Once in a while an artist will come along that carves out a sonic aesthetic so distinctive it takes just a few bars of a record to know it’s one of theirs. Miguel Migs is undoubtedly one of these artists, with the Californian producer’s catalogue of deeply soulful house demonstrating his adept knowledge of atmospheric, dimensional and creative soundscapes. Now he delivers new album ‘Shaping Visions’ on Soulfuric Deep, his first LP since ‘Dim Division’ on Soul Heaven Records/Defected in 2014. Produced during the height of lockdown, the intimate connection between the listener and the 13 tracks on the album reflects a laid back and deeply emotive side of Migs’ repertoire. From the mellow groove of opening track ‘Midnight Memories’, to the seductive soulfulness of ‘Mood Lights’, and the laid back, driving feel of ‘Chasing Time’, this collection of mid-tempo gems showcases Migs’ distinctive style at its very best. With an emphasis on quality, song-driven material, featuring a host of talented collaborators including house favourite Lisa Shaw, guitarist and vocalist for Prince Andy Allo and Rebel Soul founder Martin Luther, ‘Shaping Visions’ thoughtfully intimate intentions are what make it a truly special listening experience.
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- A1: Dissolve (Tomorrows I)
- A2: Plans We Made
- A3: Bending Shadows
- A4: Only
- A5: Days Past
- A6: Honesty
- B1: Into Wind
- B2: Last Light
- B3: Undertow
- B4: Involution
- C1: Warning (Tomorrows Ii)
- C2: Molecules
- C3: Prophecy
- C4: Leaves
- D1: Out Of Wind
- D2: Apart
- D3: Bodies
- D4: Weight Of Your Air
- D5: Live Another Life
- D6: Borrowed Eyes
- E1: Unbind (Tomorrows Iii)
- E2: A Different Kind Of Love
- E3: Upend
- E4: Plans We Make
- E5: Glimmer
- E6: Come Recover
- F1: Sever
- F2: The Hour
- F3: Embrace
- F4: Vacancy
Arriving at a time of considerable uncertainty in the world, Son Lux's multi-album 'Tomorrows' is ambitious in scope and intent. Born of an active, intentional approach to shaping sound, the music reminds us of the necessity of questioning assumptions, and of sitting with the tension.
Ryan Lott, Rafiq Bhatia, and Ian Chang train their sights on volatile principles: imbalance, disruption, collision, redefinition. But for all of its instability, Tomorrows’ exploration of breaking points and sustained frictional places is ultimately in service of something rewarding and necessary: the act of questioning, challenging, tearing down and actively rebuilding one’s own identity.
The band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions.
- Tomorrows I-III, triple physical album, released previously digitally only
- Featuring the singles “Plans We Made”, Only, Prophecy, Live Another Life and A Different Kind Of Love
- More than 90 minutes music on 3CD and 3LP
- A1: The House Song - Lee Hazlewood
- A2: If Only She Had Stayed - Chris Gantry
- 3: Endless Miles Of Highway - Jerry Reed
- A4: The Back Side Of Dallas - Jeannie C Riley
- A5: Way Before The Time Of Towns - Hoyt Axton
- A6: Strawberry Farms - Tom T Hall
- B1: Down From Dover - Dolly Parton
- B2: July 12, 1939 - Charlie Rich
- B3: What Am I Doing In L.a.? - Nat Stuckey
- B4: Mr Stanton Don’t Believe It - Rob Galbraith
- B5: Saunders’ Ferry Lane - Sammi Smith
- B6: Four Shades Of Love - Henson Cargill
- C1: Drivin’ Nails In The Wall – Waylon Jennings & The Kimberlys
- C2: Ruby, Don’t Take Your Love To Town – Kenny Rogers & The First Edition
- C3: Why Can’t I Come Home - Ed Bruce
- C4: Mr Walker, It’s All Over - Billie Jo Spears
- C5: Harlan County - Jim Ford
- C6: Widow Wimberly - Tony Joe White
- D1: Belinda (Alt Take) - Bobbie Gentry
- D2: Joanne - Michael Nesmith & The First National Band
- D3: Mr Jackson’s Got Nothing To Do - John Hartford
- D4: Alone - Lee Hazlewood & Suzi Jane Hokom
- D5: Fabulous Body And Smile – Sir Robert Charles Griggs
- D6: I Feel Like Going Home - Charlie Rich
• “Choctaw Ridge” explores a new country sound, one that emerged at the end of the 60s in the wake of Bobbie Gentry’s ‘Ode To Billie Joe’, a shock number one hit in 1967. When singers like Gentry, Jimmy Webb, Michael Nesmith and Lee Hazlewood moved from the south to Los Angeles to make it in the music business, they were not part of the Nashville in-crowd and they forged a new direction.
• ‘Ode To Billie Joe’ was the tip of the iceberg, and its success helped a bunch of singers and storytellers to emerge over the next three or four years. Some of the tracks on this collection bear that song’s stamp more clearly than others: Sammi Smith’s moody ‘Saunders’ Ferry Lane’ had a similar mystery lyric, and Henson Cargill’s ‘Four Shades Of Love’ is a portmanteau, with one (or possibly two) of the theoretically romantic situations ending in death.
• Suddenly, character sketches of southerners became a lot more rounded – women didn’t have to stay home, or take abuse at the office, and darkness wasn’t only found at the bottom of a bottle. Storytelling is the link between all of the songs on this collection. We have cautionary tales about what could happen to someone who heads for the bright lights and doesn’t make it, ending up in the grasping hands of ‘Mr Walker’ (Billie Joe Spears), or on the ‘Back Side Of Dallas’ (Jeannie C Reilly), or on a mortuary slab in the case of the songwriter with the ‘Fabulous Body And Smile’ (Robert Charles Griggs). And there are stories about wanting to go home – Nat Stuckey’s ‘What Am I Doing In LA?’ and Charlie Rich’s ‘Feel Like Going Home’ – and others from Ed Bruce and Lee Hazlewood, who know that their home isn’t home anymore.
• The tracklist and fulsome sleeve notes have been put together by Bob Stanley (Saint Etienne) and Martin Green (Smashing, The Sound Gallery), who have been collecting these records for decades.
• The voices are resonant and relatable, and the productions take in the best of what pop had to offer in the late 60s and early 70s. Before the factionalism between smooth pop-conscious Nashville and the hedonistic ‘outlaws’ made it look inward again, this was a golden era for an atmospheric, inclusive and progressive country music. It began on the third of June, another sleepy, dusty Delta day.
- A1: A Planet
- A2: Going In
- A3: Engineers
- A4: Life
- A5: Weyland
- A6: Discovery
- B1: Not Human
- B2: Too Close
- B3: Try Harder
- B4: David
- B5: Hammerpede
- B6: We Were Right
- C1: Earth
- C2: Infected
- C3: Hyper Sleep
- C4: Small Beginnings
- C5: Hello Mommy
- C6: Friend From The Past (Contains “Theme From Alien”)
- C7: Dazed
- D1: Space Jockey
- D2: Collision 3
- D3: Debris
- D4: Planting The Seed
- D5: Invitation
- D6: Birth
Café Society opened the 69th annual Cannes Film Festival to rave reviews. Woody Allen became the first and only director to have three opening night films selected for the Cannes Film Festival.
It’s New York in the 1930s. As he has more and more trouble putting up with his bickering parents, his gangster brother and the family jewelry store, Bobby Dorfman feels like he needs a change of scenery. He decides to go and try his luck in Hollywood where his high-powered agent uncle Phil hires him as an errand boy.
In Hollywood he soon falls in love, but unfortunately the girl has a boyfriend. Bobby settles for friendship - up until the day the girl knocks at his door, telling him her boyfriend just broke up with her. All of a sudden Bobby’s life takes a new turn, and a very romantic one at that. The soundtrack features a great collection of the music from the 1930’s. The music is featured prominently in the movie and has been chosen by Woody Allen himself and features newly recorded jazz standards by Grammy Award winners Vince Giordano & The Nighthawks and classic recordings from Ben Selvin, Benny Goodman and Count Basie.
Woody Allen says about the soundtrack: “The soundtrack consists of music from the 1930s since that’s when the picture takes place. Most of the material is Rodgers and Hart who is very dominant in those year and Lorenz Heart have that bitter sweet romantic quality that defines the spirit of the movie itself.”
This is a limited edition of 500 individually numbered copies on blue coloured vinyl. A 4-page booklet with pictures from the film and credits is included.
- A1: Universe Of Dreams
- A2: I Wrote A Letter
- A3: Hold On - Slow Down
- A4: Singing Songs
- A5: Back To The Roots
- B1: Never Too Late
- B2: About You
- B3: All In Good Time
- B4: One Man Band
- B5: Slow Motion
- B6: My Diary
- C1: Can’t Stop Myself
- C2: Dance It Up
- C3: I Am I
- C4: Two Is One
- C5: Falling In Love
- D1: The Best Thing I Know
- D2: Please, Stand By Me
- D3: A Woman In Love
- D4: Friends
- D5: No Cross - No Crown
- D6: What A Wonderful World
Red Vinyl[38,61 €]
"Inga Rumpf, the myth, the voice - City Preachers, Frumpy, Atlantis, NDR Big Band and so on... it takes a lot of space and time to name all of Inga Rumpf's musical stations. The list of her international companions, colleagues (and admirers) is long and includes such outstanding names as B. B. King, Udo Lindenberg, Lionel Richie, Tina Turner or Keith Richards, to name just a few! If there is a living legend in the music business in Germany, it is Inga Rumpf!
The new studio album “UNIVERSE OF DREAMS” will be released on earMUSIC this late summer. The album is a gift to all fans, but also to Inga Rumpf herself: the Grande Dame celebrates her 75th anniversary birthday on August 2nd."
- A1: A Los Soneros
- A2: Brisa Mananera (Mambo Man Film Version)
- A3: Cada Vez Que Te Veo
- A4: Carretero
- A5: Como Las
- B1: De Cauto Cristo A Rio Cauto
- B2: De Cuba Vengo Y Cubano Soy
- B3: Descarga Cubana
- B4: Finca Santaelena
- B5: La
- C1: Maidel Mambo
- C2: Mambo Man (Also Known As Ella Es Asi) (Also Known As Ella Es Asi)
- C3: Nada De Ti
- C4: No Critiques Al Nene
- C5: Pa Apartar Lo Malo
- C6: Quiero Cantar Son Del Llano
- D1: Romance
- D2: Son Para Envidiosos
- D3: There Is Still Hope
- D4: Yo Quiero Gozar
Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London
With the Buena Vista Stars, including Candido Fabre. Based on a true story and filmed in the exotic countryside outside Havana, this remarkable and engaging film will move both your spirit and your feet with its unforgettable passion and intoxicating music. The soundtrack and live performances in the film include some of the legendary Cuban artists who appeared in the box office smash, Buena Vista Social Club.
MAMBO MAN is packed with musical contributions from Cuban legends including; Candido Fabre, Maria Ochoa, Alma Latina, David Alvarez, Arturo Jorge, Omara Portuondo, Eliades Ochoa, Juan De Marcos Gonzalez and the Afro-Cuban All Stars.
REVIEWS Rome Prisma Independent Film Awards
“There is rather the mature and conscious gaze of two authors who want to represent Cuba, and the story of the protagonist, with truth and love. With this awareness, each shot conveys a charm superior to that of a good staging. This film, made with passion, penetrates the audience to the rhythm of music and tells us about a whole, small, precious universe, absorbing its beauty and misery. “Mambo Man” is a bit like Cuba: beautiful, kind and melancholic.”
J.B. Spins, Joe Bendel
“It’s a dynamic, colourful film, with bustling markets, lively clubs, friendly outdoor cafes, and—best of all—a remarkable soundtrack of classic Cuban music, which is a focal point of the film.”
Billie Eilish has revealed details on her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July, 30 Continuing the tradition on from her multi-GRAMMY Award, record-breaking debut album WHEN WE ALL GO TO SLEEP, WHERE DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother FINNEAS who produced the album in Los Angeles.
- A1: Brass Construction - Movin
- A2: Brass Construction - Boogie Magic
- A3: Nytro - Nytro Express
- B1: Wild Cherry - Play That Funky Music
- B2: The Rhythm Makers - Zone
- B3: Richard T Bear - Sunshine Hotel (Just Walk On In) (Just Walk On In)
- B4: Dogs Of War - Future Jungle
- C1: Average White Band - Pick Up The Pieces
- C2: Stargard - What You Waitin' For
- C3: Martin Circus - Disco Circus
- D1: The Headhunters - God Made Me Funky
- D2: Bohannon - Happiness
- D3: Bumblebee Unlimited - Space Shuttle Ride
- D4: War - Flying Machine (The Chase) (The Chase)
- A1: The Beach Boys - Good Vibrations
- A2: The Animals - The House Of The Rising Sun
- A3: Small Faces - Itchycoo Park
- A4: The Walker Brothers - The Sun Ain't Gonna Shine Anymore
- A5: The Righteous Brothers - You've Lost That Lovin' Feelin
- A6: Ike & Tina Turner - River Deep - Mountain High
- A7: The Everly Brothers - Cathy's Clown
- A8: Roy Orbison - In Dreams
- A9: Bobby Vinton - Blue Velvet
- B1: The Supremes - Baby Love
- B2: Martha Reeves & The Vandellas - Dancing In The Street
- B3: The Ronettes - Be My Baby
- B4: The Crystals - Da Doo Ron Ron (When He Walked Me Home)
- B5: The Shangri-Las - Leader Of The Pack
- B6: Lesley Gore - You Don't Own Me
- B7: Julie London - Fly Me To The Moon
- B8: Andy Williams - Can't Take My Eyes Off You
- B9: Stan Getz, João Gilberto & Astrud Gilberto - The Girl From Ipanema
- B10: Dave Brubeck Quartet - Take Five
- C1: Simon & Garfunkel - Mrs. Robinson
- C2: Harry Nilsson - Everybody's Talkin
- C3: Glen Campbell - Wichita Lineman
- C4: The Mamas & The Papas - California Dreamin
- C5: Scott Mckenzie - San Francisco (Be Sure To Wear Some Flowers In Your Hair)
- C8: The Moody Blues - Nights In White Satin
- C9: Fleetwood Mac - Albatross
- D1: Dionne Warwick - Walk On By
- D2: Aretha Franklin - I Say A Little Prayer
- D3: Ben E. King - Stand By Me
- D4: Dusty Springfield - You Don't Have To Say You Love Me
- D5: Petula Clark - Downtown
- D6: The Love Affair - Everlasting Love
- D7: Sonny & Cher - I Got You Babe
- D8: Bob Dylan - Lay Lady Lay
- D9: Elvis Presley - In The Ghetto
- C6: The Stone Poneys Ft. Linda Ronstadt - Different Drum
- C7: Procol Harum - A Whiter Shade Of Pale
Exclusively on vinyl, The 60s Album brings together some of the biggest and most iconic names of the decade.
A value packed 37 tracks kick off with one of the greatest of all time ‘Good Vibrations’ from The Beach Boys, and continues with solid gold smash hits including ‘House Of The Rising Sun’, ‘The Sun Ain’t Gonna Shine Anymore’, ‘You’ve Lost That Lovin’ Feelin’’, the timeless ‘In Dreams’ from Roy Orbison, ‘Blue Velvet’ from Bobby Vinton, and the epic ‘River Deep Mountain High’ by Ike & Tina Turner.
Side B begins with a 6-track salute to the soul female stars and groups of the era - The Supremes, Martha Reeves & The Vandellas, The Ronettes, The Crystals, The Shangri-Las and Lesley Gore are all here, alongside some easy listening from Andy Williams and Julie London, and the cool pop jazz of Astrid Gilberto and The Dave Brubeck Quartet.
The second LP begins with 6 of the most iconic U.S. tracks ever: Simon & Gafunkel’s ‘Mrs Robinson’, and Harry Nilsson’s ‘Everybody’s Talkin’ lead into the peerless ‘Witchita Lineman’ from Glen Campbell, the immaculate ‘California Dreamin’ from The Mamas & The Papas, Scott McKenzie’s ’San Francisco’, and Linda Ronstadt’s defining vocal as part of The Stone Poney’s on ‘Different Drum’. The side is rounded off with 3 of the most atmospheric pieces of music from the 60s… ’A Whiter Shade Of Pale’, ’Nights In White Satin’, and Fleetwood Mac’s stunning ‘Albatross’.
The final side offers up Aretha Franklin, Dionne Warwick, Ben E. King and Dusty Springfield as some of the best voices and most soulful performances ever, before some of the greatest pop from Petula Clark, Love Affair and ‘I Got You Babe’ from Sonny & Cher and then it’s left to two of the biggest names in music history to close the album - Bob Dylan, and the incredible ‘In The Ghetto’ from Elvis Presley.
37 of the greatest tracks and artists from an era-defining decade… The 60s Album.
- A1: Don Cornelius– Introduction By Master Of Ceremonies Don Cornelius Of Soul Train
- A2: Mfsb– Freddie's Dead
- A3: Harold Melvin And The Blue Notes– If You Don't Know Me By Now
- A4: Harold Melvin And The Blue Notes– The Love I Lost
- B1: Harold Melvin And The Blue Notes– I Miss You
- B2: The Three Degrees– I Didn't Know
- B3: The Three Degrees– Dirty Ol' Man
- C1: Mfsb– T.s.o.p. (The Sound Of Philadelphia) Theme From Soul Train
- C2: Billy Paul– East
- C3: Billy Paul– Me And Mrs. Jones
- D1: The O'jays– Back Stabbers
- D2: The O'jays– When The World's At Peace
- D3: The O'jays– Sunshine
- D4: The O'jays– Love Train
- A1: Intro / A Million And One Questions / Rhyme No More
- A2: The City Is Mine
- A3: I Know What Girls Like Feat Puff Daddy & Lil' Kim
- B1: Imaginary Player
- B2: Streets Is Watching
- B3: Friend Or Foe '98
- B4: Lucky Me
- C1: (Always Be My) Sunshine
- C2: Who You Wit Ii
- C3: Face Off Feat Sauce Money
- D1: Real Niggaz Feat Too Short
- D2: Rap Game / Crack Game
- D3: Where I'm From
- D4: You Must Love Me
Volume 2[26,01 €]
On the 11th May 2018 USM will release a vinyl (180 gram) and CD reissue of the Jay-Z's In My Lifetime, Vol. 1' and Vol. 2...Hard Knock Life' on 2LP.
- In My Lifetime, Vol. 1 is the second studio album by American rapper Jay-Z, released on November 4, 1997, by Roc-A-Fella Records and Def Jam Recordings. The majority of the production is handled by Puff Daddy's production team The Hitmen from the Bad Boy label, giving the album a generally glossier sound than its predecessor.
- Vol. 2... Hard Knock Life is the third studio album by American rapper Jay-Z. It went on to become his most commercially successful album, selling over 5 million copies in the United States. Vol. 2... became Jay-Z's first album to debut at #1 on the Billboard 200. The album won Grammy Award for Best Rap Album at the 41st Annual Grammy Awards.
- A1: Intro-Hand It Down Feat Memphis Bleek
- A2: Hard Knock Life (Ghetto Anthem)
- A3: If I Should Die Feat Da Ranjahz
- A4: Ride Or Die
- B1: Nigga What, Nigga Who (Originator 99) Feat Big Jaz
- B2: Money, Cash, Hoes Feat Dmx
- B3: A Week Ago Feat Too $Hort
- C1: Coming Of Age (Da Sequel- Feat Memphis Bleek
- C2: Can I Get A .. Feat Amil & Ja Rule
- C3: Paper Chase Feat Foxy Brown
- D1: Reservoir Dogs Feat The Lox, Beanie Siegel & Sauce Money
- D2: It's Like That Feat Kid Capri
- D3: It's Alright Feat Memphis Bleek
- D4: Money Ain't A Thang Feat Jermaine Dupri
Volume 1[28,99 €]
On the 11th May 2018 USM will release a vinyl (180 gram) and CD reissue of the Jay-Z's In My Lifetime, Vol. 1' and Vol. 2...Hard Knock Life' on 2LP.
- In My Lifetime, Vol. 1 is the second studio album by American rapper Jay-Z, released on November 4, 1997, by Roc-A-Fella Records and Def Jam Recordings. The majority of the production is handled by Puff Daddy's production team The Hitmen from the Bad Boy label, giving the album a generally glossier sound than its predecessor.
- Vol. 2... Hard Knock Life is the third studio album by American rapper Jay-Z. It went on to become his most commercially successful album, selling over 5 million copies in the United States. Vol. 2... became Jay-Z's first album to debut at #1 on the Billboard 200. The album won Grammy Award for Best Rap Album at the 41st Annual Grammy Awards.
- A1: Ocean Logo
- A2: Title
- A3: Map Screen
- A4: Woody Land 1 & 2
- A5: Woody Land 3 & 4
- A6: Spider Attacks
- A7: World Clear
- B1: Adventure Park
- B2: House
- B3: Living Room
- B4: In The Washbasin
- B5: Washbasin Boss
- C1: Volcano Underpass
- C2: Volcano Underpass 2
- C3: Clouds
- C4: Ograoum Papas
- C5: Mean Streets
- C6: Little Clown
- D1: Ice Scream
- D2: Mr Blizzard
- D3: Ending
- D4: Game Over
Mr. Nutz has marked a generation of players with its colorful world and enchanting music. Developed by only three persons in the early 90s and published by Ocean, the game was a worldwide phenomenal success and remains one of the most beloved platform game released on the Snes at the time.
To celebrate the upcoming 30th anniversary of the little squirrel, we have the pleasure to pay a tribute to this jewel made in France with the release of the original soundtrack, newly illustrated by its original creator, Philippe Dessoly!
Mr. Nutz original soundtrack is composed by Raphaël Gesqua and remastered for the vinyl format in this 'Totally Nutz' collector Edition !
- A1: Dandara's Purpose
- A2: Gap Between Worlds
- A3: A New Hope
- A4: Their Pleas Echoed Through Time
- A5: No More Singing Birds
- A6: Once A Beautiful Horizon
- A7: Remain In Oblivion
- A8: Weight Of A Doubt
- A9: Mãe
- B1: A Leap Towards Freedom
- B2: Crumbling Memories
- B3: Eternal Sigh
- B4: Lingering Question
- B5: Hidden In Logic
- B6: Hopefully A Nightmare
- B7: Golden Menace
- C1: Golden Fortress
- C2: The Relentless Choir
- C3: Stories Of Freedom
- C4: Dandara's Legacy
- C5: Hidden Thoughts Beyond The Crimson Maw
- C6: Resolutely Unimpressed
- C7: Not Born For This
- C8: Not Made For This
- C9: Not Ready For This
- C10: Restless Machines
- D1: The Defeated Crone
- D2: Rushed Ouroboros
- D3: That Party You Can't Miss
- D4: Violent Ambush
- D5: Chained Wings
- D6: Hesitant Salt
- D7: Menina
- D8: Tormented Mind
- D9: Weight Of A Change
- D10: Stories Of Peace
- D11: Dandara's Fanfare
The Dandara: Trials of Fear Edition Original Soundtrack features over one hour of ethereal, surreal and organic music created specifically for the exploration of the Salt's surreal world. Blending eclectic electronic scores with sweeping, melodious soundscapes, Thommaz Kauffmann's score is like taking a ride into a new, wonderous land.
Dandara's light but incredibly strong presence was the starting point for all the sound presented in this album, consisting of a soundtrack that sounds hopeful and melancholic at the same time. Her lonely journey into the corrupted regions of Salt narrates each gesture made to fight the fears deep inside the Salt's most uncharted caves.
The textures and musical aesthetics in this soundtrack match a world that suffers from its abandonment to spontaneity, creativity, and vitality. It is with the presence of Dandara that there is a break in these standards imposed in Salt by an authoritarian regime.
Wrapped up in a beautiful, sturdy tip-on gatefold with a rough, black and white aesthetic, this vinyl 2xLP comes with two "Salt" white 180g in two printed inner sleeves.
Composed, produced and mixed by Thommaz Kauffmann
Artwork by Luísa Almeida
Game developed by Long Hat House
Published by Raw Fury
- A 1: Time After Time (Acoustic)
- A2: Wayfaring Stranger (Acoustic)
- A3: Early Morning Rain (Acoustic)
- A4: At Last (Acoustic)
- A5: Who Know Where The Time Goes (Acoustic)
- B1: Dark Eyed Molly (Acoustic)
- B2: Songbird (Acoustic)
- B3: Bold Young Farmer (Acoustic)
- B4: Tennessee Waltz (Acoustic)
- B5: It Doesn't Matter Anymore (Acoustic)
- B6: People Get Ready (Acoustic)
- C1: The Water Is Wide (Acoustic)
- C2: Kathy's Song (Acoustic)
- C3: True Colours (Acoustic)
- C4: You Take My Breath Away (Acoustic)
- D1: American Tune (Acoustic)
- D2: I Wandered By A Brookside (Acoustic)
- D3: Autumn Leaves (Acoustic)
- D4: Wade In The Water (Acoustic)
- D5: Danny Boy (Acoustic)
• 20 acoustic tracks, compiled as an acoustic best-of album.
• The new album builds on the popularity of a previous acoustic album, Simply Eva (12 tracks), released 10 years ago, which has UK scanned sales of 236K and was Top 5 on release.
• The 3rd Jan 2021 was the 25th anniversary of Eva Cassidy’s legendary Blues Alley concert. A new documentary, “One Night That Changed Everything” was premiered on the anniversary itself with a general promotional campaign around this date.
• The 18th March 2021 is the 20th anniversary of the Songbird album going No.1, there will be a promotional campaign in support.
- A1: The Nips - Gabrielle
- A2: Dolly Mixture - New Look Baby
- A3: The Blades- Revelations Of Heartbreak
- A4: The Crooks - Modern Boys
- A5: Inspiral Carpets - Saturn 5
- A6: The Users - Kicks In Style
- A7: Untamed Youth - Untamed Youth
- B1: Les Elite - Get A Job
- B2: The Gents - The Faker
- B3: The Name - Fuck Art Let’s Dance
- B4: The Scene - Something That You Said
- B5: The Killermeters - Why Should It Happen To Me
- B6: The Accidents - Blood Spattered With Guitars
- C1: The Fixations - No Way Out
- C2: The Leepers - Paint A Day
- C3: The Variations - Fight Back
- C4: The Same - Movements
- C5: The Kick - Stuck On The Edge Of A Blade
- C6: Daggermen - Ivor The Engine Driver
- C7: New Hearts - Only A Fool
- D1: The Long Ryders - Looking For Lewis And Clark
- D2: Ocean Colour Scene - The Day We Caught The Train
- D3: Nine Below Zero - Pack Fair & Square
- D4: The Jolt - I Can’t Wait
- D7: The Moment - Sticks & Stones
- D5: The Inmates - Dirty Water
- D6: Scarlet Party - 101 Dam-Nations
In 1979 as a 15-year-old Eddie Piller was perfectly placed to be at the epicentre of the Mod revival. An inquisitive passion
for music, a family connection to Mod royalty The Small Faces, and an attitude that saw him travelling his home city, then
the country and then the world to take in the sounds that were emerging. In the years since, Piller has been a legendary
figure within the music industry setting up and continuing to own the ground-breaking Acid Jazz label, signing multiplatinum artists such as Jamiroquai and The Brand New Heavies collaborating on compilations with Martin Freeman and as
an award winning broadcaster even setting up his own Totally Wired Radio station. In The Mod Revival he looks back at the
movement that set him on his way.
• Mod is a sixties youth movement original built on sharp clothes, American soul music and nights on the town, that has never
really died. The originals added young British groups to their likes and then moved on, but their influence echoed on
through the 1970s in Northern Soul clubs, and in the sixties influenced bands of the pub rock era. When punk arrived, it was
supposed to sweep away the past, but instead the Sex Pistols were covering the Small Faces. The Clash brought in Mod DJ
Guy Stevens to produce London’s Calling, The Buzzcocks sounded closer to the Hollies than The Ramones and in The Jam’s
Paul Weller there was a musical and sartorial nod to the past of The Who, The Beatles and pop art arrows.
• Weller had spent the 1970s becoming obsessed by mod and saw punk as having a similar youthful energy to the era he had
missed by being born a decade too late. For others Weller’s style proved an inspiration, and as the Jam broke through in late
1978, they saw a wave of bands follow in their wake, and they themselves influenced others to form their own groups. But
there were other things. In bleak late 70s Britain the glorious optimism of the 1960s looked bright and shiny, and as it was
only a decade or so in the past, it was easy to pick up original records, clothes and books for pennies, and as you bought
these you met other like-minded souls who did the same. For those a little too young for punk, it was a community of gigs,
scooters, clothes, bands and records, and for many it developed on through.
• Eddie never stopped being a mod and has a unique perspective having now lived through four decades of being intimately
involved in the music that has emerged from the mod scene. In this part two double vinyl edition (Part 1 and its CD
equivalent reached #14 in the UK compilations charts) Ed guides us through some of his favourite music from the scene. He
guides us through a plethora of bands whose influences include The Who, The Kinks and the Jam, to sixties soul and R&B,
those with an eye on psychedelia. The records have a vitality and a certain stylish swagger to them, that marks them out as
mod. In the deluxe booklet, Piller has written a 5000 word note describing what it meant to him and has granted access to
his own scrapbooksfrom his many years of gig-going from which pages and memorabilia are reproduced.
• Eddie Piller’s Mod Revival is a personal appraisal from the founder of The Modcast, on what the mod explosion of the late
70s and 80s means to him…
- A1: Widow (Live)
- A2: Fall From Grace (Live)
- A3: Blood And Chaos (Live)
- A4: Faith Divides Us – Death Unites Us (Live)
- B1: Gothic (Live)
- B2: Shadowkings (Live)
- B3: One Second (Live)
- B4: Ghosts (Live)
- C1: The Enemy (Live)
- C2: As I Die (Live)
- C3: Requiem (Live)
- C4: No Hope In Sight (Live)
- D1: Embers Fire (Live)
- D2: Beneath Broken Earth (Live)
- D3: So Much Is Lost (Live)
- D4: Darker Thoughts (Live)
- A1: I Burn Today
- A2: Old Black Dawning
- A3: Bluefinger
- A4: Horrible Day
- A5: Do What You Want (Gyaneshwar)
- A6: Velouria
- B1: Tight Black Rubber
- B2: Space Is Gonna Do Me Good
- B3: Headache
- B4: Angels Come To Comfort You
- B5: All My Ghosts
- B6: The Water
- B7: Wave Of Mutilation
- C1: Massif Central
- C2: I Heard Ramona Sing
- C3: Bullet
- C4: Test Pilot Blues
- C5: The Holiday Song
- C6: She Took All The Money
- C7: Dead Man's Curve
- C8: Brackish Boy
- D1: Sir Rockabye
- D2: Mr. Grieves
- D3: Your Mouth Into Mine
- D6: Nimrod's Son
- D7: Jumping Beans
- D8: Cactus
- D4: I'll Be Blue
- D5: Broken Face
Previously only available as an ultra-rare USB drive release, Demon Records presents the first reissue of ‘Live At
The Hotel Utah Saloon’.
Recorded in 2007, the album captures an intimate solo performance by Black Francis at San Francisco’s historic Hotel Utah Saloon venue. Featuring renditions of songs from across the Black Francis / Frank Black catalogue including ‘Headache’, ‘I Heard Ramona Sing’, ‘All My Ghosts’ and ‘Wave Of Mutilation.
This reissue features a brand new remix of the complete show by Jason Carter and is pressed on two 140g red vinyl.
- A1: Sunspots
- A2: Wishing Well
- A3: Compositions For The Young And Old
- A4: Heartbreak A Stranger
- A5: Dreaming, I Am
- B1: If You're True
- B2: Poison Years
- B3: Sinners And Their Repentances
- B4: Lonely Afternoon
- C1: Brasilia Crossed With Trenton
- C2: See A Little Light
- C3: Whichever Way The Wind Blows
- C4: All Those People Know
- D1: Shoot Out The Lights
- D2: Hardly Getting Over It
- D3: Celebrated Summer
- D4: Makes No Sense At All
- E1: Gift
- E2: Company Book
- E3: Hoover Dam
- E4: After All The Roads Have Led To Nowhere
- F1: Where Diamonds Are Halos
- F2: Slick
- F3: Going Home
- G1: Changes
- G2: Can't Help You Any More
- G3: Helpless
- G4: If I Can't Change Your Mind
- G5: In The Eyes Of My Friends
- H1: Clownmaster
- H2: Gee Angel
- H3: Explode And Make Up
- H4: The Slimlp 5 & 6
- I1: Moving Trucks
- I2: Taking Everything
- I3: First Drag Of The Day
- I4: I Hate Alternative Rock
- I5: Stand Guard
- J1: Classifieds
- J2: Hear Me Calling
- J3: Art Crisis
- J4: Anymore Time Between
- K1: Skintrade
- K2: Eternally Fried
- K3: Roll Over And Die
- K4: Lonely Afternoon
- L1: Egoverride
- L2: Reflecting Pool
- L3: Disappointed
- L4: Hanging Tree
- F4: Running Out Of Time
- L5: Man On The Moon
- M1: The Act We Act
- M2: A Good Idea
- M3: I Hate Alternative Rock
- M4: See A Little Light
- M5: Hoover Dam
- M6: Circles
- N1: Paralyzed
- N2: I Apologize
- N3: Chartered Trips
- N4: Celebrated Summer
- N5: Makes No Sense At All
- N6: New Day Rising
- O1: Fort Knox, King Solomon
- O2: I Hate Alternative Rock
- P1: Could You Be The One?
- P2: I Apologize
- P3: Chartered Trips
- F5: Frustration
Demon Records presents Distortion: Live, the fourth and final edition in a series of expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould.
Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. The final volume in the series features 8LPs of live recordings from across Mould’s solo career.
8 LPs including –
• 4 live albums – Live At The Cabaret Metro, 1989 (first time on vinyl), The Joke Is Always On Us, Sometimes, LiveDog98 (first time on vinyl), and Live At ATP 2008 (first time on vinyl)
• Each album is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl
with unique splatter effects
• Bonus LP Distortion Plus: Live which features live rarities including B-sides and stand-out tracks from the Circle Of Friends concert film
• Mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston Plus -
• A 28-page companion booklet featuring: a new and exclusive foreword by Bob Mould; an interview conducted by journalist Keith
Cameron; an exclusive testimonial from Bully’s Alicia Bognanno; rare photographs and memorabilia
- A1: The Syd Dale Orchestra - The Hell Raisers
- A2: Perez Prado - Mamma A Go-Go
- A3: Rocky Roberts & The Airedales -The Bird Is The Word
- A4: Whit Boyd - Hot Blooded Woman
- A5: Lee Dowell - Don't Make Me Mad
- A6: The Penny Arcade - The Wild Scene
- A7: The E-Types - Put The Clock Back On The Wall
- A8: Bit 'A Sweet - Is It On - Is It Off
- A9: The Jaybirds - The Right Kind
- B1: Joe Bisko / Attila Galamb - Beware Of The 4-D Witch
- B2: Alan Hawkshaw - The Action Scene
- B3: Raul And The Revelations - A Sweet Sickness
- B4: Mandarin Gate With Chris Martell - It's A Revolution Mother
- B5: Jim Hughes - Soorangi
- B6: The Group - Bummer
- B7: Various - Musical Mutiny Trailer
- B8: The Love Generation - Different Now
- C1: John Barry & His Orchestra - Swinging City (Mood Three)
- C2: Robert Farnon - Johnny's Dive
- C3: Bob Freedman And His Orchestra - Strip Blues
- C4: Johnny Hawksworth - Jane Bond Theme
- C5: John Barry & His Orchestra - Mood One
- C6: Various - A Taste Of Flesh Opening Credit Theme
- C7: The Tony Harrison Trio - Hot Blooded Woman Incidental Music
- C10: Various - Hot Thrills Warm Chills Opening Credit Theme
- D1: Betty Dickson - Shanty Tramp
- D2: The Huntington Astronauts - Yipes Stripes
- D3: Billy Lee Riley - Speed Lovers
- D4: Lee Dowell - (Be A) Black Belt
- D5: The Ladybirds - At The Blue Bunny
- D6: Tony & Et Cetra - I Want A Woman
- D7: John Gabriel - Love Cool
- D8: Neil Patrick - Love Goddess
- D9: Meg Myles - The Female Of The Species
- C8: Various - My Brother's Wife Opening Credit Theme
- C9: Armando Sciascia - Easy Macumba
New pressing, with a front punch of color! It’s the yellow belt edition!
(yellow vinyl)Take an auditory trip through a wacky world of oddball and obscure ‘classick’ exploitation cinema soundtracks from the 1960s and early 1970s, presented by one of the most beloved genre film video companies of all time’ Something Weird! Two LPs chock-full of oddities and earworms with great sets of liners and track by track factoids!




















