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NOW Music is pleased to announce NOW Presents…Classic Soul, a stunning 5LP boxset of 85 of the greatest 60s & 70s Soul tracks ever... Out September 22nd!



LP1 opens with ‘I Say A Little Prayer’ from the “Queen of Soul”- Aretha Franklin, the peerless ‘Walk On By’ from Dionne Warwick and followed by massive hits from Marvin Gaye with the #1 ‘I Heard It Through The Grapevine’ and Stevie Wonder’s ‘I Was Made To Love Her’, plus classic tracks from The Temptations and Otis Redding. Flip to the other side for legendary groups – The Supremes, The Ronettes, The Marvelettes, The Velvelettes and Martha Reeves & The Vandellas.



LP2 begins with the powerhouse vocals of Tina Turner (with Ike) on ‘River Deep, Mountain High’. Top tracks from the Jackson 5 & the Four Tops give way to a run of Northern Soul classics from Frankie Valli & The Four Seasons with ‘The Night’, ‘Tainted Love’ from Gloria Jones, Frank Wilson’s legendary ‘Do I Love You’, and ‘Green Onions’ from Booker T. & The M.G.'s. Side 2 begins with the superb vocals of Ben E. King with ‘Stand By Me’ and Percy Sledge with ‘When A Man Loves A Woman’. Another Otis Redding classic alongside the genius of both James Brown and Nina Simone brings this LP to a close.



The A-Side of LP3 kicks off with the signature smash from Aretha Franklin ‘Respect’ before the first UK #1 for the Motown label from The Supremes with ‘Baby Love’, and there’s still room for Smokey Robinson & The Miracles, The Drifters, and another #1 from Freda Payne. Side B begins with one of the most iconic and funky baselines ever on ‘Papa Was A Rollin’ Stone’ from The Temptations and the classic grooves ‘Move On Up’ from Curtis Mayfield, Isaac Hayes’ ‘Theme from “Shaft”’, the emphatic ‘War’ from Edwin Starr and the cool sophistication of ‘California Soul’ from Marlena Shaw lead to the closing track ‘Could It Be I’m Falling In Love’ from The Spinners.



LP4 begins with a run of beloved tracks from iconic artists opening with the politically charged masterpiece ‘What’s Going On’ from Marvin Gaye, followed by Al Green, Bill Withers and Billy Paul, plus The Stylistics and The Delfonics to add to the selection of celebrated groups on this release. The second side begins with the exceptional ‘Killing Me Softly With His Song’ from Roberta Flack, before the stunning vocals of Minnie Riperton’s ‘Lovin’ You’ and Deniece Williams, The Three Degrees and Gladys Knight. The Jackson 5 bring this disc to a close with their timeless ballad ‘I’ll Be There’.



LP5 contains a run of 1970s favourites beginning with ‘Ain’t No Mountain High Enough’ from Diana Ross and ‘You're The First, The Last, My Everything’ from Barry White. ‘Fantasy’ from Earth, Wind & Fire, ‘Summer Breeze, Pt. 1’ from The Isley Brothers and ‘Love Train’ from The O’Jays all feature before the Commodores kick off the final side with ‘Three Times A Lady’. Rose Royce, Peaches & Herb and a second selection from Gladys Knight & The Pips feature along with George Benson, before the “Prince of Soul” Marvin Gaye brings this essential collection home with ‘Let’s Get It On’.



85 tracks across 5 stunning LPs, NOW Presents Classic Soul... Out September 22nd!

Brazilian producer Diogo Strausz makes his return to RNT with an incredible pair of new tracks, each remixed to perfection respectively by Kai Alce and Lex Wolf. Canto Das Trés Raças is a classic of legendary proportions, and Diogo’s new cover version both honors the original and brings a fresh new take, entirely re-recorded and primed for the dance floor. Ever-reliable Atlanta deep house don Kai Alce turns in an incredible soulful remix that feels like an instant classic. On the flip, Diogo’s original tune Caramba strikes a lighter tone, with arpeggiated synths and a cheeky vocal, giving Kraftwerk meets Marcos Valle at the disco. RNT/Make-A-Dance stalwart Lex Wolf bumps the tempo up a few clicks, looping and filtering synths and an extemporaneous vocal sample into a hypnotic, driving club track.

Das Album "Good News For People Who Love Bad News" von Modest Mouse, das in den frühen 2000er Jahren als Alternative-Klassiker galt, findet auch Jahre später noch Anklang bei den Hörern. Zusätzlich zu den Hits "Float On" und "Ocean Breathes Salty" enthält die 20th Anniversary Edition als farbiges Doppelvinyl (babypink & spring green) ein alternatives Albumcover, ein 8-seitiges Booklet und 5 brandneue Remixe von "Poolside", "Jacknife Lee", "Dan the Automator" und anderen.

Marking the fourteenth chapter in the Swinging Flavors series, Beat Machine Records proudly unveils a gripping release by Helsinki-based producer DJ Sofa. Packed with deep, nostalgic energy, this installment delves into the darker side of drum and bass, with a sound inspired by the genre’s golden era of the late 90s and early 2000s.

DJ Sofa, known for their emotive and intricate productions, brings a raw, jungle-infused energy to the forefront. Drawing inspiration from jungle and breakbeat hardcore, their sound reflects a deep connection to the classic UK rave era while maintaining a forward-thinking edge. Known for captivating listeners with rich atmospheres and complex breakbeats, DJ Sofa’s music resonates strongly with audiences far beyond their Finnish roots, particularly within the UK underground scene.

“Drums For The Lost,” the lead track on Swinging Flavors #14, exemplifies this blend. A menacing roller, it marches forward with unwavering determination, offering a guiding light through shadowy soundscapes. With its haunting basslines, intricate percussion, and mysterious atmosphere, the track is a testament to DJ Sofa’s ability to create immersive and emotionally charged music.

The journey doesn’t stop there. Swinging Flavors #14 also features a remix of “Drums For The Lost” by Siu Mata. The Parisian producer reinterprets the track with their signature style, adding pulsating rhythms and hypnotic layers that elevate it to a peak-time dancefloor weapon. Siu Mata’s remix infuses the original with a modern edge, creating a vibrant and dynamic sound that bridges the gap between tradition and innovation.

Swinging Flavors #14 is available in both digital format and as a limited edition 7” vinyl, ensuring it finds its way into the hands of collectors and music lovers alike. DJ Sofa and Siu Mata’s contributions to the Swinging Flavors series underscore Beat Machine Records’ commitment to showcasing the best of underground electronic music. With its bold exploration of drum and bass and an eye on the future, this release is set to captivate audiences worldwide.

dreamcastmoe is the recording project of singer, songwriter, producer, and DJ Davon Bryant, a lifelong resident of Washington, DC. His music moves freely between moods and modes, hypnotic, romantic, traversing electronic, R&B, funk, soul, and hip-hop... Resident Advisor dubs it "soulful, cross-genre dance music." This ability to adapt and finesse, to twist in different directions while staying true and coherent in vision, can be traced to his home city and its complex cultural history. "Most Black kids in DC don't ever get to this point," he says. "This is what I am making this music for, in the DC tradition of soul and empathy and love that is rooted in this city. My music is for real people dealing with shit every day." A versatile, modern artist and collaborator, dreamcastmoe has thrived in the underground since his first uploads to Soundcloud and Bandcamp in 2017 and subsequent releases with labels like People's Potential Unlimited, Trading Places, and In Real Life Music. Bryant's laid-back personality, emotional honesty, and infectious energy shine through his work and how he talks about it, as Crack Magazine notes in their 2021 Rising feature: "a steady combination of confidence, creativity, and calmness." He grew up playing drums in church; he's worked dead-end jobs, had ups and downs, even sold off all his gear one time, but never stopped reinvesting in himself. He is quick to praise his co-producers, rattle off influences _ the visual feel of NBA 2K, the comedic timing of Bernie Mac, the savvy legacy of Duke Ellington, for starters _ and credit resourceful DC breakouts like Ankhlejohn that showed him the roadmap. His voice, a steady instrument, seemingly connects it all, capable of slow falsetto flow, swaggering talk-rap, and outright croon. His storytelling style is choppy yet fluid, like a mixtape, which is how Bryant sees Sound Is Like Water, his debut on Ghostly's International's freeform label, Spectral Sound. The two-part project culminates as a full-length LP release in November 2022. The first side, released as Part I, opens on the blurred beats of "El Dorado," which dreamcastmoe dedicates to his journey. It's a head-nodder, an off-kilter earworm co-produced by Max D (Future Times, RVNG Intl, etc.), with Bryant harmonizing hooks with synth jabs and a pitched-down presence. "Complicated" is the slow jam, delivered smoothly from a Saturday night crossroads. dreamcastmoe is contemplative and committed... gliding and locking ad-libs into skittering rhythms courtesy of co-producer Zackary Dawson _ but also willing to let something go, "acknowledging that everything in life IS NOT easy." "RU Ready" takes off from the jump as a tribute, challenge, and promise to his partner and his city ("The times you sat with me when I needed you the most / Told me the things that I needed to see / Young black man, really trying to be what I can be / And I'm really from DC). In its potent two-plus minutes, the sonics (co-produced by ZDBT) press the message, all cymbal crashes, breakbeats, and serrated synth lines. "Cloudy Weather, Wear Boots" is a blitzing dance-punk track made in collaboration with Jordan GCZ on Bryant's first trip to Amsterdam. The album's flipside opens on "Much More," the first of two synth-and-beat ballads co-produced by ZDBT. Later on "Long Songz," he claims, "I'm not writing love songs no more," prioritizing the vibe with "all my day ones." He calls it "a cry for more normal moments. Everything doesn't have to be a fantasy love story, more time spent getting to the money, growing, and making a way." He saves two of his most propulsive cuts for the finale, co-produced by Sami, co-founder of DC dance label 1432 R. As their titles suggest, "Take A Moment" and "Make Ya Mind" operate as anthems for movement, with Bryant free-flowing commands above wildly-styled percussion. Per Bryant, the latter is both "wake & bake jam" and a "dance floor bomb." His parting line: "Action / You got to show me action / Reaction." The world of dreamcastmoe straddles virtual reality and the realness of DC, images both imagined and lived-in. Bryant has a knack for unexpected melodies but what makes his music so exciting is his capacity to defy the expectations of genre and image. A fluid ingenuity and vulnerability bottled by Sound Is Like Water, and this is just the beginning.

*REPRESS* 2x12"

Poland's finest reggae dubstep export is back to guide us through the long dark winter with his highly anticipated second studio
album, Subconcious. Mat Miller solidified his position as one of the most exciting global ambassadors for the sound with his 2011
debut album and he returns to the mighty Moonshine Recordings with another killer full length selection of thick dread bassweight
and proper roots vibes. Matt's influences have always been varied, and his music's rich diversity is in full effect across the LP as he
adeptly shifts between tempos and moods, utilising his ear for melody and rhythm to create an absorbing collection of timeless
sounds. The ground shaking sub-frequencies central to each track are built to challenge soundsystems and ignite dancefloors,
whether it's on the livewire rhythms of his jungle indebted track 'Wicked Dub', the driving sonic force of the drum and bass styled
'Different Dub' or the dubbed out, skank-ready movements of tracks like 'Earthwalker' and 'Indra'. As well as the all-powerful bass
pressure, Radikal Guru works with a colourful array of instrumentation, and brings in characterful vocalists YT, Danman and Echo
Ranks to provide melodic lead and reggae lyricism on 'Stay Calm', 'Know Yourself' and 'Warning!' respectively. The final result is
shining example of modern roots/ reggae-centred music in 2013, executed brilliantly and certain to last the test of time.

Back in what now feels like a golden period in music and creativity, in the 1970s, many bands were formed by students. It almost seems like so many people could either sing, play, dance or write songs! This was also the case of several Woodland High School students in New York, who created Newban with fellow classmates.
The group started gigging around the tri-state area of New York, Connecticut and New Jersey, and were soon brought to the attention of legendary Bell Recording Studios audio engineer Malcolm Addey, who recorded with the band over a two-month period in 1974. Three years later the tracks made up two superb and sought-after albums released by tax scam label Guinness.
In 1977, Newban headed out to play the Los Angeles nightclub scene, closed a deal with A&M, and changed the band name to Atlantic Starr at the request of Herb Alpert.
For the first time on a 7” format, Soul4Real brings you two of the best songs from Newban. Enjoy the music...

After a 30-year interstellar silence, the enigmatic producer Alien Signal—pioneering alias of Italian electronic composer Alex Silvi—reemerges with Whispers from Distant Suns, a transcendent odyssey that bridges retro-futurism and modern electronica. Hailed as a magnum opus, this album transcends genre boundaries, captivating ambient purists, downtempo aficionados, and even experimental listeners with its hypnotic fusion of analog warmth and digital precision.

Cosmic Tapestry of Sound
Drawing comparisons to Vangelis’ Antarctica and Alpha—but reimagined through a 21stcentury lens—Whispers from Distant Suns marries nostalgic synth textures with cuttingedge production. Silvi’s mastery of melody shines through in tracks like “Stardust
Memories” and “Fragile Eden” where shimmering arpeggios and celestial pads drift over robotic, glitch-infused drum patterns and sparse, meditative percussion. The result is a paradox: a retro-futuristic soundscape that feels simultaneously ancient and alien, familiar yet unexplored.

Listener Testimonials
Fans and critics have flooded forums with praise:

“An auditory revelation! It’s like Vangelis met Jon Hopkins in a nebula—vintage soul with a futuristic heartbeat.”
“The textures are gorgeously cinematic. Closing your eyes, you’re adrift in a Tarkovsky film scored for the Andromeda galaxy.”

The Vinyl Experience
Pressed on heavyweight vinyl, the album’s physical release amplifies its immersive qualities. The gatefold sleeve, adorned with surrealist astrophotography and metallic
foiling, mirrors the music’s cosmic ethos. Side A leans into Balearic serenity, with sundappled grooves and aquatic synth ripples, while Side B delves into darker, more
experimental terrain—think Aphex Twin’s Selected Ambient Works colliding with the organic rhythms of Jon Hopkins.

Maturity in Motion
This album is a testament to Silvi’s evolution. Tracks like “Seeds Of Light” and “Message from Andromeda Galaxy” showcase his refined ear for dynamics, balancing silence and sound with surgical precision. Vintage drum machines spar with glitches, while field recordings of crashing waves and interstellar static blur the line between Earth and cosmos. The closing track, “The Star Charts We Shared” crescendos into a 6-minute ambient requiem, leaving listeners suspended in a state of weightless awe.

Final Transmission
Whispers from Distant Suns is more than an album—it’s a transcendent odyssey. Spanning time, space, and the artist’s own creative evolution, this immersive work invites listeners to lose themselves in its ebb and flow. Designed for moments both intimate and expansive, its balearic-tinged atmospheres resonate equally through dawnlit Mediterranean terraces or the solitary glow of headphones in darkness. These are compositions that pulse, morph, and haunt the air long after the final note fades. A living soundscape meant to accompany life’s quiet revelations and clandestine joys—a soundtrack to your most personal moments, crafted as what the artist calls ‘private dance music.’

Tailored for the Discerning Listener
Whispers from Distant Suns is designed with the true connoisseur in mind. This album is a must-have for:

Vinyl Collectors & Audiophiles: Those who value the warmth and tactile experience of heavyweight, limited edition pressings
Electronic Ambient and Downtempo Fans: Listeners who appreciate immersive soundscapes that merge retro analog charm with modern digital innovation.
Retro-Futurism Enthusiasts: Fans of pioneering artists like Vangelis, Boards of Canada, and early Warp Records who seek music that bridges nostalgic synth textures with futuristic experimentation.
Experimental Music Explorers: Individuals drawn to sonic narratives that invite deep, contemplative listening—perfect for both introspective moments and immersive listening sessions.
This release is not just an album; it’s a curated experience for those who desire music as a multidimensional art form, merging the vintage allure of analog sound with a contemporary, cosmic vision.

For fans of: Vangelis, Biosphere, Jon Hopkins, early Warp Records.

Bells Are Ringing is the debut EP by Melbourne Funk 10 piece outfit Mondo Freaks, released following on from the single of the same name and a thrilling Dub Version by Harvey Sutherland.

Mondo Freaks formed originally as a concept band, equipped with an ever-evolving setlist of late '70s and early '80s Funk classics, their journey has seen them invited to be the backing band for the Australian tours of such luminaries as Leroy Burgess (the producer and artist behind Boogie and Disco favourites Black Ivory, Logg, Aleem, Inner Life, and Universal Robot Band) and the iconic Evelyn "Champagne" King. Having performed at the iconic local Meredith Music, Golden Plains and Panama festivals and at numerous residencies Mondo Freaks have carved their mark, returning now to ring in a new era of groove-soaked original music.

The band revolves around the rhythm section of in demand session bassist Luke Hodgson and drummer Graeme Pogson (GL, The Bamboos). Gathering some of the finest musicians from Melbourne's legendary Soul scene, they're accompanied by five incredible vocalists including Jade McRae, Susie Goble, Francisco Tavares, Aaron Mendoza and Jason Heerah.

New tracks on the EP include "Find A Way", which hits straight away with a percussion and synth hook, blending Jade McCrae's vocal delivery with an uplifting message about finding hope in trying times.

Also included is the Harvey Sutherland Vocal Mix of "Bells Are Ringing", which keeps much of the spaced out Larry Levan, Shep Pettibone re-edit approach that was on his much lauded Dub Version.

It's easy to see why his remix skills have been in demand and utilised by Disclosure, Khruangbin, BadBadNotGood, Tycho, Boston Bun, Lucius, Jungle Giants, Genesis Owusu and Franc Moody. On his own releases Sutherland has collaborated with the likes of DāM FunK and Nubya Garcia.Tightening its hold on the dancefloor, the beefed-up rhythm section rolls deep into the nocturnal hours, as mesmerising reverb loops elevate the track skywards.

Luke and Graeme got to know Harvey Sutherland when they played together backing Leroy Burgesson his Australian tour in 2018. After that Luke and Graeme played in Harvey's live band across the world and then contributed his 'BOY' album. "We were thrilled when he turned in his Dub of "Bells"", Luke said. "A kind of 'what would Shep Pettibone or Larry Levan do?' moment. It's like being transported to Compass Point Studios in '81!"

Mondo Freaks make Funk inspired by late '70s / early '80s era as it gently moved beyond Disco. That era has continued to inspire many artists, but what sets Mondo Freaks apart is their live instrumentation plus a focus on vocals and great songwriting, creating something beyond simply instrumental grooves.In the studio and in their full live lineup Mondo Freaks are a formidable ensemble who take their sound beyond mere homage, without a hint of irony or any knowing winks. Mondo Freaks simply breathe life into a timeless sound and make it feel more relevant than ever.

The first release from a brand new electronic dance label from Richard Norris (The Grid/Beyond The Wizards Sleeve), 'Let Yourself Go' is a sparse, powerful floor filler with Una Camille's anthemic vocal and more hooks than Jaws. Acid and electro remxes come courtesy of Norris and Leo Zero.

Produced by Scott McCannell and mixed by Kelly Finnigan of Monophonics, Record Kicks presents two brand new single from Canadian rising soul star Tanika Charles on limited edition clear 45 vinyl. “Don’t Like You Anymore and “Here When You’re Ready” are taken from the highly anticipated new album “Reasons To Stay” from the Twice JUNO nominated and two time Polaris Prize listed, Tanika Charles that is coming out in May 2025 via Record Kicks. On the A side “Don't Like You Anymore” is a mid tempo gospel funk stormer able to set the dancefloor on fire. With its boom bap smacked drums and chunky basslines, it will not be a surprise if rap/hip hop artists will get on it to sample the song. The B side “Here When You’re Ready” is an equally strong mid tempo soul number that makes this limited edition 45 vinyl a real double sider. Canadian Soul/R&B powerhouse Tanika Charles in a few years has transformed from an emerging solo artist to a commanding performer and bandleader, a staple in the Canadian soul scene. The success of her three studio album "Soul Run" (2017), "The Gumption" (2019) and “Papillon De Nuit” (2022) propelled Tanika in front of new audiences far and wide, with extensive touring in North America and Europe where she performed at Trans Musicales Festival in France, the Lärz, Germany Fusion Festival, Mostly Funk & Soul Festival and Jazz Festival in UK, the Holy Groove Festival in Switzerland, and the Canarias Jazz Festival in Spain just to name a few. Her touring career has also seen her supporting the likes of Estelle, Mayer Hawthorne, Haitus Kayote, Lauryn Hill, Bendouin Soundclash and Macy Gray

Patrick Conway crossed the threshold to find a new hope. This is his third offering for the ESP Institute. On side A, 'Loss' sets an overall melancholic tone for the record. A single repeating high note on the piano establishes a guiding element, which is eventually supported by a tear-jerking yet resolving chord progression, a trailing choir of angelic voices, and a filter-modulating synth that pads the widest zones of the mix with the occasional counter-melody. Robust in and of itself, Patrick’s melodic arrangement floats gracefully over an otherwise antagonistic rhythm section built from his signature corroded dancehall arsenal. This hornets nest of boxed live kick drums, piccolo snares, and high-pitched toms is held together by a dry veneer of saturation, sitting at safe distance from but in natural harmony with the bulbous low-frequency atmospherics. On the flip, 'Silencio' employs a similar statement at the top of each measure, this time an anthemic polyphonic synth stab as opposed to the singular piano note, however, unlike the layered melodies throughout 'Lost', here Patrick explores the narrative possibility of negative space—call and response, rhythmic dialogue, and the implied notes that leave the listener’s or dancer’s intuition to complete a phrase. In the game “musical chairs,” children run around manically until signaled to find a chair, at which point their diverse personalties must urgently synchronize, until set free to run again and repeat the process. Patrick's approach for 'Silencio' conjures said metaphor—his melody and rhythm are unleashed to meander and spasm within the confines of each respective bar, until that anticipated synth stab unifies everything “on the one”—controlling the chaos, calling on muscle memory and affirming logic. These two songs will be with you always as they always have been.

1st@Vinyl

We are overjoyed to present you the first Klangtrauma Records Vinyl.
Our label bosses Nadine Fehn and Duniz have teamed up for this one.
Nadine starts with "I feel you", a clear and massive dancefloor filler!
The remix comes from Audio State - so it's clear that it's going to be an absolute banger!
Duniz kicks things off with it's counterpart "Fühl ma", a seadily rising track that enriches any set and delivers a minimal, hypnotic journey with "Snail".

So keep an eye out for our next vinyl release.

The Rotterdam-based label and agency On Board Music proudly marks its 10-year anniversary with a carefully curated compilation of likeminded artists. This milestone release showcases those who have shaped the label's sound and identity, while also setting the tone for the years to come. On Board 10 features nine tracks on vinyl, complemented by five exclusive digital bonus tracks. The collection traverses a diverse spectrum: from the immersive depths of Altinbas' atmospheric journey Submersion to the intricate, rhythmic craftsmanship of Polygonia's drum-workout Broken Temptation, and from GiGi FM's ethereal dub-techno exploration Maova and Dorisburg's percussive, Nordic-techno gem Sensorik. The release blends introspective meditativeness with dancefloor-ready energy - a balance between home listening and club environments. It's atmospheric, trippy, dubby, broken, ambient, techno - all the sounds that define the essence On Board Music.

The 2x12" vinyl compilation brings together Altinbas, Dorisburg, Efdemin, GiGi FM, Luigi Tozzi, Massimiliano Pagliara, Polygonia, Psyk, and Steffi.

The release also includes a download card with five additional digital tracks by Ina Kacz, Jin Synth, Justine Perry, Paula Koski, and On Board Music label head Laura BCR.

** Japanese Pressing **

The once thought impossible-to-reissue album a Japanese duo (Fumio Ichimura, Masao Hiruma) "Testpattern"s only album Apres-Midi (originally released on October 21, 1982) produced by Hosono Haruomi is finally set to be reissued on vinyl.

The original master was discovered in ALFA MUSIC’s warehouse, processed with top-tier digital technology, and cut for vinyl by Katsutoshi Kitamura (Warner Music Mastering).

The 55th Anniversary Project of ALFA MUSIC brings you a groundbreaking release.

We're thrilled to welcome DJ Merci with four powerful tracks on the label! These DJ Tools are the perfect sound for our limited series and to conquer the dancefloors.
On A1 we start In The Middle with exactly this club feeling and an evocative vocal that couldn't be more appropriate for these times.
A2 continues with some funky drum loops and a jazzy sax. We love it!
On the flip, B1 starts really smooth with deep chords combined with a conga groove and continues
on B2 with bouncing drums and deep minimal house.

The iconic DJ Sotofett comes with a real treat--a 12-track album on Clone West Coast Series that showcases a playful take on electronic music. Immerse yourself in the vibrant world of DJ Sotofett & The Colours of Computer Generated Instruments. With 12 electrifying electro tracks that blend a wide spectrum of rhythms with 80's Nintendo console vibes and holy grail analog vs digital synthesis, this album is a jubilant celebration of that sound. Prepare for an exhilarating journey filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to groundbreaking avant-garde electro cuts. Each track intricately weaves together influences from over 40 years of electronic dance music, inviting listeners to explore the rich tapestry of genres that have shaped the landscape. As you delve deeper, you'll uncover the intricate layers and innovative production techniques that define Sotofett's distinctive style, transforming this album into more than just a collection of tracks -- it's a true sonic adventure that beckons you to listen, dance and dream.

Anoesis is the duo of Doc Bozique and Oxidation and this is their third release on Cosmic Soup. It is one that has been long anticipated by fans of their well designed breakbeat sounds and their first since 1995 when they dropped Blood & Sweat on D*Fusion. As such there is a hint of 90s post rave magic to the 11 cuts here, all with cosmic intent and deep grooves. They are tunes that have you lost in a reverie on the heart of the dance floor but with your gaze turned skyward. Essential stuff.

Limited Edition 12"

Left Ear are delivering two previous unreleased Australian ‘experimental’ electronic tracks from the 80’s and honoring them with a split 12” release.

Side A: Features an unreleased full-length version of Tim Gruchy’s Jungles, a solo electro-percussive piece recorded in Tim’s Lab D’Avoid studio in Brisbane. The track is emblematic of his style during an era when he worked extensively in music, both as a percussionist and primarily with electronics, including early analog synths.

A shorter version was originally released on the Meanjin (Brisbane) art collective ZIP’s Eye Ear EP book package in 1986 and, more recently, on Left Ear’s Antipodean Anomalies 2 compilation.

This original version of Jungles was initially part of the soundtrack for the ZIP Performing Group’s infamous Ironing Board Dances. Footage of the performance was treated through a Fairlight synthesizer, mixed with hand-painted slides, and transferred to VHS for various film festivals.

Side B: Michael Krillich’s Arnhem Land began its journey in 1982 in a shared house in North Bondi. Inspired by Brian Eno and David Byrne’s My Life in the Bush of Ghosts, he experimented with tape loops, cut-ups, and samples, incorporating synthesizers, effects pedals, a drum machine, and an unknown sample from an Australian Aboriginal record. This creation became part of his cassette release, Thematic Variations.

In 2010, Krillich uploaded an unreleased extended version of Arnhem Land from Thematic Variations to YouTube, which was shared by record dealer Matt Bowden with Left Ear Records, who pursued to release it on vinyl. Their search to uncover the sample’s origins led them to Arnhem Land Vol. 1 (1957), recorded by Peter Elkin in the Daly River region.

After years of research and through the guidance of Professor Allan Marrett and local custodians, the sample was verified as a “Wangga” ceremonial song sung by George Morkai, an Emmiyangarl man. Rights to the song had passed through generations to Tobias Worumbu, who granted us permission for its use, bringing Arnhem Land full circle.

Since its inception in 2020, Italo Moderni’s energy, spirit and inspiration has been the dancefloor. The darkened bunkers of Belgium, the trembling speakers of Valencia, the warming dawn of Rimini, these influences have been the lifeblood. Solidifying this tireless effort, Mellow Bangers Vol 2 is the label’s most ambitious collection to date.

In celebration of the imprint’s fifth anniversary, four artists gather with every single one united under a rallying cry. From across the globe, machinists have been drawn together to deliver a statement of acid and wave, of electro and synth with flourishes of italo. The shadowy fringes of the floor are well represented, audio artisans like Cyrk serving distorted drums and melodies dripping with menace in the twisted shape of “Double Crash.” The static haze remains with Fragedis’ “Disco Nicotina,” a lancing melody piercing the soaked speakers of this sweaty romp. Label boss, Adrian Marth leads the charge on the flip. “Modernism” is a stripped and playful two-stepper, a two-stepper that Marth beefs into bawdy proportions before balancing the track with crystalline chords. Amongst the litany of talent are musicians who have both inspired Italo Moderni as well as those who have appeared on the label. Antoni Maiovvi fits such a description, the sound sorcerer slicing beats through bittersweet bars in the immersive “Stopping Power.”

Mellow Bangers Vol 2 is a breathless expression of the floor. A contemporary imagining of the racing rhythms and addictive hooks of the 1980s and 1990s. Four works that summarise what Italo Moderni is and will continue to be