Third Space returns with ‘Third Wave’ and it’s a big one! The latest Various Artists EP gathers four deep and soulful house cuts from talented producers SY, Mbius, Jay Gadian, and label boss Miguel Seabra. A tribute to vibey, musical house tracks made for both the soul and the dancefloor. Each tune stands strong as an anthem, respecting the rich heritage of house music while dressing it in fresh, modern grooves. True to Third Space tradition, ‘Third Wave’ arrives as a limited vinyl-only release, capped at 150 copies with a strict no repress clause. A must-have for collectors and house music enthusiasts alike.
Mastered by: Miguel Seabra at Aura Project Studio
Distributed by: Carpet Distribution
Out of Buenos Aires, Argentina the ever-consistent Manuel Sahagun comes
correct for Sounds of Style Records with our 6th release titled “Feed The
Flame EP”.
With excellent releases on Freerange, Pomme Fritte and Fortunea we are
excited to welcome Manuel to the team!
We start off with a jam that's funky and moving titled “Stressed Out’ that’ll give
the heads something to think about while the dance floor boogie’s. Next up is
“1000 Shamans” with a nice spoken word over a funky chugger that will turn
out the heads whether its early in the night or full-on boogie till the sun comes
up.
The B side starts off with our title track “Feed The Flame” which gets to the
feels of classic House music that we love so much! We round out the ep with
“Younger Brother” that ties a catchy spoken word over solid chord work and
bumping low-end to round out this quality record!
Already getting play by DJ Sneak, Toomy Disco, Jay West, DJ Dazy, Mateo
Dufour, Cory Wells, Sound Process & more.
Up next, we have Eddie Leader ”Need To Pivot EP” that is due out January 30th!
Reissue 2026
A hit born... three times over!
Released in 2005, "Born Again" was re-released in 2011 after becoming one of the most sought-after dance records in Europe.
It went straight to #1 in the Netherlands, where it also went gold!
Now available again on vinyl, remastered by Gianni Bini at HOG Studio, with versions by Balearic Soul, Pastaboys, and Funkerman.
The lyrics are truly powerful and different. I was born into a system that doesn't give a shit about you, or me, or life.
Don't be a victim of the things I do to survive, because I've always known, you Babylonians are good...
ATA Records are proud to present the new release by Work Money Death, A Portal to Here. This album continues WMD’s exploration of Spiritual Jazz and the sounds and styles that evolved out of the 60s New Thing, particularly the recordings of
Alice Coltrane and Pharaoh Sanders. The first WMD album released since the tragic death of ATA guitarist Chris Earl Dawkins in early 2025, all four tracks reference the journey that band members and the studio have been on – in many ways this record is a testament and tribute to Chris, his musicality and creativity.
Featuring WMD stalwarts Tony Burkill, Neil Innes, Sam Hobbs, and Sam Bell, the album introduces Sorcererskeyboardist Johnny Richards to the WMD sound. Richards brings a fresh new take to the piano role here, drawing on what is clearly a broad knowledge of jazz history and channelling that through his own unique 21st century musical perspective.
The album also features contributions from Alice Roberts on harp, bringing the spirit of Alice Coltrane, Ben Powling on baritone saxophone, Richard Ormrod on woodwind, and Kev Holbrough & Steve Parry on brass. Those Sun Ra-esque horn sections lift the mood whenever they appear.Standout tracks are the second, Dance of the Spirits, with a strong core of Baptism and The Blues and some lovely playing by Richards, and the third track, Brother Earl, which begins with Tony on flute over rhythms that are directly reminiscent of open-hearted, late-60s spirituality. Tony later moves to tenor and, as on all four tracks here, eventually builds to the peaks of shattering emotional intensity that fans of Work Money Death - and spiritual jazz in general - love.
Repress
Anthony Naples returns with his second full length album, "Take Me With You", arriving first as a 'Mixed Version' cassette inspired and commissioned by the Good Morning Tapes series, followed by Digital, Vinyl and even Long Sleeve T-Shirt formats.
Originally conceived as a D.J. mixtape dedicated to friends and the time spent with them in the morning hours after the parties over (or beginning) - it quickly morphed into a soft focused meditation on all things warm and intangible.
'Take Me With You' fires off in all styles - the opening triptych of the extra-cosmic 'Alto', post-rave pianos of 'Goodness' and slow-dance-inducing 'Drifter' bring the attention inward — taking cues from a host of personal favorites including: 'Space' LP by Space, The Theater Of Eternal Music, Panda Bear's 'Person Pitch' , Atlas Sound's 'Let The Blind Lead...', Arthur Russell's 'World Of Echo', Suzanne Ciani's 'Buchla Concerts: 1975', The Microphones 'The Glow Pt. II' & 'Mount Eerie', A mixtape of Krautrock from DJ Ivan Berko and most definitely Holger Czukay, 'Take Me With You' is a fresh turn for Naples as he ascends into a blend of his most personal work to date — touching on trip-hop, psychedelic pop, ambient house, and much more along the way.
Make no mistake - 'Take Me With You''s message is undoubtedly about escapism, given away by its happy-abductee cover art done by the legend Biscuit— but first and foremost it reflects on that lingering feeling one gets when walking away from the ones they love.
As the man who basically brought the conga into the modern age with his innovative multipercussion set-ups and tunable congas, and as a former member of Dizzy Gillespie and Stan Kenton’s bands, Cándido Camero Guerra a.k.a. Candido already had a long and storied career when he cut Dancin’ and Prancin’ for the Salsoul label in 1979 at the age of 58. So, you might have been excused at the time for assuming this was just another case of an old-timer trying to cash in on the disco craze, right? But you would have been very, very wrong…the record was pure brilliance, as the infusion of Candido’s Latin conga beats into the disco-fied 4 x 4 syncopated rhythm proved irresistible, revolutionizing the sound of underground disco while pointing the way to the house music to come. Indeed, both “Jingo” (an unstoppable version of the Olatunji classic) and “Thousand Finger Man” are still DJ favorites. Speaking of DJs, we’re putting this one out on black vinyl, perfect for queueing up and spinning. for A must for any dance music library!
Tales from Topographic Oceans (Super Deluxe Edition) is the definitive version of Yes' ambitious sixth album, the record that stands as one of the most sprawling and intricate works of the progressive rock era. This expansive album version includes twelve CDs, two LPs, and a Blu-Ray disc. Introducing, a newly mastered/remastered version of the original album by Bernie Grundman for vinyl and CD. Delve deeper with new 2026 Steven Wilson remixes of the core album, including instrumental versions, alongside a treasure trove of previously issued rarities. This collection is further enriched by portions of two previously unreleased live performances from the legendary Tales tour. A Blu-Ray disc completes the collection with Steven Wilson's new mixes, including the album in immersive Dolby Atmos and 5.1 Mix DTS-HD MA.
Tracklist: 11CD + Blu-Ray
Disc 1 Original Album Remastered
1. THE REVEALING SCIENCE OF GOD 22:01
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY
Disc 2
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL
Disc 3 Steven Wilson 2025 Remixes
1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY
Disc 4
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL
Disc 5 Steven Wilson 2025 Instrumental Mixes
1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY
Disc 6
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL
Disc 7: Rarities
1. THE REVEALING SCIENCE OF GOD (Single Edit) [3:54]
DANCE OF THE DAWN
2. THE REMEMBERING (Single Edit) [2:50]
HIGH THE MEMORY
3. THE ANCIENT (Single Edit) [3:26]
GIANTS UNDER THE SUN
4. RITUAL (Single Edit 1) [4:20]
NOUS SOMMES DU SOLEIL
5. RITUAL (Single Edit 2) [3:47]
NOUS SOMMES DU SOLEIL
6. THE REVEALING SCIENCE OF GOD (Version 1) [23:36]
DANCE OF THE DAWN
7. THE REMEMBERING (In Progress) [20:36]
HIGH THE MEMORY
8. THE ANCIENT (In Progress) [17:18]
GIANTS UNDER THE SUN
Disc 8: Rarities
1. THE REVEALING SCIENCE OF GOD (In Progress)* [27:50]
DANCE OF THE DAWN
2. THE ANCIENT (In Progress 2)* [19:30]
GIANTS UNDER THE SUN
3. THE REVEALING SCIENCE OF GOD (In Progress 2)* [21:52]
DANCE OF THE DAWN
Disc 9: Rarities
1. THE REMEMBERING (In Progress 2)* [20:42]
HIGH THE MEMORY
2. RITUAL (In Progress)* [24:37]
NOUS SOMMES DU SOLEIL
3. THE REVEALING SCIENCE OF GOD (Version 2) [22:23]
DANCE OF THE DAWN
Disc 10: Live 1973
1. THE REMEMBERING (Live TBD 1973)*
HIGH THE MEMORY
2. THE ANCIENT (Live TBD 1973)*
GIANTS UNDER THE SUN
Live at Capitol Theatre, Cardiff, Wales, December 1, 1973
3. THE ANCIENT* [19:55]
GIANTS UNDER THE SUN
4. RITUAL* [20:41]
NOUS SOMMES DU SOLEIL
Disc 11: Live at Hallenstadion Zürich, Zürich, Switzerland, April 21,1974
1. AND YOU AND I* [10:10]
I. CORD OF LIFE
II. ECLIPSE
III. THE PREACHER THE TEACHER
IV. APOCALYPSE
2. CLOSE TO THE EDGE* [19:12]
I. THE SOLID TIME OF CHANGE
II. TOTAL MASS RETAIN
III. I GET UP I GET DOWN
IV. SEASONS OF MAN
3. THE REVEALING SCIENCE OF GOD* [14:38]
DANCE OF THE DAWN
Disc 12: Live at Hallenstadion Zürich, Zürich, Switzerland, April 21,1974
1. THE ANCIENT* [20:12]
GIANTS UNDER THE SUN
2. RITUAL [23:00]
NOUS SOMMES DU SOLEIL
Blu-Ray:
2025 Dolby Atmos Mix
2025 5.1 Mix DTS-HD MA
2025 Stereo Remix
2025 Stereo Remaster
2025 Instrumental Mix
1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY
3. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
4. RITUAL [21:35]
NOUS SOMMES DU SOLEIL
[a] a1 THE REVEALING SCIENCE OF GOD [22:01]
[c] b1 THE REMEMBERING [20:38]
[e] c1 THE ANCIENT [18:34]
[g] d1 RITUAL [21:35]
Mit Laughter In Summer präsentiert die legendäre Singer-Songwriter-Ikone Beverly Glenn-Copeland (bekannt durch das Kultalbum Keyboard Fantasies) ein zutiefst berührendes neues Werk – entstanden in Zusammenarbeit mit seiner Partnerin, der Künstlerin und Produzentin Elizabeth Copeland. Das Album ist ein musikalischer Liebesbrief, der Erinnerung, Hingabe, Verlust und Freude miteinander vereint.
In neun emotionalen Songs – allesamt in One-Takes aufgenommen – entfaltet sich eine außergewöhnliche Intimität, getragen von Glenns charakteristischer Stimme, warmen Chorarrangements und einem unverwechselbaren Gefühl spiritueller Verbundenheit. Der Sound reicht von kontemplativen Balladen wie „Children’s Anthem“ bis zu leuchtenden, hoffnungsvollen Momenten wie „Let Us Dance (Movement One)“.
Produziert wurde das Album von Elizabeth Copeland und Alex Samaras (Hotel2Tango / Howard Bilerman). Es folgt auf Glenns gefeiertes Album The Ones Ahead (2023) und seine Zusammenarbeit mit Sam Smith für Ever New (2024).
Laughter In Summer erscheint auf rosefarbenem Vinyl, als limitierte Dinked Edition auf milchklarem Vinyl inklusive Bonus-7" mit Coverversionen von Marvin Gaye – „What’s Going On“ / „Save The Children“ – sowie digital und auf CD.
Für Fans von Alice Coltrane, Terry Callier, Joanna Newsom, Sam Amidon und spiritueller Folk-Avantgarde.
Konfiguration: 140g Pink 12" vinyl, 3mm spined sleeve, Gloss machine varnish, 12" printed insert, Gloss machine varnish
The world renowned “Maestro” of the dancefloor Louie Vega continues to deliver Dance Floor gems at a rate almost impossible to conceive, given that he also maintains a weekly touring schedule that regularly takes him around the world. Louie’s upbringing in the Boogie Down Bronx exposed him to the entire evolution of Disco and Funk at a time when those genres were at their peak in the 80’s, and he brings that wealth of knowledge and passion when it comes to remakes of the classics. His remake of “Last Night A DJ Saved My Life” featuring Anané and Tony Touch in its original version on the NYC Disco Album was a masterful update that kept the essence of the original classic, but was imbued with the irresistible House Music energy that Louie and featured vocalists Anané and Tony Touch can bring to a project like nobody else. The remix from Louie himself gives this peak house groover even more pump, while the Dub from Anané demonstrates that this talented performer has a big future as a producer as well. The bonus track on the B-side “In Search Of Peace Of Mind” shows Louie once again creating a unstoppable groove that respects the foundation of House Music but once again inspires an originality that places him firmly at the forefront the Dance Music Producer community.
Fictional Reality is the new EP from Elektrotechnik, joining us for our first release in 2026. The EP contains five original tracks and one remix by LDI Records label head Lloyd Stellar. Track “Delta” sets the right mood straight away with its nice warm and atmospheric pads, while “Options” already brings in the energy for the dancefloor. The A Side closes with the track “Electro”, a real old school style Electro hymn. For his remix of “Electro” on B1, Lloyd Stellar focusses on a few elements of the original track and creates a totally new groove. The tracks “A.I.” and “Primate Dance” are both energetic, eclectic and round up the EP in a perfect way.
Introducing Human Behaviour Records, a vibrant new realm where music meets the soul, a home for fresh, innovative sounds and frequencies that resonate with the very essence of what makes us uniquely human. A journey into the deep, timeless grooves of dance music, blending rhythms and harmonious beats that transcend space and time. Our mission is to create a profound, unforgettable connection with all those who hear it, inviting listeners to lose themselves in the universal pulse that binds us together. We hope to spark a sense of unity, bringing together individuals from all walks of life and fostering a community built on shared experience and creative expression.
First up one up on the label is Nic David with his highly anticipated EP “Magnetic”. It pushes and pulls the boundaries of house and electro, connecting frequencies that attract positive feelings and inspire irresistible movement on the dance floor. Followed by A2 we have “The Feelin” a track that takes you on a journey with no destination, an ever-evolving ride through funky basslines and enlightened melodies. B1 taking a turn into the harder sounds with “Work it (Listen up)” capturing the mind with heavy drums and mind altering sounds through peak moments. And for the final track we are proud to have none other than Nate S.U for the remix of “Work It”. A forward thinking human known for his hypnotic sounds, creating timeless music that sits on its own throne. His take on “Work It” fuses electronic textures and a rock inspired rhythm, pushing the boundaries from the ordinary.
Slip My Soul Where A Sweet Sunday brings together four versions by Fundación Tony Manero in charge of three projects from the Catalan jazz scene: The Gramophone All Stars Big Band, The Changes and ·I·. At the hands of these interpreters, the songs by Manero (all taken from “Sweet Movimiento”, their second studio LP) wander through different spectrums of jazz. From the Jamaican-tinged ska of the Gramophone to the dragging, hip-hop groove of ·I· through the swing -more classical or more avant-garde depending on the subject- of The Changes, these four pieces prove that jazz and disco music are family. Or what is the same: that jazz has always been dance music. Slip My Soul Where A Sweet Sunday celebrates the legacy on the one hand, the Fundación Tony Manero, which is retiring from the stage after more than 25 years paving the way for new generations and new projects. Among others, those who now take the baton in this EP.
Vintage recording equipment has long been a bit of a fetish, but to sound pioneers Voka Gentle, even the most magical machines are a means to an end. The band, made up of twins Ellie and Imogen Mason, along with Imogen’s husband, William J Stokes, are a family band in the truest sense. Whilst they started as a folk trio, their new album Domestic Bliss is an album of throat-grabbing, avant-garde indie rock songs studded with eccentric choices: a synth with its keys jammed, playing a tune of its own making; field recordings – Morris dancers, motorbikes – captured on binaural headphones.
Domestic Bliss is concerned with power: the abuse of it, being on the cusp of it, and what it really means. The album is
teaming with imaginary people in picaresque scenes that reveal the band’s rich cultural storehouse. The songs draw on history, literature, everyday life and pop culture references (specifically Jude Law’s 1995 Vogue cover), with tracks like Cheddar Man reflecting on climate change and prehistory and Creon I tracing the unease of authority through the lens of Greek mythology.
Recorded in the orchestral studios of City University, the album folds intimacy into scale, from phone-recorded vocals and samples of breath to heavy, tribal electronics in grand acoustic spaces. The result is by far their most refined record yet, where the band treat the recording studio like an instrument.
A pandemic album of songs of heartbreak, virality, and dead rats, which Wood called "goodbye cruel world: the musical." The revealing chamber pop/folk album "In Case I Make it" (ICIMI), which Will Wood playfully dubbed "Goodbye Cruel World: The Musical," turned out to be a surprisingly strong followup to his chaotic and sardonic previous release, "The Normal Album." While divisive among some fans due to its gentler sounds and more traditional vocal stylings than most of his last work, ICIMI attracted new, older audiences and showed a more personal side that provided a new context to his discography. Widely considered to be some of his most powerfully emotional work, both the harshly introspective and humorous songwriting, as well as its unique delivery, are still distinctly Will Wood in their experimental nature and uncompromising unwillingness to conform to the expectations of both die-hard fans and audiences at large. In 2021, the underground singer-songwriter was suddenly the subject of unexpected online attention, which, in tandem with mental health struggles, inspired him to put out a "musical suicide note," intended to express parts of his artistic and personal identity that had gone largely unseen by a fanbase he felt misunderstood. Leading the album with intentionally algorithm-unfriendly singles and putting an eight-minute love ballad as the second track on the LP, Wood aggressively redefined himself as being more than just a handful of wacky, unwitting viral pops. Ironically, the surprise viral success of the deep cut "The Main Character," a relentless satire of online culture, drew attention to the album and its second biggest hit, the angst-ridden yet danceable "Against the Kitchen Floor." However, the immense orchestration and vulnerable writing have kept audiences coming back. Songs like "Euthanasia" and "Tomcat Disposables" have developed reputations as tearjerkers, and songs like "Cicada Days" and "White Noise" have become fan anthems in the years since.
Soul Jazz Records present two hardcore bomb dancefloor fillers from Jerry Jones, originally released on Studio One in 1970.
‘There’s A Chance For Me’ gives Aretha Franklin's ‘Rocksteady’ a serious run for its money, while ‘Trying Times’ is Jerry Jones’s skanking version of Roberta Flack’s classic tune written by the mighty Donny Hathaway and Leroy Hutso
We Jazz Records kicks off their new series of archival 7" releases with Esa Pethman "In Belgium 1967" released 23 September 2022. The two-tracker is licensed from the Belgian VRT radio archives and both of the pieces are previously unreleased. Finnish jazz legend Pethman, heard here on alto flute and tenor sax, joins forces with European jazz greats such as Heinz Bigler, Uffe Karskov and Jean Fanis. This is a small but valuable piece of unheard European jazz history from the early heyday of modern jazz. The physical release is a quality "inside-out"-styled EP with 3mm spine and small center hole on the 45rpm vinyl.
An excerpt from the liner notes by Mikko Mattlar:
"Esa Pethman (b. 1938) was one of the key figures of modern Finnish jazz in the 1960s. His album The Modern Sound Of Finland was the first Finnish modern jazz album and his composition "The Flame" a true modern Fenno-jazz evergreen.
Pethman was born in Kuusankoski, 135 kilometres from Helsinki in the Kymenlaakso area. The jazz scene was active even though it was an area of rural landscapes and paper mills. Pethman discovered jazz when he heard a Charlie Parker record being played at a local music shop in the late 1940s. Following Parker, bebop became his favourite style of jazz.
Young Pethman played flute and saxophone in local bands who accompanied schlager singers. They played tangos and waltzes for dancers, but usually started a typical dance event with an hour of jazz. In 1959 Pethman moved to Helsinki to study music at the Sibelius Academy. Back then it was a strictly classical music academy, but Pethman later described the studies as crucial for his development and career. He quickly made his way to studio sessions and into the best orchestras in Helsinki.
As a student of composition, Pethman also began writing his own music. "The Flame" was a melody he just got on his mind one night, and he decided to write it down. The catchy composition was released as a 7" single in 1964, a year before Pethman's debut album. Both records stand as benchmarks for modern Finnish jazz. The album consisted entirely of Pethman's compositions, not versions of jazz standards like a lot of the Finnish jazz released until then.
In the mid 1960s, Finnish jazz was also taking its first international steps. Pethman's quintet took part in the first Montreux Jazz Festival in Switzerland in June 1967. At the Montreux jazz band competition, the quintet came in fourth of the twelve contestants. Despite not winning the competition, the band got an honourable mention, and Pethman was now recognized outside Finland.
In December 1967 Pethman travelled to Brussels. His visit was organised by the national Finnish broadcasting company Yleisradio and their jazz program producer Matti Konttinen. Konttinen was supposed to go to Brussels with Pethman, but the musician ended up traveling alone.
In the Decca recording studios Pethman played two songs. He recorded a version of his most famous composition "The Flame", where he played the alto flute and was accompanied by Belgian musicians. On Swiss saxophonist Heinz Bigler's composition "Like Steel", Pethman played the tenor saxophone. The band was now more international, consisting of Bigler, the Italian Francesco Santucci, the Dane Uffe Karskov, a Belgian rhythm section and Pethman. After 55 years, Pethman still remembers Bigler's remarkable skills as a saxophonist.
The two-day visit included the recording session, a dinner and a concert. Pethman and the other non-Belgian musicians came to Brussels mainly to play at a jazz concert organised by the European Broadcasting Union EBU. They played at the studio first, and the concert was held the following day. Pethman and all the other soloists played as members of an international big band. The studio and live session were produced by the Belgian Radio and Television jazz section leader Elias Gistelinck."
