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PIERCE WITH ARROW - SHATTER

Pierce With Arrow

SHATTER

12inchDAISLPC154
Dais Records
16.03.2021

The collaborative debut of American minimal techno pioneer Troy Pierce and Colombian audiovisual artist Natalia Escobar aka Poison Arrow was conceived in reverse: first they created a collection of shadowy surrealist videos, then wrote music inspired by them. This inverted process proved remarkably fruitful. Shatter is a simmering, slow-burn noir odyssey inspired by the Greek myth of Echo and Narcissus, traversing subtle shades of sleepwalker dub, metallic lament, broken beats, and erotic negative space. It's an effectively unsettling evocation of the legend's core theme: "There is nothing more complex than a shattered heart, or a heart that can't love." Considering their shared background trafficking in darkened dance floor modes, what's most striking about Pierce with Arrow's partnership is its rhythmic restraint. The album's 10 tracks seethe and shudder between glamor and gloom, with only occasional dread-steeped metronomes mapping the malaise to a grid. They speak of pursuing a "spatial approach" with this project, which manifests in the music's immersive design and patient execution, each mangled clang and rippling pool of bass allowed to reverberate its full flickering waveform. Guest appearances by austere techno producer Konrad Black ("Obsidian Glass") and drum n bass institution dBridge ("It's A Love Story, After All") flow seamlessly into the whole, subtle sculptural accents on a dimly lit descent through purgatories of longing and lust. But the shadows recede for the record's closing cut, "Narcissus," which swells elegiacally in a mass of devotional drones over a muted heartbeat, like Narcissus gazing upon his reflection in holy awe: elusive true beauty, finally beheld, by itself.

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21,22

Last In: 5 years ago
Nala - Psychic Attack

Nala

Psychic Attack

12inchDB255
Dirtybird
16.03.2021

One of the most enjoyable parts of Dirtybird is to watch a talented artist grow. Nala started out in Miami cutting her teeth on the local DJ circuit and then moved to LA where she eventually signed with VonStroke and Aundy's Motherbird Management.

Her weekly Dirtybird "TV Party" on Twitch is one of the most popular shows on the network. Each week she features her unmistakeable punk & new wave-influenced DJ style while also hosting a special underground guest, as well as her long time friend and local LA rave legend, Richie Panic.

Nala’s debut on Dirtybird, “Psychic Attack”, is a gritty A-side with her own vocals shouting about the nervous the angst of 2020. The B-side, “Sun Is Hot” showcases her gentler side with a deep groove, a smooth vocal tone, and melodic vintage synth riffs throughout.

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9,62

Last In: 3 years ago
Mando - Gorilla Waltz/Fuck Wi Mi

DRP (Dom & Roland Productions) was started in 2006 for Dom to collaborate with like-minded artists. Now 15 years in with an enviable roster from “Noisia” to “Amon Tobin” it is now the main home of Dom’s work.

Mando is one of Doms closest friends. He has been writing music for over 25 years. A gardener by day, he shuns the limelight and has always maintained writing music is his secret hobby! He had a studio in the room next to No-U-Turn in the 90s which was eventually taken over by Optical and Edrush.
Until fairly recently he never released anything! He has an amazing ability to create sick grooves, his style is raw and refreshing and not over produced like a lot of modern music. If i had to pigeonhole his style I would say 90s neurofunk.

Both these tracks play to his strengths. This is his first release on vinyl, so will become collectable!

DJ PLAY: What? In their bedrooms? These people regularly play DRP tracks… Rene Lavice, Laurent Garnier, Giles Peterson, Jerome Hill, Digital, DJ Bailey, DJ Lee, Bryan G, Fabio, Grooverider, Loxi, Andy C, Break, Kasra, Doc Scott, Dbridge, Goldie, Ant TC1, Gridlok, Ulterior Motive, Noisia + More.

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8,61

Derniere entrée: 46 jours
Nad - Join The Fookin Party/Hold On Castro

Reissue of this sought after Bastedos double header, serving up two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him, to 'join his party'.

If you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along, dancing tune versioned from the vaults of Moby Dick.

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11,72

Last In: 4 years ago
Ruffhouse - Demand / Division Iii

*Repress*

Ruffhouse dropped their debut on Ingredients in October with 'The Foot / Bypass' to much acclaim. Already touted as a force to watch, their follow up is as good if not better!
'Demand' really shows their ability to make progressive, forward thinking music and it's the unpredictability of 'Demand' that makes it a stand out track. 'Division III' is equally as impressive, room shattering drums & almighty stabs. Pressed onto 300 limited edition white vinyl.
* DJ support comes from Break, dBridge, Loxy, Skeptical, Dub Phizix, Fracture, Doc Scott TRACKLIST: A: Demand || B: Division III.

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9,37

Last In: 4 years ago
SELM - TIIIER / POST-ADRENALINE

Two years after the release of 'Kreise' Selm have once again peered out from the torture racked enclave they call a studio. Originally conceived as two separate EP's and later stacked into an all-consuming album over 44 minutes 'TiiiER / Post-Adrenaline' pushes Selm's agenda of black dwarf techno and physically exhausting industrial churning to new levels. The opening salvo of tracks that form the 'TiiiER' disc (tracks 1-5) posit a techno minimalism coated in the incredible, almost edible crust of controlled distortion and flaking edges garnered through masterful gain staging. Opener 'Sin' accrues greater density with each iteration and pass. 'Kreise' is classic DBX style beep ran into manic filters and weight gain classes.'Moger' is a truly sinister and clinical piece of industrial sound design raising blood pressure with its stainless steel poise. 'Laus' is a real percy, syncopated just the right side of falling over and baked into the toughest compression throbs. It closes the first 'disc' and perhaps what could be considered the more straight forward tracks of the album. 'Post-Adrenaline' the second disc of the set is where Selm's love of intensely textural sound design work can be best felt. 'Nineteen Voices' opens with its disembodied conversations utterly smothered by the roiling mass of bass synth which surrounds on all sides. 'Irr' terrifies the young with it's truly OTT undulance of seismic tone, as reverential to death industrial as it is to guitar music, the riff laid bare. 'Brett' is a damp, warm environment of intelligent growth. Fermenting itself again in a stew of gnashing bass heaviness now crowned with glowing bowed metal and tuned feedback. 'Sommeil' closes the second disc with not a single positive note played, it's a dreary escalation of all the albums previous incarnations, flickering noise shaped rhythm, serpentine bass formations and no rush to please or to entertain. At just under 6 minutes, it and the album are over. Selm do not hold up on this follow up to Kreise. While the albums share ideas they are refined to a point of punishment here. 'TiiiER / Post-Adrenaline' is hyper-modern music that sounds like it's made from air, stone and rust.

pré-commande02.02.2021

il devrait être publié sur 02.02.2021

23,49
Jeff Tweedy - Love Is The King

Jeff Tweedy

Love Is The King

12inch0051497218478
dBpm Records
15.01.2021

It was inside Jeff Tweedy’s second home, The Loft in Chicago, that Love Is The King was recorded in April of 2020. Surrounded by an assemblage of treasured instruments and loved ones in a world that felt more and more alien by the day.

Out on dBpm Records, Love Is The King, a “beautifully honest ode to love and hope,” is the follow-up to 2018’s WARM and 2019’s WARMER, and comes on the heels of Tweedy’s second book, How To Write One Song, out October 13th via Penguin Random House's Dutton. “At the beginning of the lockdown I started writing country songs to console myself. Folk and country type forms being the shapes that come most easily to me in a comforting way. 'Guess Again' is a good example of the success I was having at pushing the world away, counting my blessings — taking stock in my good fortune to have love in my life,” comments Tweedy. “A few weeks later things began to sound like 'Love Is The King' — a little more frayed around the edges with a lot more fear creeping in. Still hopeful but definitely discovering the limits of my own ability to self soothe." –Jeff Tweedy

pré-commande15.01.2021

il devrait être publié sur 15.01.2021

22,14
Alex Martin - OCD presents The Secret Sun: Alex Martin - Futurespective Vol. 1

We’re thrilled to have another legend of the underground on O.C.D. : Alex Martin.

A very well respected mainstay in the Spanish Techno scene, Alex’s career spans 3 decades under different production aliases and releases on seminal labels like F-Com, Klang Elektronik, PIAS, Cosmos Records, Minifunk, Boozoo, Pagoda Recordings, many of which are now sought-after collectors material.

Alex is a very good friend of the label since long and a while ago he shared with us his DAT archives filled with unreleased material from the early years of his career. It took us a while, but we are now ready to give him the rightly deserved space on our Secret Sun series.

This is the first volume of a collection of never heard before music from Alex Martin under some of his several aliases, retrieved from the vaults to be finally made available to the world.

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11,56

Last In: 14 months ago
Pylon - Pylon Box

Pylon

Pylon Box

4x12inchNW5408LP
New West Records
10.11.2020
 
47

In the late-1970s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional Southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires Pylon.
 Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. However, Pylon were less of a band and more of an art project, which meant they had very specific goals in mind, as well as an expiration date.
 While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.
 Their 1979 single ‘Cool’ / ‘Dub’ reached legendary status, with Rolling Stone titling it one of the 100 Greatest Debut Singles Of All Time.
 In 1980 the band released their first record, ‘Gyrate’, and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the Big Apple.
 Following the critical acclaim of their debut release, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self proclaimed nonmusicians who had transformed gradually but noticeably into real musicians. The resulting album, ‘Chomp’, was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity but Pylon were sceptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.
 “We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”
 New West Records are proud to partner with Pylon to reissue ‘Chomp’ and ‘Gyrate’ back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl (140g) for the first time in over 30 years.
 New West Records also present ‘Pylon Box’, a comprehensive look at the band that features the remastered studio LPs ‘Gyrate’ and ‘Chomp’, the 11-song collection ‘Extra’ - which includes rarities and previously unreleased studio and live recordings - and ‘Razz Tape’, Pylon’s first ever recording: a 13-song unreleased session that pre-dates the band’s seminal ‘Cool’ / ‘Dub’ debut.
 ‘Pylon Box’ also includes a hardbound 200-page full colour book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker and Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52’s, Bradford Cox of Deerhunter, Mission of Burma, Calvin Johnson of Beat Happening and K Records, Anthony DeCurtis, Chris Stamey of the dB’s, Steve Wynn of the Dream Syndicate and many more. Features an extensive essay chronicling the band’s history, with interviews with the surviving members of the band as well as members of R.E.M., B-52’s, Gang of Four, Method Actors and more. It also features never before seen images and artifacts from both the band’s personal archives as well as items now housed at the Special Collections Library at the University of Georgia and the Georgia Museum of Art, UGA.

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117,61

Last In: 5 years ago
Pylon - Gyrate

Pylon

Gyrate

12inchNW5362
New West Records
06.11.2020

In the late-1970s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional Southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires Pylon.
 Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. However, Pylon were less of a band and more of an art project, which meant they had very specific goals in mind, as well as an expiration date.
 While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.
 Their 1979 single ‘Cool’ / ‘Dub’ reached legendary status, with Rolling Stone titling it one of the 100 Greatest Debut Singles Of All Time.
 In 1980 the band released their first record, ‘Gyrate’, and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the Big Apple.
 Following the critical acclaim of their debut release, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self proclaimed nonmusicians who had transformed gradually but noticeably into real musicians. The resulting album, ‘Chomp’, was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity but Pylon were sceptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.
 “We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”
 New West Records are proud to partner with Pylon to reissue ‘Chomp’ and ‘Gyrate’ back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl (140g) for the first time in over 30 years.
 New West Records also present ‘Pylon Box’, a comprehensive look at the band that features the remastered studio LPs ‘Gyrate’ and ‘Chomp’, the 11-song collection ‘Extra’ - which includes rarities and previously unreleased studio and live recordings - and ‘Razz Tape’, Pylon’s first ever recording: a 13-song unreleased session that pre-dates the band’s seminal ‘Cool’ / ‘Dub’ debut.
 ‘Pylon Box’ also includes a hardbound 200-page full colour book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker and Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52’s, Bradford Cox of Deerhunter, Mission of Burma, Calvin Johnson of Beat Happening and K Records, Anthony DeCurtis, Chris Stamey of the dB’s, Steve Wynn of the Dream Syndicate and many more. Features an extensive essay chronicling the band’s history, with interviews with the surviving members of the band as well as members of R.E.M., B-52’s, Gang of Four, Method Actors and more. It also features never before seen images and artifacts from both the band’s personal archives as well as items now housed at the Special Collections Library at the University of Georgia and the Georgia Museum of Art, UGA.

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20,58

Last In: 5 years ago
Nasser Baker - Tribes of the Metronome

Nasser Baker’s talent precedes him. A handpicked protégé of Dennis Ferrer, the blossoming talent is now carving his own niche in the house space. His ascension continues today with the release of ‘Tribes Of The Metronome,’ marking his DIRTYBIRD debut.

“Tribes Of The Metronome” uses sputtering bass and distorted vocals to make its impact, maintaining a consistent, yet driving pace that keeps energy levels high from start to finish. “About You” sees Baker laying on the heavy grooves, with a reverberated bassline, off-kilter synths, and crisp hi hats joining together with its vocal elements for a tech house piece with a classic flair. Both have been sought-after set weapons for Claude VonStroke, making their release particularly exciting for the DIRTYBIRD flock.

Beyond his work with Dennis Ferrer, Nasser Baker’s keen ear for house has been recognized by plenty of industry greats. His ‘Say Something’ EP on Circus was an instant hit, receiving remixes from the likes of Paul Woolford and Rebūke. Nasser’s work has also appeared numerous times on Objektivity, and recently, he was tapped by Green Velvet for an EP on Relief. It’s clear this young producer is here to stay!

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13,66

Last In: 2 years ago
CANNON & MIRRORBALL - HOT LOVIN' / SHACK ATTACK

Disco Bits are back with another party time 45.
Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing.

A - Hot Lovin' (Dont Stop Dont Quit)
On side A they they serve up some peaktime Studio 54 realness mixed with a bit of late 80's style hip house.
This is Cerrone meeting Sergio Mendes uptown, Saturday Night, whilst Chali 2na and his posse bumrush the show and grab the mic.

B - Shack Attack !
On the flipside the boys funk it up with some never fail drum breaks from the Disco Shack, vocal snatches of a houseparty classic and a swathe of brand new instrumentation.
The result is a jam is so dope you'll get a contact high by un-sleeving the wax.

Ain't no party like a Cannon & Mirrorball party, y'all !

Get 'em while you can.

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7,94

Last In: 4 years ago
Billy Idle & Mr. Fonk - Disco Bizarre 002

Four smoking hot disco tunes picked by Mr. Fonk and reworked by our veteran edit producer and KitKat resident Billy Idle. Sounding like the mid 70s and early 80s, these tracks have all been tested thoroughly on our Disco Bizarre floor to maximum effect. No fillers, just thrillers!

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9,87

Last In: 5 years ago
Anthony Georges Patrice, Son Dos - Outbound.4

DJ Support and positive Feedback by the likes of
Laurent Garnier, Dixon, Ame, Adriatique, Ian Pooley, Timo Maas, Trikk, Frankey & Sandrino, Sacha, The Drifter, Severino (Horse Meet Disco), Alex Dallas (Zukunft Zürich),
Yør Kultura, Lehar, Denis Horvat, BOG, Echonomist, Fred Everything, Luca Bachetti, Karotte, Roberto Rodriguez…

We're happy to announce the fourth chapter of our sought-after Outbound series which also marks Lossless' second release in 2020. After two extended chapters of Outbound, fully showcasing our labels artist roster, Outbound.4 is a crisp double A-Side affair - featuring two killer Techno workouts courtesy of our French stalwart Anthony George Patrice followed up by two Deep/Dub House delights delivered by Son Dos.

Without a doubt, Berlin based frenchman Anthony George Patrice steadily adjusted and developed his sound to a higher level over the last years. His contribution on Side A - "DBZU (Eine Brücke Zum Übermenschen)" and "Crowned Eagle" exposing new artistic shades and Anthony's ability to take you on a sonic journey and soak you into his rich and driving deeper Techno soundscapes.

Side AA belongs to Son Dos - a creative power plant by two Sweden born men: Barcelona based Marco Gegenheimer and Tapia J. Arriagada living in Malta. The duo already caused a stir with their debut "Children Of Almost" on Outcast Oddity. Marco also released some great music on Studio Barnhus as one half of MLiR!
On our Outbound.4 the guys showcase two amazing cuts originated from fruitful studio jams.

The beautiful "Cala" is hypnotizing us in deep, meditative balearic territories while her powerful brother "Maffio" might have had a little testosterone injection along the way and moves us straight onto the dancefloor. Both tunes are capable to unveil their power outdoors just as much as they will in a sweaty basement!

Son Dos quoting on Anthony George Patrice's tracks:
"These songs sound like a Movie score to us, a soundtrack taking you further and further into an unexplored forest: ...you are on a mission ... chugging drums, haunting strings and rolling percussion guide you... your heartbeat intensifies, with each step that you take...
all of a sudden, the floor underneath you turns into flowing geometrical patterns and you start falling...
a voice tells you "Happiness Is A Miisunderstanding", and the fear you had leaves your mind...you connect yourself with a higher power and realise why you started this mission in the first place"

Anthony George Patrice quoting on Son Dos tracks:
"Lovely balearic yet powerful atmosphere on "Cala"… Head flies and shoes get used. All that you wish for!" ...
"Hands in the air for "Maffio"! Here comes the peaktime booming system. Simple, efficient yet super interesting and deeply rooted dance floor killer. This is ace!

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8,36

Last In: 3 months ago
Ikonika - Bodies EP

Ikonika

Bodies EP

12inchDBA045
Don't Be Afraid
07.07.2020

"What do you do when the body has been through trauma? What do you do with a new body? How do you drive it?

I want to reconnect my mind to the body. I don't know whose body this is anymore. How do I rebuild my physical strength when I'm so tired? How do I accept this body and care for it?

I want to love my body. I want to accept it." (Ikonika, 2020).

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10,29

Last In: 5 years ago
Kosei Fukuda - REITEN 0.011

Kosei Fukuda

REITEN 0.011

12inchRTN011
REITEN
09.04.2020

Japanese artist Kosei Fukuda is back with his new series from his own platform. compilation of tracks with different approach towards experimental field in texture of sounds and beats. 5/5

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9,12

Last In: 5 years ago
Minos - Sorry I'm Late

Minos

Sorry I'm Late

12inchDBA044
Don't Be Afraid
25.02.2020

Dublin's Minos makes his debut on DBA with a rich spread of rollers covering the techno and electro diaspora backed by a Claude Young remix. His influences are techno, IDM and metal, from Downwards to Jeff Mills and Drexciya via Slayer. Originally from a live music background, he was converted to techno after hearing Mills play at the now sadly defunct Twisted Pepper in Dublin, and 'Sorry I'm Late' EP will leaves little doubt that it's Detroit's own brand of high energy, sci-fi sounding techno that inspires his work.

Minos has steadily been making moves in Dublin's fertile underground scene for the past few years as both a DJ and producer. He first released music as Urizen on BRW Records and is a part of Dublin collective wherethetimegoes with a number of other local artists. Never one for sticking to the same method, his production setup utilises both analogue gear and software to create music that continues to build on techno's history while looking to the future.

Claude Young Jr. is universally acknowledged as one of the most respected producers and DJ's to come from the legendary home of techno, Detroit. His best known studio mixes include ... AX-033
Claude Young 'Thoughts Of Phutura' (only official mix compilation for Jeff Mills' Axis Records) and his legendary Claude Young DJ-Kicks Mix for K7!

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9,96

Last In: 6 years ago
KAZAHAYA - HIGH ENOUGH/FOREVER

Kazahaya

HIGH ENOUGH/FOREVER

7"-VinylDBS1011
Disco Bits
06.02.2020

Disco Bits are back with a couple of late night dancefloor sureshots from top notch Japanese producer Kazahaya!

Side A - High Enough
Kazahaya welds together Ain't No Mountain with Let Me Down Easy for an intense high tempo disco workout.
The track builds and builds with a killer vocal from a soul legend. There is even a heavy drums breakdown towards the end of the track. Mashups don't get better than this.

Side B - Forever
A midtempo soul workout on the flip, perfect end of night fodder. Kazahaya takes a slept on Casablanca classic and moulds it into a heavy modern soul wonder.

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7,10

Last In: 6 years ago
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