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Burnin Music is proud to present part 2 of label head Pegasvs’ ‘In Search Of’ trilogy of releases, in which the producer continues his exploration of dance floor soundscapes via inventive, incisive and emotive house-laden cuts.

After releases on both Echocentric and R.A.N.D. Dj Life joins thecollaborative label for their fifth outing, tech and progressive house made for the dancefloor.

ZYX Italo Disco New Generation – Limited 5LP Box

Ein echtes Sammlerstück für alle Italo Disco Fans!

Diese streng limitierte 5 LP Box vereint gleich fünf Alben aus der erfolgreichen „ZYX Italo Disco New Generation Vinyl Serie“ – erstmals als exklusives Box-Set erhältlich. Auf insgesamt 5 hochwertigen Vinyl erwartet dich eine einmalige Zusammenstellung von Klassikern und modernen Hymnen im typischen Italo-Disco-Sound, der weltweit Fans begeistert. Tauche ein in die Welt des Italo Disco – mit dieser Box sicherst du dir ein Stück Musikgeschichte zum unschlagbaren Preis!

With a multi-decade spanning back catalogue behind him, Bearface aka Raj Panasa shows no signs of slowing down. Over the years he has built a sturdy reputation around his distinct and innovative feel-good touch whether that be on his own Beartone Records, or the many other labels he has shared his classy sound with.

“Remakes and Raw Cuts Vol. 1” is the launch of a new vinyl series from the London-based producer, a safe place for him to showcase his eclectic sound, alongside edits and remakes of some of his favourites over the years, all finding a home on his Beartone label.

Starting off on the A side Bearface provides a funk fuelled latin explosion with his version of the classic “Tudo Que Você Podia Ser”, sassy disco attitude ready for the summer months, presenting some unforgivable dance floor mania. The A2 “Got To Be” is an original cut, meandering between playful guitar licks, and stripped back, hypnotic percussion, there is a curious atmosphere as the track continues to simmer.

On the flip side an edit from the revered beatmaker. First up he edits “Tell Me I’m Not Dreamin’” by Jermaine Jackson, the infectious vocal injects a zesty life into a killer electro groove, a playful and animated trip ready to rock the floor! Closing out the EP is the retro sounding “Everything”, the robotic vocal flashes in and out, nodding towards Daft Punk, boasting beautiful strings and crispy hi-hats bringing that day time energy.

Bearface teasing those summer moments with a jam packed EP brimming with sunshine and positivity, dive in and feel the fun!

Break 4 Love, the timeless 1988 deep house anthem from Vaughan Mason’s Raze, featuring Keith Thompson’s soulful vocals was not only #1 US Dance Club hit and UK Top 30 single but an evergreen classic that remains a club culture staple 37 years on since its initial release. Its warm TR-909 groove, hypnotic bassline, and intimate lyrics continue to resonate across generations.

Alongside the original mix, this brand-new release from Armada Music & Champion serves up three essential remixes on one 12” vinyl. IIija Rudman kicks things off, preserving the sensual beating heart of Raze's iconic original while sliding effortlessly into the dancefloor rotations of today. Veteran of the scene Michael Gray puts his signature touch on ‘Break 4 Love’ adding extra percussive elements and sensuous sound effects. Through this Gray stays true to the original whilst providing a fresh take on the ’88 classic. Finally, Ridney & Inner Spirit’s take, slotting into those perfect sunset DJ sets on Ibiza with rolling beats and unfolding soundscapes. All bases covered on this buy or cry vinyl!

Italian leftfield funk heat reissued on Best Record, with artwork by famous cartoonist Jacovitti! The link between music and art has always been constantly renewed! Even when the union between these profound expressions of the soul manifests itself in an eccentric, surreal way, as happened in 1978 with Kamasultra a downtempo, vaguely funky that only the courageous record producer, talented musician and conductor Aldo Pagani had the courage to release. Nando De Luca, a Milanese composer and acclaimed jazz musician, who 10 years earlier, had arranged Paolo Conte's Azzurro for Adriano Celentano, accepted the strange recording project as a joke, or rather for fun, strongly influenced, like co-author Roberto Rizzo, by Jacovitti' s cheeky and impertinent artwork. Danilo Braca' s restoration and editing work, well supported by talented musicians, reestablishes the balance between music and art. It is also worth his respect for the two original versions of Kamasultra and Kama Kama just extended for the DJ's work in the club. Then the New York-based Italian DJ - known to his friends as Danyb - performs two robust house-style arrangements, evoking memories and emotions, making this reissue unique and rich. Best Record 's main aim is to make us smile and reflect on the talent of Jacovitti, able to assert his own style without indulging in conformism.

2025 Repress

The 'Unknown Artist' has emerged from the clubs of Antwerp with 'The Lizard King'. This house banger is a must-have to start the club season in 2025. Pure dancefloor heat folks! No digitals - vinyl only

After the warm reception of its first VA release, Phosphor is back with a new chapter: darker, more mysterious, and with a solid line-up of artists. The A-side sets the tone with two club-focused tracks made to move the floor, while the B-side drifts into a more hypnotic and introspective territory.

The record opens with “Satisfaction”, a club-driven cut marking Jesse Maas’ first appearance on Phosphor. Heavy basslines, crisp percussion and a vocal hook give it a strong presence on the dancefloor.

Next up, “Unlimited” sees the label’s founders, Blue Vision, reaffirming their style: melancholic yet groovy, nostalgic yet forward-looking. Deep electro wrapped in lush synths and a powerful low end, it’s a track that continues to shape their identity.

On the B-side, Light Blue File steps in with “Consciousness”, a hypnotic journey marked by his signature production. Rolling basslines and intricate breakbeat drums build a tense, immersive energy.

The VA concludes with B.AI delivering a spacious, emotional piece. Floating textures, drifting pads and a subtle pulse create a deep and introspective finale.

Sigma proudly present DAY ONE - their highly anticipated fourth studio album and their first as independent artists. 2025 has seen Sigma embark on a bold new chapter in their career, starting their own label and embracing the freedom to create on their own terms. With the duo now fully independent, they are taking back control and taking it back to DAY ONE, making the music they love.

DAY ONE embodies this ethos and is inspired by their love of the underground. The gritty jungle beats and anthemic soundscapes of early rave culture that form the foundation of their artistry can all be heard in these 12 songs. From hard-hitting tracks like Chargie and Soundboy, to dancefloor weapons like Magnetic and Outtaspace, all the way through to the orchestral Back To Life, Sigma demonstrates an impressive diversity and quality that showcases their exceptional production skills and studio craft.

DAY ONE is more than an album; it’s a celebration of the duo’s journey and the people who have supported them from the start. Featuring collaborations with legends like Dizzee Rascal and rising stars such as Julia Church, the record balances nostalgia with forward-thinking innovation. “Being independent has brought us back to what it’s all about—making music for the love of it,” the duo says.

Love International launch new vinyl-focused imprint with a 12" from Adam Curtain including a remix from Mr. Ho.

Revered party crew Love International expand their enterprise, channeling the buzz from another stellar year into a freshly minted sub-label: the 'Love International Floor Series'.

As the name suggestions, the series zeroes in on the dance floor, giving some form and shape to misty memories forged across protracted sessions at Barbarellas, The Olive Grove and The Beach in Tisno.

In to inaugurate the project is London based Adam Curtain - an artist focused on flexing the boundaries of UK club music who has been gathering steam as a nifty selector and a talented producer. A familiar face on both sides of the booth at Lion & Lamb, Fabric, Gottwood and of course - Love International - Adam nails the brief in delivering a record that is sharp, direct and eminently playable.

Musically - the tunes bridge old and new, nestling in that sweet spot between Breaks, Electro, UKG, Acid and Minimal. Stepped grooves, crisp snares, angular synths and oozey bass lines all unify to render a sound that's simultaneously psychotropic and crystal clear.

The cherry on the cake comes as a remix from the venerated Mr. Ho of Klasse Wrecks fame. Often paired with Luca Lozano, Mr. Ho is a master of organising chaos and here he does exactly that - rousing his machines and churning the original into a sludgy, fractal brain scrambler.

Long-standing friend of Stampo and affiliated labels, SJV heads up the third release on the label. The UK producer shines strong with his debut vinyl release—four cuts immersed with emotion but a distinct drive we have grown fond of over the years as he shared tracks with us. Now they will gain their deserved recognition as we release them into the wild, ready for those deeper moments on the dance floor.

La Rama’s club ready sub-label RamaJam is back after a long stretch with 6x new traxx for the dance. Introducing for the first time on record, two Montréal duos that have been rocking the city for the last few years.

The Wet Steppahz are Boogaloo Jones & Pitza Dave, young producers extraordinaire, engineers at local studio Breakglass, live PA performers and organizers of the 140/160 party series. You can also find Boogaloo every weekend laying it down with the Fella’s Q-Tips & Curls crews. Young guns on the come up, be sure to follow their label STEPPATRAXX for some hot fire.

DAPASHU? is the meeting of veteran producer Shash’U & long time local DJ, promoter and studio fiend Dapapa. A quick lookup on Shash’U will have you inundated with originals and versions for you to drop at any jam. A mainstay at dance competitions, a regular feature of institution Loop Sessions, and always ready to share a tip from his production tool kit. Dapapa gets busy on the regular at venues around the city & heads both the Ol’Jack Nu Jack organization and DASA (a Montréal production suite bridging local and international likeminded artists). A fellow who takes no tune for granted.

Musically we make it easy, 3 cuts per side, representing each crew’s essence. No need to describe each tune, listen in and take notes on the mood + we laced you with those BPMs on the label so you can throw them in to the mix at any moment, no stress!

Mastered and cut in the city by our man Cristobal Urbina. Pressed in Canada & distributed from our brick and mortar shop located at 77 rue Bernard O, Montréal QC, H2T 2J9.

PS Props: These tunes were selected from recordings of the Steppahz and DAPASHU? playing live for a Seer Records party at Osmo x Marusan in April 2024… Big shout out to Emiliano & Maximum Enemi <3

C.A.R. (Choosing Acronyms Randomly) is the musical project of Chloé Raunet, a Canadian-born, London-based artist known for her icy synths, warm vocals, and left-field pop sensibility. Drawing from post-punk, electro, and experimental songwriting, she creates music that’s both emotionally charged and sonically adventurous.

Following a five-year hiatus, C.A.R. returns with Shyana, the first single from her long-awaited fourth album, Dance at Oscar’s. Produced by Nathan Ridley, the release marks a creative rebirth: a new label, a new live formation with Joni Green, and a sound pulsing with revitalised energy. After a pandemic-induced break to focus on filmmaking — and a period of burnout and disillusionment — Raunet was ready to walk away from music altogether. But a pair of carried-over festival dates and an impromptu onstage reunion with longtime friend Joni Green unexpectedly reignited the spark. What was meant to be a farewell became the start of something new.

Shyana is a shimmering slice of machine-funk — a warped and groovy tribute to Paul Anka, filtered through C.A.R.’s surreal pop lens. A meditation on teen hysteria, pop manufacture, and the strange alchemy of early fame, the track pulses with wonky elegance and strutting confidence. One of the most playful cuts from Dance at Oscar’s, it showcases Nathan Ridley’s tight, swaggering production while capturing the album’s embrace of movement, humour, and the weirdness of cultural nostalgia.

On the B-side, Cecilia Road offers a more reflective counterpoint — a nostalgic, synth-drenched ballad built around a call-and-response vocal, throbbing melodies, and emotional tension. Intimate yet expansive, it hints at vulnerability without losing the pulse.

Artwork by Chloé Raunet, Craig Richards and Oliver Hupfau.

Longtime label friends Peter and Lukas Visti return with a stunning long player rich in authentic Balearic sounds. It opens with the percussive nu-disco groove of 'Ocean View' then drifts into flamenco-tinged reflections on 'Invisible Sun' and 'Kathmandu.' Acoustic guitars feature prominently throughout, from the uplifting 'A New World' to the dreamy, sunset-ready title track. 'Eternal Love' brings us back to the dance floor while 'Lazy' leans into late-night Balearic house. The album closes with the serene, acoustic beauty of 'The Last Supper.' Fair Wind indeed.

DJ Feedback

Pete Herbert:
"Outstanding, and featured on radio show"

Faze Action:
"Lovely album full of beautiful melodies and calming atmospheres"

Chris Coco:
"Super-sunny, top quality Balearic gear from start to finish"

Max Essa:
"Absolutely superb!"

Bill Brewster:
"Cool beans!"

Richard Dorfmeister:
"Cool release!"

Sally Rogers/A Man Called Adam:
"Very Sunset set friendly collection, I'll be playing :)"

Nude Disco/Altra Moda Music :
"A really nice selection here"

Justin Robertson:
"Love these"

Époque - Charlotte De Witte's archival label of KNTXT - and Vinyl Classics proudly present a special 12" that aims to both preserve and reimagine the spirit, sounds, and discotheque culture of the late ’90s and early 2000s for a brand-new generation.

Originally released in 1999 and produced by Jan Vervloet & Daniël Moerenhout, this track is still a guaranteed floor-filler decades later. Now, Charlotte De Witte delivers a stunning rework as a heartfelt tribute to one of her all-time favorites — with the original mix included on this release.

Charlotte de Witte’s standout performances across continents - including being the first techno (and female) DJ to headline the mainstage at Tomorrowland - Mixmag and DJ Mag covers, high-ranking positions in the charts and lists confirm her status as nouveaux techno royalty.

Époque - Charlotte De Witte's archival label of KNTXT - and Vinyl Classics proudly present a special 12" that aims to both preserve and reimagine the spirit, sounds, and discotheque culture of the late ’90s and early 2000s for a brand-new generation.

Originally released in 1999 and produced by Jan Vervloet & Daniël Moerenhout, this track is still a guaranteed floor-filler decades later. Now, Charlotte De Witte delivers a stunning rework as a heartfelt tribute to one of her all-time favorites — with the original mix included on this release.

Charlotte de Witte’s standout performances across continents - including being the first techno (and female) DJ to headline the mainstage at Tomorrowland - Mixmag and DJ Mag covers, high-ranking positions in the charts and lists confirm her status as nouveaux techno royalty.