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With her 3rd Blue Note album Synonym, Meshell Ndegeocello presents a remarkable album of duets on classic songs that are known, loved, and diverse in tone, “genre”, intent, and BPM. This is an album about joy, love, selfhood, individual representation and universal experience that explores expressions of desire, care, heartbreak, friendship, disappointment, and love in all the forms. All the songs feature two singers who identify as the same gender, wherever that might be on the continuum, and are musically matched for contrast or compliment including Cynthia Erivo, Cat Power, Robert Glasper, Chaka Khan, Madison Cunningham, Laura Lee (Khruangbin), Emily King, Lizz Wright, Lianne La Havas, Moses Sumney, Brandi Carlile, ANOHNI, WILLOW, Bill Callahan, Chris Thile, and more.

Two is the second album by British electronic group Utah Saints, and was released in 2000. It's the result of a eight-year layoff that was this close to retirement (in techno terms). In 1992, Utah Saints' self-titled debut was one of the year's most exciting dance releases. Jez Willis and Tim Garbutt's anthems boomed out with the exuberance of copyright liberation, but their unreleased second album was permanently bricked up by record label ffrr for copyright violation.

But in 2000 they finally got to release this beauty! Two features guest apparances by Michael Stipe (R.E.M.), Chuck D (Public Enemy) and Edwin Starr. On Two, you can hear samples ranging from Metallica, Average White Band, The Pretenders, The Stooges and Joyce Sims, so you can only imagine which samples were used on that unreleased album!

Two is available as a limited numbered edition of 1000 copies on clear/turquoise marble vinyl, and is packaged in a gatefold sleeve.

Ayu's sixth album, released on 15 December 2004, includes hit singles such as "Moments" "INSPIRE" and "CAROLS"
This masterpiece is packed with classic songs that are still frequently performed live, including songs with an intense rock approach known as "ayu rock"

Experience the emotion of The Last of Us like never before with this stunning Blue & Grey Marble double LP.

Performed by London Music Works, Music From The Last of Us brings together the most iconic themes from the acclaimed video games and TV series, featuring the unforgettable music of Gustavo Santaolalla, along with a piece composed by Max Richter. A must-have release for fans of the franchise and soundtrack collectors alike, presented on a beautifully crafted vinyl edition that is as striking as it is immersive.




[d] a4 The Last of Us (Goodnight) [from "The Last of Us Part I"]
[e] a5 All Gone (No Escape) [from "The Last of Us Part I"]
[f] a6 The Path (A New Beginning) [from "The Last of Us Part I"]







[n] c3 It Can't Last (Sunset) [from "The Last of Us: Season 1"]

[p] c5 All Gone (Flashbacks) [from "The Last of Us: Season 1"]
[q] c6 The Last of Us (Vengeance) [from "The Last of Us: Season 1"]
[r] c7 All Gone (Ephemeral) [from "The Last of Us: Season 1"]

[t] d2 Left Behind (The Journey) [from "The Last of Us: Season 2"]

Twenty-five years after his debut album I’m Serious permanently altered the DNA of Southern hip-hop, Tip "T.I." Harris is officially closing this chapter with KILL THE KING, his twelfth and final studio album. For a man who has spent over two decades as the self proclaimed “King," the project’s title speaks volumes. This is not a surrender of the crown to a rival, but rather a symbolic death of the ego. T.I. is choosing to dismantle the moniker on his own terms, trading the battlefield for peace, legacy, and the freedom to step out of the booth and into the next phase of his life as an actor and family man.

Rather than leaning on pure nostalgia, KILL THE KING proves T.I. is walking away while his pen is still razor-sharp. The project is anchored by the certified gold lead single "LET 'EM KNOW," produced by long-time collaborator Pharrell Williams, which sets an immediate tone of veteran-level precision and polished bravado. Across the 18-track album, T.I. pulls together a masterclass of multi-generational talent that bridges the gap between his trap origins and modern dominance. The album boasts heavy-hitting Southern anthems like "DOPE BOYS ACADEMY” featuring 2 Chainz, Jeezy, and T-Pain, alongside soulful reflections from the Dr. Dre produced track "WHERE I’M FROM" with Anderson .Paak, Atlanta eloquence with Usher on "GORGEOUS," and moody, atmospheric cuts featuring Summer Walker and YoungBoy Never Broke Again.

Ultimately, KILL THE KING is designed to leave nothing unsaid, directly addressing the trials, tribulations, triumphs, and the undeniable imprint he’s left on global hip-hop culture. To mark the end of this historic era, T.I. isn't just letting the music speak for itself; he will be taking his final bow on the road with The King Succession Tour, bringing his sons Domani and King along to officially pass the musical torch. With this final statement, T.I. ensures that the trap music foundation he helped lay the framework for what will endure long after he sets down the mic. The King is dead; long live the legacy.

The Unwound album that ended all Unwound albums. Recorded in a moldering farmhouse basement at the crest of the new century, Leaves Turn Inside You is the no-wave response to Spector’s wall of noise call. Infinite layers of choppy guitar stabs and bridge scrapes, guttural bass thronk, thrift store synths, and monotone chanting wash over suffocating rhythms to deliver the world’s only choral grunge LP. This 25th anniversary edition has been remastered from the original analog tapes and is housed in a glorious silver foil jacket with added emboss, deboss, spot varnish, and a replica 12x24” poster . Reinvented for you.

Elastica’s iconic self-titled debut album is set to be reissued by Rough Trade Records on 2 October in a new edition boasting rarities and b-sides.

Striking their own, distinct path in March 1995, Elastica proved uniquely fresh-sounding as the London four-piece delivered on the reputation they had built up gigging around the capital beyond in the months ahead its release.

Home to the likes of Line Up, Waking Up and Connection, singles at once timeless yet in the moment, Elastica’s debut captured the fraying emotions, hazy experience and burning energy of life, love and after-hours adventure.

Absorbing atmospheres and attitudes of their post-punk and new wave forbears, Justine Frischmann (vocals, guitar), Annie Holland (bass), Donna Matthews (guitar, vocals) and Justin Welch (drums) poured their own identities into the album’s 15 tracks which balancing youthful swagger, with sage-like observation and a knowing cool that made Elastica and their debut effortlessly timeless.

The Unwound album that ended all Unwound albums. Recorded in a moldering farmhouse basement at the crest of the new century, Leaves Turn Inside You is the no-wave response to Spector’s wall of noise call. Infinite layers of choppy guitar stabs and bridge scrapes, guttural bass thronk, thrift store synths, and monotone chanting wash over suffocating rhythms to deliver the world’s only choral grunge LP. This 25th anniversary edition has been remastered from the original analog tapes and is housed in a glorious silver foil jacket with added emboss, deboss, spot varnish, and a replica 12x24” poster . Reinvented for you.

2026 Re-Release

After smooth detours into Soul covers, French Neo-Disco, modern Sunset Disco and Brazilian AOR, in 2022 DJ Supermarkt's Too Slow to Disco series makes a joyous return to its original Westcoast AOR/Yacht roots. Celebrating the 10th TSTD compilation. Who would have thought….
The Berlin curator releases a killer 4th edition of the original compilation art form, "Too Slow to Disco", featuring forgotten and overseen gems from the mid 70s to the early 80s from a global world of smooth, brilliant lost and overproduced tracks from Finland via London and L.A. to Trinidad and beyond.
The great 'un-vanisher' of lost lazy classics, DJ Supermarkt once again unearthed some incredible music that labels, publishers (in many cases also those, who actually own the rights to those tracks…) and streaming services have often long overlooked. You're welcome, world!

LP ltd colored vinyl, 140 gram, gatefold, mp3 Download PostCard

After smooth detours into Soul covers, French Neo-Disco, modern Sunset Disco and Brazilian AOR, in 2022 DJ Supermarkt's Too Slow to Disco series makes a joyous return to its original Westcoast AOR/Yacht roots. Celebrating the 10th TSTD compilation. Who would have thought….
The Berlin curator releases a killer 4th edition of the original compilation art form, "Too Slow to Disco", featuring forgotten and overseen gems from the mid 70s to the early 80s from a global world of smooth, brilliant lost and overproduced tracks from Finland via London and L.A. to Trinidad and beyond.
The great 'un-vanisher' of lost lazy classics, DJ Supermarkt once again unearthed some incredible music that labels, publishers (in many cases also those, who actually own the rights to those tracks…) and streaming services have often long overlooked. You're welcome, world!

Die stärksten PERKELE-Songs auf einem Album gebündelt? Mit „Best from the past“ wird dieser Wunsch Wirklichkeit, das Album versammelt 20 PERKELE-Hymnen aus allen Phasen auf einem Tonträger (Vinyl kommt sogar als Doppel-Album). Von Sänger Ron höchstpersönlich zusammengestellt und im beiliegenden Booklet mit Liner-Notes versehen. Die Story hinter dem Text. Alle Klassiker sind an Bord: Von „Cowards“, „Hang’em high“, „Yellow & blue“, „Heartfull of pride“ bis „Göteborg“, „Längtan“, „Moments“, „A way out“ etc. Erscheint nun in 2026 erneut auf Vinyl. Und weil doppelt besser hält: Als Doppel-Vinyl.

Limitiert: 500er Auflage in transparent rotem Vinyl.

Young Mikos Debütalbum „att.“ festigte ihren Status als aufstrebender Latin-Star. Zu den zentralen Tracks zählen „wiggy“, „offline“ feat. Feid und „ID“ feat. Jowell & Randy. Das Album erscheint erstmals als physische Vinyl-Ausgabe.

2LP auf Neon Yellow Vinyl im Wide-Spine-Cover mit bedruckten Innenhüllen und 12" × 24"-Poster.

2026 Repress

SHDW presents 'Federation Of Rytm IV': a bumper 30-track collection spanning the past, present, and future of techno.

Offering powerful standalone club cuts and a cohesive deep-dive, the expansive VA lands on 24th October 2025.

The fourth edition of SHDW's flagship 'Federation Of Rytm' VA series has been carefully curated by the DJ/ producer and head honcho over more than a year, with close attention to detail given to sequencing. It is a balance of label regulars and debutants that represents the past, present, and future, both sonically and through the generational diversity of the artists involved. There are plenty of surprises along the way while always remaining true to the Mutual Rytm ethos and reflecting the journey of the night from start to finish, whether that's in intimate, sweaty clubs or on big festival stages.

Across 30 tracks in the digital collection and 24 on four sides of wax, the release explores the full breadth of the Mutual Rytm sound. Driving grooves and relentless percussion set the pace, gradually unfolding into hypnotic and atmospheric passages that invite deeper immersion. Pulsating low-end power alternates with eerie minimalism, while bursts of futuristic energy and cavernous kick drums keep the tension high. Elsewhere, dub textures and moments of introspection provide balance, creating a narrative arc that moves fluidly between intensity and release, atmosphere and tension, darkness and light.

Better Living Through Chemistry wasn’t just Fatboy Slim’s breakthrough - it helped redefine what electronic music could be in the mainstream. Released in 1996, the album arrived at a pivotal moment in UK club culture, fusing big beat, acid house energy and sample-heavy experimentation into something irreverent, accessible and unmistakably British. Tracks like “Everybody Needs a 303,” “Going Out of My Head,” and “The Weekend Starts Here” captured the anarchic spirit of the era while laying the foundation for a sound that would dominate late-’90s pop culture.

To celebrate the 30th Anniversary of Norman Cook’s career as Fatboy Slim, BMG will reissue his debut album ‘Better Living Through Chemistry’, also turning 30 in September.

The 2LP will be remastered at half speed, following previous Fatboy Slim classic album remastered reissues and feature new liner notes from journalist Alexis Petridis.

The 2CD will include a bonus disc, b-sides with a brand-new remix with inclusion of the Alexis Petridis liner notes.

Since the release of DAMAGED in 2024, Michael Fiedler aka GHOST DUBS has been surfing intensifying waves of adulation, earning praise from such diverse underground legends as Justin Broadrick (Godflesh/Jesu), Regis, Stefan Betke (Pole) and Steve Von Till (Neurosis). With second album Oblique, his mastery of sculpting sound waves results in a spellbinding set of alien soundscapes: larger in scale, richer in tone and considerably more cinematic than its predecessor. Lower, deeper and moodier, its cloudy abstractions, shadowy pulsations and submerged rhythms find Fiedler reaching further into his own sonic void, crafting blurred melodies and addictive narco loops into something simultaneously heavyweight and hypnotic. Album opener "Low Times" sets the atmospheric pressure to maximum, resembling a dream date between prime dirt-house era Andy Stott and Berlin dub-tech pioneers Basic Channel. From there, Oblique descends into a series of enchanting mood scenes: the furtive, balletic gyrations of "After All", the haunting ambience and buried heartbeat throb of "Soft Collapse", and the noirish atmospherics of "Blackout Dust", which worms its way into the mind like some forgotten David Lynch scene. The spirit of reggae is more distanced here than on DAMAGED, but the ghost of Jamaican dub still permeates these foggy soundscapes, particularly on "Bombed Suburbs", where Augustus Pablo-style melodicism is chopped, screwed and slowed into a magnetic lock groove. Superficially minimal but maximal in its minute detail, Oblique is a record of contorted reflections, mesmeric echoes and tantalising audio mirages. By the vaporous mist of closing track "Almost a Structure", obvious rhythm has been craftily filtered away, leaving a blurred and blunted residue full of mystery and implied narrative. Dense in the best possible sense and crushing when played loud yet equally potent played quiet, Oblique imagines dub techno burning its own rigid rulebook: sensual, funky and concussive rather than dry or alienating. "Second album from electronic producer Michael Fiedler's GHOST DUBS project. "Follows up from the highly-acclaimed 'Implosion' album with The Bug from 2025. "Debut album 'Damaged' sold out its three initial pressings and has just been repressed "Michael Fiedler recently scored 'Sound of Falling' which won a Cannes award in 2025 and made the shortlist for an Oscar, too.

Following the success of Denshi Ongaku No Bigaku Vol. 1 and Vol. 2, Cosmocities returns with the third instalment of its celebrated compilation series dedicated to the rich and ever-evolving world of Japanese electronic music. Compiled by label owner Matt Soulie, Denshi Ongaku No Bigaku Vol. 3 continues the journey through Japan’s diverse sonic landscape, bringing together pioneering artists, cult favourites and contemporary innovators across ambient, house, jazz-infused electronics and experimental sound design.

A carefully curated snapshot of Japanese electronic music past and present, Denshi Ongaku No Bigaku Vol. 3 showcases the depth, innovation and enduring influence of one of the world’s most inspiring musical cultures.

Since its inception, the Denshi Ongaku No Bigaku project has paid tribute to a musical culture that has profoundly influenced the Cosmocities vision. Where the first volume explored dreamy ambient textures and deep electronic moods, and the second shifted focus towards boogie-laden rhythms and jazz-fuelled dancefloor excursions, Volume 3 finds a natural balance between introspection and movement.

The compilation opens with Yosi Horikawa’s sublime “Bubbles”, an ambient masterpiece whose delicate organic textures gently set the tone. Chari Chari’s “Luna de Ritmos” follows with deep, ethereal house atmospherics before Force Of Nature’s hypnotic “Skyy High” guides listeners further into immersive territory.

The journey continues through the experimental electronics of XTAL’s “Skygazer” and the analogue warmth of Takuya Matsumoto’s “Jump Rope Music”, while regular Cosmocities contributor Yuu Udagawa delivers the sophisticated high-tech jazz house groove of “Little Secrets”.

On the second half of the collection, Kuniyuki’s remix of Slow Didi’s “Follow Me” brings rich jazz-inflected elegance, leading seamlessly into the futuristic techno-swing fusion of DJ Eiji Takehana featuring Yusuke Nakamura’s “Deep Track Jazz”. Tominori Hosoya’s “Summer Dreamers” adds a deeply emotional and dreamlike house moment before Azzurro’s “Just A Touch Of Love” shifts the focus firmly towards the dancefloor with a hypnotic late-night thumper.

Closing the compilation is AcidGelge’s “Fatality 4”, a beautifully spacey and atmospheric finale that leaves the listener suspended somewhere between the club, the cosmos and the imagination.

PRAANA unveil their highly anticipated album Insight Out on Colorize, a deeply immersive body of work that explores reflection, connection and emotional growth through the duo’s signature cinematic lens.

Built around themes of reflection, presence and human connection, Insight Out creates a rich sonic landscape where atmospheric textures, subtle rhythms and emotive songwriting coexist with effortless grace. Featuring collaborations with Susie Ledge, Tina Parol, Freddie Elmberg and Courtney Storm, the album showcases PRAANA’s ability to create music that feels both intimate and expansive. An alias of Tritonal, PRAANA have amassed over 30 million streams, earned sustained support on SiriusXM Chill and recently completed U.S. tour dates in Chicago, Denver and a sold-out Elsewhere Rooftop show in Brooklyn.

Insight Out stands as a fully realised artistic statement, offering a space for stillness, reflection and meaningful escape through sound.

New edition; printed on transparent & red vinyls.


This album is the soundtrack to Absolum, a fully hand-drawn universe with a unique story, created by the team behind Streets of Rage 4, TMNT: Shredder's Revenge, and more.

Known for Ori and the Blind Forest and Halo Infinite, lead composer Gareth Coker brings his signature emotional depth, blending dark fantasy orchestration with medieval-inspired themes and somber atmospheres.

From orchestral soundscapes to thrilling boss battle themes, this soundtrack features guest tracks from Mick Gordon (DOOM 2016, Wolfenstein: The New Order, Atomic Heart), Yuka Kitamura (Elden Ring, Dark Souls III, Dark Souls II), Motoi Sakuraba (the Dark Souls series, Mario Golf, Star Ocean), and Rachel Hardy (Stray Gods, Eternal Strands), setting the tone for the events unfolding in this cute yet twisted fantasy world.

Magic may be forbidden in these lands, but the music is no less enchanting!

Belgian Limburg-based Cold Wavers Siglo XX, were a leading coldwave band, successfully touring around Europe,and active between 1978 and 1989. Often called the Belgian Joy Division with their dark sound they made quite an impression in their heydays. Their backcatalogue and their liveshows still sound today timeless and fresh.

The past year they started touring again and played an impressive and powerful concert on January 17th in Ancienne Belgique, Brussels. On the set list an exquisite selection of their best work. This live album captures that performance as if you were there yourself, and maybe you were!

*Limited edition (500) reissue of The Orchids second album – originally released on Sarah Records in 1991- remastered with the 7” and E.P tracks from the time. Translucent pink*
“The Orchids have a lightness of touch, an autumnal and mellow fruitfulness, a clear-eyed pop nous. Imagine some nexus that takes in Felt, Orange Juice, The Beach Boys and The Go-Betweens”
-Stuart Maconie

“The Orchids can come on like esoteric angels high on Felt and Massive Attack”
– John Mulvey, NME

The early summer bloom of 1992 felt like it had been pollinated by a lot of sunshine-loving records from the year before, optimistic headrushes that embraced hedonistic bliss or at least a sweeter ride. There was still an element of bedroom wistfulness to singles like Higher Than The Sun, Nothing Can Stop Us and even Paris Angels’ Perfume but there was no denying the appeal that techno, rave and Bleep held, especially when it was microdosed. Bands were more willing to experiment with technology and producers, if not necessarily going for all whistles-blazing club bangers.

The Orchids, hailing from the suburbs of Glasgow were unlikely to ever emerge from their hood as contenders for a deal on Soma Records (which had begun in 1991 in that city) but they evidently wanted to stretch their boundaries beyond their introverted debut. Unholy Soul is somewhat breezier than Lyceum. It’s still laced with a Scottish melancholy but there’s more breathing space within the production. They’d hinted as much on their 12” ‘Penetration’ EP from 1991 and lovelorn songs such as Waiting For The Storm and Peaches are now spiked by absent-minded cherubs with an ear for the 3.a.m comedown.

As lead singer James Hackett says today: “Unholy Soul was the first time we had spent more than a couple of days in the studio, doing so after work. It was a thrilling period of creativity and we had most of the songs written but not enough. We didn’t worry about that too much though because with Ian Carmichael there was a new opportunity for studio generation. Also this was the first time we had heard Pauline (Hynds) singing with One Dove so we asked her to sing on some of the songs. We were obviously influenced by a lot of the music of the time but you can still hear it’s The Orchids at heart”.

The next year of course One Dove (with Carmichael programming) released their debut album - produced by Andrew Weatherall - on the Boy’s Own label. It felt like there was a lot of ideas being spun back and forth between artists and producers in the early 90s. If some of the records also sound very much of that time that’s no bad thing either. There was a lot of loved-up nostalgia for the 60s then so it’s no surprise that many of the records have a youthful exuberance coupled to a technological innocence, that’s the charm.

Repress

Released in August 2020 to much acclaim, as well as receiving many accolades as one of the best albums of 2020, Duval Timothy present Help (2021 edition).

This new and limited edition will be released independently by Duval Timothy’s Carrying Colour label, fashion brand and shop. It comes on 2 x 140g milky clear vinyl, with new 2 x 12" square posters and shrink-wrapped.

Help was recorded in London and Los Angeles, and reveals the artists' experience traversing the meshes of the music industry, mental health, YouTube self-help videos, and the healing he discovered through friendship and collaboration. Co-produced by Rodaidh McDonald (King Krule, The XX) and Marta Salogni (Bjork), with collaborations from Lil Silva, Melanie Faye, Vegyn, Desta Haile, Mr Mitch, Dave Okumo, and Twin Shadow amongst others.

Duval Timothy is a multidisciplinary artist, whose practise is centred around colour and involves the use of music, photography, textiles, painting, sculpture, design, cooking and video. In between delivering a celebrated cookbook for Penguin Books, and an interactive installation at Tate Modern Turbine Hall, Duval makes music, which is sampled by the likes of Solange and Loyle Carner and collaborates frequetly with cktrl, Vegyn, Kwes, and Mr Mitch.

It’s as sure as night follows day, one of the last truly reliable things in these uncertain times, a rock in the storm of information overload, and still one of the best things you can make from PVC: The new TOTAL compilation is here!

The cheerful opener “Xtasy” comes from the up-and-coming Cologne-based DJ H0TLINE. If it says ‘Ecstasy’ on the label, that’s exactly what’s inside. The term ‘legend’ is all too often bandied about lightly. In the case of ORLANDO VOORN, it’s almost an understatement. His ‘So Deep Remix’ is a goosebumps-inducing masterpiece in its purest form. Simply wow. FRANKEY & SANDRINO haven’t visited us for a while, but their key still fits the lock. Watch out – “Disruption” might expand your consciousness! Ah, nobody grapples so beautifully with life’s big questions as TEE MANGO, but what would the world be without melancholy? A Disneyland of triviality! TEAM 85E, newly formed around JÖRG BURGER, takes on a classic from the German songbook by Ton, Steine, Scherben and opens hearts with the same ease as others open tins of beer. Speaking of hearts, MICHAEL MAYER pays tribute to the successful Artemis 2 lunar mission, as a small thank-you for reminding us that it should really always be about love. SOG, aka WOLFGANG VOIGT, agrees wholeheartedly. Sometimes all it takes is a bass drum, eight notes and a bit of love for total satisfaction. ROBAG WRUHME does what he does best: luring us down the proverbial rabbit hole like the White Rabbit, just not quite so frantically. JÜRGEN PAAPE, together with FENJA LUDWIG, doesn’t pull a rabbit out of the hat, but rather a modern dub-techno hit. We watch in amazement as a new genre takes shape. Finally, it’s time to sit back and relax with REINHARD VOIGT and just let things be. Cocktail or beer? The main thing is: it’s cold.

Das 1997 erschienene Album „Romanza“ verhalf Bocelli zum weltweiten Durchbruch: Es verkaufte sich
weltweit fast 20 Millionen Mal und wurde zu einem der meistverkauften Alben der modernen Klassik aller
Zeiten.
„Romanza (30th Anniversary)“ wird sowohl als Standard- als auch als Deluxe-Edition erhältlich sein. Das
Deluxe-Paket enthält zwei goldfarbene Schallplatten, eine von Bocelli signierte Lithografie sowie einen
Bildband mit eigens in Auftrag gegebenen Begleittexten des renommierten Journalisten Craig McLean, der
Bocellis außergewöhnlichen Aufstieg vom aufstrebenden italienischen Tenor zu einem der weltweit gefeiertsten Künstler nachzeichnet. Beide Editionen enthalten zudem bisher unveröffentlichte Fotos von den
Aufnahmen zum Album.
Die Sammlung vereint alle 16 Titel des Originalalbums, darunter die zeitlosen weltweiten Hits „Time
to Say Goodbye“ mit Sarah Brightman und „Vivo per Lei“ mit Giorgia sowie eine bisher unveröffentlichte
Extended Version von Bocellis Hit „Con te Partirò“.

"Solaris", das zwölfte Studioalbum von The Ocean, würdigt die bisherige Entwicklung der Band und verleiht ihr eine neue, intensive Note. Mit Mitgliedern aus sechs verschiedenen Ländern im Kern-Line-up kehrt The Ocean zu einer kollektiven Besetzung zurück und schöpft aus dem Erfahrungsschatz und Talent eines Pools außergewöhnlicher Musiker. Nachdem man mit dem Vorgängeralbum "Holocene" einen anderen Weg eingeschlagen hatte, zeichnet für den weitläufigen, organischen Klang von "Solaris" erneut der schwedische Produzent Jens Bogren verantwortlich, der bereits die beliebtesten Alben der Band - "Pelagial" sowie "Phanerozoic I" & "II" - gemischt hat. Das neue Album stellt die Sänger*innen Lane Shi und Enrico Tiberi sowie die Gitarristen Emmanuel Jessua und Marco Gennaro vor. Sie ergänzen den Gründungs-Gitarristen Robin Staps, den langjährigen Bassisten Mattias Hägerstrand und Schlagzeuger Jordi Farré. Jeder von ihnen bringt seine ganz eigene Note ein, um dieses fast 70-minütige Opus zum Leben zu erwecken. Für die Aufnahmen wurde der Kreis der Mitwirkenden noch weiter gefasst: Thorsten Quaeschning (Tangerine Dream) steuerte modulare Synthesizer bei, der griechische Komponist Orestis Zafiriou (Playgrounded) lieferte ebenfalls Elektronik- und Synthie-Elemente, und Simen Eifring von der norwegischen Post-Rock-Band Spurv übernahm den Posaunenpart. Aufgenommen wurde das Album in den legendären Berliner Hansa Studios, wo bereits Klassiker wie David Bowies Low und Heroes, Iggy Pops Lust For Life und Depeche Modes Construction Time Again entstanden. Innerhalb dieser Studiowände entwickelte sich "Solaris" zu einem lebendigen Zeugnis für die Kraft von Entdeckergeist und Teamarbeit. Da der neue Sänger Tiberi zudem ein versierter Pianist und Multiinstrumentalist ist, wurden Klänge von Celesta, Flügel, Rhodes-Piano und Hammond-Orgel zu einem integralen und unverwechselbaren Bestandteil des Solaris-Sounds. Der für The Ocean typische, atmosphärische Post-Metal wird durch den experimentierfreudigen Geist der neuen Mitglieder sowie die Beiträge der exzellenten Gastmusiker bereichert. Ein Werk, das für The Ocean hinsichtlich Ambition und erzählerischer Tiefe einen neuen Höhepunkt darstellt. Das CD- und 2LP Gatefold-Sleeve ist jeweils aus 360g Spezial-Karton gefertigt und auf Vorder- wie Rückseite mit roter Metallic-Heißfolien-Prägung veredelt. CD mit 6seitigem Fold-Out-Booklet, die 2LP in bedruckten Innenhüllen kommt zusätzlich mit A2-Poster.

Colorize presents 22, the debut album from California-based producer, DJ and yoga teacher mölly, a deeply personal body of work shaped by connection, surrender and healing.

Named after a now-shuttered nightspot that overlooked the beach on Italy's picturesque Tuscan coast, Maxime Denuc's 'Club Imperiale' is a work of speculative historical fiction, a record that imagines a point of creative symbiosis between the Catholic church and the ecstatic dancefloors of the early '90s.
Using a MIDI-controlled pipe organ, Denuc creates dense clouds of impossible-to-play notes that ricochet backwards and forwards through history, from Rome's reverberant cathedrals to the white, sandy beaches of the Balearic Islands.
Two years ago, the Brussels-based French composer was forwarded a surprising video by a Belgian fan. It was shot during a Wedding at a church in Menorca, where the organist was playing 'Infinite End', the lead track from 2022's 'Nachthorn'. Immediately, Denuc knew that this was the thematic backdrop he'd been waiting for; he imagined the aftermath of the event, wandering through small villages and teetering on a cliff's edge, finding a provincial nightclub and retracing his steps back to the beach to witness the
sunrise.

Die britische Singer-Songwriterin und Musikerin Martina Topley-Bird wurde durch ihre Zusammenarbeit mit
den Trip-Hop-Pionieren Tricky und Massive Attack in der Musikbranche bekannt. Besonders hervorzuheben
ist ihr gefühlvoller Gesang auf dem Track ”Teardrop” von Massive Attack aus deren Album ”Mezzanine”,
der zu seiner atmosphärischen Wirkung beiträgt. Auch auf Trickys Debütalbum ”Maxinquaye” (1995)
hat ihre eindringliche Stimme den unverwechselbaren Sound geprägt. Als sie 2003 zu einer Solokarriere
überging, erntete sie mit ihrem für den Mercury Award nominierten Debütalbum ”Quixotic”, das bei Independiente Records erschien, großen Beifall der Kritiker. 2004 erweiterte Topley-Bird ihre Zusammenarbeit
und lieh ihre Stimme den Gorillaz-Tracks ”All Alone” und ”Kids with Guns” von deren Debütalbum ”Demon
Days”. Seitdem hat sie weitere Alben veröffentlicht, darunter ”Anything” (2004), ”The Blue God” (2008)
und ”Some Place Simple” (2010).
Martina Topley-Birds von der Kritik hochgelobtes und für den Mercury Award nominiertes Debütalbum
”Quixotic” wird zum ersten Mal auf Vinyl veröffentlicht. Diese erweiterte Ausgabe enthält das Originalalbum sowie drei B-Seiten und einen unveröffentlichten alternativen Mix der ersten Single ”Sandpaper
Kisses”. Sie wird auf Doppel-Vinyl gepresst und in einem Gatefold-Sleeve verpackt sein.

The Bronx rapper Tim Dog released his 1991 debut Penicillin on Wax to a hostile audience. Ever a king of controversy, he made a million enemies with his provocative single "Fuck Compton," a shameless attention ploy dissing N.W.A., DJ Quik, and America's entire Pacific Coast. Penicillin on Wax contains more of the same, as Tim trashes everybody from Kwame to Michel'le to Eddie Murphy. The lyrical insults were arguably the opening salvo in what would later become the East Coast versus West Coast hip hop conflict.

There's no doubt that Penicillin On Wax remains one of the true hardcore hip hop classics and one of many landmarks in sounds from the Bronx. Produced by probably the best hip hop producers of the early 90s, the Ultramagnetic MC's, this album contains some of the most energetic tracks you'll ever hear. Guest appearances on the mic from Kool Keith and Ced-Gee also enhance the LP.

Penicillin On Wax is available on black vinyl and includes an insert.

2026 Edition, black vinyl



Released in 2005, OK Cowboy is the debut studio album by Vitalic, a major figure in the French electronic music scene. It made a significant impact on the European electronic music scene and laid the foundations for Vitalic's distinctive style. Highly acclaimed by both national and international press, this album has become a classic of French electro and techno from the 2000s. Among its cult tracks are "La Rock 01," "My Friend Dario," and "Poney Part 1," played by some of the biggest names in electronic music. It was certified gold in France.

2026 Edition, black vinyl



Flashmob is Vitalic's second studio album, released in 2009. This album confirms Vitalic as a major figure in the electronic music scene, proving his ability to reinvent himself while maintaining his signature power. The rock energy of his first album gives way to a more disco-influenced sound, featuring the now-iconic track "Poison Lips."

2026 repress of classic Alpha Steppa album.

Raise The Ark - The new album from Alpha Steppa, marking ten years of Steppas Records. This vocal-dub album defies convention and introduces the listener to a new world of soundsystem music. Raise The Ark evolves and expands the distinct avant-guard dub style of Alpha Steppa, exploring the realms of Hip Hop, Trap, Trad, Folk and Bass Music. True to the Steppas Records ethos, the music carries a deep and crucial message, covering current and timeless topics; from the climate crisis, sociopolitical issues, to roots, culture and spirituality. Working closely with known artists from the Steppas imprint and as we have come to expect, introducing us to new and emerging talent from across the globe. Raise The Ark features include; Pupa Jim of Stand High Patrol (France), Sista Awa (Italy/Senegal), Cian Finn (Ireland), Ras Tinny (Suriname), Nai-Jah (Nigeria), Tenor Youthman (Russia), Eva Keyes (Ireland) and Block Mameli (Italy/Ghana). The collection features 12 evocative and provocative vocal tracks and 10 thundering instrumental / dub mixes. Raise The Ark is a truly eclectic, profound and exciting album not to be missed.

In partnership with onetreeplanted.org we will plant a tree in Ethiopia for every record sold.

“One of the most prolific and inventive dub producers around” Wire

“A serious player in the soundsystem world” Mixmag

“Obliteratingly heavy bass” Q Mag

“Album of The Month” MIXMAG (March 2013 & October 2014)

Limited White Vinyl edition of ‘Car Button Cloth’, featuring Lemonheads classics ‘If I Could Talk I’d Tell You’ and ‘The Outdoor Type’. Celebrating the album’s 30th anniversary, this reissue includes the original record + a collection of rarities and unreleased cuts (download only), continuing Fire Records in-depth series of reissues from the legendary band.


‘Car Button Cloth' is an extraordinary affair of musical and emotional extremes, a soundscape spanning “the most beautiful piano-led mourning in the history of the broken heart” that switches into perky jangle-pop for fleeting moments and contains the ultimate self-deprecating classic ‘The Outdoor Type’, penned by Smudge cohort Tom Morgan, as well as a cover of the bluegrass standard ‘Knoxville Girl’ and ‘If I Could Talk I’d Tell You’ co-written with The Vaselines’ Eugene Kelly. All bases are covered.

A major independent figure on the global electronic music scene, Petit Biscuit returns with Movement, a new album featuring a striking rework of “Everything In Its Right Place,” the acclaimed track “Let You Know” with Sonia Ammar, and the new single “Midnight Sky Pt II,” a tribute to his fans that reconnects with Petit Biscuit’s signature sound, both powerful and emotional.


The album will be showcased on the biggest stages of French festivals this summer.

When Pouya dropped The South Got Something To Say in the summer of 2019, it wasn’t just a title—it was a definitive statement of growth. Nodding to André 3000’s iconic 1995 Source Awards declaration, the Miami pioneer used his third studio album to prove that his raw, independent formula had mutated into something deeper, more mature, and entirely unmatched in the underground rap landscape. Now, for the first time since its digital release, this pivotal moment in Florida hip-hop history is finally available on wax, offering listeners something tangible they have been anticipating for years.

The South Got Something To Say captures Pouya at a lyrical and sonic turning point. While maintaining the blistering flows, heavy bass, and visceral Florida energy that initially put him on the map, the album opens the door to intense themes of mortality, legacy, and the heavy toll of independent success. It bridges the gap between the frantic energy of the SoundCloud era and a mastery of songwriting, offering fans a remarkably transparent look into the mind of an artist surviving the very chaos that birthed him. Standouts like "Cruisin' in the MIA" and "Florida Thang" showcase his signature rapid-fire delivery, perfectly balancing the record's darker, more introspective moments.

The sonic diversity of the project is anchored by a stellar lineup of collaborators who push Pouya into new creative territory. He enlists Three 6 Mafia royalty Juicy J alongside heavy-hitting underground peers like Ghostemane and City Morgue, while seamlessly pivoting into the melodic, hazy soundscapes of indie-pop artist Cuco and longtime producer Rocci on tracks like "Talk to Me Before I Die" and "Mood Swing Misery." This striking balance of aggressive phonk and melodic vulnerability solidifies the album as a cohesive, genre-bending journey rather than a mere collection of singles.

For years, vinyl collectors and die-hard fans have begged for this underground masterpiece to be immortalized on wax. This first-ever vinyl pressing delivers the booming low-ends and intricate, therapeutic bars exactly how they were meant to be experienced. From the opening nostalgic chords to the final fading beats, this release stands as an essential artifact of the modern underground rap movement, finally giving a landmark Southern album the premium physical presentation it deserves.

Set sail for the next leg of the journey! Diggers Factory is thrilled to present the One Piece: Into the Grand Line (Soundtrack from the Netflix Series) Deluxe Vinyl Boxset.

Following the Straw Hat Crew as they finally move Into the Grand Line, the soundtrack captures the epic, high-seas energy of the hit series. Composed by the powerhouse duo Sonya Belousova & Giona Ostinelli, the score blends orchestral scale with pirate folk-rock grit, now pressed on stunning colored wax.
Whether you're dodging Baroque Works or looking for a giant whale, this box set is the ultimate treasure for any Straw Hat at heart.
2LP Black Audiophile Vinyl: Two black vinyl representing the fiery spirit of adventure and the deep mysteries of the Grand Line.
Custom Die-Cut Jackets: Two single jackets featuring a central die-cut hole that reveals the beautiful map-work of the inner labels.
16-Page Booklet: A deep dive into the production with exclusive set stills and behind-the-scenes imagery from Season 2.
Double-Sided Poster (20" x 27"): Choose your vibe with the cinematic group shot of the crew or the iconic "Grand Adventure Awaits" sunset art.
6 Exclusive Postcards: Vintage-style travel postcards from legendary stops like Loguetown, Little Garden, and Drum Island.
Sticker Board: A collection of high-quality stickers including Laboon, the Going Merry, and Luffy's legendary $30,000,000 Wanted Poster.
Collector's Box: All contents are housed in a premium, wooden-textured outer box.
Netflix's epic high-seas pirate adventure, ONE PIECE, returns for Season 2-unleashing fiercer adversaries and the most perilous quests yet. Luffy and the Straw Hats set sail for the extraordinary Grand Line-a legendary stretch of sea where danger and wonder await at every turn. As they journey through this unpredictable realm in search of the world's greatest treasure, they'll encounter bizarre islands and a host of formidable new enemies.