Toronto native Demur is a master of groovy, funky deep house and has been since his fine debut TruSkool back in 2016. He has been busy of late with Visions back in March finding him collaborating with the likes of Fred P and Aaron Gray. Now comes another full length in Under The Waning Moon, another compelling mix of contemporary deep house sounds, well-sourced and deployed samples and elements of everything from jazz to funk to downtempo colouring the grooves. For steamy late-night stuff look no further than '21 Days A Hoe' while 'Wasted Wednesdays' is delightfully sunny and well swung for cosy back room vibes.
Buscar:daddys groove
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- A1: Twinkle Brothers - The Best Is Yet To Come
- A2: Delroy Wilson - Here Come The Heartaches
- A3: Cornell Campbell - Stars
- A4: The Claradonians - Day Will Come
- A5: Horace Andy - Don't Try And Use Me
- A6: Cornell Campbell - My Confession
- B4: Delroy Wilson - Cool Operator
- B1: Pat Kelly - Daddys Home
- B2: Delroy Wilson - Who Cares
- B3: John Holt - It's A Jam In The Street
- B5: Max Romeo - Let The Power Fall On I
- B6: Cornell Campbell - Girl Of My Dreams
- B7: Delroy Wilson - Cheer Up
The Suedehead Sound Of The Early 70's Followed The Skinhead Style Of The 1968-70 Period.
The Notable Difference Could Be Seen And Heard, The Sharp Jerky Upbeat Rhythms Were Slowing Down A Notch To What We Soon Be Calling That Early Reggae Sound.
The Tougher Harder Look Of The Rude Boy/skinhead Style Was Relaxing A Little To Almost Meet With The Less Frantic Rhythms To A More Slowed Down Groove Like Sound. The Hair Got A Little Longer, Going From A Mark 1 To A Feather Cut Style..
The 'rude Boy Out Of Jail' Type Lyrics Were Becoming More Conscientious, This Was Another Twist And Turn In The Ever Evolving Sound Of Jamaican Music,
But What Is Sure The Artists And Producers Never Disappointed Us In This Period , So Here Is A Compilation Of Some Tunes That The Suedehead Crowd Were Grooving To....
Hope You Enjoy The Set....
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