Suche:dâm funk

Unknown Mortal Orchestra came to life in basements and bedrooms, the musical vision of Portlander-via-New Zealand Ruban Nielson that fused guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for. It was, and is, the solidification of Unknown Mortal Orchestra as an endlessly intriguing, brave and addictive band. Ten years on, it's back with an expanded edition. Written during a punishing, debauched touring schedule during which Nielson feared for both his sanity and health, II illustrates the emotional turmoil of life on the road, painting surrealist, cartoonish portraits of loneliness, love and despair. These conflicting themes are evident immediately; on the album's sleeve is an unnerving image of Janet Farrar, the famous British witch, Wiccan, author and teacher of witchcraft. The chilling refrain of opener "Into The Sun" sees Nielson deliver the line "Isolation can put a gun in your hand," softly, his words starkly intelligible above a warm, slow-burning melody that quickly brands itself onto your brain. His playful imagery ("I'm so lonely I've gotta eat my popcorn all alone") mirrors the melody, before a solo that borders on psychotropic ends II`s introduction. UMO is unafraid to dig deeper than the rest, their intoxicating, opiate groove bringing rock'n'roll's exaggerated myths to life. And as it unfolds, II does find Nielson reenergized. "One At A Time" and "Faded In The Morning" boast dizzying choruses and instrumentals; these crusty hunks could have been excavated from a lost 1960s treasure trove. "Monki" unravels over seven minutes like the yarn from a stoner's cardigan with an eye-frying pattern. "Dawn" is a minute of disconcerting noise that stands out between the nooks and crannies of the choruses, guitar solos, groove-heavy bass and drums that were recorded live by newly-recruited drummer Greg Rogove and Kody Nielson in a move away from the electronic percussion employed on album one. II closes with "Secret Xtians," a tender observational puzzle that fizzes to a satisfied end. In celebration of the album's 10th anniversary Nielson's complete collection from the II era is finally available in one compilation, and features the five acoustic tracks from the Blue EP as well as two additional B-sides. Unknown Mortal Orchestra was once Nielson's closeted concern. With an album that uses his singular musical imagination and extraordinary talent to parade his emotions with unyielding honesty, it is now a fully realized band operating at the peak of its powers ten years on.

After a 3-year hiatus, Noerk is back with a spacey acidic three tracker plus a rolling peaktime remix from our good friend and really talented producer Lee Burton. Untitled_02 is an electrified, deep yet funky tribute to Vangelis (as we perceive it) with lush synthesizers and grooving 303s. Pending forties is reminding us of the 90s era when sample based breakbeat and acid realised they were made for each other like peanut butter and jelly. It's Over (original mix), on the other hand, follows a more straightforward 4 on the floor loop and lets the jazzy chords and the intergalactic melodies do all the work. Lee Burton's remix wraps up the EP nicely offering us a certified banger with 90s house elements that can destroy any dancefloor. We have entered the wormhole. Time and space are no longer relevant. Only feelings.

Remasterte Neuauflage einer der seltenen Platten des französischen Filmkomponisten (Emmanuelle, Purple Rain, Against All Odds) und Meisterarrangeurs (Serge Gainsbourg, Charles Aznavour): Auf seinem selbstbetitelten Album von 1979 bot Michel Colombier eine außergewöhnliche wie geniale Fusion aus Jazz, Pop, Klassik und Funk, begleitet von Top-Musikern wie Jaco Pastorius, Herbie Hancock, Steve Gadd, Larry Carlton und Michael Brecker, aus denen er das Beste herausholte.

■ Das Album "Spiral" wurde ursprünglich 1973 von der Harry Roche Constellation veröffentlicht.
Angeführt von Posaunist und Musikdirektor Harry Roche, mit ein wenig Unterstützung von einer
Gruppe von Arrangeuren, darunter Pete Moore (der Mann, der für das unvergessliche Pearl &
Dean-Jingle verantwortlich war), Don Lusher und sogar Stan Tracey, war die Constellation eigentlich
nie eine fest arbeitende Band, sondern eher eine Gruppe führender Session-Musiker.
"Spiral" bietet jazzige, funkige und verrückte, aber entspannte Instrumental-Neuinterpretationen von
Stevie Wonder, The Who und Bob Dylan. Der Titeltrack enthält den Gesang von Claire Torrey, die
auch zu Pink Floyds "The Dark Side of the Moon" beigetragen hat. Das Album wurde bei seiner
Erstveröffentlichung völlig übersehen und schnell aus dem Verkauf genommen. Es findet seinen Platz
in der Jazz-Lounge-Szene, wo "Spiral" auf Augenhöhe mit Roy Budds Get Carter Score steht.
Zur Feier seines 50. Jubiläums ist das Album als limitierte Edition von 1000 einzeln nummerierten
Copies auf White Vinyl erhältlich.

Named for the Grateful Dead song that concludes this inspired double
album, Uncle John's Band features masterful guitarist John Scofield at
his most freewheeling
Wide ranging repertoire finds his trio with Vicente Archer and Bill Stewart tackling
material from Dylan's "Mr Tambourine Man" to Neil Young's "Old Man", from
Leonard Bernstein's "Somewhere" to the Miles Davis Birth of the Cool classic
"Budo". And jazz standards including "Stairway to the Stars" and "Ray's Idea" rub
shoulders with seven Scofield originals that are variously swing, funk and folkinflected. The red thread through the programme is the trio's tremendous
improvisational verve.
"I feel like we can go anywhere," says John Scofield of the group's multidirectional versatility.
Uncle John's Band was recorded at Clubhouse Studio in Rhinebeck, New York, in
August 2022.

With 2 solo albums («Digital Pixel » in 2016 and « Bass Attack » in 2018 ), a dozen of EPs and more than 800 shows performed all over the globe, the most international French beatmaker in the world of Reggae is back on November 2023 with his brand new album « Step Up », in which he pushes further the fusion between Reggae and Bass Music. With « Step Up » Manudigital made his music evolves toward more electronic and hybrid productions. He navigates between musical genres like no one does, inviting guests from all over the world. Armed with his bass, MPC and synthesiser, Manudigital surrounded himself with no less than 17 hand-picked artists to make his productions their own. « (…) I was already working on my upcoming album and I thought I would keep this small Reggae loop to take it to another style, fully electronic which has given my new album’s DNA » - Manudigital about the track « Step Up » The album opens with the eponymous explosive track « Step Up » featuring veteran Jamaican deejay Joseph Cotton and British Drum & Bass MC Bellyman, author of the successful YouTube video series « Carz Barz ». Among the artists of the British underground musical scene, Reggae/Soul genius Liam Bailey has been invited on the Pop-infused Digital Reggae track « Enough » which will delight the lovers of soulful Reggae. Manudigital also reminds us Reggae has always be his first love and, after having produced Alborosie and Protoje’s hit « Strolling » a few years ago, he proposed the Sicilian MC to collaborate with Jamaican artist Yami Bolo on the track « Reggae Music and Love ». A big tune built upon a classic digital riddim in the Jamaican way, a catchy chorus carried by the high voice of Yami Bolo and the legendary flow of Alborosie of the verses. Cult band Asian Dub Foundation’s singer Ghetto Priest takes also part of the project with « Rasta Corner », MC Caporal Negus joins Manudigital on « Dub and Bass » and on tour, and Jolly Joseph sings on « The world is Hell » for the Reggae Dub tracks of the album. In terms of surprises, Manudigital takes pleasure in inviting benchmark artists in each musical genres, walking through Lo Fi Hip-Hop’s path with the Dancehall President aka Skarra Mucci on « Fi Di Youths », Baile Funk with Punjabi-American rapper Alo Wala and their song « Love on Tap » or even Afrobeat with Dynamq for the last song « Piki Piki ». Finally, whereas Manudigital will soon celebrate his career 10th anniversary and as his name resonates in sound systems from all over the world, we appreciate each risk taken and each nod to Reggae Culture, wondering what his next shape will be. First parts of response on November 17, 2023 with the release of

Encore!? Say no more.. Plush number 4 is here!
Elusive local live hero JCow soft launches into the arms of Plush Records, bringing a modern day classique to the underground masses. The Berlin based producer & DJ has been humbly making waves amongst prancers and dancers; unless you’ve been living under a rock!

“Wish U Were Here W Me” is a pupil dilating, rump shaking sunrise anthem; a melodic masterclass with a bassline that puts funky town to shame. Vocals expertly extracted from Brandy’s “Long Distance'' which soar like silk over a breathtaking breakdown.. tugging at heartstrings across the globe. The Emotional Breakdown mix is catering to the softies out there, stripped back and filling up your cup, pure natural ecstasy.

Close your eyes and get lost in the groove.

Daryl Runswick is a musical polymath, a top Jazz double bass player he has played with the likes of Stan Sulzmann, Alan Branscombe , Henry Lowther and Tony Coe to name but a few but is also a TV composer, was bassist and then pianist for Cleo Laine and Johnny Dankworth and is also a highly regarded contemporary classical composer. In Young Man Songs we find Daryl in song writer mode, teaming up with lyricist Kerry Lee Crabbe, these songs come from the 80 when Daryl was a young man trying to sell his musical wares these are more than demos, beautifully recorded and performed, echoes of Bacharach but ultimately Daryl has his own unique musical voice.

This album, except for one track, dates from the 1982 sessions, wonderfully recorded by John Burns.

-Domino is a spooky, bittersweet collection of cinematic soul cuts influenced by 1970’s ‘Giallo’ film scores layered with luminous vocals.
-Ella Thompson's first solo LP release since Janus (2015).
-Ella is the vocalist from the electro duo GL and formerly frontwoman of The Bamboos.
-Music by Karate Boogaloo aka The Frollen Music Library.
-She will be opening for Lee Fields on his Australian dates in December.
-For fans of Kadhja Bonet, Cleo Sol, Nancy Sinatra, Lady Wray.
Ella Thompson’s Domino is a spooky, bittersweet collection of cinematic soul cuts influenced by 1970s Italian 'Giallo' film scores, with luminous vocals that draw a line between 60s icons like Nancy Sinatra and contemporary soul artists like Kadhja Bonet. Ella’s effortless singing and haunting lyrics paint angular pictures in the moody darkness.
The sparse production is intentionally cinematic, deeply influenced by the music of Italian ‘Giallo’ film scores of the 1970s, particularly by composers like Piero Piccioni but comparable to current artists like Adrian Younge or Bad Bad Not Good in a meditative mood. Minimal but propulsive bass and drums know when to hang back, as they do in the title track and when to step forward as they do in the chugging, deep and funky rhythm section work on the single Never Fight The Way You Feel.
All the instrumentation used in Domino was created by Frollen Music Library, a library music project by the musicians behind Karate Boogaloo, Henry Jenkins, Hudson Whitlock and Darvid Thor, all long-term collaborators and friends of Ella’s.
Ella returned to making music under her own name in 2023 after years of releasing music with her electro-pop duo GL and cult indie band Dorsal Fins. One of Australia’s truly accomplished singers, Ella’s range ranges from art music to cinematic soul, jazz, and pop. In addition to her solo project and bands, she has been a featured artist for numerous acts, most notably deep funk pioneers The Bamboos and Mark Ronson.

- Includes songs from Mackjunt., Tommy Martini, YungGrunge, and Professor Creepshow.
-This is the fourth album of Jazz Playaz.
-Similar artists are Mackjunt., Dam Funk, Knxwledge, ohbliv, DJ Harrison, DJ Screw, J Dilla.
-Limited edition of 250 solid baby blue colored vinyl.
This album presents a fresh perspective on the current state of modern and contemporary jazz music, thanks to the innovative contributions of the quartet. Their unique blend of styles seamlessly merges the smooth, dreamy sounds of vaporwave with the bold, rhythmic beats of hip-hop, creating a truly captivating listening experience. The result is a dynamic fusion of genres that pushes the boundaries of traditional jazz and appeals to a wider audience. The quartet's masterful musicianship and fearless experimentation make this album a must-listen for anyone interested in exploring the ever-evolving world of contemporary jazz.
STARRING: Mackjunt., Tommy Martini, YungGrunge, Professor Creepshow.

Rhythm Cult's unstoppable momentum continues after achieving consecutive number-one positions across online and physical platforms. RCM019, their most recent release, welcomes the incredibly gifted Chilian producer Dinky into the fold.

Dinky's hypnotic blend of deep house, strong techno, and precise minimalism has earned her a residency at the famed Panorama Bar, in Berlin confirming her position as a unique voice in the electronic industry.



The EP kicks off with the soulful and uplifting "Come Hold Me," a futuristic house anthem that effortlessly fuses tribal rhythms with intricate stuttering synth patterns.
Dinky provides the unmistakable and irresistible vocal hook that suggest this will be a summer anthem in the making. "She's Got Nowhere To Go" follows, riding on an insistent one-note bass line and yet more addictive vocal snips, complemented by disco stabs that complete the party vibe. Dinky's skilful use of stuttering glitches and inventive sample manipulation showcases her love for minimal detail and angular funk.


Finally, dOP turn in not one but two remixes of their unique and unconventional take on house and techno. First, their reinterpretation of "Come Hold Me" takes us on a journey to the deeper realms of house, riding on a low-slung acidic bass groove while enveloping the listener in waves of lush synths, perfect material for warming up dancefloors or setting the mood for the early hours. Then they wrap “She’s Got Nowhere To Go’ around an elastic bass and dosed with warped synth lines to create an irresistibly explosive dancefloor weapon.

The EP exudes sophistication, weaving intricate futuristic house sounds that are imprinted with the influences of Balearic, acid, and deep house. These heaters are undoubtedly set to light up dancefloors throughout the summer season. With this exciting collaboration, Rhythm Cult further cements its position as one of the industry's most cutting-edge labels, and Dinky's addition adds a distinctive dimension to their roster.

Prepare to find yourself absorbed by this exceptional release from two forces shaping the future of electronic music.

Considered one of the most innovative groups on the Colombian musical circuit in 1973, Columna de Fuego forged its sound by creatively and organically mixing elements of heavy rock with rhythms rooted in the music of the Pacific and Caribbean coasts of the country. Columna de Fuego, the first Colombian rock band to tour outside South America, was the supporting act for Leonor González —La Negra Grande de Colombia— for months and featured members of Los Young Beats, Los Speakers and Siglo Cero. Their only LP, recorded in Spain and released in Colombia only in 1974, was a turning point in the history of Colombian rock, an album full of funk, soul, cumbia and currulao that maintains a fast pace from start to finish. After unsuccessful attempts to establish themselves in Europe, the group parted ways; some members returned to Colombia and others stayed in Europe as part of La Banda Salsa, a vibrant and little mentioned chapter in the history of Latin rock. Roberto Fiorilli, the stand-out drummer of Colombian rock, returned to his native Italy. Over the following five decades, the myth of Columna de Fuego, that wonderful Bogota rock band that dared to experiment with the music of the Colombian coastline, grew. The curiosity of musicians interested in the traditional music and folklore of the coasts since the late 80's, the consequent mixture of different musical genres (modern and roots) at the end of the 20th century and the almost impossible desire of collectors to find a copy of the album or one of the band’s singles, gave it the status it should always have had as a pioneer, milestone and beacon. After remaining unavailable for five decades, we are proud to now present the first-time reissue of this obscure gem with its original artwork, including an insert with notes and rare photos. Sleeve

Born in Roma in 1959, Guiseppe “Peps” Cotumaccio arrived in South Africa when he was two years old. He was the mastermind behind the band “Sweet Reaction”, singing and playing keyboards.

In the early 80’s, the group used to back various artists including one of the South African top singer “Neville Nash”. Both artists were on the same record label: Music Team. Throughout his lengthy career, Peps has collaborated with Johnny Clegg, Ronnie Joyce, Sipho "Hotstix" Mabuse, P.J. Powers, Mark Alex, Neville Nash, and Mara Louw just to name a few.

The lead singer of the band, Dion Williamson, started performing in Johannesburg’s nightclubs and got quickly very successful, always in demand! People loved his gravel and sensual voice as he used to sing some of Joe Cocker’s popular songs. Unfortunately, during the Apartheid, the South African Government were not allowing black and white audiences, and the band split.

On this BIG5 Boogie#2, Enoch Ndlela produced 2 Modern Soul killer tracks.
Recorded in 1981, "Take it easy", where the music is evidently influenced by Willie Hutch (Easy does it - 1978) offers Dion a way to fully explain himself doing his own version of the tune. And what an explosive result!

On the same side of this 12”, our 2 Frenchies in Cape Town aka Simbad & Fred Spider enjoyed delivering us a fat broken beat version of the track, while the very “En Vogue” Aroop Roy from London turned it into a funky house summer hit.
Side B starts with a superb composition from the band: “African Sunrise” where Dion Williamson is on top, this tune is a bomb!
To finish this E.P, the well-known Kid Fonque from Johannesburg, who freshly moved to London working for the glorious house record label Defected, couldn’t wait to produce a super groove deep house refix. The result is a second essential dancefloor release from Voom Voom Records!

New one-off press limited edition silver coloured double vinyl edition of Soul Jazz Records long unavailable 'Jamaica Soul Shake' collection of tracks from The Sound Dimension, probably the funkiest reggae groups to ever to exist on the planet! Features classic tracks recorded at Studio One.

This is the first ever collection of the music of The Sound Dimension - a mixture of classic tracks alongside super-rare singles only ever released in Jamaica. Alongside The Skatalites, The Sound Dimension were perhaps the most important group in the history of reggae music. That they remain relatively unknown is explained by the fact that they mostly functioned as the in-house studio group at Studio One Records performing anonymously behind the stars of the day - the reggae equivalent of Motown’s Funk Brothers.

Ausbalancierte und dynamische Neupressung des 2018er Debütalbums der Melbourner Jazz-Band Midlife, das bei den Worldwide FM Awards als bestes Album des Jahres nominiert war und Trendsetter wie DJ Harvey, Gilles Peterson, Artwork und Bradley Zero begeistert hat. Mit seiner sensationellen, Genre sprengenden Kombination aus progressiven 70er Sounds mit elektronischem Krautrock, unterlegt mit einer Mischung aus rhythmischem Funk, House und Dream-Pop, ist die LP jetzt schon ein Klassiker der Psychedelic-Jazz-Fusion, der eine süchtig machende Atmosphäre schafft, die live mit wilden Improvisationen unterstützt wird.

Staff Pick in DJ Mag (print).

Sleek three tracker from Russ Brooker, a unknown quantity who is swiftly to become the name on everybody's lips, the 13threlease on Rua Sound.

"97-98" is every bit as sharp and shattered as any of the legendary tunes released in that storied era, with moody samples and a break so heavily pregnant with funk that it's a palpable relief when the levee breaks and it gives birth to some heavy rolling amens.

"Microfilm" starts off with a proper spy-flick title and immediately lives up to the name, with a cinematic sequence of cosmic cloak and dagger chimes and pads that quickly sprints off into the Pentagon in a brown flared suit with assorted extraterrestrials and the cast of Scooby Doo in hot pursuit – channelling crusty old Droppin' Science jams to great effect.

"Breathe" drops the tempo down to the 140-odd range with earthy rolling percussion, celestial atmospherics and the kind of studious and deliberate polyrhythmic funk wizardry that most producers don't cook up in a lifetime of releases, never mind on their honest-to-god-damn debut.

When Black Pumas made their self-titled debut in 2019, the Austin-bred duo set off a reaction almost as combustible and rapturous as their music itself. Along with earning a career total of seven Grammy Award nominations (including Album Of The Year) and winning praise from leading outlets like Pitchfork and Rolling Stone, singer/songwriter Eric Burton and guitarist/producer Adrian Quesada achieved massive success as a live act, touring large theatres all over Europe and North and South America and delivering a transcendent show Burton aptly refers to as “electric church.” As they set to work on their highly awaited sophomore album, the band broadened their palette to include a dazzling expanse of musical forms: heavenly hybrids of soul and symphonic pop, mind-bending excursions into jazz-funk and psychedelia, starry-eyed love songs that feel dropped down from the cosmos. Wilder and weirder and more extravagantly composed than its predecessor, Chronicles of a Diamond arrives as the fullest expression yet of Black Pumas’ frenetic creativity and limitless vision.

An EP based on nostalgic feelings of bygone days. Deep electronic grooves and melodies are mixed with intense emotional musicality that transports you to the past… Resulting in a 'hands up in the air' feeling, where the rush of music bathes you in warmth and remembrance, showcasing Wink’s diverse range of production and artistry on each cut.

"12 months of Longing" begins with a pounding 909 kick that soon gets flooded with funky percussion building up to the 1st break of lush keys and swirling beats. The production continues leading into bouncing bass and a serious groove, that evolves into a rhythmic pause where soaring strings, and melodies build and build leading to an intense crescendo that will blow the roof off.

"Sexy Bot” is a title which suits this sexy tune. It’s journey begins with latin rhythms and is quickly joined with repetitive stabs and ascending pads, that spirals around you, directing the path of music that unfolds into a Detroit inspired musical progression. Symphonic string plucks leads you into a break of serious sexy melodies that explodes into a rolling bassline that will elevate any listener into another sexy feel good echelon.

“Used to Be” quickly guides you to a signature wink acid bassline, that writhes its way to an infectious groove that is soon complimented by a hauntingly smooth analog synth, advancing into a sensual musical progression. Wink then adds his voice to the song, with simple and effective contemplative words “The way I used to be”, endorsing the overall nostalgic feeling of this unique and diverse EP.

Paul Hillery, Plattensammler, Archivar und DJ, präsentiert mit 'Folk Funk & Trippy Troubadours Volume Two' 17 brillant psychedelische und funky Juwelen, die er auf seiner unermüdlichen Suche nach musikalischen, Generationen und Genres umfassenden Schätzen entdeckt. Liebevoll handverlesene, verlorene Nuggets auf privat gepressten Obskuritäten, vergessenen Studiotapes oder tief in digitalen Ordnern versteckt, warten darauf, wieder gehört zu werden.

The Madlib Invazion Music Library Series . Entry #5: Dan Hastie and Terin Ector (Orgone) pick up where Piero Umiliani left off with Exotic Grooves and Lush Funk. This is the next up in a series of music library releases, with future volumes produced by DJ Muggs, Karriem Riggins and more. The Madlib Invazion Music Library Series was created by Madlib and Egon to give their creative friends a chance to stretch out and indulge in whatever type of music they wanted. This music was created for easy, one-stop clearance in film and television synchronization usage and for sampling. You can also enjoy these albums in the way that many do with the best of the best vintage library catalogs – listen, ponder, repeat.