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Soul Jazz Records’ new Soul Jamaica brings together a wicked selection of
reggae funk and soul tracks from the legendary Studio One stable, featuring
a stellar line-up of artists including Jackie Mittoo, The Heptones, The
Gladiators, Sim Smith, Peter Tosh and The Wailers, Cedric ‘Im’ Brooks and
many more.
For a short period of time at the end of the 1960s and early 1970s, nestled
between the end of rocksteady and the arrival of roots reggae, Studio One
released a small stream of superb soul and funk reggae tunes – covering
everyone from Sly and The Family Stone, Diana Ross and The Supremes,
Nina Simone, Gene Chandler, Tyrone Davis and more.
Most of the tracks featured on Soul Jamaica were only ever released on
Studio One’s UK-subsidiary label Bamboo in small-run pressings and are
now consequently extremely hard to find.
The cover photograph features images of Air Jamaica, the new airline
created by the Jamaican government at the end of the 1960s, showing how
in the years following independence the
country assumed its place on the world
stage, with reggae music playing a key
role in creating the island’s new
cultural identity.

System Olympia presents a bold, cinematic compilation that redefines the sound of sensuality. Love Language is an
18-track double-vinyl release pressed on deluxe heavyweight black vinyl.
It’s accompanied by a provocative, limited-edition 24-page fanzine, exclusive to 18+ audiences.
This is not just a compilation, Love Language is a manifesto. A carefully curated sonic journey through eroticism, artistic rebellion,
and liberation, it spans nearly five decades of music and features exclusive edits and rare gems that illuminate System Olympia’s
radical aesthetic vision.

****
Since her emergence on the electronic underground, System Olympia has carved out a distinct, sensual sonic universe, equal parts
vulnerable and defiant. With Love Language, she presents her most audacious project to date: a compilation rooted in what she
calls The Aesthetics of Sexual Desire in Sound.

It’s a daring declaration that desire is more than a feeling - it’s a language. Across 20 tracks, including her own sultry opener “The
Heat Of The Night (feat. REINEN)” and a rare System Olympia edit of Working Men’s Club’s “Ploys”, this compilation speaks in
rhythms and textures that evoke longing, intimacy, and ecstatic release.
This is not a traditional compilation. System Olympia’s sequencing is cinematic and deliberate. Every track a scene in a film that exists
only in the listener’s imagination. From the retro-futurist seduction of Flavia Fortunato’s Italo gem “Se Tu Vuoi” to the deep, extended
tension of Musclecars’ “Running Out of Time,” each piece plays its part in an arc of anticipation, climax, and reflection.Uniting artists as diverse as Daniele Baldelli, Piero Umiliani, and DJ Rocca, Love Language refuses boundaries of genre, era, or
expectation. It dances between vintage Italo-disco, dreamy electronica, sweaty club tracks, and avant-garde jazz, forming a rich
tapestry of sound and sensation.

System Olympia explains, “This is music for lovers, outsiders, and dreamers. It's a rebellion made of velvet and
basslines.

The accompanying 24-page fanzine insert, restricted to adults, further deepens the narrative, with erotic visual fragments and
poetic texts that amplify the compilation’s raw, sensual energy. A tangible extension of the music’s spirit, the zine invites listeners to
step into Olympia’s world and engage their senses fully.

As much a provocation as it is a celebration, Love Language is a deeply personal curation and a radical act of creative freedom. It
champions eroticism as art, desire as dialogue, and music as a liberatory force.

a A1. System Olympia - The Heat Of The Night (feat. REINEN) 3:44
b A2. Flavia Fortunato - Se Tu Vuoi 3:38
[c] A3. See Thru Hands - Hot City [3:57]
[d] A4. Daniele Baldelli, Francesca Amati - Inner Light [4:43]
[e] A5. Ruins - Sexual Desire [3:14]
[f] B1. Midnight Magic - Beam Me Up (Eli's Mix) [5:13]
[g] B2. musclecars - Running Out Of Time [5:10]
[h] B3. Working Men's Club - Ploys (System Olympia Edit) [4:56]
[i] B4. Royalty - Heart Strings [5:05]
[j] C1. Dirty Art Club - Daysleeper [3:45]
[k] C2. Admiral - Soho Girl [4:14]
[l] C3. Tom Sharkett & Raf Rundell - Where's It All Go? [3:41]
[m] C4. Gina Calabrese - Nobody Lives Forever [4:40]
[n] D1. Romolo Grano, Gianni Oddi & Edda Dell'Orso - Kilimangiaro [3:55]
[o] D2. LNDFK - Hana-bi [1:55]
[2:47]

[a] A1. System Olympia - The Heat Of The Night (feat. REINEN) [3:44]
[b] A2. Flavia Fortunato - Se Tu Vuoi [3:38]
[c] A3. See Thru Hands - Hot City [3:57]
[d] A4. Daniele Baldelli, Francesca Amati - Inner Light [4:43]
[e] A5. Ruins - Sexual Desire [3:14]
[f] B1. Midnight Magic - Beam Me Up (Eli's Mix) [5:13]
[g] B2. musclecars - Running Out Of Time [5:10]
[h] B3. Working Men's Club - Ploys (System Olympia Edit) [4:56]
[i] B4. Royalty - Heart Strings [5:05]
[j] C1. Dirty Art Club - Daysleeper [3:45]
[k] C2. Admiral - Soho Girl [4:14]
[l] C3. Tom Sharkett & Raf Rundell - Where's It All Go? [3:41]
[m] C4. Gina Calabrese - Nobody Lives Forever [4:40]
[n] D1. Romolo Grano, Gianni Oddi & Edda Dell'Orso - Kilimangiaro [3:55]
[o] D2. LNDFK - Hana-bi [1:55]
[2:47]

Milian Mori shares his deep interest in combining mathematics, geometry, and data with emotion, dance, and fulfillment: technology meets nature, binary meets fluids, algorithm meets spirituality, dualism meets triality, machine meets human, randomness meets self-similarity.

His second album, »Triality«, consists of 16 tracks and is being released via raster as a double LP vinyl, CD, and digitally. Composed to be experienced seamlessly, the 53-minute-long album can be listened to from beginning to end like an audiobook, with no pauses between tracks, creating a continuous sonic experience.

Triality explores the ›unspeakable third in the second‹—a quality that is present everywhere but remains immeasurable. This concept strongly influenced Milian Mori during the composition of the album. In his live performances, he attempts to visualize this unique relationship through the strobe light, which exaggerates the interplay between light and darkness, creating a non-binary space between 0 and 1. The album can be experienced like a film without images—a film that speaks of a vision yet to unfold.

Regarded as one of London's "leading disco labels" The Disco Express is one of the most consistent and influential forces in the modern nu-disco scene.

A record label, international event series and DJ collective, TDE is dedicated to original, soul-infused house and disco music. With a global family of artists, the label blends vintage warmth with modern energy to honour the past whilst envisioning the future.

TDE100 is a 15 track compilation that distills the label's essence. Packed with fresh originals and hand-picked gems, the compilation blends funk, soul, nu-disco, house, and electronica. Crafted to move seamlessly from peak-time dance floors to laid-back Sunday listening, it's both timeless and forward-thinking.

Pressed across 2 X LP’s in a Gatefold Sleeve featuring John Morales / Derrick Carter & Inaya day.

This is original house & disco for 21st century dance floors and this train ain't slowing down anytime soon…

The Weeknd's sophomore studio album Beauty Behind The Madness was released in 2015 and features the #1 hits "Can't Feel My Face" and "The Hills." 10th Anniversary Edition 2 LP set is pressed on standard weight transparent vinyl.

Mit seinem markanten Flow und einem außergewöhnlichen Talent für schafsinnige Lyrics entwickelt sich JID
vom Geheimtipp aus Atlanta zu einer der prägendsten Stimmen der neuen Rap-Generation. Spätestens mit
seinem hochgelobten Album „The Forever Story“ (2022) stellt der dreifach GRAMMY-nominierte Rapper
nicht nur seine Stärke fürs Storytelling unter Beweis, sondern überzeugt mit einer Vielseitigkeit und technischen Finesse, die sich von der Mainstream-Masse abhebt. In dem 14-Track starkem Nachfolgerprojekt
„God Does Like Ugly“ würdigt er den Hip-Hop als prägende Kraft der Popkultur, aus der Perspektive eines
Künstlers aus dem Herzen Atlantas.
„God Does Like Ugly“ erscheint am 17. Oktober 2025 auf CD und Vinyl.

The legendary Beatnuts bring the sound of the 90‘s back to the streets -“Street Level”, the iconic debut album, is being reissued and is available in various exclusive formats: a Standard CD, Music Cassette, Black Double Vinyl and a Limited Splatter Double Vinyl.

TWO BONUS TRACKS:
“HELLRAISER“(ORIGINAL VERSION) AND TWO AND “DAWN OF THE DEAD“
Old school flavor, Latin vibes & sample magic - that‘s the unmistakable Beatnuts sound.
With classics such as “Props Over Here”, and With and “Hit Me with That” the Queens duo made hip-hop history.

Modi: Three Days on the Wing of Madness is a 2024 biographical drama based on the life of renowned Italian artist Amedeo Modigliani.
Directed by Johnny Depp, the film stars Riccardo Scamarcio in the title role, with supporting performances by Stephen Graham,
Al Pacino, and Antonia Desplat. The film’s original soundtrack plays a pivotal role, blending evocative original compositions by The Tiger Lillies
with classic tracks from artists such as Charles Trenet, Augie March, Tom Waits, and The Velvet Underground & Nico.
The soundtrack is available as a deluxe 2LP vinyl set in a gatefold sleeve with imagery from the film
And as a 2CD Box Set with lift-off lid, featuring a 24-page booklet including exclusive notes from Johnny Depp and behind-the-scenes images

Repress 2026













k D1 | The Train (King's Cross) Feat. Caroline Polachek











[k] D1 | The Train (King's Cross) [Feat. Caroline Polachek]











[k] D1 | The Train (King's Cross) [Feat. Caroline Polachek]

HAAi kehrt mit ihrem kühnen und brillanten zweiten Album 'HUMANiSE' zurück und erkundet den Sweet Spot zwischen maschinengesteuerter Dystopie und emotionsgeladener Utopie.

Mit all ihren Veröffentlichungen hat HAAi (bürgerlich Teneil Throssell) immer versucht, neue Grenzen in der elektronischen Musik zu erkunden, und auf dem neuen Album bohrt sie noch mal tiefer in diese Richtung. 'HUMANiSE' setzt sich mit der Frage auseinander, was es bedeutet, in einer zunehmend digitalen Welt ein Mensch zu sein, in der KI alles in den Schatten zu stellen droht und unsere Bildschirme uns voneinander trennen. Das Ergebnis ist ein ehrgeiziges und aufregendes Epos: ein klanglicher Sprung nach oben und eine deutliche Weiterentwicklung ihres 2022er Debüts 'Baby, We're Ascending'.

Stimmen - sowohl reale als auch digitalisierte - spielen auf 'HUMANiSE' eine große Rolle, ebenso wie Ideen von Gemeinschaft und Zugehörigkeitsgefühl. Sie ist zurückgekehrt, um mit Freunden wie Jon Hopkins, Alexis Taylor von Hot Chip, dem Sänger Obi Franky, dem Rapper KAM-BU, dem Künstler Kaiden Ford und dem Dichter James Massiah sowie mit zwei Chören zu arbeiten: Trans Voices mit Chorleiter ILA und ein Gospelchor unter der Leitung von Wendi Rose. Nachdem sie jahrelang hinter den Decks verbracht hat, bringt HAAi nun auch ihre eigene Stimme in den Vordergrund, mit der sie sich verletzlich und selbstbewusst ausdrückt. Ihre Stimme ist umwerfend zart und verleiht ihren kinetischen Produktionen eine neue Dimension.

Das Konzept des Albums wurde klar, als HAAi mit Jon Hopkins im Studio war. Die beiden spielten mit einem Vocal-Harmonizer-Plug-in mit einer Funktion namens 'Humanize'. Für HAAi ging ein Licht auf: „Die Vorstellung, dass etwas völlig Synthetisches versucht, eine echte Person menschlicher klingen zu lassen, ist verrückt“, sagt sie. HAAi lässt diese Extreme im Laufe des Albums verschwimmen: Sie digitalisiert Stimmen, überlagert sie zu einem verschwommenen Effekt und verwendet sogar eine KI-Text-to-Speech, um ihre Stimme zu erzeugen. Letztendlich kommt sie jedoch zu dem Schluss, dass Erfahrung und Erinnerung - das, was uns wirklich menschlich macht - nicht ersetzt werden können.

Vom euphorischen Opener 'Satellite' über UK-Radiohit 'Can't Stand To Lose' bis hin zu genreübergreifenden Stücken wie 'Shapeshift' ist das Album voll von aufregenden klanglichen Wendungen und zutiefst persönlichen Texten. 'HUMANiSE' ist ein kraftvoller, emotionsgeladener Sprung nach vorn: eine Feier der Gemeinschaft, des Selbstausdrucks und der Menschlichkeit.

- Ltd. Col. 2LP: (Crystal Clear Vinyl)

Karol G, is a Colombian singer. Considered as one of the most influential reggaeton and urban pop artists, she has received awards including a Grammy, six Latin Grammy Awards and five Billboard Music Awards. She was recognized as Woman of the Year and with a Rulebreaker Award at Billboard Women in Music, with the Spirit of Hope Award at the Billboard Latin Music Awards.

If you asked KAROL G, “What would the album that best represents your Latin community sound like?” — she’d answer with her fifth studio album, TROPICOQUETA.

‘When The 2000s Clashed: Machine Music For A New Millenium’ is the story of how, 25 years ago, a new form of electronic music – known as electroclash - reignited a tired clubland and gave the indie scene and mainstream pop a shot in the arm in the process. Over this 3LP highlights set, carefully curated from the 5CD box of the same name (also released, 3rd October) the collection showcases the back-to-basics electronic beats that heralded in a new generation of exciting and innovative new artists - Hot Chip, Peaches, LCD Soundystem, and Ladytron, to name a handful. It also shows how the sound and attitude of electroclash plugged into the decade’s cutting-edge indie bands, (Franz Ferdinand, Bloc Party), and became intrinsic to the way chart pop would sound in the first decade of the 2000s (Kylie, Goldfrapp).

The collection also shows how the scene’s underground DIY ethos evolved and inspired the next generation of electronic buccaneers (Simian Mobile Disco, Justice Vs. Simian). ‘When The 2000s Clashed’ brings together a dazzling, diverse selection of artists, producers and remixers from right across the 2000s zeitgeist – from The Chemical Brothers and Daft Punk, from M.I.A. to Soulwax and many points in-between. For good measure, there’s also one side of LP3 given over to the original post punk and electronic sounds (including Kraftwerk, The Human League and Cabaret Voltaire) who’d played such a big influence on the electroclash sound. ‘

When The 2000s Clashed’ was compiled and sequenced for Demon / Edsel by Jonny Slut, founder of London’s electroclash citadel Nag Nag Nag. Established in 2002, in a small Soho venue called Ghetto, ‘Nag’ quickly became THE hottest club, first in London and then in the whole world. A glorious mess and hedonists’ hotspot, a night at ‘Nag Nag Nag’ (if you could get in!) saw the capital’s club kids, students and creatives rub up alongside names from the fashion and music worlds - Björk, Pet Shop Boys, Kate Moss, Boy George, Alexander McQueen, and Pam Hogg were among the regulars. Madonna visited, so did John Peel, Yoko Ono asked to perform and did, Throbbing Gristle’s Chris and Cosey DJ’d, so did Marc Almond, and Too Many DJ’s.

Justin Timberlake was refused entry (too many bodyguards)… even Cilla Black was spotted getting down! Jonny shares these reminisces – and many more - in the collection’s sleevenotes. Named after the 1979 Cabaret Voltaire classic, ‘Nag, Nag, Nag’ became the first place to hear the seemingly endless flow of thrilling new tunes coming from every direction during that decade of dance. Many of them are included on this collection.

‘BORN LIKE THIS.’ is MF DOOM’s last solo album. Featuring Ghostface Killah, Raekwon and seminal American poet and writer Charles Bukowski with beats from J Dilla, Madlib and ol’ Metal Fingers himself. “I’ve been a fan of Bukowski for a while. It was a friend of mine – damn, I forget the n*gga name – from Life Sucks Die, it’s a graffiti magazine but it’s real kinda edgy, out of Minneapolis. They did an interview with me and then me and Andrew Broder was friends ever since then. He said, ‘Your shit reminds me of this dude Bukowski, you gotta read his stuff.’ I was a little apprehensive at first, ‘cos I was like, ‘What kinda weird shit is this?’ Then he gave me a book, The Most Beautiful Woman In Town, and after that I just got into it. “So for this album, to celebrate all us writers, emcees, if you look at it, it’s a lot of words that we say, and we all write those words: if it was written down on a piece of paper it could be a short story or like a good book. So I saw where Andrew was coming from where he sees the similarities. In tribute to Bukowski I said let me get him as a guest appear ance…” DOOM as quoted in HHC. “Whatever caused DOOM to scale back his output and go off the grid, he’s only come back from it sharper, stronger, and more powerful than before.” Pitchfork “DOOM still has the sickest vocabulary, broadest frame of reference, and densest, most quotable rhymes in hip-hop… he has created an album of sublimely half-assed super-genius.” Onion AV Club

Having established a reputation as one of the most versatile and respected producers in the game - with over a decade at the forefront of UK bass music, spanning UKG, grime, bassline and drum & bass, Flava D needs no introduction. Now, with her debut drum & bass album Here & Now, she levels up once again, channelling years of dancefloor know-how into a project that's as weighty as it is emotionally dialled-in.

A self-proclaimed fan of Hospital Records from the age of 14 - the first drum & bass CD she ever bought being 'Hospital Mix Vol. 1' - Here & Now marks a particularly paramount milestone for the Bournemouth-born beatmaker. Across 15 tracks, Here & Now captures the breadth of Flava D's musicality, offering a bass-charged, genre-spanning statement that's rooted in experience but tuned into the present moment. With a star-studded bank of collaborators, including MPH, Anais, Unglued, SOLAH and more, the album highlights Flava D's curatorial ear and the strength of her network across the scene.

At its core, Here & Now is a meditation on presence - a fresh, fearless chapter from one of the UK's most consistently innovative producers. The album is equal parts masterful and functional, giving fans what they came for while revealing new layers of Flava D's ever-evolving sound. Through its stacked line-up of collaborators, Here & Now also connects voices who are helping shape the future of dance music, from the underground up.

This is the fourth volume in the collection dedicated to the Arlecchino nightclub in Santa Maria Codifiume, in the province of Ferrara. It's once again a double-vinyl set that gathers the best of Afro, Funky, Rare Groove, and Black Music, as played at the club by resident DJs Giancarlo Lelli, DJ Ghello, and DJ Frank.

Soul Jazz Records delve into the vast vaults of Discos Fuentes, one of the oldest and largest record companies in Latin America, known as "the Motown of Colombia". Discos Fuentes played a major role in spreading Afro-Latin sounds both to Colombia and around the world and this album explores that legacy. Latin Fire! features legendary Colombian artists such as Fruko, The Latin Brothers, Michi Sarmiento, Afrosound, Pedro Laza, Wganda Kenya and more and showcases the wide-ranging variety of styles that Discos Fuentes made unique to their sound. The album features music from the golden era of Fuentes; from late 50s and 1960s Cumbia through to the emergence of heavyweight and hardcore salsa and Afro-funk in the 1970s and up to the early 1980s.

Before he became better known as Porn Sword Tobacco (PST), Swedish producer Henrik Jonsson released two albums under the name of Stress Assassin. Like his later oeuvre, the tunes are spacious, cinematic and multi-layered, influenced by the likes of Harold Budd and Tangerine Dream, but for this project there is additional guidance from Lee Perry and Moritz von Oswald.

Released on vinyl for the first time, Within the Office of Eye and Ear’s smoked-out ambience and blissful beats are permeated with melodic bass and cinematic space. Found sounds, floating voices and intermittent pops ripple amongst the sweet harmonies, lush atmospheres and pulsating basslines, creating a captivating other-worldly dreamspace.

As Henrik explains: “Made often at night in an attic in Gothenburg, it’s music I did in a world far away from today: the music was, and is, about not running along with a stress-y society soaked in TV, media and materialism, out of touch with the calm beauty this world gives us”

He certainly succeeded as Within the Office of Eye and Ear offers the ultimate stress assassination.

A few years in the making, Dauw finally announces the reissue of the humble bee’s quietly classic morning music. Now, for the first time, the remastered album is available on vinyl, presented as a double LP, alongside a digital edition.

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:30 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, morning music served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to morning music - and with it, the hope that it will find its way to new ears as well.

Ltd. Boxset White Vinyl


Zum 20-jährigen Jubiläum ihres ikonischen Debütalbums Silent Alarm veröffentlichen Bloc Party drei limitierte Jubiläumsformate: eine 2LP auf weißem Vinyl mit dem original Album, eine 2CD Edition mit dem original Album und Bonus Discs, welche Demos, B-Sides und eine BBC Peel Session beinhalten. Außerdem ist ein 12-seitiges Booklet inkl. Lines Notes und einem Vorwort von Produzent Paul Epworth. Die Deluxe-Box umfasst alle oben erwähnte als 4LP Set. 2LP für das original Album und 2LP für die Bonustracks und Raritäten sowie Demos und Sessions. Wobei es hier ein 24-seitiges Booklet mit noch nie veröffentlichten Fotos der Band und exklusive Liner-Notes gibt. Ein Muss für Fans und Sammler gleichermaßen.
White Vinyl





















u b2 She’s Hearing Voices Original Version