We continue our special Dirtybird White Label Series with an artist that embodies what the eclectic new platform is all about, Nikki Nair - A brilliant producer and wildly musical mind.
The "More Is Different" EP is full of eclectic and unique productions. The lead track “It Goes”, seamlessly changes mood and direction from gnarly, contorted bass to angelic melodies. “Socket” boom-baps it’s way with square synths, frenetic beats and pensive keys, while the live drum kit, guitar and warped vocal on “Something” are unexpected, yet refreshing, elements to the anodic track.
The EP rounds out with “Want To You”, a fast-paced and frantic piece of work influenced by juke and ghetto house, perfectly encapsulating the sound of the series and Nikki’s immense talent.
Suche:db
Duca un rotolo. Les star tape edit. Equipaggi.
Casinoboy returns after a decade in hiding. Young Sex. Slow Sex. Mr Sexy. Then the grande secret. The Unknown. Nuova. Acid. Jack. Geile. Bang. Hehe, Hoho. He is Rune. A legend. Mumble-grumble. Lindbaek knows the score. Disco, disco, disco. Cut, edit, splice, dice. Pumper.
Finale Campioni. Chuncho. Khidja edit v dub v techno. Who wins?
Following the release of DBA's tenth anniversary digital compilations in 2020, the label presents a vinyl edition sporting the four most in demand tracks. Kerrie opens proceedings with a barnstormer in her trademark dark machine funk style. Bristol's Lurka follows with 'Clean' which has been receiving plays from Ben UFO and other leading DJs. On the flip Mr. G slips down a gear for a deep house workout which is guaranteed to get floors moving, and The Room Below completes the package with futurist batucada bomb 'Bassika'.
- A1: I Don't Wanna Get Hurt
- A2: When Love Takes Over You
- A3: This Time I Know It's For Real
- A4: The Only One
- A5: In Another Place And Time
- B1: Sentimental
- B2: Whatever Your Heart Desires
- B3: Breakaway
- B4: If It Makes You Feel Good
- B5: Love's About To Change My Heart
• Within a year of her ground-breaking Double-Album “Bad Girls”, Donna Summer left Casablanca
Records to become the first Artist signed to the new Geffen Records label.
• Donna’s ‘80s close-out album was 1989’s “ANOTHER PLACE AND TIME”, which paired her with multihit making, multi-million-selling UK producers Stock Aitken Waterman.
• The album’s lead single ‘This Time I Know It’s For Real’ was an uplifting, club floorfiller and radiofriendly hit, peaking at #3 in the UK (#7 on the US Billboard Hot 100), giving Donna her highest
charting single for more than a decade.
• Four further singles were released from the album including the two Top 20 hits, ‘I Don’t Wanna Get
Hurt’ and ‘Love’s About To Change My Heart’, giving Donna back-to-back UK Top 10 hits for the first
time since 1977, as well as remixed versions of ‘When Love Takes Over You’ and ‘Breakaway’.
• “ANOTHER PLACE AND TIME” spent 28 weeks on the UK Artist Albums Chart.
• This special edition revisits the original album on 180g Red Colour vinyl.
- 1: Get Ethnic
- 2: Body Talk
- 3: Work That Magic
- 4: When Love Cries
- 5: Heaven's Just A Whisper Away
- 6: Cry Of A Waking Heart
- 1: Friends Unknown
- 2: Fred Astaire
- 3: Say A Little Prayer
- 4: Mistaken Identity
- 5: What Is It You Want
- 6: Let There Be Peace
• Within a year of her ground-breaking Double-Album “Bad Girls”, Donna Summer left Casablanca
Records to become the first Artist signed to the new Geffen Records label.
• Always ready to embrace new sounds and experiment with different musical genres, Donna
Summer’s 1991 album “MISTAKEN IDENTITY”, was released on Atlantic Records and produced by
Keith Diamond, who was brought in to inject a more street style, which was prevalent at that time.
• Keith Diamond had produced highly successful singles and albums for Billy Ocean, Michael Bolton,
Mick Jagger, Sheena Easton, Don Johnson and James Ingram; the latter having been heavily
involved with Donna’s 1982 album ‘Donna Summer’.
• The album includes the singles ‘Work That Magic’ and ‘When Love Cries’, as well as the tracks ‘Cry
Of A Waking Heart’ and ‘Heaven’s Just A Whisper Away’, which showed how her amazing vocals
could make very good contemporary songs sound great.
• This special edition revisits the original album on 180g Yellow Colour vinyl.
- A1: The Wanderer
- A2: Looking Up
- A3: Breakdown
- A4: Grand Illusion
- A5: Running For Cover
- B1: Cold Love
- B2: Who Do You Think You're Foolin
- B3: Nightlife
- B4: Stop Me
- B5: I Believe In Jesus
Black Vinyl[19,75 €]
• Within a year of her ground-breaking Double-Album “Bad Girls”, Donna Summer left Casablanca Records
to become the first Artist signed to the new Geffen Records label, with “The Wanderer” being the first
album released on the label.
• Legendary producers Giorgio Moroder and Pete Bellotte remained at the helm.
• With the US #3 hit of the title track and other standout tracks ‘Looking Up’, ‘Cold Love’, ‘Who Do You Think
You’re Foolin’’ and ‘Nightlife’, “The Wanderer” continued Donna’s creative output.
• “The Wanderer” was released the year after the ‘Disco Demolition Night’ event - which was held,
ironically, two days before ‘Bad Girls’ became a US #1 single - and introduced more rock-infused
dance/pop tunes – which paved the way for many Artists throughout the 1980s.
• Donna received two Grammy Award nominations. Best Rock Vocal Performance, Female for ‘Cold Love’
and Best Inspirational Performance for ‘I Believe In Jesus’.
• In 2020, “The Wanderer” had a resurge in interest and a re-appraisal, with several tracks being remixed for
a new generation, resulting in a one month stop at #1 on one of the UK’s top Soul radio stations.
• This special edition revisits the original album on 180g White Colour vinyl
A bridging of minds and energies, a confluence of souls and spirits. Midnight Shift releases an exclusive collaboration between Prequel Tapes and dBridge - Ionize. Cast all genres aside, as two electronic worlds collide to produce a third sonic space.
Start your engines with 'Divisible Cause' speeding and hurtling into the great atmospheric unknown. Outlier for the freaks, 'Stray Thrills' amalgamates between the classicist EBM and futurist UK bass. Stumble through 'Pleasure Systems' with light sabres, wrangled beats and gun shots ricochetting off the walls in one heady disorientation. Then wander aimlessly into the warehouse at 170bpm with 'Mindless', led by twilight tones and menacing machines at every turn.
Those who pay close attention to DJ Harvey’s sets should already be familiar with NuNorthern Soul’s next single, a fully licensed reissue of a sought-after 1980 promotional seven-inch from legendary Spanish Flamenco singer Manuel Mancheño Peña, better known as El Turronero (‘The Nougat’).
Both ‘Las Penas’ and ‘Si Yo Volviera A Nacer’ have long been secret weapons in the sets of dusty-fingered Balearic DJs, with Harvey regularly dropping the tracks during his sessions at Pikes Hotel on the White Isle.
Both tracks first appeared on Pena’s 1980 album New Hondo, a set that updated the then veteran Flamenco artist’s sound for the disco era. Whereas most of his previous albums were more traditional Flamenco affairs, New Hondo combined his throaty, effervescent Flamenco singing style with the driving grooves, swooping orchestration and spacey synthesizer sounds of European disco.
To promote the album, Spanish label DB Belter pressed up a promotional “45” featuring two of the most club-friendly cuts on the album. It’s this release that is being reissued for the very first time by NuNorthern Soul.
A-side ‘Las Penas’ is undoubtedly an off-kilter, late-night disco classic. Built around a flanged, action-packed disco-funk bassline, metronomic beats. soaring and layered female backing vocals, intergalactic synth sounds and stirring strings, the track steps up a level when ‘El Turronero’ takes to the microphone to belt out an infectious, energetic vocal in his trademark Flamenco style. It’s the kind of cut that’s as haunting and intoxicating as it is funky and floor friendly.
Flipside ‘Si You Volviera A Nacer’, another of New Hendo’s most sought-after tracks, is another unique and righteous concoction. Looser, groovier and warmer in tone, it sees another sublime, Flamenco style lead vocal from Pena accompanied by even funkier bass, spiralling ’70s synthesizer sounds, sweaty drums and some seriously exotic instrumental flourishes (think sitar and kalimba). It’s every bit as alluring as the more driving A-side, and equally as playable.
Both tracks may be unusual in comparison to the artist’s other releases, but they expertly capture a moment in time, when disco dominated dancefloors all over the world and inspired even the most traditional and historic of European musical styles. Quite a number of flamenco-disco records were made in Spain during the late ’70s and early ’80s, but very few are quite as magical as these.
A few years ago, Don Zilla was sat alone in an internet cafe teaching himself FL Studio, dreaming of becoming one of Africa's greatest music producers. These early experiments evolved into 2019's "From the Cave to the World", an EP that showcased Zilla's rare fusion of eerie industrial electronics, lurching bass and constantly-shifting East African rhythms. Now the manager of Kampala's Boutiq Studios, Zilla returns to Hakuna Kulala with his eagerly-awaited debut album "Ekizikiza Mubwengula", a labyrinthine album that weaves freewheeling dance sub-genres into a bejeweled tapestry, signaling a path to the future. There's the cybernetic 'nuum funk of dBridge, Emptyset's overdriven, cacophonous anxiety, the hyper-paced airlock club ofShanghai's Hyph11E and the confrontational intensity of Dreamcrusher; everything is melted into a groove-fwd whole that's tough to resist. Tangling trap into slippery, atmospheric doom-step on 'Buziba', experimenting with uptempo, Slikback-esque rhythmic complexity on 'Tension' and reshaping noisy industrial ambience on 'Shots', Zilla uses the album to continuously challenge expectations, folding sounds in on themselves Inception-style and allowing fresh rhythms, textures and forms to peek through. It's a bold step from a central character in East Africa's rapidly-growing stable of paradigm shifting experimental club producers.
Marcus Schmickler's music is designed for multi-channel sound projections and references German electronic music tradition, spectral music, experimentalism as well as 1990s club music. His artistic practice explores avant-garde trajectories in electronic music composition, formal systems, sonification and psychoacoustics. EMEGO 296 features two new major works from this audacious sound explorer.
Sky Dice / Mapping the Studio premiered at Donaueschinger Tage fur Neue Musik 10.20.2018 having being commissioned by SWR and realized at the Experimentalstudio (EXP) in Freiburg. This is a work for ARP 2500, Publison DHM89B, Publison Infernal Machine and Computer. Taking cues from Bruce Nauman's Mapping the Studio I (Fat Chance John Cage) (2001) the piece draws a fragmented acoustic map of the SWR facility itself; the studio serves as a source-model for the sonic display of historical signal flow graphs. Various acoustic and psychoacoustic effects come into play including the Larsen effect, as well as Style Transfer and Topological Sonification. The result is a daring and dizzying display of disorientating audio. Sound moves in most unusual ways, rising and falling simultaneously, appearing and disappearing like apparitions, nothing here behaves in expected ways. To paraphrase Albert Einstein's now famous quote regarding quantum mechanics, this is spooky audio at a distance.
Fortuna Ribbon is a selection of sonic material that emerged from a research based on how DPOAEs (Distortion Product Otoacoustic Emission) can be designed in the context of musical frameworks, augmenting the compositional pallets in regard to spatial hearing. In this manifestation, the materials are presented without context. The resulting emissions from the ear that are excited in varying ways from the 6 examples on display here. Playback in undisturbed acoustic environments is recommended at >82 dB/A.
Schmickler's ongoing investigation of sound matter conjures impossible audio that delight's in the extremity of form and resulting effects on the listener. Schmickler's audio invocations explore the capabilities of contemporary technology resulting in dizzying new worlds of sound.
Thanks to the Experimentalstudio crew, Detlef Heusinger, Björn Gottstein, Julian Rohrhuber and Peter Rehberg.
London-based record label Wisdom Teeth kicks off 2021 with something close to home: Blush - the playful, dynamic debut LP by label co-founder, Facta. Recorded unusually quickly over a short stint in early 2020, the record is the product of a period of refreshed and unfussy creativity. It’s an innovative and distinctly contemporary album that moves a good few steps beyond the artist’s work to date - loosely rooted in UK dance music but taking added influence from ambient, modern classical, dreampop, Balearic, folk music and beyond. The result is a lush, ornate record populated by aqueous pads, bleeping arps, wandering melodies and sparse broken rhythms; acoustic instruments that play out alongside FM synths, all processed with a pristine UV sheen inherited from modern pop music. The record opens with ‘Sistine (Plucks)’ - a crystalline synth piece with a stumbling, shifting metre revolving around an odd-ended MIDI harp loop, coloured through with washed-out pads and snatches of found sound. This breezy mood follows through to ‘On Deck’, where an FM vibraphone rings out on top of woozy, warping chords and a subby soca groove. Moving forward the record moves cohesively through a range of shifting moods and hues. The machine jazz of ‘Brushes’ is tense and coiled, with nods towards Burnt Friedman, Photek and Eli Keszler. ‘Iso Stream’ sees a rich, colourful sprawl of arpeggiated synths and dissociated vocal chops unspool slowly to form pooling, lowlit melodies. Title track ‘Blush’ is a forlorn Autonomic love song built from clicks-n-cuts - like dBridge & Instra:mental reduced and reinterpreted by SND. Throughout, bold, broad melodies take centre stage, and the tracks build like compositions rather than loops or club tools. There are echoes of the dancefloor - particularly in the slo-mo bruk of ‘Verge’ and the glacial subs underpinning ‘Diving Birds’ (a collaboration with friend and Trilogy Tapes regular Parris) - however the end results find us somewhere far off. ‘Blush’ is the second long-form release to come from Wisdom Teeth following K-LONE’s 2020 debut album, ‘Cape Cira’, which was widely ranked as one the best LPs of 2020.
Tape / Cassette
Everyone's favorite synth acid genius, J. Mono from Lajosmizse is back on Dalmata Daniel with the double album Redate I & II tape release, an emotionally filled journey of 24 songs, all showing deep thoughtfulness of composition, mastering soundwaves and harmonies.
This cassette is limited and numbered to 60 copies with risograph printed J-card sleeve in hard case. Every tape comes with unique label sticker for this release and download code.
The collaborative debut of American minimal techno pioneer Troy Pierce and Colombian audiovisual artist Natalia Escobar aka Poison Arrow was conceived in reverse: first they created a collection of shadowy surrealist videos, then wrote music inspired by them. This inverted process proved remarkably fruitful. Shatter is a simmering, slow-burn noir odyssey inspired by the Greek myth of Echo and Narcissus, traversing subtle shades of sleepwalker dub, metallic lament, broken beats, and erotic negative space. It's an effectively unsettling evocation of the legend's core theme: “There is nothing more complex than a shattered heart, or a heart that can't love.”
Considering their shared background trafficking in darkened dance floor modes, what's most striking about Pierce with Arrow's partnership is its rhythmic restraint. The album's 10 tracks seethe and shudder between glamor and gloom, with only occasional dread-steeped metronomes mapping the malaise to a grid. They speak of pursuing a “spatial approach” with this project, which manifests in the music's immersive design and patient execution, each mangled clang and rippling pool of bass allowed to reverberate
its full flickering waveform.
The collaborative debut of American minimal techno pioneer Troy Pierce and Colombian audiovisual artist Natalia Escobar aka Poison Arrow was conceived in reverse: first they created a collection of shadowy surrealist videos, then wrote music inspired by them. This inverted process proved remarkably fruitful. Shatter is a simmering, slow-burn noir odyssey inspired by the Greek myth of Echo and Narcissus, traversing subtle shades of sleepwalker dub, metallic lament, broken beats, and erotic negative space. It's an effectively unsettling evocation of the legend's core theme: "There is nothing more complex than a shattered heart, or a heart that can't love." Considering their shared background trafficking in darkened dance floor modes, what's most striking about Pierce with Arrow's partnership is its rhythmic restraint. The album's 10 tracks seethe and shudder between glamor and gloom, with only occasional dread-steeped metronomes mapping the malaise to a grid. They speak of pursuing a "spatial approach" with this project, which manifests in the music's immersive design and patient execution, each mangled clang and rippling pool of bass allowed to reverberate its full flickering waveform. Guest appearances by austere techno producer Konrad Black ("Obsidian Glass") and drum n bass institution dBridge ("It's A Love Story, After All") flow seamlessly into the whole, subtle sculptural accents on a dimly lit descent through purgatories of longing and lust. But the shadows recede for the record's closing cut, "Narcissus," which swells elegiacally in a mass of devotional drones over a muted heartbeat, like Narcissus gazing upon his reflection in holy awe: elusive true beauty, finally beheld, by itself.
One of the most enjoyable parts of Dirtybird is to watch a talented artist grow. Nala started out in Miami cutting her teeth on the local DJ circuit and then moved to LA where she eventually signed with VonStroke and Aundy's Motherbird Management.
Her weekly Dirtybird "TV Party" on Twitch is one of the most popular shows on the network. Each week she features her unmistakeable punk & new wave-influenced DJ style while also hosting a special underground guest, as well as her long time friend and local LA rave legend, Richie Panic.
Nala’s debut on Dirtybird, “Psychic Attack”, is a gritty A-side with her own vocals shouting about the nervous the angst of 2020. The B-side, “Sun Is Hot” showcases her gentler side with a deep groove, a smooth vocal tone, and melodic vintage synth riffs throughout.
DRP (Dom & Roland Productions) was started in 2006 for Dom to collaborate with like-minded artists. Now 15 years in with an enviable roster from “Noisia” to “Amon Tobin” it is now the main home of Dom’s work.
Mando is one of Doms closest friends. He has been writing music for over 25 years. A gardener by day, he shuns the limelight and has always maintained writing music is his secret hobby! He had a studio in the room next to No-U-Turn in the 90s which was eventually taken over by Optical and Edrush.
Until fairly recently he never released anything! He has an amazing ability to create sick grooves, his style is raw and refreshing and not over produced like a lot of modern music. If i had to pigeonhole his style I would say 90s neurofunk.
Both these tracks play to his strengths. This is his first release on vinyl, so will become collectable!
DJ PLAY: What? In their bedrooms? These people regularly play DRP tracks… Rene Lavice, Laurent Garnier, Giles Peterson, Jerome Hill, Digital, DJ Bailey, DJ Lee, Bryan G, Fabio, Grooverider, Loxi, Andy C, Break, Kasra, Doc Scott, Dbridge, Goldie, Ant TC1, Gridlok, Ulterior Motive, Noisia + More.
Reissue of this sought after Bastedos double header, serving up two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him, to 'join his party'.
If you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along, dancing tune versioned from the vaults of Moby Dick.
*Repress*
Ruffhouse dropped their debut on Ingredients in October with 'The Foot / Bypass' to much acclaim. Already touted as a force to watch, their follow up is as good if not better!
'Demand' really shows their ability to make progressive, forward thinking music and it's the unpredictability of 'Demand' that makes it a stand out track. 'Division III' is equally as impressive, room shattering drums & almighty stabs. Pressed onto 300 limited edition white vinyl.
* DJ support comes from Break, dBridge, Loxy, Skeptical, Dub Phizix, Fracture, Doc Scott TRACKLIST: A: Demand || B: Division III.
Two years after the release of 'Kreise' Selm have once again peered out from the torture racked enclave they call a studio. Originally conceived as two separate EP's and later stacked into an all-consuming album over 44 minutes 'TiiiER / Post-Adrenaline' pushes Selm's agenda of black dwarf techno and physically exhausting industrial churning to new levels. The opening salvo of tracks that form the 'TiiiER' disc (tracks 1-5) posit a techno minimalism coated in the incredible, almost edible crust of controlled distortion and flaking edges garnered through masterful gain staging. Opener 'Sin' accrues greater density with each iteration and pass. 'Kreise' is classic DBX style beep ran into manic filters and weight gain classes.'Moger' is a truly sinister and clinical piece of industrial sound design raising blood pressure with its stainless steel poise. 'Laus' is a real percy, syncopated just the right side of falling over and baked into the toughest compression throbs. It closes the first 'disc' and perhaps what could be considered the more straight forward tracks of the album. 'Post-Adrenaline' the second disc of the set is where Selm's love of intensely textural sound design work can be best felt. 'Nineteen Voices' opens with its disembodied conversations utterly smothered by the roiling mass of bass synth which surrounds on all sides. 'Irr' terrifies the young with it's truly OTT undulance of seismic tone, as reverential to death industrial as it is to guitar music, the riff laid bare. 'Brett' is a damp, warm environment of intelligent growth. Fermenting itself again in a stew of gnashing bass heaviness now crowned with glowing bowed metal and tuned feedback. 'Sommeil' closes the second disc with not a single positive note played, it's a dreary escalation of all the albums previous incarnations, flickering noise shaped rhythm, serpentine bass formations and no rush to please or to entertain. At just under 6 minutes, it and the album are over. Selm do not hold up on this follow up to Kreise. While the albums share ideas they are refined to a point of punishment here. 'TiiiER / Post-Adrenaline' is hyper-modern music that sounds like it's made from air, stone and rust.
It was inside Jeff Tweedy’s second home, The Loft in Chicago, that Love Is The King was recorded in April of 2020. Surrounded by an assemblage of treasured instruments and loved ones in a world that felt more and more alien by the day.
Out on dBpm Records, Love Is The King, a “beautifully honest ode to love and hope,” is the follow-up to 2018’s WARM and 2019’s WARMER, and comes on the heels of Tweedy’s second book, How To Write One Song, out October 13th via Penguin Random House's Dutton. “At the beginning of the lockdown I started writing country songs to console myself. Folk and country type forms being the shapes that come most easily to me in a comforting way. 'Guess Again' is a good example of the success I was having at pushing the world away, counting my blessings — taking stock in my good fortune to have love in my life,” comments Tweedy. “A few weeks later things began to sound like 'Love Is The King' — a little more frayed around the edges with a lot more fear creeping in. Still hopeful but definitely discovering the limits of my own ability to self soothe." –Jeff Tweedy
We’re thrilled to have another legend of the underground on O.C.D. : Alex Martin.
A very well respected mainstay in the Spanish Techno scene, Alex’s career spans 3 decades under different production aliases and releases on seminal labels like F-Com, Klang Elektronik, PIAS, Cosmos Records, Minifunk, Boozoo, Pagoda Recordings, many of which are now sought-after collectors material.
Alex is a very good friend of the label since long and a while ago he shared with us his DAT archives filled with unreleased material from the early years of his career. It took us a while, but we are now ready to give him the rightly deserved space on our Secret Sun series.
This is the first volume of a collection of never heard before music from Alex Martin under some of his several aliases, retrieved from the vaults to be finally made available to the world.
- A1: Volume (Lp1 Gyrate)
- A2: Feast On My Heart
- A3: Precaution
- A4: Weather Radio
- A5: The Human Body
- A6: Read A Book
- B1: Driving School
- B2: Gravity
- B3: Danger
- B4: Working Is No Problem
- B5: Stop It
- C1: K (Lp2 Chomp)
- C2: Yo-Yo
- C3: Beep
- C4: Italian Movie Theme
- C5: Crazy
- C6: M-Train
- D1: Buzz
- D2: No Clocks
- D3: Reptiles
- D4: Spider
- D5: Gyrate
- D6: Altitude
- E1: The Human Body (Lp3 Razz Tape)
- E4: Working Is No Problem
- E5: Precaution
- E6: Cool
- E7: Functionality
- F1: Efficiency
- F2: Information
- F3: Dub
- F4: Modern Day Fashion Woman (Version 2)
- F5: Danger
- F6: Feast On My Heart (Working Version)
- G1: Untitled (Lp4 Extra)
- G2: Cool
- G3: Dub
- G4: Recent Title
- G5: Danger!! (Danger Remix)
- H1: Crazy (Single Mix)
- H2: Reptiles (Channel One Version)
- H3: No Clocks (Channel One Version)
- H4: Spider (Alternative Mix)
- H5: 3 X 3 (Live)
- H6: Danger Iii (Live)
- E2: Modern Day Fashion Woman (Version 1)
- E3: Read A Book (Instrumental)
In the late-1970s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional Southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires Pylon.
Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. However, Pylon were less of a band and more of an art project, which meant they had very specific goals in mind, as well as an expiration date.
While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.
Their 1979 single ‘Cool’ / ‘Dub’ reached legendary status, with Rolling Stone titling it one of the 100 Greatest Debut Singles Of All Time.
In 1980 the band released their first record, ‘Gyrate’, and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the Big Apple.
Following the critical acclaim of their debut release, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self proclaimed nonmusicians who had transformed gradually but noticeably into real musicians. The resulting album, ‘Chomp’, was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity but Pylon were sceptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.
“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”
New West Records are proud to partner with Pylon to reissue ‘Chomp’ and ‘Gyrate’ back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl (140g) for the first time in over 30 years.
New West Records also present ‘Pylon Box’, a comprehensive look at the band that features the remastered studio LPs ‘Gyrate’ and ‘Chomp’, the 11-song collection ‘Extra’ - which includes rarities and previously unreleased studio and live recordings - and ‘Razz Tape’, Pylon’s first ever recording: a 13-song unreleased session that pre-dates the band’s seminal ‘Cool’ / ‘Dub’ debut.
‘Pylon Box’ also includes a hardbound 200-page full colour book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker and Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52’s, Bradford Cox of Deerhunter, Mission of Burma, Calvin Johnson of Beat Happening and K Records, Anthony DeCurtis, Chris Stamey of the dB’s, Steve Wynn of the Dream Syndicate and many more. Features an extensive essay chronicling the band’s history, with interviews with the surviving members of the band as well as members of R.E.M., B-52’s, Gang of Four, Method Actors and more. It also features never before seen images and artifacts from both the band’s personal archives as well as items now housed at the Special Collections Library at the University of Georgia and the Georgia Museum of Art, UGA.
In the late-1970s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional Southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires Pylon.
Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. However, Pylon were less of a band and more of an art project, which meant they had very specific goals in mind, as well as an expiration date.
While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.
Their 1979 single ‘Cool’ / ‘Dub’ reached legendary status, with Rolling Stone titling it one of the 100 Greatest Debut Singles Of All Time.
In 1980 the band released their first record, ‘Gyrate’, and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the Big Apple.
Following the critical acclaim of their debut release, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self proclaimed nonmusicians who had transformed gradually but noticeably into real musicians. The resulting album, ‘Chomp’, was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity but Pylon were sceptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.
“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”
New West Records are proud to partner with Pylon to reissue ‘Chomp’ and ‘Gyrate’ back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl (140g) for the first time in over 30 years.
New West Records also present ‘Pylon Box’, a comprehensive look at the band that features the remastered studio LPs ‘Gyrate’ and ‘Chomp’, the 11-song collection ‘Extra’ - which includes rarities and previously unreleased studio and live recordings - and ‘Razz Tape’, Pylon’s first ever recording: a 13-song unreleased session that pre-dates the band’s seminal ‘Cool’ / ‘Dub’ debut.
‘Pylon Box’ also includes a hardbound 200-page full colour book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker and Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52’s, Bradford Cox of Deerhunter, Mission of Burma, Calvin Johnson of Beat Happening and K Records, Anthony DeCurtis, Chris Stamey of the dB’s, Steve Wynn of the Dream Syndicate and many more. Features an extensive essay chronicling the band’s history, with interviews with the surviving members of the band as well as members of R.E.M., B-52’s, Gang of Four, Method Actors and more. It also features never before seen images and artifacts from both the band’s personal archives as well as items now housed at the Special Collections Library at the University of Georgia and the Georgia Museum of Art, UGA.
Nasser Baker’s talent precedes him. A handpicked protégé of Dennis Ferrer, the blossoming talent is now carving his own niche in the house space. His ascension continues today with the release of ‘Tribes Of The Metronome,’ marking his DIRTYBIRD debut.
“Tribes Of The Metronome” uses sputtering bass and distorted vocals to make its impact, maintaining a consistent, yet driving pace that keeps energy levels high from start to finish. “About You” sees Baker laying on the heavy grooves, with a reverberated bassline, off-kilter synths, and crisp hi hats joining together with its vocal elements for a tech house piece with a classic flair. Both have been sought-after set weapons for Claude VonStroke, making their release particularly exciting for the DIRTYBIRD flock.
Beyond his work with Dennis Ferrer, Nasser Baker’s keen ear for house has been recognized by plenty of industry greats. His ‘Say Something’ EP on Circus was an instant hit, receiving remixes from the likes of Paul Woolford and Rebūke. Nasser’s work has also appeared numerous times on Objektivity, and recently, he was tapped by Green Velvet for an EP on Relief. It’s clear this young producer is here to stay!
Disco Bits are back with another party time 45.
Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing.
A - Hot Lovin' (Dont Stop Dont Quit)
On side A they they serve up some peaktime Studio 54 realness mixed with a bit of late 80's style hip house.
This is Cerrone meeting Sergio Mendes uptown, Saturday Night, whilst Chali 2na and his posse bumrush the show and grab the mic.
B - Shack Attack !
On the flipside the boys funk it up with some never fail drum breaks from the Disco Shack, vocal snatches of a houseparty classic and a swathe of brand new instrumentation.
The result is a jam is so dope you'll get a contact high by un-sleeving the wax.
Ain't no party like a Cannon & Mirrorball party, y'all !
Get 'em while you can.
Four smoking hot disco tunes picked by Mr. Fonk and reworked by our veteran edit producer and KitKat resident Billy Idle. Sounding like the mid 70s and early 80s, these tracks have all been tested thoroughly on our Disco Bizarre floor to maximum effect. No fillers, just thrillers!
The re-mastered former Moods & Grooves release will be available after 23 years as vinyl only edition!
DJ Support and positive Feedback by the likes of
Laurent Garnier, Dixon, Ame, Adriatique, Ian Pooley, Timo Maas, Trikk, Frankey & Sandrino, Sacha, The Drifter, Severino (Horse Meet Disco), Alex Dallas (Zukunft Zürich),
Yør Kultura, Lehar, Denis Horvat, BOG, Echonomist, Fred Everything, Luca Bachetti, Karotte, Roberto Rodriguez…
We're happy to announce the fourth chapter of our sought-after Outbound series which also marks Lossless' second release in 2020. After two extended chapters of Outbound, fully showcasing our labels artist roster, Outbound.4 is a crisp double A-Side affair - featuring two killer Techno workouts courtesy of our French stalwart Anthony George Patrice followed up by two Deep/Dub House delights delivered by Son Dos.
Without a doubt, Berlin based frenchman Anthony George Patrice steadily adjusted and developed his sound to a higher level over the last years. His contribution on Side A - "DBZU (Eine Brücke Zum Übermenschen)" and "Crowned Eagle" exposing new artistic shades and Anthony's ability to take you on a sonic journey and soak you into his rich and driving deeper Techno soundscapes.
Side AA belongs to Son Dos - a creative power plant by two Sweden born men: Barcelona based Marco Gegenheimer and Tapia J. Arriagada living in Malta. The duo already caused a stir with their debut "Children Of Almost" on Outcast Oddity. Marco also released some great music on Studio Barnhus as one half of MLiR!
On our Outbound.4 the guys showcase two amazing cuts originated from fruitful studio jams.
The beautiful "Cala" is hypnotizing us in deep, meditative balearic territories while her powerful brother "Maffio" might have had a little testosterone injection along the way and moves us straight onto the dancefloor. Both tunes are capable to unveil their power outdoors just as much as they will in a sweaty basement!
Son Dos quoting on Anthony George Patrice's tracks:
"These songs sound like a Movie score to us, a soundtrack taking you further and further into an unexplored forest: ...you are on a mission ... chugging drums, haunting strings and rolling percussion guide you... your heartbeat intensifies, with each step that you take...
all of a sudden, the floor underneath you turns into flowing geometrical patterns and you start falling...
a voice tells you "Happiness Is A Miisunderstanding", and the fear you had leaves your mind...you connect yourself with a higher power and realise why you started this mission in the first place"
Anthony George Patrice quoting on Son Dos tracks:
"Lovely balearic yet powerful atmosphere on "Cala"… Head flies and shoes get used. All that you wish for!" ...
"Hands in the air for "Maffio"! Here comes the peaktime booming system. Simple, efficient yet super interesting and deeply rooted dance floor killer. This is ace!
"What do you do when the body has been through trauma? What do you do with a new body? How do you drive it?
I want to reconnect my mind to the body. I don't know whose body this is anymore. How do I rebuild my physical strength when I'm so tired? How do I accept this body and care for it?
I want to love my body. I want to accept it." (Ikonika, 2020).
Dublin's Minos makes his debut on DBA with a rich spread of rollers covering the techno and electro diaspora backed by a Claude Young remix. His influences are techno, IDM and metal, from Downwards to Jeff Mills and Drexciya via Slayer. Originally from a live music background, he was converted to techno after hearing Mills play at the now sadly defunct Twisted Pepper in Dublin, and 'Sorry I'm Late' EP will leaves little doubt that it's Detroit's own brand of high energy, sci-fi sounding techno that inspires his work.
Minos has steadily been making moves in Dublin's fertile underground scene for the past few years as both a DJ and producer. He first released music as Urizen on BRW Records and is a part of Dublin collective wherethetimegoes with a number of other local artists. Never one for sticking to the same method, his production setup utilises both analogue gear and software to create music that continues to build on techno's history while looking to the future.
Claude Young Jr. is universally acknowledged as one of the most respected producers and DJ's to come from the legendary home of techno, Detroit. His best known studio mixes include ... AX-033
Claude Young 'Thoughts Of Phutura' (only official mix compilation for Jeff Mills' Axis Records) and his legendary Claude Young DJ-Kicks Mix for K7!
Disco Bits are back with a couple of late night dancefloor sureshots from top notch Japanese producer Kazahaya!
Side A - High Enough
Kazahaya welds together Ain't No Mountain with Let Me Down Easy for an intense high tempo disco workout.
The track builds and builds with a killer vocal from a soul legend. There is even a heavy drums breakdown towards the end of the track. Mashups don't get better than this.
Side B - Forever
A midtempo soul workout on the flip, perfect end of night fodder. Kazahaya takes a slept on Casablanca classic and moulds it into a heavy modern soul wonder.
Uniformity of Nature, the second release on Prague based Detach Recordings, marks an exciting collaboration between Romanian producer DYL (re:st, Alpha Cutauri, Skutta) and Germany's Senking (Raster Noton, Karaoke Kalk).
DYL pushes the bounderies of his sound beyond his 170 roots, with the powerful electronics of 'Phrases' and the electrifying team-up with Senking on 'Destroyed City Lights'. Two tracks see DYL in the more familiar peripheries of D&B. The percussive 'Words', with its curious background atmospherics, and the driving, hypnotic collaboration with DB1 on the title track 'Uniformity of Nature'. 'Launch' sees Senking slow the tempo down and delve into a more murky space, yet still highly-charged with razor-sharp sound design.
DYL closes the EP with the abstract 'Semantics', a further excursion into experimental electronics. The record comes housed in a screen-printed transparent sleeve, with a limited edition insert by Romanian artist Teodora Gavrila.
Four blazing Disco Edits venturing deep into American and Asian Disco by Son Of Lee from Brooklyn. He played a seamless DJ set for Disco Bizarre at KitKat Club Berlin in November 2019 and ever since we wanted to release some of his material...
What a great opportunity to start up our new label, venturing deep into Italo, Disco, HiNRG and all the bizarre stuff in between!
We're very happy and proud to represent with the first release the
first ep which came out on legendary Dance Mania Records!
"Hardcore Jazz" by Duane & Co. was done as a hommage to James Brown. Special thanks to Ray Barney!
Here are some words by Duane Buford. Some yers ago my friend and Mentor Ray Barney started a record label and we sat down and talked about his 1st release, I sat down in my basement and put something together little did I know years later it will be reissued, a little while later we did our second release which was really successful. I really give thanks to Dancemania records a label Ray Barney and I started, many others have tried to claim that they started this record label but all of them are totally full of s*** ...
A little while later ended up getting signed to a major record label which actually served no purpose for me what so ever, it was'nt the label it was the people i was involved with at the time, I was making more money with Ray Barney and Dancemania.
Moral to this, take care of your paper work when you release your music, don't sign away your publishing, you never know where your song will end up.








































