s, the duo reconvened to release a succession of singles ahead of their third album. Mercer and Burton were inspired to collaborate when they met at 2004's Roskilde music festival in Denmark, where they discovered they were fans of each other's work. However, they didn't start writing and recording together as a band until March 2008, when Mercer holed up in Burton's home studio in Los Angeles. They took a different approach to working together than with their other projects: Burton avoided the sample-heavy style he used on The Grey Album and Beck's Modern Guilt, and played only live instruments; Mercer broadened his vocal style to include falsettos and deeper registers. Mercer and Burton made their official debut as Broken Bells in 2009, releasing their debut single, "The High Road," late that year. Their self-titled debut album came out in March 2010; it reached number seven on the Billboard 200 Albums chart and was nominated for a Best Alternative Album award at the 2011 Grammy Awards.

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25,17

Ültimo hace: 3 Años
Basic Mind - Closed Gateway

R.A.N.D. Muzik Recordings welcomes an old friend to the
label, Basic Mind from Perth, Australia - an Artist that has
always taught us that groove, feeling and precise production
is often more important than maximalism.

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10,71

Ültimo hace: 11 Meses
Footshooter - Afterglow FM

Footshooter

Afterglow FM

12inchWOLFEP067
WOLF MUSIC
23.11.2022

Fresh off the back of his highly acclaimed debut album on Astral Black, Footshooter returns to the WOLF Music pack following his ethereal remix of Velour last year, with an exquisite six track journey through his signature sound.

An amalgamation of genres, ideas and vibes blend seamlessly together throughout the record, showing a wealth of knowledge, alongside a production prowess to match. From the cinematic opener 'Welcome In' to the soulful, synth-laden broken beat of ‘Turning’ and 'Archetype 7' on the A side. Samples dance next to magical playing and programming, with hats tipped to legends of yester year whilst keeping things completely fresh at the same time.

Flip it for the B, where UK Funky feels mix with bumping house for the fresh to death, dress to impress 'Dojo'. Footshooter then dips the lights down low and and slows the tempo with the beatsy, piano shimmering brilliance of 'Angel(s)' and the eyes closed, soul healing sounds of 'Hold On'.

Six shots, no misses, Footshooter gets deep into the heart of what’s bubbling in London town right now.

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11,98

Ültimo hace: 21 Meses
Plus One - We Out Here EP

We Out Here is the highly anticipated debut EP from Dublin’s Plus One on First Second Label. The prolific musical polymath lays down 4 sub-wrenching club tracks indebted to hardcore futurism with a canny pop sensibility.

Plus One is an alias of cultishly adored producer Matt Finnegan, a veteran beatsmith behind multiple productions for Irish rapper Kojaque, amongst other impressive credits on an expansive CV. He concurrently eyed up the dancefloor, stocking an impressive hard drive of unreleased club tracks that were subsequently rinsed heavily by the likes of Ben UFO, re:ni and EMA to name but a few.

This is his solo debut proper, and comes impressively fully formed from the off. We Out Here starts the engines with a deliciously sub-y stepper of epic big room potential, with a fittingly large bassline to boot. Hood Up Head Down is suspended in an aqueous ambient-drowned RnB bath before unfurling into lush 2-step in romantic fashion. Kiki bobs assuredly along a breaks-y techno pulse amongst a twinkling twilight melody and an emotive reese-bass stunner of a line. Me concludes the EP on a necessary 160 tip, flexing a modern jungle rinse out with sharp amens and soaring melodic subs to round off this statement of intent. - Nevan Jio

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10,50

Ültimo hace: 3 Años
Otik - Crystal Clear / Rainbow Rhythm

Hailing from Bristol and based in London, Ashley Thomas routinely passes the storied music heritage of both cities through his own singular, prismatic filter. As Otik he produces brilliant and complex hues, forming compositions from weightless neon-tinged trails, richly layered melodic webs and inky, subaqueous bass lines.

The prolific artist recently created his own imprint, Solar Body, to accommodate the expanse and volume of his unfettered productions; now with his !K7 Record debut, Otik deepens his sonic explorations for the label he credits as a crucial discovery portal.

“CRYSTAL CLEAR” is inspired by a personal epiphany, and it shines through with sparkling clarity. With the unmistakable signifiers of dancehall in its bassline and drum programming, Thomas turns these references outwards and upwards, finding a new expression with glistening drops of cosmic colour, gauzy pads, and soft crescendos of cymbals.

Despite coming in hard and fast with a bruising 130BPM bass rhythm “RAINBOW RHYTHM'' evokes a positively disorienting kaleidoscope for Thomas, courtesy of its sugary, euphoric synth sounds. It is a balance of hard and soft, leading heavily with drums throughout, contrasted with the track’s delicate and sweetly warped melody.

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13,66

Ültimo hace: 2 Años
Lee Holman - Urban Warfare

URBAN WARFARE

Music has always been a common means to deal with global events – so does this new release on Snork Enterprises by Lee Holman. Having actually performed in Ukraine shortly before the war, Lee Holman clearly has chosen the title of his new release by purpose. “Urban Warfare” dedicates for titles, all of them bearing names with military connotation, to the recent events in Ukraine and beyond.
The musical means of his choice to process the happenings are raw, straight forward electronic sounds echoing from the underground. His combination of beeping, roaring and crooked tunes creates a dystopian atmosphere in each track – yet, each in its unique way. This makes the release a diverse collection of four tracks of unadorned urban club sounds dashing through present day history.

LEE HOLMAN

An uncompromising underground ethos, Lee Holman has garnered support from a host of Techno's brightest names.
Performing in clubs since the late nineties, he has travelled throughout Europe, North America, South America, Asia and everywhere inbetween, compounding a reputation for his unique vision on Techno. Playing a fusion of deep, raw and energetic electronics, his sound creates a myriad of tension, constructing the perfect combination of musicality for club appearances.
Performances both as a live act and as a DJ have unlocked opportunities to share hallowed ground with Techno’s elite, appearing in prestigious underground venues such as TRESOR Berlin, Corsica Studios London, 8Bahn Arnhem, Sub-Scape Antwerp, Move Medellin, Tag Chengdu, Arkham Shanghai, Nechto events Kyiv + many more.
Production has earned him international recognition, leaving his mark at the forefront, building a reputation for consistency, originality and delivering his dynamic sound on both cutting edge and classic Techno Labels. Generating consistent support, he has remixed for high profile artists such as Aubrey and Gary Beck and has himself been remixed by leading Techno mainstays ranging from Orlando Voorn to Mike Dehnert.
Founding the Kawl Imprint, the label’s aim was to provide diversity in Techno and this formula was immediately picked up on and amounted to rave reviews and impressive charts and plays by leading connoisseurs of the underground.
This year, his releases have been frequent and in demand, with his production skills confirmed for Knotweed Records, Science Cult, Shaded Music, Nechto and more, adding to an already excellent discography.
With an ever expanding release schedule, combining remixes and a new label project called Demarcation, Lee Holman promises to be unrelenting in his definition of essential timeless Techno.

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10,04

Ültimo hace: 3 Días
Thomas Hessler - Sixty-Five EP

Unitas Multiplex The unity in diversity Out of many sounds, one track. Out of many tracks, one ep. Fifth release by Thomas Hessler including a remix by The Lady Machine and a Thomas Hessler remix of Binny that never got released officially on vinyl. Tracks A1, A2, B1 w+p by Thomas Hessler. Additional production by The Lady Machine on B1. Mastered by Conor Dalton. B2 w+p by Binny. Additional production by Thomas Hessler. Mastered by MB Mastering. Distributed by Ready Made Distribution. Artwork by Galster. Layout by Blind Observatory.

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10,38

Ültimo hace: 2 Años
Violators Of The English Language - Violators Of The English Language LP

Emanating from a ‘prehistoric’ existence near the end of the last millennium, Andy Votel and his slightly older college mates were once best recognised in Mancunian clubs and bars as teenage vinyl nerds and bum-fluffed battle rappers under the collective name Violators Of The English Language (which in acronymic form explains Andy’s own exotic pen-name).

As steadfast supporters of the 1980s / 90s Brit-core rap scene coming out of London, the multicultural Violators’ Mancunian accents were perhaps a bridge-too-far to secure dream job contracts for humble labels like Kold Sweat and Music Of Life. An unlikely constructive meeting with Gang Starr’s DJ Premier (while Andy helped out at a radio station), plus playing warm up DJ sets for countless US rap heroes might have temporarily added inspirational fuel to the fire, but after an active period combining graffiti, rapping, scratching, obsessive record digging and beat making into their daily operations, adulthood eventually began to rear its unwelcome head.

A decade later, Andy Votel and his digging skills would begin to provide direct sample material for the likes of Madlib, Mos Def, Jay Z, Nas, Dr Dre, Ghostface Killa and Action Bronson, amongst others, and the Violators’ black book of breakbeats and catalogue numbers soon began to feed a same-butdifferent rap beast.

For a project that has taken thirty years, it would be totally inadequate to call the formation of Hypocritical Beatdown Records a lockdown-project. There’s a deep history and psychology in these records by Violators Of The English Language and their spin-off groups Magnets (Rap Group) and ProVerbs, that combines stage-fright, loss, pride, creative-schizophrenia, racial inequality, surrealism, personal politics, brotherhood, artistic-constipation, better judgment, love, anti-love, soul searching and much more.

As well as Andy Votel taking care of both production and part of the microphone duties, some might recognise fellow MC and solo recording artist Figure Of Speech as a prominent voice here. The trio of Magnets (Rap Group) sees Andy also joined by local B-Girl legend Jeni Chan aka Penny Chew, and rapper and DJ Benjamin Hatton who has previously recorded with Kid Acne, The Mongrels and Sheffield’s Invisible Spies’ long-running squadron. Widely respected visual artist Rick Myers (now living in Massachusetts) also contributed scratches for many of these recordings via file sharing and custom dub-plates to keep the Violators’ authentic line-up intact, as well as galvanising the crew’s semi-reluctant art-school roots.

Extra production credits for the label also go to Sean Canty from Demdike Stare, and the late great Dan Dwayre aka Black Lodge (Mo Wax) who sadly passed away during the completion of these recordings. The members of Violators Of The English Language who you’ve not yet heard of will quickly make themselves known as the needle drops on this long-mooted debut vinyl release.

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29,37

Ültimo hace: 3 Años
STEVE MONITE - ONLY YOU LP

Steve Monite

ONLY YOU LP

12inchSNDWLP146
SOUNDWAY RECORDS
21.11.2022

Following on from 2016’s Doing It In Lagos: Boogie, Pop & Disco in 1980s Nigeria, Soundway Records return to that blistering set for the first and only officially licensed re-issue of the highly coveted debut album from Steve Monite, featuring the single ‘Only You’ that recently
seeped its way into popular culture. Lovingly restored
and remastered on 180g vinyl with liner notes.^

Shooting, space-synth sounds ripple and vibrate, incessant grooves keep the tracks in motion and Nkono Teles production, a producer often overlooked for his hand in the Nigerian boogie sound, sets the LP into orbit. An album that was largely overlooked on release in
1984, the track list includes the latter day hit ‘Only You’
and ‘Things Fall Apart’, the melody of which was lifted for
Young Franco’s 2020 single ‘Fallin’ Apart’.

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22,65

Ültimo hace: 3 Años
Deca - Smoking Gun

Deca

Smoking Gun

12inchCM102LP
Coalmine Music
18.11.2022

Deca’s streak of entrancing releases continues with Smoking Gun, an album that deftly blends psychedelic, raw production with sharp insights and clever lyricism. But it’s also much more than that. Smoking Gun is a sonic representation of an artist grappling with living in America, a country with a network of broken systems that leaves Deca questioning when and if it may turn around. To say this all makes for a compelling listen would be a vast understatement, because the New York City-based rapper/producer knows the key to presenting this material. He does it in a way that’s both refreshing and new, but never isolating or simply too oddball. There’s a left-field quality to his work, but Deca knows exactly what he’s doing. To prove that point, he enlisted fellow outside-the-box thinkers like Blu and Homeboy Sandman to appear on some of the album’s standout cuts. “Shelter,” which features Blu, is a jazzy, dusty piece of thoughtful hip-hop with crazy flows and lyrics to match. It’s so good you’ll wish these two would record an entire project together, and the same goes for Boy Sand’s appearance on “Dawn Wind.” Backed by Deca’s own low-key funky production, both he and Homeboy Sandman go verse for verse, each offering their own take on how to liberate yourself from the machine that aims to surveil and control both our outer world and inner peace. Other tracks embody a similar energy, including the justifiably cynical “St. America (feat. DJ Stan Solo)” and stunning “Tuning.” The latter track may just be the most impressive piece on Smoking Gun, thanks in part to the mind-melting beat-switch. It’s a thrilling musical journey that furthers Deca’s narrative about mankind’s ethical plight, and the problems we collectively face. TRACKLIST: 1. Smoking Gun (Intro) 2. St. America (feat. DJ Stan Solo) 3. Tuning 4. Blight 5. Flight Path (feat. Ichiban, DJ AWHAT!) 6. Hive of Industry 7. Crab Apples 8. Shelter (feat. Blu) 9. Tunnel Under 10. Dawn Wind (feat. Homeboy Sandman) 11. War Heads 12. The Eagle's Descent

Reservar18.11.2022

debe ser publicado en 18.11.2022

33,57
Paul Fathy / Corail' - Funky Baby Love / Karukera C'est Comme Ça 7"

Favorite Recordings proudly present a new series of 7" reissues with a simple concept: each side dedicated to one French funky track coming with its original artwork. You just have to flip it!

Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return.

On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.

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12,14

Ültimo hace: 4 Meses
THE WINSTON BROTHERS - DRIFT LP

Hot on the heels of their debut 45 released on Colemine Records, German funk powerhouse The Winston Brothers re-up with their first-ever full length LP. "DRIFT" is the name of the game, presenting eleven versatile cuts to invite listeners on an all-instrumental trip back to the future of funk. But make no mistake: Though audibly steeped in the deep funk tradition, this retrophile outfit is anything but dusty. The Winston Brothers are a modular studio project by Hamburg-based multi-instrumentalist and producer Sebastian Nagel (The Mighty Mocambos, Bacao Rhythm & Steel Band) and drummer / percussionist extraordinaire Lucas Kochbeck (The KBCS, Bacao Rhythm & Steel Band, Hamburg Spinners). Industry veterans with a penchant for analog music production, the two combine a boom bap state of mind with well-rounded funk acumen and able frequent collaborators to create dynamic arrangements that are both an audible nod to the genre's past as well as a contemporary blend of like-minded organic styles. Lacing heavy drums with juicy breaks, headnodic grooves, scorching riffs and melodic instrumentation, "DRIFT" draws on the raw energy inherent to `60s / `70s funk and takes it from there. Catchy, repetitive motifs gain musical momentum as they evolve into vibrant and autonomous soundscapes with a distinct drive of their own, ranging from incendiary to more laid-back and almost dreamlike. Strutting an irresistible bounce to their step, The Winston Brothers are poised to light up dance floors, river cruises and backyard BBQs alike. Catch our drift?

Reservar18.11.2022

debe ser publicado en 18.11.2022

23,91
Whirpool Productions - From Disco To Disco Rockers Hi-Fi Remix 10"

The Rockers Hi-Fi Remix was never released before. Typical Rockers Style for that wonderful Classic.

"If Time Where A Beat" was previously on the Ladomat Compilation only, "Compact Disc Volume 2" and on the first time on Vinyl and was the idea of a follow up to "From Disco 2 Disco"!

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12,98

Ültimo hace: 3 Años
Amy Dabbs - Baddest Gal EP

Amy Dabbs

Baddest Gal EP

12inchLOWBATTERY003
LOW BATTERY
18.11.2022

In what's been a stand out year for the Berlin based, London born, DJ & producer, Amy Dabbs has dropped releases on Lobster Theremin, launched her own label 'Dabbs Traxx' and collaborated with junglist Coco Bryce on new label project 'LT CODA'. With a distinguished sound and undeniable flair, both behind the booth and in the studio, Amy's brand of classic house and radiant jungle now comes to Low Battery with her 'Baddest Gal' EP.

'Don't Go' opens the EP with shimmering synths and lighter than air percussion. The mood is light and understated, conjuring warm and affectionate emotions without the need for amplified design. 'No You' then welcomes us with mid-summer melodies and sprawling pads; vocal loops adding to that feeling of fuzziness and warmth.

The B side opens with title track 'Baddest Gal' an emotional percussive workout that combines thoughtful arrangement with euphoric and dreamy notes. It's one of those tracks that could work just as well in a DJ set or cloud watching as the world slowly drifts by. 'Your Move', The record's finale shows a different side to Amy's dynamic productions; the track ebbs and flows and could be likened to the mixed emotions of meeting an old friend: Excited but nervous, happy but always with a heartheavy goodbye.

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5,84

Ültimo hace: 3 Años
The Jimi Hendrix Experience - Los Angeles Forum - April 26, 1969

Live At The L.A. Forum präsentiert einen außergewöhnlichen Auftritt der Jimi Hendrix Experience im April 1969. Vor einem ausverkauften Haus spielten Hendrix, Schlagzeuger Mitch Mitchell und Bassist Noel Redding ein einzigartiges Set mit Highlights wie "I Don't Live Today", "Purple Haze", "Red House" und einem erstaunlichen Medley aus "Voodoo Child (Slight Return)" und "Sunshine Of Your Love" von Cream. Diese unverfälschte Aufnahme, die von Hendrix' langjährigem Tontechniker Eddie Kramer neu abgemischt wurde, fängt die Jimi Hendrix Experience in ihrer unvergleichlichen Hochform ein. Ein Teil dieses Auftritts war zuvor Teil einer kurzlebigen Westwood One Radio-Dokumentationsbox Lifelines 1990-1992, war aber seit zwei Jahrzehnten nicht mehr in irgendeiner Form erhältlich. Die CD-Veröffentlichung mit einem 24-seitigen Booklet - komplett mit Linernotes von Billy Gibbons von ZZ Top, der die Show aus erster Hand miterlebte - gibt diesem bahnbrechenden Auftritt die richtige Plattform und präsentiert den kompletten Auftritt, der direkt von den originalen 8-Spur-Masterbändern abgemischt wurde.Enregistrée au printemps 1969 devant un public déchaîné et à guichets fermés, la performance captivante de la formation originale (Jimi Hendrix, Mitch Mitchell et Noel Redding) n'a jamais été publiée dans son intégralité. Cet album sort à temps pour le 80e anniversaire de la naissance de Jimi Hendrix. Après le succès massif du tiercé gagnant Are You Experienced, Axis: Bold as Love, Electric Ladyland en 1967-68, le trio est devenu l'attraction internationale la plus populaire du rock. C'est au L.A. Forum que le groupe dévoile pour la première fois la fameuse reprise de « The Star Spangled Banner », que Jimi allait canoniser quatre mois plus tard à Woodstock. Le live comprend «Purple Haze» et un medley incendiaire de 17 minutes de « Voodoo Child (Return) » et « Sunshine Of Your Love » de Cream. Le concert a été enregistré simultanément par Wally Heider et Bill Halverson, et récemment remixé par Eddie Kramer, producteur et ingénieur de longue date de Hendrix, pour une fidélité audio maximale et inclut une préface de Billy Gibbons de ZZ Top, qui a assisté au concert en 1969.

Reservar18.11.2022

debe ser publicado en 18.11.2022

45,67
INSTANT HOUSE (JOE CLAUSSELL) - LOST HORIZONS EP

Before he co-founded the legendary Sunday afternoon event Body & Soul with fellow New York DJs Danny Krivit and Francois Kevorkian in 1996, Joaquin "Joe" Claussell was the driving force behind Instant House, an eclectic production outift who released a series of uplifting deep house records, several of which were spun by David Mancuso at the 90s iteration of his influential Loft parties.

In 1993, Instant House released their deepest single, Lost Horizons, through Jungle Sounds Recordings. The A-side, ‘Lost Horizons (The Mind Travel Saturday Night Sunday Morning Mix)’ is a seventeen-minute and twenty-second sojourn into the vibrant club sounds of early 90s NYC. Driven by a Latin-accented man-machine beat that marches into infinity, it comes backed by two shorter mixes, ‘Lost Horizons’ and ‘Lost Horizons (Percussion Bonus)’. Twenty-nine years later, Isle of Jura presents an official vinyl and digital reissue of this slow-burning deep cut.

The Instant House story begins in the late 80s at Dance Tracks, an East Village record store established by the businessman, DJ, and graphic designer Stan Hatzakis. Patronised by New York trendsetters like Frankie Knuckles and Larry Levan, Dance Tracks was considered one of the world's best underground dance music retailers.

During the winter of 1991, Stan got together with one of his best customers, Tony Confusione, to make music. A wall street guy by day and a keyboardist by night, Tony was also a serious DJ. Not long after their first recording sessions, they invited another Dance Tracks fixture, Joaquin "Joe" Claussell, to join them in Tony’s state-of-the-art home studio in Long Island. He brought a vibrant, percussive edge to the sample-based tracks Stan and Tony were cooking up. Emboldened, the three DJs began recording together as Instant House. That year, they released the Dance Trax EP.

In 1992, after Instant House had dropped two certified classics, 'Over' and 'Awade', for Jungle Sounds Records, Stan exited the group and sold Dance Tracks to Joe and his business partner, Stefan Prescott. Following Stan's departure, Joe and Tony headed into the studio for a special recording session. “I just remember how powerful the connection was while we were making that record,” explains Joe, recalling the creation of ‘Lost Horizons (The Mind Travel Saturday Night Sunday Morning Mix)’. “It was a very spiritual encounter in the studio.”

While laying out the drum patterns, sound effects, and arrangement, Joe explained the vibe to Tony, who played the lush cosmic chords and an effortless keyboard saxophone line over the top. “That was Tony completely feeling himself,” Joe reflects. “He performed majestically.”

After the release of the Lost Horizons 12”, Joe received a phone call from Cisco International Corp. A plane flight later, he was sitting in their label offices in Tokyo, talking to a senior record executive who wanted to introduce Lost Horizons to Japan. “What they were primarily doing at the time was pressing classical records - we’re talking thousand dollar plus classical reissues - and they wanted to license and distribute Lost Horizons,” Joe remembers. Three years later, Joe and Tony released 'Asking Forgiveness', their final 12” as Instant House, before parting ways with full hearts.

In the context of his career as a DJ, remixer, and producer, Joe is known for long songs and compositions. As Lost Horizons illustrates, he’s carried that impulse with him since his foundational days. “When I produce, I don’t believe in the beginning or endpoint of anything,” Joe explains. “I really despise the rules. To me, that’s not true to the art of creation. I just believe there is a flow in creation. When we were making music in the 90s, we were restricted by format, but that record could have gone on forever.”

The 12” is housed in a full sleeve jacket by Bradley Pinkerton based on the original release design.

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12,40

Ültimo hace: 12 Meses
Barbie Bertisch - Prelude Remixes EP

Following the release of Barbie Bertisch’s debut album Prelude in June 2022, Love Injection is thrilled to announce Prelude Remixes via Love Injection Records, which features six artists new to the label, kicking off with a two-track 12” single followed by a full digital release. Love Injection is the label and fanzine Bertisch runs with her partner, Paul Raffaele. The duo are romantic about remixes as an artform and always intended to have reinterpretations be the next phase after Prelude. Often reduced to ways to extend a hype cycle, or disjointed add-ons, Love injection’s remixes exist in dialogue with the artist’s songs.

The 12 inch single will inaugurate the project, with Montreal’s Gene Tellem on the A side, and Panorama Bar residents Lakuti and Tama Sumo on the flipside. On the “GT Remix”, Bertisch gushes that “Gene is very good at creating and sculpting atmospherics in her productions. She really grabbed the song and took it to a different place.” Tellem's version of “After The Storm” is faster, elastic and pulsing with an almost primordial intensity.

Creative and life partners Lakuti and Tama Sumo take on “Fertile Garden (Emerge)”. Lakuti, originally from South Africa, got her start DJing in the Johannesburg house scene of the ‘90s. She is now based in Berlin and often DJs with Tama Sumo, who grew up in Bavaria and moved to Berlin in 199x and has been a staple in the scene there since. The duo, both residents of Berlin's Panorama Bar, turn “Fertile Garden” into an ecstatic, unrelenting beat-down, best fit for peak time.

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20,80

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Da Buze Bruvaz x Lord Beatjitzu - BoLO Yeung Barbarian Bicepz LP

Da Buze Bruvaz and Lord Beatjitzu come together for a truly hard hitting, no holds barred, HipHop grudge match with the tough as nails BoLO Yeung Barbarian Bicepz EP. The long-time collaborators, known for dropping at a prolific pace individually, found time to combine and give their prospective audiences a true gift. Expect nothing but explosive neck-snapping beats and hard-body drunken rhyming.

This is truly a companion piece for the Lord Beatjitzu produced Bruce Li in Japan LP. Here we find Da Buze Bruvaz Him LO and Clever One, deconstructing a few of those tracks while also bringing heat to some exclusive gems from the vaults of the reclusive production wizard. You may want to take a few steps back before entering drunken dragon styles presented on this one.

Bruce Li meets Da Buze Bruvaz and every track contained within qualifies as a lethal weapon! Protect your Necks, Arms, Heads and Chests! PLAY on 45 rpm!

Reservar18.11.2022

debe ser publicado en 18.11.2022

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