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Die dänische Metalband URKRAFT präsentiert ihr fünftes und bisher brutalstes Album und servieren eine intensivere und brutalere Version ihres melodischen, düsteren und schnellen Death Metal-Stils.
In jedem Ton und Takt ist eine schwere Melancholie zu spüren, die von der dunklen Seite des Lebens zeugt, aus der wir alle hervorgehen. Auch die Texte drehen sich um die Schattenseiten des Lebens, um sinnlosen Fanatismus und bösartige Handlungen dominanter Patriarchen.
"The True Protagonist" ist das neueste Werk in URKRAFTs brutalem und knallhartem Backkatalog, angefangen bei den frühen Schreien von "Eternal Cosmic Slaughter", dem melodischen Durchbruch von "The Inhuman Aberration" über das erdrückende "A Scornful Death" bis hin zur Wiederauferstehung der Band mit "Our Treacherous Fathers".

Die Band kommentiert: "Dieses Album ist uns nicht leichtgefallen, aber es fühlt sich in jeder Hinsicht richtig an. Wir sind unserem Sound und Stil treu geblieben, haben aber eine Menge Wut und Aggression, die wir im Laufe der Jahre gesammelt haben, in alle 11 Tracks des Albums einfließen lassen. Wir bleiben wütend, sind aber auch sehr zufrieden mit dem Ergebnis!"

Die dänische Metalband URKRAFT präsentiert ihr fünftes und bisher brutalstes Album und servieren eine intensivere und brutalere Version ihres melodischen, düsteren und schnellen Death Metal-Stils.
In jedem Ton und Takt ist eine schwere Melancholie zu spüren, die von der dunklen Seite des Lebens zeugt, aus der wir alle hervorgehen. Auch die Texte drehen sich um die Schattenseiten des Lebens, um sinnlosen Fanatismus und bösartige Handlungen dominanter Patriarchen.
"The True Protagonist" ist das neueste Werk in URKRAFTs brutalem und knallhartem Backkatalog, angefangen bei den frühen Schreien von "Eternal Cosmic Slaughter", dem melodischen Durchbruch von "The Inhuman Aberration" über das erdrückende "A Scornful Death" bis hin zur Wiederauferstehung der Band mit "Our Treacherous Fathers".

Die Band kommentiert: "Dieses Album ist uns nicht leichtgefallen, aber es fühlt sich in jeder Hinsicht richtig an. Wir sind unserem Sound und Stil treu geblieben, haben aber eine Menge Wut und Aggression, die wir im Laufe der Jahre gesammelt haben, in alle 11 Tracks des Albums einfließen lassen. Wir bleiben wütend, sind aber auch sehr zufrieden mit dem Ergebnis!"

Was tun, wenn man Desert Rock und Doom aus der Wüste mag, die Umgebung aber alles andere als besonders trocken ist? BESVÄRJELSEN haben auf beeindruckende Weise eine Antwort in den dunklen Wäldern ihrer schwedischen Heimat Dalarna gefunden. Aufgewachsen am Schnittpunkt altnordischer und finnischer Kulturen im hohen Norden, umgeben von Runen und alten Göttern, Schamanen und Geistern, hat das fesselnde Quintett seinen Namen aus dem schwedischen Wort für "Beschwörung" abgeleitet. Außerdem lassen sich die Nordschweden nur zu gern von lokalen Überlieferungen, der Mystik und den dunklen, alten Musiktraditionen ihrer Heimat inspirieren. Doch BESVÄRJELSEN sind alles andere als eine weitere "Pagan Folk"-Band, die sich nach einer Zeit zurücksehnt, die niemals war. Mit wehmütigen Melodien und gleichzeitig mächtiger Riff-Power macht ihr zweites Album "Atlas" einen großen Schritt auf dem Pfad, den BESVÄRJELSEN von Anfang an eingeschlagen haben. Die Gitarristen und Sänger Andreas Baier und Staffan Stensland Vinrot haben die Band im Jahr 2014 mit der klaren Vision gegründet, den Geist und die Traditionen der weiten Wälder Dalarnas, einer Region, die sonst eher für ihre bemalten Holzpferde bekannt ist, in zeitgenössische Heavy-Musik zu transformieren. Als die Sängerin Lea Amling Alazam mit ihrer Leidenschaft für Punk- und Stoner-Rock, die im örtlichen Skatepark im zarten Alter von 13 Jahren begann, zur Besetzung stieß, reduzierten Andreas und Staffan ihren Gesang gerne auf eine Nebenrolle. Die Entscheidung fiel leicht, da Leas unverwechselbare Stimme die Intimität und das Charisma von Sängerinnen wie NINA SIMONE oder AMY WINEHOUSE heraufbeschwört. BESVÄRJELSEN veröffentlichten im Jahr 2015 ihre Debüt-EP "Villfarelser" und kurz darauf folge die "Exil" EP (2016). Das Debütalbum "Vallmo" der Schweden detonierte im Jahr 2018 in Stockholm und schaffte es bis in den staatlichen Rundfunk, kam aber auch anderen Orts hervorragend an. Das Album verband krachende Riffs und stürmische Drums mit ausgefeilten Melodien und nachdenklichen Themen. Mit ihrer Mini-Album "Frost" wollten BESVÄRJELSEN im Jahr 2019 die Bühnen in ganz Europa erobern, bevor auch die Schweden in den nächsten zwei Jahren eine Zwangspause einlegen mussten. Obwohl die Band gezwungen war, getrennt zu komponieren, nutzte BESVÄRJELSEN die freie Zeit, um eine Fülle von Ideen zu sammeln. Diese teilten die Musiker über die Meilen und Monate ihrer relativen Einsamkeit hinweg miteinander, bis sie schließlich im Jahr 2021 die Aufnahmen zu "Atlas" mit dem Produzenten Karl Daniel Lidén begannen. Mit melancholischen Harmonien, die aus dem Skizzenbuch von ALICE IN CHAINS stammen könnten und einer Heaviness, die Windhand zur Ehre gereichen würde, haben BESVÄRJELSEN einen massiven musikalischen Monolithen aus dem lokalen Granit gemeißelt und dann in den magischen Wäldern ihrer Heimat aufgestellt, um dessen Kraftlinien über die gesamte vom Titanen "Atlas" geschulterte Erdkugel zu schicken.

In the years since their formation, WhoMadeWho have established themselves as one of the most important underground bands of their generation. The Danish group, consisting of Tomas Høffding, Tomas Barfod and Jeppe Kjellberg, has an exceptional sense of emotional depth, heartbreaking melodies and brilliant songwriting, boasting an expansive discography currently spanning a total of six albums and a plethora of EPs, singles and remixes released on labels such as Kompakt, Innervisions and Life & Death. On the road, they are internationally renowned for their professionalism and outstanding live performances and have become regular fixtures at some of the world’s most notable musical festivals, including Roskilde, Sonar, Melt! and Burning Man to name just a few.
The in-demand Scandinavian outfit now confirm details of their upcoming long player, UUUU. Set for worldwide release on Friday, May 27, via long standing German record label Embassy One, UUUU is the seventh full-length studio album from WhoMadeWho. A beautifully crafted record featuring thirteen original productions.

Hits package from the original 'Pop Idol', celebrating 20 years since he won the competition. Includes that massive initial #1 "Evergreen", plus "Light My Fire", "Leave Right Now", "The Long And Winding Road", "You And I", "Your Game", "Fridays Child", "Daniel" and many more... A 20 track single CD and double LP set pressed on black vinyl, both of which include 2 new songs, plus a deluxe 2CD set containing 13 bonus songs of session tracks/remixes/demo's. Upcoming nationwide UK tour dates to promote this release. TV promo includes The One Show, Sunday Brunch, BBC Breakfast, Lorraine, ITV Jubillee Street Party, Britain's Got Talent and more TBC. Radio promo includes Zoe Ball interview, Jo Wiley session, R2 playlist, Magic FM and ILR support. Extensive coverage across all press.

Nur ein Jahr nach ihrem letzten Album "Necro Sapiens" melden sich die dänischen Death-Metaller BAEST zurück und präsentieren ihre neue EP "Justitia". Mit 5 brandneuen Tracks macht die Band dort weiter, wo sie mit "Necro Sapiens" aufgehört hat und präsentiert ein weiteres Death Metal Meisterwerk der alten Schule. BAEST haben sich außerdem namhafte Unterstützung von den Größen der Death Metal-Szene Trevor Strnad (The Black Dahlia Murder) und Sven de Caluwe (Aborted) geholt, die auf der EP ein hartes Vocal-Feature beisteuern.

Ángel Rada is one of the most interesting music experimantalists of Venezuela. He started his career in the late 1960s as a member of The Gas Light, one of the big names on Venezuela's live circuit in the era, sharing the stages with other artists such as Apocalipsis, Un Dos Tres y Fuera, Vytas Brenner, Daniel Grau, Pablo Schneider, Miguel Ángel Fuster... Rada is one of the three basic artists who set an electronic music scene in Venezuela, along with Miguel Ángel Noya and Vinicio Adames.



Rada had attended the Escuela Superior de Música José Ángel Lamas and then continued his studies in Germany, where he was impressed by krautrock music, especially by its more electronic side. He met Kraftwerk when they were recording at Kling Klang Studio, and also knew Klaus Schulze–who would become an example for him to to follow. This contact with the Kraut scene would be the biggest influence on his works from the 1970s, which would end synthesizing in Rada's first record: 1983's Upadesa, originally released on his own independent label Uranium Records. Since then he has released more than 20 albums up to date, making him one of the most prolific experimental musicians not only in his country but also in the whole world.



Rada's aproach to electronic music is based in what he calls ethnosonic music. He is interested in the mixture of various styles which he filters through the use of technology, so in his electronic compositions one can hear echoes of ethnic sounds from all over the globe as well as some jazz influenced improvisation, ambient and synthesized sounds.



The Wah Wah edition is the first ever vinyl reissue of this landmark LP and has been remastered for vinyl by Roger Prades @ Prades Mastering. Includes an insert with liner notes by Salvatore Maldera.



It is a strictly limited edition of 500 copies only.

Trees Speak are back!
Speak’s new album, “Vertigo of Flaws: Emancipation of the Dissonance and Temperaments in
Irrational Waveforms” comes as a double-vinyl edition, single CD and digital release. The limitededition first pressing only of the vinyl includes a bonus 45 enclosed in an 8-page 7”x7” booklet
insert housed within the gatefold sleeve with cover artwork created by Soviet Union propaganda
artist Lazar Markovich Lissitzky in 1911.
Trees Speak are back!
This new release is a vast leap into an ocean of space and sound, a quantum leap into cybernetics, biology, anti-gravity,
time travel, dream speech and transfiguration. A seriously next step release!
Showing no signs of slowing down their rapid creative pace – incredibly this is their fourth album in the space of just over
one year – ‘Vertigo of Flaws’ is a mighty 29 tracks, one and a half hours of music across one double album that is surely
going to be a defining point in their musical career, a giant leap into the sonic unknown, an epic exploration of intensity
and sound.
Alongside their now trademark German krautrock motoric-beat rhythms, angular New York post-punk attitude, tripped-out
60s spy soundtrack, psyche-rock, and 70s synthesizers and vocoders, here you will also hear a new cosmic spacial
awareness (both personal inner space and galactic outer space) and a truly wilful pushing of sonic boundaries - as police
sirens, static noise, alarms, radio signals, avant-garde voices, and orchestral string quartets, all collide to add beautiful
dissonance to uber-powerful, intense, addictive and propulsive rhythms - in the process creating a truly unique
soundscape that Trees Speak have made wholly their own.
If you ever wanted to hear Can, Hawkwind, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid,
Tangerine Dream, Suicide, Neu!, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard’s Portable
Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrete and Mars in one
band - then this is it!
Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic nighttime magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing
information and data in trees and plants - using them as hard drives - and the idea that Trees communicate collectively.
Special guests from the hyper-creative hub of the Tucson music scene on this release are Gabriel Sullivan, Ben Nisbet, Saul
Millan, Stephani Guilmette, and Davis Jones.
The album Vertigo of Flaws was recorded in Brooklyn, New York, and Tucson, Arizona during the plague of 2021.
Extract from Vertigo of Flaws sleevenotes:
‘As we travel through space and time, avoiding the discarded remains of the industrial period, the
deconstruction of social norms through the expression of art, music, and philosophy guide the human
experience towards the unknown.
All that remains are musical echoes scattered throughout the universe, like ancient vibrations that now
populate the cosmos. These waves now show signs of decay. Melody, beauty, tonality have all but fallen
away as dissonance blossoms. As John Cage wrote in 1937,
“Whereas, in the past, the point of disagreement has been between dissonance and consonance, it will be,
in the immediate future, between noise and so-called musical sounds. New methods will be discovered,
bearing a definite relation to Schoenberg’s twelve-tone system and present methods of writing percussion
music and any other methods which are
free from the concept of a fundamental tone”.
Similarly, George Van Tassel claimed the Integratron as capable of
rejuvenation, anti-gravity, and time travel. So, what remains of the
“people”? We have adopted from them our own Zeitgeber: their pulses
now guide our sun, our planets, our earths, and are the new circadian,
diurnal, and ultradian rhythms of the galaxy. Traumsprache, dream
speech, is now the internal language of trees.
Decaying metal and machines liberated the note unto nature’s table,
and we sip the delicious nectar of music once more irrational, elaborate,
violent, vast. The past is the future, musical disintegration its own rebirth.
We are nature, once more the computer of the Universe.’

 Rumours about death metal band To The Gallows
have already existed in the (Dutch) metal
underground for some years now, but an official
release has never seen the light. Until now.
 In 2013, the ‘underground super group’ To The
Gallows was formed by Swedish metalwundermaster Rogga Johansson (Heir Corpse
One, Paganizer, Stygian Dark, Massacre, Blood
Gut, Dead Sun, Megascavenger, Ribspreader,
Putrevore, Revolting), Eric Daniels (Asphyx,
Soulburn, Grand Supreme Blood Court), Bob
Bagchus (Soulburn, Asphyx, Infidel Reich, Siege
Of Power) and Henri Sattler (God Dethroned).
Master plans ended when Daniels and Bagchus
re-started their career with Soulburn. The ‘match
made in Hell’ duo Johansson and Sattler continued
with To The Gallows and ‘Fury Of The Netherworld’
is their debut-album.
 Brutal blackened death metal for fans of
Dissection, Zyklon, Belphegor, Hate, Necrophobic,
Archgoat and God Dethroned.

 Rumours about death metal band To The Gallows
have already existed in the (Dutch) metal
underground for some years now, but an official
release has never seen the light. Until now.
 In 2013, the ‘underground super group’ To The
Gallows was formed by Swedish metalwundermaster Rogga Johansson (Heir Corpse
One, Paganizer, Stygian Dark, Massacre, Blood
Gut, Dead Sun, Megascavenger, Ribspreader,
Putrevore, Revolting), Eric Daniels (Asphyx,
Soulburn, Grand Supreme Blood Court), Bob
Bagchus (Soulburn, Asphyx, Infidel Reich, Siege
Of Power) and Henri Sattler (God Dethroned).
Master plans ended when Daniels and Bagchus
re-started their career with Soulburn. The ‘match
made in Hell’ duo Johansson and Sattler continued
with To The Gallows and ‘Fury Of The Netherworld’
is their debut-album.
 Brutal blackened death metal for fans of
Dissection, Zyklon, Belphegor, Hate, Necrophobic,
Archgoat and God Dethroned.

 Rumours about death metal band To The Gallows
have already existed in the (Dutch) metal
underground for some years now, but an official
release has never seen the light. Until now.
 In 2013, the ‘underground super group’ To The
Gallows was formed by Swedish metalwundermaster Rogga Johansson (Heir Corpse
One, Paganizer, Stygian Dark, Massacre, Blood
Gut, Dead Sun, Megascavenger, Ribspreader,
Putrevore, Revolting), Eric Daniels (Asphyx,
Soulburn, Grand Supreme Blood Court), Bob
Bagchus (Soulburn, Asphyx, Infidel Reich, Siege
Of Power) and Henri Sattler (God Dethroned).
Master plans ended when Daniels and Bagchus
re-started their career with Soulburn. The ‘match
made in Hell’ duo Johansson and Sattler continued
with To The Gallows and ‘Fury Of The Netherworld’
is their debut-album.
 Brutal blackened death metal for fans of
Dissection, Zyklon, Belphegor, Hate, Necrophobic,
Archgoat and God Dethroned.

2022 Repress

Third album (1981) by the Belgian band Univers Zero. The title alludes to the short story of the same name
by H.P. Lovecraft; the players read the story in studio, then proceeded to record the piece. A key release
for the band. Ceux du Dehors sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich.

This album finds the group continuing to evolve and return to the more general and varied chamber music sound of their first release, except with more precision and skill. The tricky charts of percussionist Daniel Denis and new keyboardist Andy Kirk are executed with great panache. The labyrinth-like compositions are typically filled with unexpected twists and turns, and angular repetitions of jagged riffs that accelerate, decelerate and mutate in passages of acute tension or quiet but ominous dread.

Cat.no.: SR403
Format: LP

Tracklisting

There is a way a voice can cut through the fascia of reality, cleaving through habit into the raw nerve of experience. Nika Roza Danilova, the singer, songwriter, and producer who since 2009 has released music as Zola Jesus, wields a voice that does that. When you hear it, it is like you are being summoned to a place that’s already wrapped inside you but obscured from conscious experience. This place has been buried because it tends to hold pain, but it’s also a gift, because once it’s opened, once you’re inside of it, it can show you the truth. Zola Jesus’s new album, Arkhon, finds new ways of loosing this submerged, stalled pain.

There is a way a voice can cut through the fascia of reality, cleaving through habit into the raw nerve of experience. Nika Roza Danilova, the singer, songwriter, and producer who since 2009 has released music as Zola Jesus, wields a voice that does that. When you hear it, it is like you are being summoned to a place that’s already wrapped inside you but obscured from conscious experience. This place has been buried because it tends to hold pain, but it’s also a gift, because once it’s opened, once you’re inside of it, it can show you the truth. Zola Jesus’s new album, Arkhon, finds new ways of loosing this submerged, stalled pain.

This LP pressing is on Translucent Orange.
Recorded At Inner Ear Studios
Produced By Ian MacKaye
Daniel Higgs vocals Asa Osborne guitar John Chriest bassMitchell Feldstein drums

Das neue Album von Bad Wolves. Erwartungen haben für Bad Wolves noch nie eine Rolle gespielt. Stattdessen haben sie sich mit ihrer kompromisslosen und unberechenbaren Mischung aus Metal und arenatauglichem Rock zu einem echten Powerhouse aufgeschwungen, Gold-und Platinauszeichnungen inklusive. Mit ihrem neuen Leadsänger Daniel 'DL' Laskiewicz (zuvor bei The Acacia Strain) schlagen Bad Wolves mit ihrem dritten Album Dear Monsters nun ihr nächstes Kapitel auf.rote Doppel-VinylTracklistingSIDE A 1. Sacred Kiss 2. Never Be The Same 3. Lifeline 4. Wildfire SIDE B 1. Comatose 2. Gone 3. On The Case 4. If Tomorrow Never Comes SIDE C 1. Springfield Summer 2. House Of Cards 3. Classical 4. In The Middle SIDE D *ETCHING*

Continuing the remastered, repressed series, we have two amazing remixes from Billy ‘Daniel’ Bunter & J.D.S. First there is Just Another Artist – Rhythm, already an amazing track but under the guidance of Billy Bunter & J.D.S. on remix duties they took this track to the next level! Then they turned their hands to what was already an absolute classic, Sunshine Productions – Take Me To The Top. They took parts of the original track and turned the dial right up to the max, threw them back into the pot and added their own flare and style to produce a remix that tore up raves both back in the day and still today on the old skool circuit.

"Blues & Rhythm, Popcorn, Exotica & Tittyshakers" untertitelt, ist das der Reissue des 5. Volumens in der Exotic Blues & Rhythm Serie. Das Original erschien vor Jahren in einer limitierten Auflage von 500 Stück, war recht schnell vergriffen und ist heute ein begehrtes Sammlerstück. Auch der Reissue ist limitiert - es gibt 700 Stück - alle in durchsichtigem/ clear Vinyl.