„Tell ‘Em I’m Gone“ wurde in Zusammenarbeit mit der Legende Rick Rubin produziert und zeigt Yusuf,
wie er einige seiner bluesigeren Einflüsse erkundet. In vielerlei Hinsicht knüpft das Album an „Foreigner“
und „Numbers“ an, da er seinen bekannteren Folk-Sound vorübergehend beiseitelegt, um sich anderen
musikalischen Traditionen zuzuwenden, die ihn maßgeblich geprägt haben. Eingefleischte Fans wissen
vielleicht, dass Leadbelly schon immer einer von Yusufs Lieblingskünstlern war, und zum ersten Mal wird
dies in seiner Musik deutlich spürbar.
Neben Eigenkompositionen enthält „Tell ‘Em I’m Gone“ eine Reihe von Coverversionen von Songs, die
Yusuf am Herzen liegen, wie Edgar Winters „Dying to Live“ und Luther Dixons/Al Smiths „Big Boss Man“.
Sogar eine bluesige Neuinterpretation von Jimmie Davies/Charles Mitchells „You Are My Sunshine“ ist
dabei.
(Eingeweihte Fans wissen, dass Leadbelly schon immer einer von Yusufs Lieblingskünstlern war, und zum
ersten Mal wird dies in seiner Musik deutlich.) Klanglich besticht das Album durch kraftvolle Grooves und
schlichte Arrangements, die authentisch für das Blues-Genre wirken, doch Yusufs einzigartige musikalische
Handschrift ist unverkennbar.
Das Albumcover wurde von Yusuf entworfen und vom Künstler William Stout illustriert. Es unterscheidet
sich von der Sony Legacy-Veröffentlichung, die ein Foto von Danny Clinch verwendete.
Cerca:danny g
- A1: Ethnic Colours - Last Emotion (Aki Clubmix)
- B1: Ethnic Colours - Ethnic Colours (Babylon Drums)
- C1: The Shrink Feat Branko - White World, Bright World (Klubbingman Remix)
- C2: The Shrink Feat Branko - White World, Bright World (Original Mix)
- D1: The Shrink Feat Branko - White World, Bright World (Steve Murano Mix)
- D2: The Shrink Feat Branko - White World, Bright World (Adrian K Remix)
- E1: Ole Van Dansk Vs Danny Age - Leave 2Day (Club Mix)
- F1: Ole Van Dansk Vs Danny Age - Leave 2Day (Original Mix)
- G1: Dj 4 Motion & T-Flow - We Are Back (Original Mix)
- G2: Dj 4 Motion & T-Flow - We Are Back (T-Flow Remix)
- H1: Dj 4 Motion & T-Flow - We Are Back (Danny E Remix)
- I1: Gogh, Niels Van - No Way Out (Martin Eyerer Remix)
- I2: X-Cabs Vs Riddler & Headcrush - Neuro 2004 (R & H Club Mix)
- J1: Subnerve - White Scale
- J2: Spoot - Don‘t Cry Tonight
DJ support: ALOK, Sam Feldt, Nicky Romero, Barry Can’t Swim, Gorgon City, Arielle FreeAFROJACK, Martin Garrix, Oliver Heldens, Tiesto, Claptone, Fatboy Slim, Dombresky, Mau P, John Summit, Danny Howard, Joel Corry, Oliver Heldens, Low Steppa, Tita Lau and more.
Toolroom’s next Sampler showcases 4 big releases from Martin Ikin, Sian-Lee, Illyus & Barrientos, Sharam Jey, Marco Lys and Weiss.
- A1: What A Difference A Day Made
- A2: Toast And Bullets
- A3: Dialed In
- A4: Gold Coke
- A5: Feels Like A Robbery
- A6: No One Gets Away
- B1: 500K Reasons
- B2: Several Chances
- B3: Calling The Shots
- B4: Brothers
- B5: Hands Up
- C1: Turned To Black
- C2: Outside People
- C3: Sign Right Here
- C4: On The Run
- C5: The Truth
- C6: Who Pulled The Trigger
- D1: You Can Now
- D2: The Juice
- D3: Gratitude
- D4: Goodbye
Set against the backdrop of New York City’s high-pressure nightlife scene, Black Rabbit centers on two brothers who are pushed to the brink by their duty to family and their pursuit of success. Jake Friedken (Jude Law) is the charismatic owner of Black Rabbit, a restaurant and VIP lounge, poised to become the hottest spot in New York. But when his brother, Vince (Jason Bateman), returns to the business unexpectedly, trouble soon follows; opening the door to old traumas and new dangers that threaten to bring down everything they’ve built. Black Rabbit is a propulsive thrill ride and character examination about the way an unbreakable bond between two brothers can shatter their world and everything in its orbit.
Black Rabbit is a music-fuelled series featuring a brand new song of RAYE and two songs by The Black Rabbits (Albert Hammond Jr. and Jude Law). Also with the exciting score of Danny Bensi and Saunder Jurriaans a vinyl release is an absolute necessity for the this soundtrack.
Black Rabbit is available as a limited edition on crystal clear & black marbled vinyl.
DJ Support from Alan Dixon, Danny Tenaglia, Made By Pete, Nick Warren, Hernan Cattaneo, Anthony Pappa
The Magic Black Plastic series reaches its 8th instalment for another carefully curated vinyl EP that features a quartet of bestselling tracks from Dave Seaman & Steve Parry’s Selador Recordings imprint.
Wending their way onto wax for this edition is Andrew Sant & Andre Espeut’s achingly beautiful vocal gem ‘The Call’, Dilby’s classy hypnotizing ‘Closer’, Levi David & Abigail Bailey’s anthemic ‘A Better Place’, and last but in no way least, Aubrey Fry & Nick Stoynoff’s heavy hitting rework of Danny Howells’ ‘Stereodrama.’
it’s another awesome foursome to satisfy your vinyl needs.
- 1: Diamonds & Rust
- 2: Fountain Of Sorrow
- 3: Never Dreamed You'd Leave In Summer
- 4: Children And All That Jazz
- 5: Simple Twist Of Fate
- 6: Blue Sky
- 7: Hello In There
- 8: Jesse
- 9: Winds Of The Old Days
- 10: Dida
- 11: I Dream Of Jeannie
- 12: Danny Boy (Medley)
If people were unaware of the significance of Joan Baez to western culture, her portrayal in the Bob Dylan biopic A Complete Unknown (played by Monica Barbaro) underlines how central she was to the popularization of folk music in the early 1960s. And it is her decade- previous relationship with Dylan that hovers joyously over Diamonds & Rust. The title track is about a thinly disguised ex-lover who calls up out of the blue; it remains one of her most loved songs in a 65- year- career.
There's a playful cover of "Simple Twist Of Fate" from Dylan's then just released Blood On The Tracks, complete with impersonation in a later verse; and "Winds Of The Old Days", written in response to Dylan touring again after a lengthy hiatus. Diamonds & Rust is a perfect, sunshine- drenched album of west- coast folk- tinged rock, full of star session players. It could almost have been a signal to all the recent comers on her patch many of them friends and colleagues, Joni Mitchell, Carole King, Maria Muldaur that Baez was here first and was sweetly reasserting her authority. Just listen to her mastery on "Children & All That Jazz", her cover of Stevie Wonder's "Never Thought You'd Leave In Summer" and the poignant closing medley of "I Dream Of Jeannie/Danny Boy".
Release 87 is our fourth release of Cherry Moon Records already.
This strictly limited release includes a selection of best selling tracks of the techno label based out of the legendary Belgian club Cherry Moon.
Vinyl includes artists Dj Ghost, Joris Turnhour, Drumsauw, Dimitri Cooman, James D, Danny Corten & Justine Pierre.
- 1: Arrival (Feat. Axxa*)
- 2: Champagne (Feat. Life On Planets)
- 3: You Happened To Me (Feat. Danny Quest)
- 4: Better (Feat. Danny Quest)
- 5: Refreshing (Feat. Huron John)
- 6: Girlgetdown (Feat. Vantage)
- 7: Lightspeed
- 8: Hold Tight (Feat. Vantage)
- 9: Missin U Bby (Feat. Vantage)
- 10: Oowah (Feat. Imad Royal)
- 11: Day N Nite (Feat. Ric Wilson)
- A1: The Introduction - Kevin Abstract, Roro
- A2: H-Town - Kevin Abstract, Sogone Soflexy, Ameer Vann, Love Spells
- A3: Copy - Kevin Abstract, E Bleu, Sogone Soflexy, Love Spells
- A4: Danny’s Track - Kevin Abstract, Danny Brown
- A5: Yoko Ono - Kevin Abstract, Love Spells, Makana Xo
- B1: Nola - Kevin Abstract, Truly Young, Love Spells, Diego, Drigo, Jpegmafia, Ameer Vann, Quadeca
- B2: Post Break Up Beauty - Kevin Abstract, Love Spells
- B3: 97 Jag - Kevin Abstract, Love Spells
- B4: Text Me - Kevin Abstract, Sekou
- C1: Geezer - Kevin Abstract, Dominic Fike, Geezer
- C2: I Wasn’t There - Kevin Abstract, Derby
- C3: Blush Interlude - Kevin Abstract
- C4: Maroon - Kevin Abstract, Dominic Fike
- C5: Pop Out - Kevin Abstract, Ameer Vann, Drigo, E Bleu, Devan, Love Spells
- D1: Doggy - Geezer, Kevin Abstract, Dominic Fike, Love Spells, Truly Young
- D2: Girlfriend - Kevin Abstract, Drigo, Love Spells, Truly Young
- D3: Bloom - Kevin Abstract, Love Spells, Ameer Vann
- D4: Abandon Me - Kevin Abstract, Quadeca
- D5: Red Light - Kevin Abstract, Quadeca, Ameer Vann
Sky-Blue Vinyl[34,24 €]
- A1: The Introduction - Kevin Abstract, Roro
- A2: H-Town - Kevin Abstract, Sogone Soflexy, Ameer Vann, Love Spells
- A3: Copy - Kevin Abstract, E Bleu, Sogone Soflexy, Love Spells
- A4: Danny’s Track - Kevin Abstract, Danny Brown
- A5: Yoko Ono - Kevin Abstract, Love Spells, Makana Xo
- B1: Nola - Kevin Abstract, Truly Young, Love Spells, Diego, Drigo, Jpegmafia, Ameer Vann, Quadeca
- B2: Post Break Up Beauty - Kevin Abstract, Love Spells
- B3: 97 Jag - Kevin Abstract, Love Spells
- B4: Text Me - Kevin Abstract, Sekou
- C1: Geezer - Kevin Abstract, Dominic Fike, Geezer
- C2: I Wasn’t There - Kevin Abstract, Derby
- C3: Blush Interlude - Kevin Abstract
- C4: Maroon - Kevin Abstract, Dominic Fike
- C5: Pop Out - Kevin Abstract, Ameer Vann, Drigo, E Bleu, Devan, Love Spells
- D1: Doggy - Geezer, Kevin Abstract, Dominic Fike, Love Spells, Truly Young
- D2: Girlfriend - Kevin Abstract, Drigo, Love Spells, Truly Young
- D3: Bloom - Kevin Abstract, Love Spells, Ameer Vann
- D4: Abandon Me - Kevin Abstract, Quadeca
- D5: Red Light - Kevin Abstract, Quadeca, Ameer Vann
Ruby Red Vinyl[34,24 €]
2025 Repress
Remixes
Releasing four of the biggest dance tracks of 2018 and crowned as the #2 Beatport Artist Of All Time, Dresden born disco-house producer Purple Disco Machine has quickly become one of the most prolific and sought after producers in the industry.
Following on from the hit single ‘Dished (Male Stripper)’, Purple Disco Machine returns to his club anthem ‘Body Funk’, teaming up with industry icons Carl Cox, Claptone, and Australian rising star Dom Dolla, serving up this mammoth 'Body Funk' remix EP.
DJ Support:
Black Madonna, Jamie Jones, Fatboy Slim, Annie Mac, Pete Tong, Danny Howard
- A1: Jah Golden Throne Dub (3:13)
- A2: Strictly Rodigan Style (2:51)
- A3: Straight To Black Echoes Head (3:07)
- A4: Tribute To Moa Ambassa (2:53)
- A5: Danny Allen Style (3:22)
- B1: Tribute To Penny Reel (4:08)
- B2: Sir Covin Meets Sir Ansil (3:56)
- B3: Straight To Thatchers Head (2:53)
- B4: Raasclaat Dub (3:32)
- B5: Tribute To King Shaka (3:44)
Two titanic forces in reggae history — Roots Radics and The Mighty Revolutionaires — unite for a powerful dubwise journey on Outernational Riddim. This long-anticipated collaboration blends heavyweight rhythms, militant drum patterns, and deep, atmospheric dubs that channel the essence of Jamaican roots music with a forward-thinking production style.
The Roots Radics, known for backing icons like Gregory Isaacs, Barrington Levy, and Israel Vibration, bring their unmistakable heavyweight style to this session. Meanwhile, The Revolutionaires, studio legends behind countless Channel One classics, lace the tracks with their tight arrangements and classic rockers grooves.
Produced and mixed in true dubwise tradition, Outernational Riddim delivers:
Authentic Studio Vibes – Mixed on analog boards with vintage effects and tape echo for that raw, immersive sound.
- A1: Picture Me Gone
- A2: I Can't Let Go
- A3: You've Got Me Up Tight
- A4: Take Me For A Little While
- A5: We Know Better
- A6: The Roll
- A7: The Love Of A Boy
- A8: My Dog S
- B1: Angel Of The Morning
- B2: Billy Sunshine
- B3: Run Home To Your Mama
- B4: Danny Boy I Love You So
- B5: It Makes Me Laugh
- B6: Dear John
- B7: I Was Moved
„I Can’t Let Go“ ist die erste Zusammenstellung der Aufnahmen der Brooklyn-Sängerin Evie Sands aus den 60er Jahren, die alle 15 Titel ihrer ersten 8 Singles auf der Vinylversion enthält. Die CD-Ausgabe umfasst weitere 11 Titel, darunter ihre kompletten 45er-Singles aus den Jahren 1963 bis 1970. · Sands, die bereits als Kind zu singen begann und schon in jungen Jahren im Studio arbeitete, verfügte über eine kraftvolle und faszinierende Stimme, die ihr Alter Lügen strafte und auf klassischen 45er-Singles zu hören war, die von Soul- und Rock-Sammlern sowie Liebhabern von Girlgroups und Femme-Pop gleichermaßen geschätzt wurden. · Nach ersten Veröffentlichungen bei ABC und Gold tat sich Sands 1965 mit dem Songwriting-, Arrangement- und Produktionsteam Chip Taylor und Al Gorgoni zusammen, um eine Reihe exzellenter und oft erstaunlicher Platten bei den Labels Blue Cat, Cameo und A&M aufzunehmen, die in ihrem vielbewunderten ersten LP gipfelten. Dabei nahm sie die Originalversionen (und definitiven Versionen) von „Take Me For A Little While“, „I Can't Let Go“, dem Northern-Soul-Floor-Filler „Picture Me Gone“ und dem majestätischen „Angel Of The Morning“ auf und sah ungläubig zu, wie sie alle zu Hits für andere Künstler wurden. Nachdem sie 1969 mit „Any Way That You Want Me“ endlich einen eigenen großen Hit gelandet hatte, folgte nach einer kurzen Auszeit Anfang der 70er Jahre ein gut aufgenommenes Comeback-Album, „Estate Of Mind“, und zwei US-Top-50-Hitsingles. Durch die kontinuierliche Weiterentwicklung ihrer Produktions- und Songwriting-Fähigkeiten standen bald die Größen der Popmusik Schlange, um mit ihr zusammenzuarbeiten und ihre Songs aufzunehmen: Barbra Streisand, Dusty Springfield, Karen Carpenter, Dionne Warwick und später auch Missy Elliot coverten Sands' Kompositionen, und Elvis hätte es beinahe auch getan... · „I Can’t Let Go“ wurde von Jai Rathbone in enger Zusammenarbeit mit Evie Sands zusammengestellt, die ihre Gedanken und Erkenntnisse über diesen frühen Abschnitt ihrer Karriere teilt. Mit zahlreichen Illustrationen versehen, ist dieses Buch ein Muss für jeden Fan. · Bewundern Sie erneut (oder zum ersten Mal) die Vielseitigkeit eines der bestgehüteten Geheimnisse der 60er Jahre: die volle, emotionale und wahrhaft unverwechselbare Stimme von Evie Sands.
Collectors have been asking and waiting for it a long time and now it is coming: a picture disc of MEMORIEZ to complete your collection. Enjoy this final tribute to MEMORIEZ and discover 4 top trance tracks made in Belgium.We go out with a bang! Spin that vinyl, baby! Forever yours, MEMORIEZ.
Supergrass – Gaz Coombes, Mick Quinn, Danny Goffey und Rob Coombes – sind eine der bedeutendsten
Bands der 1990er Jahre mit mehreren Millionen verkauften Platten, darunter sechs Top-10-Alben und zehn
Top-20-Singles. Die 1993 im britischen Oxford gegründete Band, die mit Brit, Q, NME und Ivor Novello
ausgezeichnet wurde, veröffentlichte 1995 ihr für den Mercury nominiertes Nr.-1-Debütalbum „I Should
Coco“. Die vierte Single „Alright“ war ein Pop-Meisterwerk und wurde ein Riesenhit, der die Band weltweit
zum Erfolg katapultierte.
„The Strange Ones: 1994–2008“ ist ihre umfassende Best-of-CD, die ursprünglich im Januar 2020 veröffentlicht wurde und alle ihre größten Hits enthält, verpackt in einer Klappcover-Doppelalbum mit bedruckten Innenhüllen auf 140 g schwerem schwarzem Vinyl und einem CD-Digipack. Das Artwork wurde von Nick
Bax, einem langjährigen Mitarbeiter der Band, entworfen und von der Band selbst künstlerisch geleitet.
Bobby Caldwell is legendary for his blue-eyed soul masterpiece What You Won’t Do For Love but a deeper look into his catalog reveals there’s plenty more where that came from. Danny Krivit heads straight to the source, and uncovers a breezy treat in the form of The House Is Rockin’, Caldwell’s very first single. Kicking his edit off with a highly mixable extended drum break intro, he teases this upbeat mover into the fully extended version it deserves.
From the sunshine of the A-side Krivit pivots to a monster moody groove on the flip, Eddy Grant’s proto-house classic California Style. Leaving just a touch of the soca-fied vocal at the top, Mr. K quickly delves into the depths of the percolating instrumental break, emphasizing all the gloriously quirky synth bloops and relentless bass that made it a favorite of house producers (check Mateo & Matos’s New York Style for proof). We believe this is the first time the extended mix has been available on 7-inch, but we’re absolutely certain it has never sounded so good! Another crate staple in the always excellent Mr. K edit series.
2025 Repress
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
Francois Kevorkian (Wave) : Lovely EP, atmospheric vibes.
Chris Udoh (Various) : Lovely !!!
Lea Lisa (Phonica Records / Folklor Club) : Fred P is a master of deep house. Live Long Love & When in Miami for me.
Will Hofbauer (Third Place, Wisdom Teeth, Rinse) : nice n deep ty!
Radio Slave (Rekids) : The King is back and what an EP ! Full support.
Jon Hester (Rekids, EDEC, Les Enfants Terribles, L.A.G.) : Lovely vibes on When In Miami and Live Long Love!
Jacques Renault : Nice EP, into When In Miami and The Heights in particular
Danny Howells (Dig Deeper) : Love Fred so much, always the highest quality music with soul. All four are stunners.
Dan Beaumont (Chapter 10 / NTS) : Always brilliant.. deeep! When in Miami for me
DJ Sprinkles (Comatonse) : thank you
Kai Alce (Real Soon) : Live Long Fred P!
Tomoki Tamura (Holic Trax) : pure class, deep house
Raresh (ar:pi:ar) : super! thanks
Laurent Garnier : FRED P alwayssssssssssssssss
Marcel Dettmann : thx
Archie Hamilton (Microhertz / FUSE) : Nice thanks
DVS1 : thanks
Alinka (Twirl, Classic, Crosstown Rebels, Batty Bass) : Beautiful tracks
Pat Hyland (Northside Loft Society) : Fred P is a master of deep. AWEsome EP!
Thor (Thor-Thule Records) : Another great release by the master of Deep House. Full support
Colin Dale : One of my fave producers from way back! Excellent 4 tracker with all the cuts 'hittin' the mark'. Will rotate & support.
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Jaye Ward (Dalston Super Store / Netil Radio) : Syncrophone just continues to churn out the goodness.. love Fred P too. so deep and full of the good soul ace! thx
Ame (Innervisions) : thanks
Domenic Cappello (Subclub) : love this
Greg Gow (Restructured / Transmat / KMS) : cool vibes full support
Jerome Sydenham (Ibadan) : When Miami is the business! Overall nice E.P!
Bill Brewster (NTS) : FRED P RETURNS!
Bailey Ibbs (Metafloor Records / Habits / Dansu Discs) : Live Long Love <3




















