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Turin's electronic music maestro Fioretti is back with the FTV003 on 8bit Records. This EP features the energetic tracks "Vice" and „L'Été, San Pol and Philly. blending grooves and house vibes perfect for dance floors. Fioretti's unique style and captivating grooves

Originally from Sicily but living in Basel, electronic composer Marco Papiro confirms his eccentric and multifaceted personality. The sound articulation of his analog synthesizers flows into in an artificial hyperrealism of great thematic and expressive variation. The tracks unfold between ascending cosmic moments, more ecstatic meditative tones, symphonic planetary floods, exotic afrodelic and psycho-andean drifts. Papiro synthesises and converts echoes of acoustic wind instruments (oboe, recorders, bamboo flute), while the percussion lives on its own pulsating reality. The influence of certain folk traditions, as well as contemporary music, also suggests the more acoustic flavor of an ethereal minimalism (for voice and psaltery), making his music a continuous open sea of visions. Cover painting by Anton Bruhin printed on two different colored papers. Co-released with Les Giants.

COLLECTING ORDERS FOR 2026 REPRESS

Night falls, the lights dim, and the Extrasensorial Catalog presents its third chapter—an eclectic VA built for late hour mind-bending moments on the dancefloor.

On the A side, we open with Dani Labb and his explosive contribution "Rin Raje", a raw, hypnotic roller designed to twist minds and bodies alike. Saturated grooves, razor-sharp percussion and just the right amount of darkness make this an undeniable peak-time must.

A2 features the Italian craftsman Niki IL B with "Monte Moggio", a mystical excursion into deep, textured terrain. This track feels like wandering through fog-covered hills at dawn—delicate, groovy, and haunting in the best possible way.

Flip to the B side, and Ludovic wastes no time with "Vitesse, Argent, Sexe (5am Mix)", a late-night anthem soaked in tension and sweat. Pulsating basslines and seductive rhythms carry you into a euphoric state where the rules no longer apply.

Closing things off is Kebab Traume with "Mindlock", a cerebral journey that merges dreamy pads, off-kilter drumwork and warped melodies—like stepping into a lucid dream you never want to wake up from. An ideal closer for those deep after-hours rituals.

We All Jack – Part 2
Following the success of its inaugural vinyl release, We All Jack – Part 2 continues Heattraxx’s dedication to preserving and pushing forward the legacy of Chicago house music. This second chapter deepens the journey, bringing together foundational pioneers and trusted label family to expand the spirit of the series.

Leading the charge is an undeniable icon, Roy Davis Jr., an absolute legend whose influence on house music culture is timeless. His contribution brings soul, depth, and unmistakable Chicago authority to the record.

Joining him is DJ Merci, a Heattraxx resident and true family member, delivering a groove-driven remix that reflects both his long-standing connection to the label and his deep understanding of the dancefloor.

The release is further elevated by Jerome OR, whose refined, contemporary approach adds fresh momentum while staying rooted in classic house sensibilities, and Gettoblaster, bringing raw Chicago energy with their signature jackin’ sound and unmistakable attitude.

We All Jack – Part 2 is not just a follow-up—it’s a continuation of a vision. A vinyl series dedicated to house heritage, bridging generations, and carrying the Windy City spirit forward with respect, weight, and purpose.

Laars presents Ghost Hunter, a four-track, club-focused EP blending funky, acid textures, and melodic house-trance influences. Drawing from 90s dancefloor language while maintaining a playful and contemporary edge, it moves through heavy drum work, hypnotic melodies and tight basslines. While each track carries its own mood — from darker, hypnotic tension to more emotional, break-inflected moments — the release holds together as a cohesive late-night journey.

2026 Repress

In 2000, Leonora Epremian collaborated with Evasive Records' founder Rob Pearson to produce a remarkable three-track EP, marking the fourth vinyl release on the label. Recorded at the renowned Online Studios in Croydon, South London, this EP captures the essence of a pivotal era in London's Tech House scene.

"Remember" and "My Soul" epitomize the quintessential London Tech House sound, their polished production still capable of energizing dance floors 24 years later. The breakbeat track "Promoseus" gained significant traction, becoming a staple in many DJs' collections, notably championed by Adam Freeland in his club sets and on his acclaimed Kiss FM radio show.

Due to the rarity and demand, original copies of this EP have fetched up to £150. This repress offers a unique opportunity to own a genuine piece of Tech House and Tech Breaks history, ensuring that these timeless tracks continue to resonate with new and seasoned listeners alike.

Wabi Sabi Records is a new house music label based on analog sounds, raw grooves, and the beauty of flaws. It’s all about ephemeral and fleeting moments. Made for the dance floor, not for perfection.

The Ensō series is a various-artist collection exploring all the different shades of house music. The first release, “Neon Dream,” dives into the deep and groovy side of the genre.

We return to 2005 for the next chapter in the Drugsex repress series, revisiting DSEX003 – Hasty Retreat, a record that captured a rising UK producer shaping his sound within the underground. Produced by Rob Mooney with production from Dave Robertson (Reset Robot), the release reflects a period of exploration and technical refinement in his early career.

The A-side, Hasty Retreat, is a driving tech-house cut — tight, physical and weighted for the dancefloor. Robertson’s engineering contribution to Mooney’s fresh ideas and south coast underground house sensibilities added precision and sonic depth that would foreshadow his future work as Reset Robot across house and techno channels.

On the flip, and exactly the same as the original cut Up All Night appears in its remix form from label head honcho Rob Pearson. Pearson’s reinterpretation ensured it fitted like a glove on the Drugsex vibe . Rob deepened the groove, balancing pressure and atmosphere in a way that typified his trademark Croydon Tech sound of the time.

Looking back twenty years, the early Tech House coming out of South London feels as fresh as ever. These records weren’t about tricks or big drops — they were about deep grooves that you could lose yourself in, hypnotic basslines that carried the night, and subtle percussion and atmospheres that rewarded careful listening.

Looking back on her career in the early 90s, Stevie Nicks described the first track of Rock a Little as “the most exciting song that I had ever heard.” This coming from a superstar who was already closely affiliated with several bajillion-selling Fleetwood Mac albums — to say nothing of her own benchmark solo debut. Her remarks attest to the enthusiasm and effort she invested in her third record, a 1985 work that quickly furthered Nicks’ profile and cemented itself as a piece of 80s pop lore.

Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, strictly limited to 4,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180g 45RPM 2LP set presents Rock a Little in audiophile sound for its 40th anniversary. Helmed by a cadre of producers and engineers, and recorded for a reported one million dollars, the platinum-certified album teems with a head-spinning array of colors, tones, dreamscapes, and accents. This reference-grade reissue marks the first time they are all brought to light and conveyed with proper balance, dimensionality, and positioning.

Though Rock a Little doubtlessly has period characteristics of a mid-80s LP, Nicks and company spare no expense when it comes to distinguishing the music with expansive sonics distinguished with lush melodies, high-tech percussion, echoing vocals, sampled keyboards, and layers of sophisticated accents. The degrees of spaciousness, headroom, and dynamics are nothing less than inspiring, while the newly enhanced detail, texture, and clarity make the songs sing like never before. As for Nicks’ voice? Wait ’til you experience the transparency and depth.

Those advantages extend, of course, to the aforementioned “I Can’t Wait,” a statement-making opener shot through with modulating synthesizers, splashy drums, metallic guitars, and serious drama. Holed up in a massive studio, Nicks required just one take to nail her part, which she called “magic and simply not able to beat.” The singer-songwriter also distilled the reverberating emotional essence of the Top 20 tune, stating “when I hear it on the radio, this incredible feeling comes over me, like something really incredible is about to happen.”

The same can be said for nearly all of Rock a Little. Crafted by the likes of Songwriters Hall of Fame multi-instrumentalist/producer Rick Nowels, Heartbreakers organist Benmont Tench, bassist Bob Glaub, jack-of-all-trades Greg Phillinganes, and session-pro guitarists Waddy Watchel, Les Dudek, and Danny Kortchmar — along with another two dozen or so participants — the record spills with diverse ideas, shapes, and moods. Everything is in the right place, as evidenced by the swirling glide and sensual undertow of the slightly funky title track to the snapping rhythmic pace and big hooks of “Imperial Hotel,” one of Nicks’ standout moments.

“What was it she wanted?” Nicks queries on “No Spoken Word,” continuing a theme of contemplation that runs through the narratives. Nicks never lands on a definite answer, but hearing her explore loneliness, love, and the secrets we keep to ourselves proves continuously rewarding. Take her passionate performance on a cover of Chas Sanford’s “Talk to Me,” a Top 5 smash furthered by tasteful saxophone lines and understated folk elements. Immersive yourself in the grand sonic corridors of “If I Were You,” laden with Nicks’ signature mysticism.

Moreover, surrender to the gravitas of the closing “Has Anyone Ever Written Anything for You,” a piano ballad composed about the death of Joe Walsh’s three-year-old daughter. As Nicks asserts earlier on the album, she sings for things money can’t buy.

So, rock a little, yes, but dare to feel even more.

In 1995 Celvin Rotane’s “I Believe” carved its place in house history. Powered by the unmistakable “Huh!” sample a soaring high string breakdown, and a phat kick that slams into a massive crash, it became a global club anthem, lighting up dance floors from festivals to beach bars. An evergreen classic, it still moves crowds today.

Now, 30 years later, it returns as a fully remastered and refurbished package on limited vinyl. The release features the original Dub Mix plus remixes from DJ Misjah and Rozzo from Switzerland, now rather known as Lake People. And there is more on the way, with remixes coming from Johannes Albert, Cinthie and many more. Huh, we believe again.

2026 Rerpess

Interweaved yields the first volume of a new series curated by Brawther and one that underlines its credentials as an outlet for fresh new underground talent. Three producers here - Frederik Anthony, Mahar, and ICTV - were finalists in the 2023 "Minimal" Producer Challenge judged by Cassy, Losoul and Daniel Paul. Anthony opens with 'Interiddim', a lithe broken beat here through with warm chords. Mahar's 'Relaxed' is a silky and minimal dub tech cut and Omar Fayyad's 'A Mutual Thing' offers trippy late-night charm. Finally, ICTV's 'Oracle Night' is also deep and dubby but a little more menacing.

THIS 7" IS FRESHLY RELEASED FOR THE JAPAN TOUR 2025 WHERE DJ SOTOFETT STRICTLY PLAYS ACETATE DUBPLATES!!! DJ Sotofett's new label "Resonance of Dub" follows up his Tresor born dub-club concept with the same name. "Resonance of Dub" is simply the dancefloor spectrum that's directly influenced by Dub music; Steppers, Disco-Dub, Digi-Dub, Dubstep, Lovers Rock, Dub-Techno, UK Garage and Jungle... First release features a strictly percussive dance floor stepper by LNS & DJ Sotofett with vocals by Ekowmania (aka Ekow Alabi Savage, drummer and percussionist from Ghana and collaborator with Jimi Tenor). B-side is a deep melodic and percussive piano dub, a melancholic late night stepper.

Charles Webster, one of the most influential deep house producers and a true master of his craft, makes his debut on Pariter with a landmark reissue of one of his most timeless records, The Strength.

Originally released under his mid 90s alias The Presence, the record has long stood as the most coveted release from the project. Nearly three decades on, The Strength remains a benchmark for sophisticated deep house, effortlessly fusing emotional depth with driving, tech leaning groove that commands dance-floors and creates a truly immersive atmosphere.

This special reissue not only reintroduce a certified classic on Pariter, but also marks the 30th anniversary of its originally release. An essential piece of house music

Toneblind returns with its second release, welcoming 26-year-old Catania native Edo Ecker and his new EP, “Fall In Love.”

With one full EP already behind him, Edo steps confidently into his next chapter, presenting a sound that bridges eras with effortless ease. Rooted in the golden age of Italian house music yet
sharpened by a modern edge, Fall In Love blends Italo and Euro house influences with his distinctive melodic touch.

Warm, romantic synth lines meet crisp, contemporary production, while subtle Mediterranean nuances nod to his heritage — adding depth and character without overpowering the groove. The
result is a record that feels nostalgic yet current, intimate yet undeniably dancefloor-driven. With its second chapter, Toneblind continues to define its path — honouring timeless influences while spotlighting a new generation shaping what comes next.

Recut & Represed!

As always Kling Klong gives space for new artists and supports upcoming talents. This time Martin Eyerer & Rainer Weichhold had no doubts signing this debut release from Stuttgart's dj/producer Ninetoes as 'Finder' is obviously a massive stand-out track which has the words 'summer hit' written all over it. So it was just easy to convince Leon and Re-UP from Italy to do the remixes and help to make this release even more oustanding.

Support from:

Matthias Tanzmann, Loco Dice, Adam Beyer, Nick Curly, Butch, Riva Starr, Popof, Kaiserdisco

DJ Feedbacks:
Adam Beyer: like the leon mix!
Loco Dice: Will try. Please send me the WAV. Thanks
Nick Curly: schöner release....leon remix gefällt mir am besten, danke!
Matthias Tanzmann: woher kenne ich denn die Melodie Coole Tracks auf jeden Fall.
Davide Squillace: Nice one..
Monika Kruse: der leon remix rockt.
Tiefschwarz (Ali): nice nice :) re-up rmx is my favorite.
Butch: leon rocks
Riva Starr: leon rmx for me thx
Claptone: supersonniger tune das original
Ramon Tapia: Leon mix is cewl !
Gregor Tresher: Leon mix sounds cool.
Chus: Leon and Re-Up mixes for me.
Popof: Great remix from re up ! love it
Kaiserdisco: Original mix is nice, will try it out.
Wally Lopez: Leon remix are huge!! Support
Shinedoe: I'll try it out.

Charles Webster, one of the most influential deep house producers and a true master of his craft, makes his debut on Pariter with a landmark reissue of one of his most timeless records, The Strength.

Originally released under his mid 90s alias The Presence, the record has long stood as the most coveted release from the project. Nearly three decades on, The Strength remains a benchmark for sophisticated deep house, effortlessly fusing emotional depth with driving, tech leaning groove that commands dance-floors and creates a truly immersive atmosphere.

This special reissue not only reintroduce a certified classic on Pariter, but also marks the 30th anniversary of its originally release. An essential piece of house music

After a moment of calm, De Lichting returns with the fourth instalment in its double LP album series, Vier.



Never losing touch with its roots in emotional dance music, Vier is a tribute to the electronic soul, something increasingly overlooked on today’s dancefloors. queniv’s Frequency Match opens the album as a gentle invitation, built on minimal drum work and long, stretched pads. RDS’s Aerial Reflections continues in the same vein, leaning into a more serious mood with old school flavoured rhythms.

The first heavier club moment comes from Human Space Machine with Test Rec. A more tense, primetime leaning, proggy groove unfolds, washed in nostalgic strings and trippy elements for both body and mind. Nathan Kofi follows with Kinesis, a proper Detroit infused techno track that pushes the experimental edge further, darker and more driving.

On the second record, the mood shifts into deeper melancholy with Eversines’ Lift The Veil, featuring classic deep house textures of Rhodes chords and FM basses. Nearing the end of the album, Proxyan’s Another delivers pure credits rolling, emotion drenched analogue funk electro, a track the rest of the group had to beg Robbert to include. We are glad we did.

As a kind of bonus track, RDS and Eversines close Vier with a tech house rework of their earlier track Missing. Released on vinyl for the first time, it was previously available only in digital form via Kalahari Oyster Cult.

Limited, 500 copies black gatefold 2LP...

Originally released in 2013, the long-awaited second album from Lulu Rouge finally returns to vinyl in its first-ever limited repress — revived after years of growing demand.

The Song Is In The Drum captures the duo at their most fearless and immersive. Known for their deep melancholia and anti-traditional pop structures, Lulu Rouge blur the lines between dark dub, cinematic electronica, and left-field songwriting. Intense, soul-cutting vocal pieces unfold alongside towering instrumentals — brooding, beautiful, and unapologetically atmospheric.

The album features standout appearances from Danish indie pop visionary Asbjørn and Icelandic-born vocalist Fanney Osk, adding further depth to an already richly textured sonic landscape.

Across 11 meticulously crafted tracks, producers Torsten “Buda” Jacobsen and Thomas “T.O.M” Bertelsen shape a world that feels both intimate and vast. Every beat is deliberate, every space intentional. This is music that doesn’t simply play — it envelops.

Fifty-three minutes that grip you by the heart and refuse to let go.

Welcome to the brightest dark place you’ve ever been.

Look out for a much anticipated new album coming later this year from Lulu Rouge - making this re-issue a timely reminder of the power of their work.

Nina Kraviz launches a new label.

treats is the younger, bratty sister label to trip, specialised in cool music for the dance floor that seems to ignore the idea of genres. To prove this point the first release brings together two tracks that have been roasted in Nina's sets for months and are genre bending.

On the A-side, Brazilian phenomenon and SoundCloud cowboy Joao Lagrima de Ouro teams up with Baile Funk legend MC Pogba. "Pitbull de Glocada" is an excessively naughty heater, with a serious nod to the regional Brazilian electronic music, creating an authentic blend of sounds.

On the B-side, Nina herself teams up with Rio de Janeiro marvel Mc Nick. The two met online, as Nina came across Nick's sensual hit "Mete com forza e com talento" and made her own version of it. Later during a Brazilian tour, the two finally met up on the mythical beach of Mc Nick's hometown where "sem amor" was recorded. Nina's signature minimalist production and approach to vocals pairs idyllically with Mc Nick's fiercely carnal and feminine raps.

treats 001 consists of two tracks with a fluctuating identity, spilling over with risque playfulness that might require parental advisory for some, but it's hard to deny the sheer joy these tracks exude.