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We are excited to finally announce and share 'Presentiment', the second Long Player from The Connection Machine.
This release is particularly special for us as it will be the first time in over 20 years that Jeroen and Natasja have put an album out on vinyl. Despite having a string of aliased releases in the '90s on the mighty U-Trax, a 12" during the early days of Carl Craig's Planet E, a remarkable album 'Painless' on Down Low Music, and most recently a series of in demand E.P.s with Lost Trax on Tabernacle, their output has remained tantalisingly infrequent.
With 12 tracks that capture their unique and awe-inspiring sound, 'Presentiment' opens you up to a world that only The Connection Machine have access to.
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Reissue des Debütalbums (1981) der legendären Psychedelic-Dub-Formation African Head Charge um den jamaikanischen Produzenten & Percussionisten Bonjo Iyaginhi Noah, dessen damals undefinierbarer Sound massgeblichen Einfluss auf experimentelle Bass-Labels wie Hyperdub oder Tectonic hatte. Mit dem Clubfavoriten "Stebeni's Theme" und dem Track "Far Away Chant" aus David Lynchs "Wild At Heart" Soundtrack. Re-cut by Dubplates & Mastering, Berlin, for maximum bass pressure! LP auf schwarzem Vinyl mit Downloadcard und bedruckten Innentaschen mit Sleevenotes von Steve Barker (On The Wire).
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In den 1970er-Jahren lebte Edward Larry Gordon als Comedian und Musiker in New York und tingelte durch
die Clubs des Greenwich Village. Einer Eingebung folgend tauschte er eines Tages seine Gitarre gegen eine
Zither, gab sich den Namen Laraaji und spielte fortan auf der Straße. Brian Eno, der damals in New York
lebte, hörte Laraajis Spiel und bot ihm an, mit ihm ins Studio zu gehen. Daraus entstand das von Eno
produzierte Album "Ambient 3: Day Of Radiance". Laraaji nutzte sein offen gestimmtes Instrument leicht
elektrifiziert und höchstwahrscheinlich mit freundlicher Studiotechnikunterstützung seines Förderers Brian
Eno. 1980 erschien das gute Stück und gilt heute als Meisterwerk der frühen Ambient-Musik. Jetzt wird es als
CD und Vinyl (+ CD) wieder veröffentlicht.
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Part 2 of Editors Kutz 005 pressed on Purple Vinyl feat cuts from JKriv / Noodleman / Riccio & EmVee who round things off nicely.
With edits and reworks on little known or impossible to find originals, and some beloved classics, this release covers various disco styles, keeping the right balance between the up-tempo and low tempo vibes. Limited Repress act fast.
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- A1: Come Fly With Me
- A2: I Get A Kick Out Of You
- A3: Just One Of Those Things
- A4: I've Got You Under My Skin
- A5: It's Only A Paper Moon
- A6: S'Posin
- A7: I've Got A Crush On You
- A8: Have You Met Miss Jones
- B1: One For My Baby
- B2: You're Nobody 'Til Somebody Loves You
- B3: That Old Feeling
- B4: Anything Goes
- B5: Too Marvelous For Words
- B6: I Concentrate On You
- B7: Blue Moon
- B8: She's Funny That Way
- C1: Nice 'N' Easy
- C2: When You're Smiling
- C3: Night And Day
- C4: I Won't Dance
- C5: Young At Heart
- C6: Love Walked In
- C7: Come Dance With Me
- C8: You Make Me Feel So Young
- D1: The Lady Is A Tramp
- D2: Only Have Eyes For You
- D3: Taking A Chance On Love
- D4: Love And Marriage
- D5: My Blue Heaven
- D6: The Very Thought Of You
- D7: My Funny Valentine
- D8: Nice Work If You Can Get It
- E1: Nevertheless
- E2: Always
- E3: September In The Rain
- E4: Try A Little Tenderness
- E5: It All Depends On You
- E6: Brazil
- E7: The Gypsy
- E8: London By Night
- E9: I Couldn't Sleep A Wink Last Night
- F1: April In Paris
- F2: I Thought About You
- F3: They Can't Take That Away From Me
- F4: The Song Is You
- F5: Close To You
- F6: I Could Have Danced All Night
- F7: In The Wee Small Hours Of The Morning
- F8: Dancing In The Dark
- F9: We'll Meet Again
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Composer, improviser, and Buchla Music Easel master Charles Cohen returns to Morphine with a suite of new material.
In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen's cosmic "beeps and boops"—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album's nine tracks reveal a more introspective and personal side of the artist, following from a retrospective LP trilogy released via Morphine in 2013. Those assembled works, dating back to the late '70s, quickly became essential listening and brought Cohen—at the time largely unknown outside Philadelphia's experimental circuit—to critical renown.
Brother I Prove You Wrong was recorded in Berlin in September 2014 using the Buchla Music Easel, with production help and support from Rabih Beaini. Mastered by Neel and curated and designed by Tank Boys; cover art by Nathalie du Pasquier.
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Four years since they released Dring, Nôze are making a very welcome return to Circus Company with their fifth album Come With Us, and once again the pairing of Nicolas Sfintescu and Ezechiel Pailhes has yielded a collection of captivating and curious songs that could only come from the unique sound world they inhabit. As has been evident throughout their career from their early experimental house days through to the more recent song-based material for Get Physical, the Parisian duo have always moved on from album to album, maturing their sound to deliver a new experience for themselves and their listeners every time. On this occasion, Come With Us finds Nicolas and Ezechiel in a particularly introspective mood. Even as their work has naturally turned more to home-listening craft over the years, here they revel even more in personal reflection both musically and lyrically. Tracks such as Saint' conjure up the romanticism of dustbowl blues with its vagabond guitar tones (played by long time collaborator Thibault Frisoni), while Nicolas's voice reaches new distinctive heights in spellbinding tales like Apache". Emiliano Turi also lends a new sense of natural groove to the Nôze sound with his live drumming, and as ever, Nicolas and Ezechiel are keen to bring their friends into the fold for guest vocal spots. Dani Siciliano spars beautifully with Nicolas on the disco-inflected album opener I Need To Know". dOP vocalist JAW, fresh from his Midtown project, joins in for the bittersweet balladry of Come With Me".
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- A1: Don't Cut Off Your Dub
- A2: A Moving Dub
- A3: A Dancing Roots Version
- A4: Step It Up Version
- A5: This Is A Best Version
- A6: Easy Skanking Version
- A7: Every Knee Shall Bow Version
- B1: Skanking With Pablo
- B2: Rocking Dub
- B3: Want To Go Home Dub
- B4: Dance With Me Baby
- B5: I'm Gone Dub
- B6: The Meduica
- B7: Money Dub
Throughout the seventies the productions of Bunny'Striker'Lee were incredibly prolific and he created a number of different labels to handle his ever expanding output.
Bunny had always worked closely with Osbourne'King Tubby'Ruddock,who had built his first Sound System in 1957.But Tubbt felt that thingsreally got going when he took on Ewart'U Roy'Beckford as his DeeJay in 1968.When Bryon Lee upgraded Studio B at Dynamic Sounds to a sixteen track recording in 1972 Striker brokered a deal for Tubby to purchase the old four track equipment.The package included the MCI console that Tubby would go on to make world famous and as they say the rest is history...
Here we look at the Attack label and have assembled a compilation of some of the finest Dub cuts released on this label....enjoy
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After releasing his stunning debut "Diamond Days" on Traum and the follow up "Nothingness EP" Egokind told us he had the idea for an album already sitting in the back of his head.
To be able to convert all of his ideas he asked his long time friend and collaborator Ozean to work with him. For both of them "Transition" is their debut album, but both artists can draw on a lot of experience recording music from multiple genres.
The A1 track "Mega" is a track which illustrates Egokind & Ozean's approach to touch many grounds resulting in something gigantic. The track itself begins rather acoustic inviting you to the private world of Egokind & Ozean, before it becomes a joyous balearic tune that despite its wealth keeps slight dissonances coming and going.
"Every Time You Smile" is an energetic piece of warped music which swells and and then in the next moment is diminished to small islands of voices that turn like mad creating a new cosmos almost comical at times, but always very kind and gentle as well.
On the flipside "Light Realms" flows into "Silverbird" with no pause: "Silverbird" then opens the curtain and lets the sun fill out the whole room with yellow golden rays. Egokind & Ozean then unfold a garage house track which makes small turns but stay very organic and warm.
And "Everybody Dance Now" by its title makes things very clear. Egokind & Ozean have crammed all their skills here into an hi-energy dance track, still keeping one big surprise to come halftime, when they decide to leave the trail of club culture by introducing a fantastic acoustic intermezzo, juggling and bending their sounds to the max.
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Atmospheric, darkness, emotional, deep and organic, Architectural returns with a very special album. A musical piece with a soundtrack essence that transport to the darker and disturbing forests. The cd edition has a second cd with a previous tracks compilation released on Architectural recs.
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For his new EP Nicolas Aftalion is still paying his due respects to the early House Meisters. 3 brand new trax of heavily NY influenced House Music. Still Old school but always fresh. From Paris with love, THAT'S SOME SERIOUS SHIT ! is a record label dedicated to old House music and to dancers. Following the steps of Kerry Chandler, Mr. Fingers, Ron Trent, Masters at Work and so on... Away from the hype, we want to bring back the spirit of the early 90's when House music was not only music, but a communion of body, soul, freedom and love. We hope to get you with us... in the dance, in the club.
Now ride on the sound
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The original 12'' vinyl releases of Stomp The Beat and 1990 were two “Holy Grail†releases of Chicago House as they were only available for a short time before Gherkin Records went into inactive status in around 1991. At the time Larry Heard chose to not disclose the fact that he was the producer behind the Gherkin Jerks EPs. The two releases were a concept of experiments where he dove deeper into the equipment and do some creatively different tracks from his Mr. Fingers sound. These two legendary EPs have been heavily influential on other artists to this day. Often sampled or referenced they are true house classics and still amaze 25 years after their creation. Also on this album three bonus tracks, which are from the same Gherkin Jerks sessions but never released as such. Psychotic Fantasy was on the Dance 2000 pt. 2 album and Ecstasy is the full original take which makes its first appearence here. Reznaytor is an exclusive track for this release, never available before.
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Murphy Jax delivers a fresh full length EP entitled ``Teleport : Echo City`` this September, via the Frankfurt based Chiwax imprint.
Murphy Jax, over the past few years, has been steadily building up a back catalogue of solid electronic workouts. Delivering content for the likes of Clone`s Jack For Daze Series, Hypercolour, Exploited and Turbo, Jax’s style meanders through a variety of styles, ranging from low-slung, chuggy grooves through to straight up Chicago inspired house rhythms, always keeping the production intriguing and melodic. Here Murphy joins the Chiwax roster (A sub-label of Rawax, also running the Dubwax and Housewax labels), alongside heavy hitters like Gemini and Perseus Traxx.
Jax tells us the story of the album ´´Imagine a pre-apocalyptic generation of robots on a planet of machines. This is the last generation before the big war against the darkness, slowly coming from space. Some groups are fighting each other in chaos, others party before everything seems to end and lots of them don’t know - yet, but they all dream of Echo City. The one and only safe point, founded by Dr. Nigel Echo in the deep, cold and blue core of the planet. Dreams, desires, rebellion and chaos. They´re all going to fight the coming darkness, united by the prince of nanomagica. Taking place at several different locations, we are looking into the last hours before it all begins and ends at the same time.´´
``Teleport : Echo City´´ embraces a variety of styles, ranging from Chicago House, Classic Deep House, Movie Theme style cuts and raw Acid workouts. The mood of the records goes from child like melodies to dark, hypnotic and brooding synth heavy tracks. As expected Murphy Jax delivers an incredible LP of uncompromising quality here, ``Teleport : Echo City´´is out on Chiwax 4th September 2013.
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Italian producer Joe Drive serves you his first ep for 4lux. And what an excellent EP this is. Deep house tracks with a true analogue feel. Rain Dance is an exquisite deep house bomb with smart TR707 drum programming, deep driving bassline and disco-ish vibes. Title song Junopolis is dedicated to the legendary Juno synths and shows you capabilities of these machines in clever fashion. Alden Tyrell brings you the extremely deep remix for Tefnut: steady drum programming with spaced out synth filtering and dubby tape delays. This is one for the heads for sure. Joe Drives' original is included too. Recomended!
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with - dazed', senking continues his exploration of the abysses of sound to create dark and gloomy atmospheres. the slow beats of the two tracks are accompanied by tender, harmonic melodies, but broken by nervous, unsteady tones which eem to be a warning against hidden dangers. the frst track - the dance hall walk' also features a vocal sample by micheal cramm - a text which refects the nervousness and excitement in anticipation of some thrilling things to come. like - tweek', senking's last ep, - dazed' is not only concerned with the depths of sound, but also with the depths of the human psyche, where there is no escape other than music itself.
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- A1: Moody - (ESG) by J-Jems
- A2: I Wanna Be Your Dog - (The Stooges) by The Green Door Kids
- A3: I Hate You - (The Monks) by The Green Door All-Stars
- A4: Louie Louie - (The Kingsmen) performed by The Green Door Kids
- A5: The Way I Walk- (The Cramps) by The Green Door All-Stars
- B1: Dance - (ESG) by J-Jems
- B2: Funtime - (Iggy Pop) by The Green Door All-Stars
- B3: Metaphysical Circus - by The Green Door All-Stars
- B4: Girl of My Best Friend - (Elvis Presley) by Clare Whyte
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- A1: Clock Catcher
- A2: Pickled!
- A3: Nose Art
- A4: A Cosmic Drama (intro)
- A5: Zodiac Shit
- A6: Computer Face/Pure Being
- B1: And The World Laughs With You (feat Thom Yorke)
- B2: Arkestry
- B3: Mmmhmm (feat Thundercat)
- C1: Do The Astral Plane
- C2: Satelllliiiiiiiteee
- C3: German Haircut
- C4: Recoiled
- D1: Dance Of The Pseudo Nymph
- D2: Drips/Auntie's Harp
- D3: Table Tennis (feat Laura Darlington)
- D4: Galaxy In Janaki
Der Ausnahmeproduzent Flying Lotus legt nach seinem vielbeachteten Debutalbum "Los Angeles" den Nachfolger vor! Auf "Cosmogramma" weitet er das Spektrum der integrierten Stile in Richtung Space-Jazz aus und lädt ein zu einem kosmischen Trip voller unendlicher Liebe und Begeisterung für Musik in all ihren Variationen.
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- A1: Divorce A L'Italienne ft. Marina P
- A2: Don't Let Them Break Your Heart ft. Kenny Knots
- A3: Herbalist ft. Top Cat
- A4: Herbalist Dub
- B1: How You Bad So~ ft. Ranking Joe
- B2: Under Arrest ft. MC Ishu
- B3: Old Time Dance ft. Mikey Murka
- B4: Old Time Dub
- C1: Ruff Mi Tuff ft. Tippa Irie
- C2: Rasta Meditation ft. Kenny Knots
- C3: Rooster ft. Aya Faith
- C4: Rooster Dub
- D1: Did Your Really Know ft. Soom T
- D2: Songs of Zion ft. Ras Charmer
- D3: Around The World ft. Suncycle
- D4: Around The Redub
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- A1: Dr.West (Skit) (Produced By: Dr. Dre; Eminem) & 3am (Produced By: Dr. Dre)
- A2: My Mom (Produced By: Dr. Dre)
- A3: Insane (Produced By: Dr. Dre)
- A4: Bagpipes From Baghdad (Produced By: Dr. Dre; Trevor Lawrence, Jr.)
- B1: Hello (Produced By: Dr. Dre; Mark Batson) & Tonya (Skit) (Produced By: Dr. Dre; Eminem)
- B2: Same Song & Dance (Produced By: Dr. Dre; Dawaun Parker)
- B3: We Made You (Produced By: Dr. Dre; Eminem; Doc Ish)
- B4: Medicine Ball (Produced By: Dr. Dre; Mark Batson)
- C1: Paul (Skit) & Stay Wide Awake (Produced By: Dr. Dre)
- C2: Old Time's Sake feat. Dr. Dre (Produced By: Dr. Dre; Mark Batson)
- C3: Must Be The Ganja (Produced By: Dr. Dre; Mark Batson)
- C4: Mr.Mathers (Skit) (Produced By: Dr. Dre; Eminem) & Deja Vu (Produced By: Dr. Dre)
- D1: Beautiful (Produced By: Eminem)
- D2: Crack A Bottle feat. Dr. Dre & 50 Cent (Produced By: Dr. Dre) & Steve Berman (Skit)
- D3: Underground/Ken Kaniff (Produced By: Dr. Dre)
Eminem, the biggest selling music artist of the decade returns with his eagerly awaited new album - his first original studio album in over four years. Already A-listed at Radio One, Kiss, 1Xtra, Capital, Choice. He will be in the UK for promo including an appearance on Jonathon Ross. There will also be a follow up album "Relapse 2" released later in the year.
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Slap - one of the most obscure and forward thinking acts from the early 80s meets the spearhead of today's electronic music, Ricardo Villalobos. The originals are disturbingly brilliant electronic excursions, while Villalobos' jazz-fueled rework is one of the deepest mixes he has ever done.
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